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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14741A it is the complementary color #EB8BE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14741A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14741A shade: #197415, #2A8628, #3B983B, #4CAA4E and #5DBC61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14741A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14741A shade: #14741A, #036207, #005000, #003E00 and #002C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14741A shade: #14761A, #287614, #437614, #5D7614 and #767414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14741A shade: #14761A, #147634, #14764F, #147669 and #146876

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14741A shade matches the following richer shades: #14761A and #098110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14741A shade: #14761A, #1F6B24, #2A5F2E, #355437 and #414941

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14741A shade: #437614, #297614, #147619, #147633 and #14764D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14741A shade: #082F0A, #0E5212, #14761A, #1A9922 and #20BC2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14741A shade: #14741A, #145D76 and #761436

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14741A shade: #14741A, #191476 and #761914

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14741A shade: #14741A, #145D76, #761471 and #762C14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14741A shade: #14741A, #144076, #761471 and #764A14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 78 / 55

HEX #14741A

RGB 20 116 26

HSL 123.75, 0.71%, 0.27%

LAB 42.33, -44.67, 39.65

 

Complementary color

CMYK 0 / 41 / 3 / 8

HEX #EB8BE5

RGB 235 139 229

HSL 303.75, 0.71%, 0.73%

LAB 70.72, 49.41, -30.31

 

CMYK 78 / 0 / 82 / 55

HEX #197415

RGB 25 116 21

HSL 117.47, 0.69%, 0.27%

LAB 42.39, -44.29, 41.54

 

CMYK 69 / 0 / 70 / 47

HEX #2A8628

RGB 42 134 40

HSL 118.72, 0.54%, 0.34%

LAB 49.12, -45.75, 41.13

 

CMYK 61 / 0 / 61 / 40

HEX #3B983B

RGB 59 152 59

HSL 120, 0.44%, 0.41%

LAB 55.79, -46.5, 40.06

 

CMYK 55 / 0 / 54 / 33

HEX #4CAA4E

RGB 76 170 78

HSL 121.28, 0.38%, 0.48%

LAB 62.37, -46.83, 38.77

 

CMYK 51 / 0 / 48 / 26

HEX #5DBC61

RGB 93 188 97

HSL 122.53, 0.41%, 0.55%

LAB 68.86, -46.92, 37.44

 

CMYK 83 / 0 / 78 / 55

HEX #14741A

RGB 20 116 26

HSL 123.75, 0.71%, 0.27%

LAB 42.33, -44.67, 39.65

 

CMYK 97 / 0 / 93 / 62

HEX #036207

RGB 3 98 7

HSL 122.53, 0.94%, 0.2%

LAB 35.54, -42.02, 39.27

 

CMYK 100 / 0 / 100 / 69

HEX #005000

RGB 0 80 0

HSL 120, 1%, 0.16%

LAB 28.74, -37.17, 35.87

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 83 / 0 / 78 / 54

HEX #14761A

RGB 20 118 26

HSL 123.67, 0.71%, 0.27%

LAB 43.03, -45.34, 40.35

 

CMYK 66 / 0 / 83 / 54

HEX #287614

RGB 40 118 20

HSL 107.76, 0.71%, 0.27%

LAB 43.45, -41.97, 43

 

CMYK 43 / 0 / 83 / 54

HEX #437614

RGB 67 118 20

HSL 91.22, 0.71%, 0.27%

LAB 44.52, -33.64, 44.39

 

CMYK 21 / 0 / 83 / 54

HEX #5D7614

RGB 93 118 20

HSL 75.31, 0.71%, 0.27%

LAB 46.09, -23.09, 46.41

 

CMYK 0 / 2 / 83 / 54

HEX #767414

RGB 118 116 20

HSL 58.78, 0.71%, 0.27%

LAB 47.49, -10.58, 48.41

 

CMYK 83 / 0 / 78 / 54

HEX #14761A

RGB 20 118 26

HSL 123.67, 0.71%, 0.27%

LAB 43.03, -45.34, 40.35

 

CMYK 83 / 0 / 56 / 54

HEX #147634

RGB 20 118 52

HSL 139.59, 0.71%, 0.27%

LAB 43.29, -42.19, 28.58

 

CMYK 83 / 0 / 33 / 54

HEX #14764F

RGB 20 118 79

HSL 156.12, 0.71%, 0.27%

LAB 43.76, -36.83, 14

 

CMYK 83 / 0 / 11 / 54

HEX #147669

RGB 20 118 105

HSL 172.04, 0.71%, 0.27%

LAB 44.41, -29.86, -0.49

 

CMYK 83 / 12 / 0 / 54

HEX #146876

RGB 20 104 118

HSL 188.57, 0.71%, 0.27%

LAB 40.18, -18.46, -14.68

 

CMYK 83 / 0 / 78 / 54

HEX #14761A

RGB 20 118 26

HSL 123.67, 0.71%, 0.27%

LAB 43.03, -45.34, 40.35

 

CMYK 93 / 0 / 88 / 49

HEX #098110

RGB 9 129 16

HSL 123.5, 0.87%, 0.27%

LAB 46.71, -50.65, 46.95

 

CMYK 83 / 0 / 78 / 54

HEX #14761A

RGB 20 118 26

HSL 123.67, 0.71%, 0.27%

LAB 43.03, -45.34, 40.35

 

CMYK 71 / 0 / 66 / 58

HEX #1F6B24

RGB 31 107 36

HSL 123.95, 0.55%, 0.27%

LAB 39.47, -38.46, 32.31

 

CMYK 56 / 0 / 52 / 63

HEX #2A5F2E

RGB 42 95 46

HSL 124.53, 0.39%, 0.27%

LAB 35.74, -29.15, 22.69

 

CMYK 37 / 0 / 35 / 67

HEX #355437

RGB 53 84 55

HSL 123.87, 0.23%, 0.27%

LAB 32.64, -18.31, 13.43

 

CMYK 11 / 0 / 11 / 71

HEX #414941

RGB 65 73 65

HSL 120, 0.06%, 0.27%

LAB 30.09, -5.05, 3.69

 

CMYK 43 / 0 / 83 / 54

HEX #437614

RGB 67 118 20

HSL 91.22, 0.71%, 0.27%

LAB 44.52, -33.64, 44.39

 

CMYK 65 / 0 / 83 / 54

HEX #297614

RGB 41 118 20

HSL 107.14, 0.71%, 0.27%

LAB 43.48, -41.72, 43.04

 

CMYK 83 / 0 / 79 / 54

HEX #147619

RGB 20 118 25

HSL 123.06, 0.71%, 0.27%

LAB 43.03, -45.42, 40.72

 

CMYK 83 / 0 / 57 / 54

HEX #147633

RGB 20 118 51

HSL 138.98, 0.71%, 0.27%

LAB 43.28, -42.35, 29.09

 

CMYK 83 / 0 / 35 / 54

HEX #14764D

RGB 20 118 77

HSL 154.9, 0.71%, 0.27%

LAB 43.71, -37.3, 15.11

 

CMYK 83 / 0 / 79 / 82

HEX #082F0A

RGB 8 47 10

HSL 123.08, 0.71%, 0.11%

LAB 16.04, -22.59, 18.61

 

CMYK 83 / 0 / 78 / 68

HEX #0E5212

RGB 14 82 18

HSL 123.53, 0.71%, 0.19%

LAB 29.84, -34.35, 30.16

 

CMYK 83 / 0 / 78 / 54

HEX #14761A

RGB 20 118 26

HSL 123.67, 0.71%, 0.27%

LAB 43.03, -45.34, 40.35

 

CMYK 83 / 0 / 78 / 40

HEX #1A9922

RGB 26 153 34

HSL 123.78, 0.71%, 0.35%

LAB 55.19, -55.3, 49.55

 

CMYK 83 / 0 / 78 / 26

HEX #20BC2A

RGB 32 188 42

HSL 123.85, 0.71%, 0.43%

LAB 66.86, -64.8, 58.32

 

CMYK 83 / 0 / 78 / 55

HEX #14741A

RGB 20 116 26

HSL 123.75, 0.71%, 0.27%

LAB 42.33, -44.67, 39.65

 

CMYK 83 / 21 / 0 / 54

HEX #145D76

RGB 20 93 118

HSL 195.31, 0.71%, 0.27%

LAB 36.53, -12.21, -20.28

 

CMYK 0 / 83 / 54 / 54

HEX #761436

RGB 118 20 54

HSL 339.18, 0.71%, 0.27%

LAB 25.62, 43.21, 5.61

 

CMYK 83 / 0 / 78 / 55

HEX #14741A

RGB 20 116 26

HSL 123.75, 0.71%, 0.27%

LAB 42.33, -44.67, 39.65

 

CMYK 79 / 83 / 0 / 54

HEX #191476

RGB 25 20 118

HSL 243.06, 0.71%, 0.27%

LAB 15.57, 36.71, -53.95

 

CMYK 0 / 79 / 83 / 54

HEX #761914

RGB 118 25 20

HSL 3.06, 0.71%, 0.27%

LAB 25.56, 39.5, 28.02

 

CMYK 83 / 0 / 78 / 55

HEX #14741A

RGB 20 116 26

HSL 123.75, 0.71%, 0.27%

LAB 42.33, -44.67, 39.65

 

CMYK 83 / 21 / 0 / 54

HEX #145D76

RGB 20 93 118

HSL 195.31, 0.71%, 0.27%

LAB 36.53, -12.21, -20.28

 

CMYK 0 / 83 / 4 / 54

HEX #761471

RGB 118 20 113

HSL 303.06, 0.71%, 0.27%

LAB 28.23, 50.79, -29.56

 

CMYK 0 / 63 / 83 / 54

HEX #762C14

RGB 118 44 20

HSL 14.69, 0.71%, 0.27%

LAB 28.65, 31.12, 31.1

 

CMYK 83 / 0 / 78 / 55

HEX #14741A

RGB 20 116 26

HSL 123.75, 0.71%, 0.27%

LAB 42.33, -44.67, 39.65

 

CMYK 83 / 46 / 0 / 54

HEX #144076

RGB 20 64 118

HSL 213.06, 0.71%, 0.27%

LAB 27.08, 6.41, -35.17

 

CMYK 0 / 83 / 4 / 54

HEX #761471

RGB 118 20 113

HSL 303.06, 0.71%, 0.27%

LAB 28.23, 50.79, -29.56

 

CMYK 0 / 37 / 83 / 54

HEX #764A14

RGB 118 74 20

HSL 33.06, 0.71%, 0.27%

LAB 35.6, 14.01, 37.72

 

Description

Color code: HEX #14741A | qconv.com Color code: HEX #14741A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 116 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 116 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 78 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 78% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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