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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #147DBB it is the complementary color #EB8244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #147DBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #147DBB shade: #197DB6, #2A8FC9, #3BA1DC, #4CB3EF and #5DC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #147DBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #147DBB shade: #147DBB, #036BA8, #005995, #004782 and #00356F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #147DBB shade: #147EBD, #1451BD, #1423BD, #3214BD and #6014BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #147DBB shade: #147EBD, #1451BD, #1423BD and #1414BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #147DBB shade matches the following richer shades: #147EBD and #0383CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #147DBB shade: #147EBD, #257AAC, #36769B, #47718A and #586D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #147DBB shade: #14BDA1, #14ACBD, #147FBD, #1452BD and #1425BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #147DBB shade: #0C4C73, #106598, #147EBD, #1897E3 and #39A9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #147DBB shade: #147DBB, #7414BD and #BDB814

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #147DBB shade: #147DBB, #BD147F and #7FBD14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #147DBB shade: #147DBB, #7414BD, #BD5214 and #5DBD14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #147DBB shade: #147DBB, #A714BD, #BD5214 and #2ABD14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 33 / 0 / 27

HEX #147DBB

RGB 20 125 187

HSL 202.28, 0.81%, 0.41%

LAB 49.98, -4.97, -40.22

 

Complementary color

CMYK 0 / 45 / 71 / 8

HEX #EB8244

RGB 235 130 68

HSL 22.28, 0.81%, 0.59%

LAB 65, 35.56, 50.15

 

CMYK 86 / 31 / 0 / 29

HEX #197DB6

RGB 25 125 182

HSL 201.78, 0.76%, 0.41%

LAB 49.8, -6.52, -37.62

 

CMYK 79 / 29 / 0 / 21

HEX #2A8FC9

RGB 42 143 201

HSL 201.89, 0.65%, 0.48%

LAB 56.44, -8.45, -38

 

CMYK 73 / 27 / 0 / 14

HEX #3BA1DC

RGB 59 161 220

HSL 201.99, 0.7%, 0.55%

LAB 63, -9.95, -38.33

 

CMYK 68 / 25 / 0 / 6

HEX #4CB3EF

RGB 76 179 239

HSL 202.09, 0.84%, 0.62%

LAB 69.48, -11.14, -38.61

 

CMYK 64 / 23 / 0 / 0

HEX #5DC5FF

RGB 93 197 255

HSL 201.48, 1%, 0.68%

LAB 75.75, -13.03, -37.45

 

CMYK 89 / 33 / 0 / 27

HEX #147DBB

RGB 20 125 187

HSL 202.28, 0.81%, 0.41%

LAB 49.98, -4.97, -40.22

 

CMYK 98 / 36 / 0 / 34

HEX #036BA8

RGB 3 107 168

HSL 202.18, 0.96%, 0.34%

LAB 43.3, -2.28, -39.76

 

CMYK 100 / 40 / 0 / 42

HEX #005995

RGB 0 89 149

HSL 204.16, 1%, 0.29%

LAB 36.58, 1.22, -39.13

 

CMYK 100 / 45 / 0 / 49

HEX #004782

RGB 0 71 130

HSL 207.23, 1%, 0.25%

LAB 29.71, 5.14, -38.5

 

CMYK 100 / 52 / 0 / 56

HEX #00356F

RGB 0 53 111

HSL 211.35, 1%, 0.22%

LAB 22.63, 9.44, -37.9

 

CMYK 89 / 33 / 0 / 26

HEX #147EBD

RGB 20 126 189

HSL 202.37, 0.81%, 0.41%

LAB 50.39, -4.8, -40.73

 

CMYK 89 / 57 / 0 / 26

HEX #1451BD

RGB 20 81 189

HSL 218.34, 0.81%, 0.41%

LAB 37.31, 23.9, -61.72

 

CMYK 89 / 81 / 0 / 26

HEX #1423BD

RGB 20 35 189

HSL 234.67, 0.81%, 0.41%

LAB 26.81, 52.12, -79.03

 

CMYK 74 / 89 / 0 / 26

HEX #3214BD

RGB 50 20 189

HSL 250.65, 0.81%, 0.41%

LAB 26.31, 59.44, -79.81

 

CMYK 49 / 89 / 0 / 26

HEX #6014BD

RGB 96 20 189

HSL 266.98, 0.81%, 0.41%

LAB 31.02, 62.99, -71.85

 

CMYK 89 / 33 / 0 / 26

HEX #147EBD

RGB 20 126 189

HSL 202.37, 0.81%, 0.41%

LAB 50.39, -4.8, -40.73

 

CMYK 89 / 57 / 0 / 26

HEX #1451BD

RGB 20 81 189

HSL 218.34, 0.81%, 0.41%

LAB 37.31, 23.9, -61.72

 

CMYK 89 / 81 / 0 / 26

HEX #1423BD

RGB 20 35 189

HSL 234.67, 0.81%, 0.41%

LAB 26.81, 52.12, -79.03

 

CMYK 89 / 89 / 0 / 26

HEX #1414BD

RGB 20 20 189

HSL 240, 0.81%, 0.41%

LAB 24.71, 58.37, -82.51

 

CMYK 89 / 33 / 0 / 26

HEX #147EBD

RGB 20 126 189

HSL 202.37, 0.81%, 0.41%

LAB 50.39, -4.8, -40.73

 

CMYK 99 / 36 / 0 / 19

HEX #0383CE

RGB 3 131 206

HSL 202.17, 0.97%, 0.41%

LAB 52.63, -1.96, -46.88

 

CMYK 89 / 33 / 0 / 26

HEX #147EBD

RGB 20 126 189

HSL 202.37, 0.81%, 0.41%

LAB 50.39, -4.8, -40.73

 

CMYK 78 / 29 / 0 / 33

HEX #257AAC

RGB 37 122 172

HSL 202.22, 0.65%, 0.41%

LAB 48.62, -7.34, -33.67

 

CMYK 65 / 24 / 0 / 39

HEX #36769B

RGB 54 118 155

HSL 201.98, 0.48%, 0.41%

LAB 47.12, -8.52, -26.04

 

CMYK 49 / 18 / 0 / 46

HEX #47718A

RGB 71 113 138

HSL 202.39, 0.32%, 0.41%

LAB 45.61, -7.36, -18.24

 

CMYK 28 / 11 / 0 / 52

HEX #586D7A

RGB 88 109 122

HSL 202.94, 0.16%, 0.41%

LAB 44.83, -4.52, -9.78

 

CMYK 89 / 0 / 15 / 26

HEX #14BDA1

RGB 20 189 161

HSL 170.06, 0.81%, 0.41%

LAB 68.84, -45.66, 3.08

 

CMYK 89 / 9 / 0 / 26

HEX #14ACBD

RGB 20 172 189

HSL 186.04, 0.81%, 0.41%

LAB 64.43, -29.64, -18.96

 

CMYK 89 / 33 / 0 / 26

HEX #147FBD

RGB 20 127 189

HSL 202.01, 0.81%, 0.41%

LAB 50.69, -5.39, -40.25

 

CMYK 89 / 57 / 0 / 26

HEX #1452BD

RGB 20 82 189

HSL 217.99, 0.81%, 0.41%

LAB 37.59, 23.24, -61.28

 

CMYK 89 / 80 / 0 / 26

HEX #1425BD

RGB 20 37 189

HSL 233.96, 0.81%, 0.41%

LAB 27.15, 51.13, -78.46

 

CMYK 90 / 34 / 0 / 55

HEX #0C4C73

RGB 12 76 115

HSL 202.72, 0.81%, 0.25%

LAB 30.6, -3.69, -27.69

 

CMYK 89 / 34 / 0 / 40

HEX #106598

RGB 16 101 152

HSL 202.5, 0.81%, 0.33%

LAB 40.71, -4.26, -34.37

 

CMYK 89 / 33 / 0 / 26

HEX #147EBD

RGB 20 126 189

HSL 202.37, 0.81%, 0.41%

LAB 50.39, -4.8, -40.73

 

CMYK 89 / 33 / 0 / 11

HEX #1897E3

RGB 24 151 227

HSL 202.46, 0.81%, 0.49%

LAB 59.77, -4.94, -47.32

 

CMYK 76 / 28 / 0 / 8

HEX #39A9EA

RGB 57 169 234

HSL 202.03, 0.81%, 0.57%

LAB 65.89, -9.83, -41.51

 

CMYK 89 / 33 / 0 / 27

HEX #147DBB

RGB 20 125 187

HSL 202.28, 0.81%, 0.41%

LAB 49.98, -4.97, -40.22

 

CMYK 39 / 89 / 0 / 26

HEX #7414BD

RGB 116 20 189

HSL 274.08, 0.81%, 0.41%

LAB 33.75, 65.27, -67.27

 

CMYK 0 / 3 / 89 / 26

HEX #BDB814

RGB 189 184 20

HSL 58.22, 0.81%, 0.41%

LAB 72.99, -14.42, 71.96

 

CMYK 89 / 33 / 0 / 27

HEX #147DBB

RGB 20 125 187

HSL 202.28, 0.81%, 0.41%

LAB 49.98, -4.97, -40.22

 

CMYK 0 / 89 / 33 / 26

HEX #BD147F

RGB 189 20 127

HSL 322.01, 0.81%, 0.41%

LAB 42.54, 68.32, -15.06

 

CMYK 33 / 0 / 89 / 26

HEX #7FBD14

RGB 127 189 20

HSL 82.01, 0.81%, 0.41%

LAB 70.15, -42.33, 67.88

 

CMYK 89 / 33 / 0 / 27

HEX #147DBB

RGB 20 125 187

HSL 202.28, 0.81%, 0.41%

LAB 49.98, -4.97, -40.22

 

CMYK 39 / 89 / 0 / 26

HEX #7414BD

RGB 116 20 189

HSL 274.08, 0.81%, 0.41%

LAB 33.75, 65.27, -67.27

 

CMYK 0 / 57 / 89 / 26

HEX #BD5214

RGB 189 82 20

HSL 22.01, 0.81%, 0.41%

LAB 48.14, 40.14, 52.6

 

CMYK 51 / 0 / 89 / 26

HEX #5DBD14

RGB 93 189 20

HSL 94.08, 0.81%, 0.41%

LAB 68.59, -53.75, 65.94

 

CMYK 89 / 33 / 0 / 27

HEX #147DBB

RGB 20 125 187

HSL 202.28, 0.81%, 0.41%

LAB 49.98, -4.97, -40.22

 

CMYK 12 / 89 / 0 / 26

HEX #A714BD

RGB 167 20 189

HSL 292.19, 0.81%, 0.41%

LAB 41.83, 72.68, -53.77

 

CMYK 0 / 57 / 89 / 26

HEX #BD5214

RGB 189 82 20

HSL 22.01, 0.81%, 0.41%

LAB 48.14, 40.14, 52.6

 

CMYK 78 / 0 / 89 / 26

HEX #2ABD14

RGB 42 189 20

HSL 112.19, 0.81%, 0.41%

LAB 67.23, -64.98, 64.25

 

Description

Color code: HEX #147DBB | qconv.com Color code: HEX #147DBB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 125 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 125 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 33 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 33% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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