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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #147ACA it is the complementary color #EB8535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #147ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #147ACA shade: #197AC5, #2A8CD8, #3B9EEB, #4CB0FE and #5DC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #147ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #147ACA shade: #147ACA, #0368B7, #0056A4, #004491 and #00327E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #147ACA shade: #147BCC, #144ACC, #1418CC, #4214CC and #7414CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #147ACA shade: #147BCC, #144ACC, #1418CC and #1414CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #147ACA shade matches the following richer shades: #147BCC and #027EDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #147ACA shade: #147BCC, #2679BA, #3977A8, #4B7596 and #5D7384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #147ACA shade: #14CCBA, #14AECC, #147CCC, #144BCC and #141ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #147ACA shade: #0D4E81, #1065A7, #147BCC, #2191E9 and #46A4ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #147ACA shade: #147ACA, #8914CC and #C6CC14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #147ACA shade: #147ACA, #CC147C and #7CCC14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #147ACA shade: #147ACA, #8914CC, #CC6414 and #58CC14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #147ACA shade: #147ACA, #C014CC, #CC6414 and #20CC14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 40 / 0 / 21

HEX #147ACA

RGB 20 122 202

HSL 206.37, 0.82%, 0.44%

LAB 49.9, 2.61, -48.95

 

Complementary color

CMYK 0 / 43 / 77 / 8

HEX #EB8535

RGB 235 133 53

HSL 26.37, 0.82%, 0.56%

LAB 65.51, 33.37, 57.53

 

CMYK 87 / 38 / 0 / 23

HEX #197AC5

RGB 25 122 197

HSL 206.16, 0.77%, 0.44%

LAB 49.69, 0.99, -46.42

 

CMYK 81 / 35 / 0 / 15

HEX #2A8CD8

RGB 42 140 216

HSL 206.21, 0.69%, 0.51%

LAB 56.29, -1.27, -46.68

 

CMYK 75 / 33 / 0 / 8

HEX #3B9EEB

RGB 59 158 235

HSL 206.25, 0.81%, 0.58%

LAB 62.83, -3.07, -46.88

 

CMYK 70 / 31 / 0 / 0

HEX #4CB0FE

RGB 76 176 254

HSL 206.29, 0.99%, 0.65%

LAB 69.29, -4.53, -47.05

 

CMYK 64 / 24 / 0 / 0

HEX #5DC2FF

RGB 93 194 255

HSL 202.59, 1%, 0.68%

LAB 74.91, -11.44, -38.76

 

CMYK 90 / 40 / 0 / 21

HEX #147ACA

RGB 20 122 202

HSL 206.37, 0.82%, 0.44%

LAB 49.9, 2.61, -48.95

 

CMYK 98 / 43 / 0 / 28

HEX #0368B7

RGB 3 104 183

HSL 206.33, 0.97%, 0.36%

LAB 43.27, 5.63, -48.6

 

CMYK 100 / 48 / 0 / 36

HEX #0056A4

RGB 0 86 164

HSL 208.54, 1%, 0.32%

LAB 36.62, 9.44, -48.07

 

CMYK 100 / 53 / 0 / 43

HEX #004491

RGB 0 68 145

HSL 211.86, 1%, 0.28%

LAB 29.86, 13.68, -47.51

 

CMYK 100 / 60 / 0 / 51

HEX #00327E

RGB 0 50 126

HSL 216.19, 1%, 0.25%

LAB 22.96, 18.26, -46.92

 

CMYK 90 / 40 / 0 / 20

HEX #147BCC

RGB 20 123 204

HSL 206.41, 0.82%, 0.44%

LAB 50.3, 2.77, -49.44

 

CMYK 90 / 64 / 0 / 20

HEX #144ACC

RGB 20 74 204

HSL 222.39, 0.82%, 0.44%

LAB 36.75, 34.36, -71.38

 

CMYK 90 / 88 / 0 / 20

HEX #1418CC

RGB 20 24 204

HSL 238.7, 0.82%, 0.44%

LAB 27.19, 61.24, -87.21

 

CMYK 68 / 90 / 0 / 20

HEX #4214CC

RGB 66 20 204

HSL 255, 0.82%, 0.44%

LAB 29.46, 64.26, -83.36

 

CMYK 43 / 90 / 0 / 20

HEX #7414CC

RGB 116 20 204

HSL 271.3, 0.82%, 0.44%

LAB 35.15, 68.52, -73.77

 

CMYK 90 / 40 / 0 / 20

HEX #147BCC

RGB 20 123 204

HSL 206.41, 0.82%, 0.44%

LAB 50.3, 2.77, -49.44

 

CMYK 90 / 64 / 0 / 20

HEX #144ACC

RGB 20 74 204

HSL 222.39, 0.82%, 0.44%

LAB 36.75, 34.36, -71.38

 

CMYK 90 / 88 / 0 / 20

HEX #1418CC

RGB 20 24 204

HSL 238.7, 0.82%, 0.44%

LAB 27.19, 61.24, -87.21

 

CMYK 90 / 90 / 0 / 20

HEX #1414CC

RGB 20 20 204

HSL 240, 0.82%, 0.44%

LAB 26.76, 62.54, -87.93

 

CMYK 90 / 40 / 0 / 20

HEX #147BCC

RGB 20 123 204

HSL 206.41, 0.82%, 0.44%

LAB 50.3, 2.77, -49.44

 

CMYK 99 / 43 / 0 / 13

HEX #027EDE

RGB 2 126 222

HSL 206.18, 0.98%, 0.44%

LAB 52.07, 7.27, -56.81

 

CMYK 90 / 40 / 0 / 20

HEX #147BCC

RGB 20 123 204

HSL 206.41, 0.82%, 0.44%

LAB 50.3, 2.77, -49.44

 

CMYK 80 / 35 / 0 / 27

HEX #2679BA

RGB 38 121 186

HSL 206.35, 0.66%, 0.44%

LAB 49.05, -1.45, -41.1

 

CMYK 66 / 29 / 0 / 34

HEX #3977A8

RGB 57 119 168

HSL 206.49, 0.49%, 0.44%

LAB 48.12, -4.09, -32.08

 

CMYK 50 / 22 / 0 / 41

HEX #4B7596

RGB 75 117 150

HSL 206.4, 0.33%, 0.44%

LAB 47.52, -5, -22.4

 

CMYK 30 / 13 / 0 / 48

HEX #5D7384

RGB 93 115 132

HSL 206.15, 0.17%, 0.44%

LAB 47.31, -3.82, -11.98

 

CMYK 90 / 0 / 9 / 20

HEX #14CCBA

RGB 20 204 186

HSL 174.13, 0.82%, 0.44%

LAB 74.11, -45.19, -2.83

 

CMYK 90 / 15 / 0 / 20

HEX #14AECC

RGB 20 174 204

HSL 189.78, 0.82%, 0.44%

LAB 65.58, -25.71, -25.52

 

CMYK 90 / 39 / 0 / 20

HEX #147CCC

RGB 20 124 204

HSL 206.09, 0.82%, 0.44%

LAB 50.6, 2.16, -48.97

 

CMYK 90 / 63 / 0 / 20

HEX #144BCC

RGB 20 75 204

HSL 222.07, 0.82%, 0.44%

LAB 37, 33.71, -70.97

 

CMYK 90 / 87 / 0 / 20

HEX #141ACC

RGB 20 26 204

HSL 238.04, 0.82%, 0.44%

LAB 27.43, 60.52, -86.81

 

CMYK 90 / 40 / 0 / 49

HEX #0D4E81

RGB 13 78 129

HSL 206.38, 0.82%, 0.28%

LAB 32.08, 0.88, -34.08

 

CMYK 90 / 40 / 0 / 35

HEX #1065A7

RGB 16 101 167

HSL 206.23, 0.83%, 0.36%

LAB 41.54, 1.7, -41.96

 

CMYK 90 / 40 / 0 / 20

HEX #147BCC

RGB 20 123 204

HSL 206.41, 0.82%, 0.44%

LAB 50.3, 2.77, -49.44

 

CMYK 86 / 38 / 0 / 9

HEX #2191E9

RGB 33 145 233

HSL 206.4, 0.82%, 0.52%

LAB 58.47, 1.33, -52.72

 

CMYK 70 / 31 / 0 / 7

HEX #46A4ED

RGB 70 164 237

HSL 206.23, 0.82%, 0.6%

LAB 64.94, -4.37, -44.64

 

CMYK 90 / 40 / 0 / 21

HEX #147ACA

RGB 20 122 202

HSL 206.37, 0.82%, 0.44%

LAB 49.9, 2.61, -48.95

 

CMYK 33 / 90 / 0 / 20

HEX #8914CC

RGB 137 20 204

HSL 278.15, 0.82%, 0.44%

LAB 38.16, 71.04, -68.71

 

CMYK 3 / 0 / 90 / 20

HEX #C6CC14

RGB 198 204 20

HSL 61.96, 0.82%, 0.44%

LAB 79.18, -20.54, 77.14

 

CMYK 90 / 40 / 0 / 21

HEX #147ACA

RGB 20 122 202

HSL 206.37, 0.82%, 0.44%

LAB 49.9, 2.61, -48.95

 

CMYK 0 / 90 / 39 / 20

HEX #CC147C

RGB 204 20 124

HSL 326.09, 0.82%, 0.44%

LAB 45.35, 71.36, -8.68

 

CMYK 39 / 0 / 90 / 20

HEX #7CCC14

RGB 124 204 20

HSL 86.09, 0.82%, 0.44%

LAB 74.52, -49.63, 71.44

 

CMYK 90 / 40 / 0 / 21

HEX #147ACA

RGB 20 122 202

HSL 206.37, 0.82%, 0.44%

LAB 49.9, 2.61, -48.95

 

CMYK 33 / 90 / 0 / 20

HEX #8914CC

RGB 137 20 204

HSL 278.15, 0.82%, 0.44%

LAB 38.16, 71.04, -68.71

 

CMYK 0 / 51 / 90 / 20

HEX #CC6414

RGB 204 100 20

HSL 26.09, 0.82%, 0.44%

LAB 54.03, 37.01, 58.07

 

CMYK 57 / 0 / 90 / 20

HEX #58CC14

RGB 88 204 20

HSL 97.83, 0.82%, 0.44%

LAB 73.1, -60.53, 69.67

 

CMYK 90 / 40 / 0 / 21

HEX #147ACA

RGB 20 122 202

HSL 206.37, 0.82%, 0.44%

LAB 49.9, 2.61, -48.95

 

CMYK 6 / 90 / 0 / 20

HEX #C014CC

RGB 192 20 204

HSL 296.09, 0.82%, 0.44%

LAB 47.06, 79.2, -53.86

 

CMYK 0 / 51 / 90 / 20

HEX #CC6414

RGB 204 100 20

HSL 26.09, 0.82%, 0.44%

LAB 54.03, 37.01, 58.07

 

CMYK 84 / 0 / 90 / 20

HEX #20CC14

RGB 32 204 20

HSL 116.09, 0.82%, 0.44%

LAB 71.92, -70.52, 68.21

 

Description

Color code: HEX #147ACA | qconv.com Color code: HEX #147ACA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 122 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 122 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 40 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 40% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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