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Color name
HEX #149AC5

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #149AC5 it is the complementary color #EB653A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #149AC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #149AC5 shade: #199AC0, #2AACD3, #3BBEE6, #4CD0F9 and #5DE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #149AC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #149AC5 shade: #149AC5, #0388B2, #00769F, #00648C and #005279

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #149AC5 shade: #149CC8, #146BC8, #143BC8, #1D14C8 and #4E14C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #149AC5 shade: #149CC8, #146BC8, #143BC8 and #1414C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #149AC5 shade matches the following richer shades: #149CC8 and #02A5D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #149AC5 shade: #149CC8, #2593B6, #378AA4, #498192 and #5B7781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #149AC5 shade: #14C892, #14C8C2, #149EC8, #146EC8 and #143EC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #149AC5 shade: #0C617C, #107FA2, #149CC8, #1CB7E9 and #42C3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #149AC5 shade: #149AC5, #6214C8 and #C8AA14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #149AC5 shade: #149AC5, #C8149E and #9EC814

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #149AC5 shade: #149AC5, #6214C8, #C83E14 and #7AC814

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #149AC5 shade: #149AC5, #9814C8, #C83E14 and #44C814

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 22 / 0 / 23

HEX #149AC5

RGB 20 154 197

HSL 194.58, 0.82%, 0.43%

LAB 59.24, -17.69, -31.4

 

Complementary color

CMYK 0 / 57 / 75 / 8

HEX #EB653A

RGB 235 101 58

HSL 14.58, 0.82%, 0.57%

LAB 59.23, 49.43, 48.92

 

CMYK 87 / 20 / 0 / 25

HEX #199AC0

RGB 25 154 192

HSL 193.65, 0.77%, 0.43%

LAB 59.09, -19.14, -28.82

 

CMYK 80 / 18 / 0 / 17

HEX #2AACD3

RGB 42 172 211

HSL 193.85, 0.67%, 0.5%

LAB 65.51, -20.8, -29.47

 

CMYK 74 / 17 / 0 / 10

HEX #3BBEE6

RGB 59 190 230

HSL 194.04, 0.77%, 0.57%

LAB 71.87, -22.09, -30.04

 

CMYK 69 / 16 / 0 / 2

HEX #4CD0F9

RGB 76 208 249

HSL 194.22, 0.94%, 0.64%

LAB 78.16, -23.12, -30.56

 

CMYK 64 / 11 / 0 / 0

HEX #5DE2FF

RGB 93 226 255

HSL 190.74, 1%, 0.68%

LAB 83.93, -27.77, -24.87

 

CMYK 90 / 22 / 0 / 23

HEX #149AC5

RGB 20 154 197

HSL 194.58, 0.82%, 0.43%

LAB 59.24, -17.69, -31.4

 

CMYK 98 / 24 / 0 / 30

HEX #0388B2

RGB 3 136 178

HSL 194.4, 0.97%, 0.35%

LAB 52.78, -15.41, -30.67

 

CMYK 100 / 26 / 0 / 38

HEX #00769F

RGB 0 118 159

HSL 195.47, 1%, 0.31%

LAB 46.26, -12.49, -29.81

 

CMYK 100 / 29 / 0 / 45

HEX #00648C

RGB 0 100 140

HSL 197.14, 1%, 0.27%

LAB 39.59, -9.3, -28.93

 

CMYK 100 / 32 / 0 / 53

HEX #005279

RGB 0 82 121

HSL 199.34, 1%, 0.24%

LAB 32.73, -5.92, -28.09

 

CMYK 90 / 22 / 0 / 22

HEX #149CC8

RGB 20 156 200

HSL 194.67, 0.82%, 0.43%

LAB 59.98, -17.71, -31.95

 

CMYK 90 / 47 / 0 / 22

HEX #146BC8

RGB 20 107 200

HSL 211, 0.82%, 0.43%

LAB 45.41, 11.23, -55

 

CMYK 90 / 71 / 0 / 22

HEX #143BC8

RGB 20 59 200

HSL 227, 0.82%, 0.43%

LAB 32.8, 42.4, -75.56

 

CMYK 86 / 90 / 0 / 22

HEX #1D14C8

RGB 29 20 200

HSL 243, 0.82%, 0.43%

LAB 26.54, 61.64, -85.94

 

CMYK 61 / 90 / 0 / 22

HEX #4E14C8

RGB 78 20 200

HSL 259.33, 0.82%, 0.43%

LAB 30.13, 64.06, -79.87

 

CMYK 90 / 22 / 0 / 22

HEX #149CC8

RGB 20 156 200

HSL 194.67, 0.82%, 0.43%

LAB 59.98, -17.71, -31.95

 

CMYK 90 / 47 / 0 / 22

HEX #146BC8

RGB 20 107 200

HSL 211, 0.82%, 0.43%

LAB 45.41, 11.23, -55

 

CMYK 90 / 71 / 0 / 22

HEX #143BC8

RGB 20 59 200

HSL 227, 0.82%, 0.43%

LAB 32.8, 42.4, -75.56

 

CMYK 90 / 90 / 0 / 22

HEX #1414C8

RGB 20 20 200

HSL 240, 0.82%, 0.43%

LAB 26.21, 61.44, -86.5

 

CMYK 90 / 22 / 0 / 22

HEX #149CC8

RGB 20 156 200

HSL 194.67, 0.82%, 0.43%

LAB 59.98, -17.71, -31.95

 

CMYK 99 / 24 / 0 / 15

HEX #02A5D9

RGB 2 165 217

HSL 194.51, 0.98%, 0.43%

LAB 63.29, -17.16, -36.27

 

CMYK 90 / 22 / 0 / 22

HEX #149CC8

RGB 20 156 200

HSL 194.67, 0.82%, 0.43%

LAB 59.98, -17.71, -31.95

 

CMYK 80 / 19 / 0 / 29

HEX #2593B6

RGB 37 147 182

HSL 194.48, 0.66%, 0.43%

LAB 56.72, -17.85, -26.81

 

CMYK 66 / 16 / 0 / 36

HEX #378AA4

RGB 55 138 164

HSL 194.31, 0.5%, 0.43%

LAB 53.67, -16.61, -21.16

 

CMYK 50 / 12 / 0 / 43

HEX #498192

RGB 73 129 146

HSL 193.97, 0.33%, 0.43%

LAB 50.91, -13.57, -14.87

 

CMYK 29 / 8 / 0 / 49

HEX #5B7781

RGB 91 119 129

HSL 195.79, 0.17%, 0.43%

LAB 48.26, -7.56, -8.77

 

CMYK 90 / 0 / 27 / 22

HEX #14C892

RGB 20 200 146

HSL 162, 0.82%, 0.43%

LAB 71.91, -53.82, 15.6

 

CMYK 90 / 0 / 3 / 22

HEX #14C8C2

RGB 20 200 194

HSL 178, 0.82%, 0.43%

LAB 73.12, -41.17, -8.63

 

CMYK 90 / 21 / 0 / 22

HEX #149EC8

RGB 20 158 200

HSL 194, 0.82%, 0.43%

LAB 60.58, -18.78, -31.01

 

CMYK 90 / 45 / 0 / 22

HEX #146EC8

RGB 20 110 200

HSL 210, 0.82%, 0.43%

LAB 46.27, 9.32, -53.61

 

CMYK 90 / 69 / 0 / 22

HEX #143EC8

RGB 20 62 200

HSL 226, 0.82%, 0.43%

LAB 33.49, 40.53, -74.43

 

CMYK 90 / 22 / 0 / 51

HEX #0C617C

RGB 12 97 124

HSL 194.46, 0.82%, 0.27%

LAB 37.99, -13.01, -21.71

 

CMYK 90 / 22 / 0 / 36

HEX #107FA2

RGB 16 127 162

HSL 194.38, 0.82%, 0.35%

LAB 49.37, -15.69, -26.71

 

CMYK 90 / 22 / 0 / 22

HEX #149CC8

RGB 20 156 200

HSL 194.67, 0.82%, 0.43%

LAB 59.98, -17.71, -31.95

 

CMYK 88 / 21 / 0 / 9

HEX #1CB7E9

RGB 28 183 233

HSL 194.63, 0.82%, 0.51%

LAB 69.47, -20.12, -35.43

 

CMYK 72 / 17 / 0 / 7

HEX #42C3EC

RGB 66 195 236

HSL 194.47, 0.82%, 0.59%

LAB 73.7, -21.89, -30.45

 

CMYK 90 / 22 / 0 / 23

HEX #149AC5

RGB 20 154 197

HSL 194.58, 0.82%, 0.43%

LAB 59.24, -17.69, -31.4

 

CMYK 51 / 90 / 0 / 22

HEX #6214C8

RGB 98 20 200

HSL 266, 0.82%, 0.43%

LAB 32.41, 65.76, -76.03

 

CMYK 0 / 15 / 90 / 22

HEX #C8AA14

RGB 200 170 20

HSL 50, 0.82%, 0.43%

LAB 70.23, -2.31, 70.23

 

CMYK 90 / 22 / 0 / 23

HEX #149AC5

RGB 20 154 197

HSL 194.58, 0.82%, 0.43%

LAB 59.24, -17.69, -31.4

 

CMYK 0 / 90 / 21 / 22

HEX #C8149E

RGB 200 20 158

HSL 314, 0.82%, 0.43%

LAB 45.97, 74.22, -28.43

 

CMYK 21 / 0 / 90 / 22

HEX #9EC814

RGB 158 200 20

HSL 74, 0.82%, 0.43%

LAB 75.22, -35.21, 72.78

 

CMYK 90 / 22 / 0 / 23

HEX #149AC5

RGB 20 154 197

HSL 194.58, 0.82%, 0.43%

LAB 59.24, -17.69, -31.4

 

CMYK 51 / 90 / 0 / 22

HEX #6214C8

RGB 98 20 200

HSL 266, 0.82%, 0.43%

LAB 32.41, 65.76, -76.03

 

CMYK 0 / 69 / 90 / 22

HEX #C83E14

RGB 200 62 20

HSL 14, 0.82%, 0.43%

LAB 46.68, 53.02, 52.35

 

CMYK 39 / 0 / 90 / 22

HEX #7AC814

RGB 122 200 20

HSL 86, 0.82%, 0.43%

LAB 73.22, -48.7, 70.32

 

CMYK 90 / 22 / 0 / 23

HEX #149AC5

RGB 20 154 197

HSL 194.58, 0.82%, 0.43%

LAB 59.24, -17.69, -31.4

 

CMYK 24 / 90 / 0 / 22

HEX #9814C8

RGB 152 20 200

HSL 284, 0.82%, 0.43%

LAB 40.16, 72.32, -63.02

 

CMYK 0 / 69 / 90 / 22

HEX #C83E14

RGB 200 62 20

HSL 14, 0.82%, 0.43%

LAB 46.68, 53.02, 52.35

 

CMYK 66 / 0 / 90 / 22

HEX #44C814

RGB 68 200 20

HSL 104, 0.82%, 0.43%

LAB 71.27, -63.86, 67.91

 

Description

Color code: HEX #149AC5 | qconv.com Color code: HEX #149AC5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 154 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 154 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 22 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 22% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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