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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #149998 it is the complementary color #EB6667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #149998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #149998 shade: #199993, #2AABA6, #3BBDB9, #4CCFCC and #5DE1DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #149998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #149998 shade: #149998, #038785, #007572, #00635F and #00514C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #149998 shade: #149998, #149974, #149950, #14992C and #1F9914

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #149998 shade: #149998, #147699, #145299, #142E99 and #141499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #149998 shade matches the following richer shades: #149998 and #06A7A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #149998 shade: #149998, #228B8B, #307D7D, #3E6F6F and #4C6161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #149998 shade: #149950, #149974, #149997, #147899 and #145499

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #149998 shade: #0A5050, #0F7574, #149998, #19BEBD and #1EE2E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #149998 shade: #149998, #2C1499 and #996214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #149998 shade: #149998, #971499 and #999714

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #149998 shade: #149998, #2C1499, #991416 and #819914

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #149998 shade: #149998, #541499, #991416 and #599914

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

Complementary color

CMYK 0 / 57 / 56 / 8

HEX #EB6667

RGB 235 102 103

HSL 359.55, 0.77%, 0.66%

LAB 60.02, 51.53, 25.35

 

CMYK 84 / 0 / 4 / 40

HEX #199993

RGB 25 153 147

HSL 177.19, 0.72%, 0.35%

LAB 57.17, -33.35, -6.19

 

CMYK 75 / 0 / 3 / 33

HEX #2AABA6

RGB 42 171 166

HSL 177.67, 0.61%, 0.42%

LAB 63.65, -34.46, -7.27

 

CMYK 69 / 0 / 2 / 26

HEX #3BBDB9

RGB 59 189 185

HSL 178.15, 0.52%, 0.49%

LAB 70.06, -35.26, -8.22

 

CMYK 63 / 0 / 1 / 19

HEX #4CCFCC

RGB 76 207 204

HSL 178.63, 0.58%, 0.55%

LAB 76.39, -35.82, -9.09

 

CMYK 59 / 0 / 1 / 12

HEX #5DE1DF

RGB 93 225 223

HSL 179.09, 0.69%, 0.62%

LAB 82.65, -36.21, -9.88

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 98 / 0 / 1 / 47

HEX #038785

RGB 3 135 133

HSL 179.09, 0.96%, 0.27%

LAB 50.73, -30.46, -7.71

 

CMYK 100 / 0 / 3 / 54

HEX #007572

RGB 0 117 114

HSL 178.46, 1%, 0.23%

LAB 44.14, -28.03, -6.3

 

CMYK 100 / 0 / 4 / 61

HEX #00635F

RGB 0 99 95

HSL 177.58, 1%, 0.19%

LAB 37.39, -25.37, -4.8

 

CMYK 100 / 0 / 6 / 68

HEX #00514C

RGB 0 81 76

HSL 176.3, 1%, 0.16%

LAB 30.42, -22.64, -3.21

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 87 / 0 / 24 / 40

HEX #149974

RGB 20 153 116

HSL 163.31, 0.77%, 0.34%

LAB 56.28, -42.36, 10.16

 

CMYK 87 / 0 / 48 / 40

HEX #149950

RGB 20 153 80

HSL 147.07, 0.77%, 0.34%

LAB 55.59, -50.14, 29.08

 

CMYK 87 / 0 / 71 / 40

HEX #14992C

RGB 20 153 44

HSL 130.83, 0.77%, 0.34%

LAB 55.19, -55.08, 45.78

 

CMYK 80 / 0 / 87 / 40

HEX #1F9914

RGB 31 153 20

HSL 115.04, 0.77%, 0.34%

LAB 55.2, -55.49, 53.67

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 87 / 23 / 0 / 40

HEX #147699

RGB 20 118 153

HSL 195.79, 0.77%, 0.34%

LAB 46.18, -13.65, -26.38

 

CMYK 87 / 46 / 0 / 40

HEX #145299

RGB 20 82 153

HSL 212.03, 0.77%, 0.34%

LAB 34.97, 8.67, -44.11

 

CMYK 87 / 70 / 0 / 40

HEX #142E99

RGB 20 46 153

HSL 228.27, 0.77%, 0.34%

LAB 24.96, 33.18, -60.41

 

CMYK 87 / 87 / 0 / 40

HEX #141499

RGB 20 20 153

HSL 240, 0.77%, 0.34%

LAB 19.84, 47.75, -68.89

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 96 / 0 / 1 / 35

HEX #06A7A6

RGB 6 167 166

HSL 179.63, 0.93%, 0.34%

LAB 62.02, -35.11, -9.73

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 76 / 0 / 0 / 45

HEX #228B8B

RGB 34 139 139

HSL 180, 0.61%, 0.34%

LAB 52.59, -28.14, -8.4

 

CMYK 62 / 0 / 0 / 51

HEX #307D7D

RGB 48 125 125

HSL 180, 0.45%, 0.34%

LAB 47.98, -23.17, -7.04

 

CMYK 44 / 0 / 0 / 56

HEX #3E6F6F

RGB 62 111 111

HSL 180, 0.28%, 0.34%

LAB 43.57, -16.53, -5.2

 

CMYK 22 / 0 / 0 / 62

HEX #4C6161

RGB 76 97 97

HSL 180, 0.12%, 0.34%

LAB 39.49, -7.87, -2.62

 

CMYK 87 / 0 / 48 / 40

HEX #149950

RGB 20 153 80

HSL 147.07, 0.77%, 0.34%

LAB 55.59, -50.14, 29.08

 

CMYK 87 / 0 / 24 / 40

HEX #149974

RGB 20 153 116

HSL 163.31, 0.77%, 0.34%

LAB 56.28, -42.36, 10.16

 

CMYK 87 / 0 / 1 / 40

HEX #149997

RGB 20 153 151

HSL 179.1, 0.77%, 0.34%

LAB 57.24, -32.5, -8.38

 

CMYK 87 / 22 / 0 / 40

HEX #147899

RGB 20 120 153

HSL 194.89, 0.77%, 0.34%

LAB 46.82, -14.79, -25.39

 

CMYK 87 / 45 / 0 / 40

HEX #145499

RGB 20 84 153

HSL 211.13, 0.77%, 0.34%

LAB 35.58, 7.34, -43.14

 

CMYK 88 / 0 / 0 / 69

HEX #0A5050

RGB 10 80 80

HSL 180, 0.78%, 0.18%

LAB 30.35, -19.7, -5.85

 

CMYK 87 / 0 / 1 / 54

HEX #0F7574

RGB 15 117 116

HSL 179.41, 0.77%, 0.26%

LAB 44.35, -26.41, -7.17

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 87 / 0 / 1 / 25

HEX #19BEBD

RGB 25 190 189

HSL 179.64, 0.77%, 0.42%

LAB 69.97, -37.87, -10.6

 

CMYK 87 / 0 / 1 / 11

HEX #1EE2E0

RGB 30 226 224

HSL 179.39, 0.77%, 0.5%

LAB 81.87, -43.47, -11.69

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 71 / 87 / 0 / 40

HEX #2C1499

RGB 44 20 153

HSL 250.83, 0.77%, 0.34%

LAB 21.34, 49.02, -66.35

 

CMYK 0 / 36 / 87 / 40

HEX #996214

RGB 153 98 20

HSL 35.19, 0.77%, 0.34%

LAB 46.39, 16.24, 48.99

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 1 / 87 / 0 / 40

HEX #971499

RGB 151 20 153

HSL 299.1, 0.77%, 0.34%

LAB 36.7, 63.95, -40.64

 

CMYK 0 / 1 / 87 / 40

HEX #999714

RGB 153 151 20

HSL 59.1, 0.77%, 0.34%

LAB 60.74, -13.32, 60.85

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 71 / 87 / 0 / 40

HEX #2C1499

RGB 44 20 153

HSL 250.83, 0.77%, 0.34%

LAB 21.34, 49.02, -66.35

 

CMYK 0 / 87 / 86 / 40

HEX #991416

RGB 153 20 22

HSL 359.1, 0.77%, 0.34%

LAB 32.55, 51.82, 36.18

 

CMYK 16 / 0 / 87 / 40

HEX #819914

RGB 129 153 20

HSL 70.83, 0.77%, 0.34%

LAB 59.43, -24.95, 58.99

 

CMYK 87 / 0 / 1 / 40

HEX #149998

RGB 20 153 152

HSL 179.55, 0.77%, 0.34%

LAB 57.27, -32.19, -8.9

 

CMYK 45 / 87 / 0 / 40

HEX #541499

RGB 84 20 153

HSL 268.87, 0.77%, 0.34%

LAB 25.82, 53.06, -58.81

 

CMYK 0 / 87 / 86 / 40

HEX #991416

RGB 153 20 22

HSL 359.1, 0.77%, 0.34%

LAB 32.55, 51.82, 36.18

 

CMYK 42 / 0 / 87 / 40

HEX #599914

RGB 89 153 20

HSL 88.87, 0.77%, 0.34%

LAB 57.03, -40.82, 55.99

 

Description

Color code: HEX #149998 | qconv.com Color code: HEX #149998 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 153 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 153 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 1 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 1% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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