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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #149ADE it is the complementary color #EB6521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #149ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #149ADE shade: #199AD9, #2AACEC, #3BBEFF, #4CD0FF and #5DE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #149ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #149ADE shade: #149ADE, #0388CB, #0076B8, #0064A5 and #005292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #149ADE shade: #1498DB, #1463DB, #142DDB, #3114DB and #6714DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #149ADE shade: #1498DB, #1463DB, #142DDB and #1414DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #149ADE shade matches the following richer shades: #1498DB and #019FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #149ADE shade: #1498DB, #2892C8, #3B8CB5, #4F85A1 and #627F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #149ADE shade: #14DBB4, #14CEDB, #1499DB, #1464DB and #142FDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #149ADE shade: #0D6490, #117EB6, #1498DB, #2DACEC and #53BBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #149ADE shade: #149ADE, #7E14DB and #DBCE14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #149ADE shade: #149ADE, #DB1499 and #99DB14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #149ADE shade: #149ADE, #7E14DB, #DB5714 and #71DB14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #149ADE shade: #149ADE, #BA14DB, #DB5714 and #36DB14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 31 / 0 / 13

HEX #149ADE

RGB 20 154 222

HSL 200.2, 0.83%, 0.47%

LAB 60.37, -8.69, -43.61

 

Complementary color

CMYK 0 / 57 / 86 / 8

HEX #EB6521

RGB 235 101 33

HSL 20.2, 0.83%, 0.53%

LAB 59.05, 48.66, 59.73

 

CMYK 88 / 29 / 0 / 15

HEX #199AD9

RGB 25 154 217

HSL 199.69, 0.79%, 0.47%

LAB 60.18, -10.25, -41.12

 

CMYK 82 / 27 / 0 / 7

HEX #2AACEC

RGB 42 172 236

HSL 199.79, 0.84%, 0.55%

LAB 66.56, -12.26, -41.58

 

CMYK 77 / 25 / 0 / 0

HEX #3BBEFF

RGB 59 190 255

HSL 199.9, 1%, 0.62%

LAB 72.88, -13.89, -41.99

 

CMYK 70 / 18 / 0 / 0

HEX #4CD0FF

RGB 76 208 255

HSL 195.75, 1%, 0.65%

LAB 78.38, -21.26, -33.41

 

CMYK 64 / 11 / 0 / 0

HEX #5DE2FF

RGB 93 226 255

HSL 190.74, 1%, 0.68%

LAB 83.93, -27.77, -24.87

 

CMYK 91 / 31 / 0 / 13

HEX #149ADE

RGB 20 154 222

HSL 200.2, 0.83%, 0.47%

LAB 60.37, -8.69, -43.61

 

CMYK 99 / 33 / 0 / 20

HEX #0388CB

RGB 3 136 203

HSL 200.1, 0.97%, 0.4%

LAB 53.96, -6.06, -43.07

 

CMYK 100 / 36 / 0 / 28

HEX #0076B8

RGB 0 118 184

HSL 201.52, 1%, 0.36%

LAB 47.52, -2.8, -42.4

 

CMYK 100 / 39 / 0 / 35

HEX #0064A5

RGB 0 100 165

HSL 203.64, 1%, 0.32%

LAB 40.95, 0.75, -41.74

 

CMYK 100 / 44 / 0 / 43

HEX #005292

RGB 0 82 146

HSL 206.3, 1%, 0.29%

LAB 34.21, 4.56, -41.11

 

CMYK 91 / 31 / 0 / 14

HEX #1498DB

RGB 20 152 219

HSL 200.2, 0.83%, 0.47%

LAB 59.63, -8.66, -43.1

 

CMYK 91 / 55 / 0 / 14

HEX #1463DB

RGB 20 99 219

HSL 216.18, 0.83%, 0.47%

LAB 44.5, 23.87, -67.34

 

CMYK 91 / 79 / 0 / 14

HEX #142DDB

RGB 20 45 219

HSL 232.46, 0.83%, 0.47%

LAB 32.12, 56.71, -87.7

 

CMYK 78 / 91 / 0 / 14

HEX #3114DB

RGB 49 20 219

HSL 248.74, 0.83%, 0.47%

LAB 30.08, 67.34, -91.07

 

CMYK 53 / 91 / 0 / 14

HEX #6714DB

RGB 103 20 219

HSL 265.03, 0.83%, 0.47%

LAB 35, 70.62, -82.75

 

CMYK 91 / 31 / 0 / 14

HEX #1498DB

RGB 20 152 219

HSL 200.2, 0.83%, 0.47%

LAB 59.63, -8.66, -43.1

 

CMYK 91 / 55 / 0 / 14

HEX #1463DB

RGB 20 99 219

HSL 216.18, 0.83%, 0.47%

LAB 44.5, 23.87, -67.34

 

CMYK 91 / 79 / 0 / 14

HEX #142DDB

RGB 20 45 219

HSL 232.46, 0.83%, 0.47%

LAB 32.12, 56.71, -87.7

 

CMYK 91 / 91 / 0 / 14

HEX #1414DB

RGB 20 20 219

HSL 240, 0.83%, 0.47%

LAB 28.81, 66.61, -93.22

 

CMYK 91 / 31 / 0 / 14

HEX #1498DB

RGB 20 152 219

HSL 200.2, 0.83%, 0.47%

LAB 59.63, -8.66, -43.1

 

CMYK 100 / 33 / 0 / 6

HEX #019FEF

RGB 1 159 239

HSL 200.17, 0.99%, 0.47%

LAB 62.54, -5.87, -49.59

 

CMYK 91 / 31 / 0 / 14

HEX #1498DB

RGB 20 152 219

HSL 200.2, 0.83%, 0.47%

LAB 59.63, -8.66, -43.1

 

CMYK 80 / 27 / 0 / 22

HEX #2892C8

RGB 40 146 200

HSL 200.25, 0.67%, 0.47%

LAB 57.25, -10.7, -36.17

 

CMYK 67 / 23 / 0 / 29

HEX #3B8CB5

RGB 59 140 181

HSL 200.16, 0.51%, 0.47%

LAB 55.1, -11.44, -28.71

 

CMYK 51 / 17 / 0 / 37

HEX #4F85A1

RGB 79 133 161

HSL 200.49, 0.34%, 0.47%

LAB 52.96, -9.87, -20.44

 

CMYK 31 / 11 / 0 / 44

HEX #627F8E

RGB 98 127 142

HSL 200.45, 0.18%, 0.47%

LAB 51.53, -6.58, -11.47

 

CMYK 91 / 0 / 18 / 14

HEX #14DBB4

RGB 20 219 180

HSL 168.24, 0.83%, 0.47%

LAB 78.52, -52.99, 6.8

 

CMYK 91 / 6 / 0 / 14

HEX #14CEDB

RGB 20 206 219

HSL 183.92, 0.83%, 0.47%

LAB 75.7, -36.39, -18.29

 

CMYK 91 / 30 / 0 / 14

HEX #1499DB

RGB 20 153 219

HSL 199.9, 0.83%, 0.47%

LAB 59.93, -9.22, -42.63

 

CMYK 91 / 54 / 0 / 14

HEX #1464DB

RGB 20 100 219

HSL 215.88, 0.83%, 0.47%

LAB 44.77, 23.22, -66.9

 

CMYK 91 / 79 / 0 / 14

HEX #142FDB

RGB 20 47 219

HSL 231.86, 0.83%, 0.47%

LAB 32.47, 55.7, -87.12

 

CMYK 91 / 31 / 0 / 44

HEX #0D6490

RGB 13 100 144

HSL 200.15, 0.83%, 0.31%

LAB 39.94, -6.99, -30.79

 

CMYK 91 / 31 / 0 / 29

HEX #117EB6

RGB 17 126 182

HSL 200.36, 0.83%, 0.39%

LAB 50, -7.63, -37.32

 

CMYK 91 / 31 / 0 / 14

HEX #1498DB

RGB 20 152 219

HSL 200.2, 0.83%, 0.47%

LAB 59.63, -8.66, -43.1

 

CMYK 81 / 27 / 0 / 7

HEX #2DACEC

RGB 45 172 236

HSL 200.1, 0.83%, 0.55%

LAB 66.61, -12, -41.5

 

CMYK 65 / 22 / 0 / 6

HEX #53BBEF

RGB 83 187 239

HSL 200, 0.83%, 0.63%

LAB 71.97, -14.36, -34.72

 

CMYK 91 / 31 / 0 / 13

HEX #149ADE

RGB 20 154 222

HSL 200.2, 0.83%, 0.47%

LAB 60.37, -8.69, -43.61

 

CMYK 42 / 91 / 0 / 14

HEX #7E14DB

RGB 126 20 219

HSL 271.96, 0.83%, 0.47%

LAB 37.93, 72.85, -77.81

 

CMYK 0 / 6 / 91 / 14

HEX #DBCE14

RGB 219 206 20

HSL 56.08, 0.83%, 0.47%

LAB 81.43, -12.57, 79.62

 

CMYK 91 / 31 / 0 / 13

HEX #149ADE

RGB 20 154 222

HSL 200.2, 0.83%, 0.47%

LAB 60.37, -8.69, -43.61

 

CMYK 0 / 91 / 30 / 14

HEX #DB1499

RGB 219 20 153

HSL 319.9, 0.83%, 0.47%

LAB 49.33, 77.53, -19.96

 

CMYK 30 / 0 / 91 / 14

HEX #99DB14

RGB 153 219 20

HSL 79.9, 0.83%, 0.47%

LAB 80.45, -45.49, 76.9

 

CMYK 91 / 31 / 0 / 13

HEX #149ADE

RGB 20 154 222

HSL 200.2, 0.83%, 0.47%

LAB 60.37, -8.69, -43.61

 

CMYK 42 / 91 / 0 / 14

HEX #7E14DB

RGB 126 20 219

HSL 271.96, 0.83%, 0.47%

LAB 37.93, 72.85, -77.81

 

CMYK 0 / 60 / 91 / 14

HEX #DB5714

RGB 219 87 20

HSL 20.2, 0.83%, 0.47%

LAB 53.95, 49.02, 59.09

 

CMYK 48 / 0 / 91 / 14

HEX #71DB14

RGB 113 219 20

HSL 91.96, 0.83%, 0.47%

LAB 78.59, -58.92, 74.61

 

CMYK 91 / 31 / 0 / 13

HEX #149ADE

RGB 20 154 222

HSL 200.2, 0.83%, 0.47%

LAB 60.37, -8.69, -43.61

 

CMYK 15 / 91 / 0 / 14

HEX #BA14DB

RGB 186 20 219

HSL 290.05, 0.83%, 0.47%

LAB 47.05, 80.69, -62.56

 

CMYK 0 / 60 / 91 / 14

HEX #DB5714

RGB 219 87 20

HSL 20.2, 0.83%, 0.47%

LAB 53.95, 49.02, 59.09

 

CMYK 75 / 0 / 91 / 14

HEX #36DB14

RGB 54 219 20

HSL 109.75, 0.83%, 0.47%

LAB 76.98, -72.17, 72.61

 

Description

Color code: HEX #149ADE | qconv.com Color code: HEX #149ADE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 154 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 154 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 31 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 31% 0% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - Chocolate Boxes
Link: http://www.prestat.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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