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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #147372 it is the complementary color #EB8C8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #147372. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #147372 shade: #19736D, #2A8580, #3B9793, #4CA9A6 and #5DBBB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #147372. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #147372 shade: #147372, #03615F, #004F4C, #003D39 and #002B26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #147372 shade: #147170, #147157, #14713E, #147125 and #1C7114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #147372 shade: #147170, #145971, #144071, #142771 and #141471

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #147372 shade matches the following richer shades: #147170 and #097B7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #147372 shade: #147170, #1F6665, #295B5B, #345150 and #3F4646

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #147372 shade: #14713E, #147156, #14716F, #145A71 and #144171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #147372 shade: #082B2A, #0E4E4D, #147170, #1A9493 and #20B7B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #147372 shade: #147372, #251471 and #714A14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #147372 shade: #147372, #6F1471 and #716F14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #147372 shade: #147372, #251471, #711415 and #607114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #147372 shade: #147372, #411471, #711415 and #447114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 1 / 55

HEX #147372

RGB 20 115 114

HSL 179.37, 0.7%, 0.26%

LAB 43.69, -25.6, -6.96

 

Complementary color

CMYK 0 / 40 / 40 / 8

HEX #EB8C8D

RGB 235 140 141

HSL 359.37, 0.7%, 0.74%

LAB 68.27, 36.16, 15.09

 

CMYK 78 / 0 / 5 / 55

HEX #19736D

RGB 25 115 109

HSL 176, 0.64%, 0.27%

LAB 43.61, -26.62, -4.06

 

CMYK 68 / 0 / 4 / 48

HEX #2A8580

RGB 42 133 128

HSL 176.7, 0.52%, 0.34%

LAB 50.48, -27.38, -5.1

 

CMYK 61 / 0 / 3 / 41

HEX #3B9793

RGB 59 151 147

HSL 177.39, 0.44%, 0.41%

LAB 57.24, -27.83, -6.01

 

CMYK 55 / 0 / 2 / 34

HEX #4CA9A6

RGB 76 169 166

HSL 178.06, 0.38%, 0.48%

LAB 63.89, -28.1, -6.82

 

CMYK 50 / 0 / 1 / 27

HEX #5DBBB9

RGB 93 187 185

HSL 178.72, 0.41%, 0.55%

LAB 70.43, -28.24, -7.55

 

CMYK 83 / 0 / 1 / 55

HEX #147372

RGB 20 115 114

HSL 179.37, 0.7%, 0.26%

LAB 43.69, -25.6, -6.96

 

CMYK 97 / 0 / 2 / 62

HEX #03615F

RGB 3 97 95

HSL 178.72, 0.94%, 0.2%

LAB 36.73, -24.12, -5.77

 

CMYK 100 / 0 / 4 / 69

HEX #004F4C

RGB 0 79 76

HSL 177.72, 1%, 0.15%

LAB 29.7, -21.61, -4.28

 

CMYK 100 / 0 / 7 / 76

HEX #003D39

RGB 0 61 57

HSL 176.07, 1%, 0.12%

LAB 22.42, -18.76, -2.63

 

CMYK 100 / 0 / 12 / 83

HEX #002B26

RGB 0 43 38

HSL 173.02, 1%, 0.08%

LAB 14.78, -15.79, -0.83

 

CMYK 82 / 0 / 1 / 56

HEX #147170

RGB 20 113 112

HSL 179.35, 0.7%, 0.26%

LAB 42.96, -25.23, -6.85

 

CMYK 82 / 0 / 23 / 56

HEX #147157

RGB 20 113 87

HSL 163.23, 0.7%, 0.26%

LAB 42.23, -32.64, 7.13

 

CMYK 82 / 0 / 45 / 56

HEX #14713E

RGB 20 113 62

HSL 147.1, 0.7%, 0.26%

LAB 41.7, -38.49, 21.07

 

CMYK 82 / 0 / 67 / 56

HEX #147125

RGB 20 113 37

HSL 130.97, 0.7%, 0.26%

LAB 41.36, -42.5, 33.89

 

CMYK 75 / 0 / 82 / 56

HEX #1C7114

RGB 28 113 20

HSL 114.84, 0.7%, 0.26%

LAB 41.39, -42.78, 40.94

 

CMYK 82 / 0 / 1 / 56

HEX #147170

RGB 20 113 112

HSL 179.35, 0.7%, 0.26%

LAB 42.96, -25.23, -6.85

 

CMYK 82 / 21 / 0 / 56

HEX #145971

RGB 20 89 113

HSL 195.48, 0.7%, 0.26%

LAB 34.97, -11.73, -19.6

 

CMYK 82 / 43 / 0 / 56

HEX #144071

RGB 20 64 113

HSL 211.61, 0.7%, 0.26%

LAB 26.76, 4.32, -32.52

 

CMYK 82 / 65 / 0 / 56

HEX #142771

RGB 20 39 113

HSL 227.74, 0.7%, 0.26%

LAB 19.19, 22.16, -44.76

 

CMYK 82 / 82 / 0 / 56

HEX #141471

RGB 20 20 113

HSL 240, 0.7%, 0.26%

LAB 14.63, 34.62, -52.27

 

CMYK 82 / 0 / 1 / 56

HEX #147170

RGB 20 113 112

HSL 179.35, 0.7%, 0.26%

LAB 42.96, -25.23, -6.85

 

CMYK 93 / 0 / 1 / 52

HEX #097B7A

RGB 9 123 122

HSL 179.47, 0.86%, 0.26%

LAB 46.48, -27.84, -7.57

 

CMYK 82 / 0 / 1 / 56

HEX #147170

RGB 20 113 112

HSL 179.35, 0.7%, 0.26%

LAB 42.96, -25.23, -6.85

 

CMYK 70 / 0 / 1 / 60

HEX #1F6665

RGB 31 102 101

HSL 179.15, 0.53%, 0.26%

LAB 39.13, -21.6, -5.85

 

CMYK 55 / 0 / 0 / 64

HEX #295B5B

RGB 41 91 91

HSL 180, 0.38%, 0.26%

LAB 35.42, -16.7, -5.15

 

CMYK 36 / 0 / 1 / 68

HEX #345150

RGB 52 81 80

HSL 177.93, 0.22%, 0.26%

LAB 32.24, -11.03, -2.87

 

CMYK 10 / 0 / 0 / 73

HEX #3F4646

RGB 63 70 70

HSL 180, 0.05%, 0.26%

LAB 29.11, -2.85, -0.98

 

CMYK 82 / 0 / 45 / 56

HEX #14713E

RGB 20 113 62

HSL 147.1, 0.7%, 0.26%

LAB 41.7, -38.49, 21.07

 

CMYK 82 / 0 / 24 / 56

HEX #147156

RGB 20 113 86

HSL 162.58, 0.7%, 0.26%

LAB 42.2, -32.91, 7.69

 

CMYK 82 / 0 / 2 / 56

HEX #14716F

RGB 20 113 111

HSL 178.71, 0.7%, 0.26%

LAB 42.92, -25.55, -6.29

 

CMYK 82 / 20 / 0 / 56

HEX #145A71

RGB 20 90 113

HSL 194.84, 0.7%, 0.26%

LAB 35.31, -12.32, -19.08

 

CMYK 82 / 42 / 0 / 56

HEX #144171

RGB 20 65 113

HSL 210.97, 0.7%, 0.26%

LAB 27.08, 3.64, -32.01

 

CMYK 81 / 0 / 2 / 83

HEX #082B2A

RGB 8 43 42

HSL 178.29, 0.69%, 0.1%

LAB 15.2, -12.47, -2.99

 

CMYK 82 / 0 / 1 / 69

HEX #0E4E4D

RGB 14 78 77

HSL 179.06, 0.7%, 0.18%

LAB 29.61, -19.19, -5.03

 

CMYK 82 / 0 / 1 / 56

HEX #147170

RGB 20 113 112

HSL 179.35, 0.7%, 0.26%

LAB 42.96, -25.23, -6.85

 

CMYK 82 / 0 / 1 / 42

HEX #1A9493

RGB 26 148 147

HSL 179.51, 0.7%, 0.34%

LAB 55.59, -30.88, -8.54

 

CMYK 83 / 0 / 1 / 28

HEX #20B7B5

RGB 32 183 181

HSL 179.21, 0.7%, 0.42%

LAB 67.66, -36.56, -9.64

 

CMYK 83 / 0 / 1 / 55

HEX #147372

RGB 20 115 114

HSL 179.37, 0.7%, 0.26%

LAB 43.69, -25.6, -6.96

 

CMYK 67 / 82 / 0 / 56

HEX #251471

RGB 37 20 113

HSL 250.97, 0.7%, 0.26%

LAB 15.93, 36.19, -50.08

 

CMYK 0 / 35 / 82 / 56

HEX #714A14

RGB 113 74 20

HSL 34.84, 0.7%, 0.26%

LAB 34.92, 11.62, 36.85

 

CMYK 83 / 0 / 1 / 55

HEX #147372

RGB 20 115 114

HSL 179.37, 0.7%, 0.26%

LAB 43.69, -25.6, -6.96

 

CMYK 2 / 82 / 0 / 56

HEX #6F1471

RGB 111 20 113

HSL 298.71, 0.7%, 0.26%

LAB 26.94, 49.27, -31.7

 

CMYK 0 / 2 / 82 / 56

HEX #716F14

RGB 113 111 20

HSL 58.71, 0.7%, 0.26%

LAB 45.54, -10.17, 46.52

 

CMYK 83 / 0 / 1 / 55

HEX #147372

RGB 20 115 114

HSL 179.37, 0.7%, 0.26%

LAB 43.69, -25.6, -6.96

 

CMYK 67 / 82 / 0 / 56

HEX #251471

RGB 37 20 113

HSL 250.97, 0.7%, 0.26%

LAB 15.93, 36.19, -50.08

 

CMYK 0 / 82 / 81 / 56

HEX #711415

RGB 113 20 21

HSL 359.35, 0.7%, 0.26%

LAB 23.89, 39.6, 25.34

 

CMYK 15 / 0 / 82 / 56

HEX #607114

RGB 96 113 20

HSL 70.97, 0.7%, 0.26%

LAB 44.73, -19.17, 45.26

 

CMYK 83 / 0 / 1 / 55

HEX #147372

RGB 20 115 114

HSL 179.37, 0.7%, 0.26%

LAB 43.69, -25.6, -6.96

 

CMYK 42 / 82 / 0 / 56

HEX #411471

RGB 65 20 113

HSL 269.03, 0.7%, 0.26%

LAB 19.29, 40.22, -44.43

 

CMYK 0 / 82 / 81 / 56

HEX #711415

RGB 113 20 21

HSL 359.35, 0.7%, 0.26%

LAB 23.89, 39.6, 25.34

 

CMYK 40 / 0 / 82 / 56

HEX #447114

RGB 68 113 20

HSL 89.03, 0.7%, 0.26%

LAB 42.9, -31.02, 42.91

 

Description

Color code: HEX #147372 | qconv.com Color code: HEX #147372 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 115 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 115 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 1 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 1% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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