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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1471834C it is the complementary color #EB8E7C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1471834C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1471834C shade: #19717E4C, #2A83914C, #3B95A44C, #4CA7B74C and #5DB9CA4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1471834C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1471834C shade: #1471834C, #035F704C, #004D5D4C, #003B4A4C and #0029374C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1471834C shade: #147385, #145485, #143685, #141785 and #2F1485

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1471834C shade: #147385, #145485, #143685, #141785 and #141485

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1471834C shade matches the following richer shades: #147385 and #087B91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1471834C shade: #147385, #206A79, #2D626C, #395A60 and #455154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1471834C shade: #14855A, #148578, #147485, #145685 and #143885

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1471834C shade: #09353D, #0F5461, #147385, #1992A9 and #1FB1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1471834C shade: #147183, #3C1485 and #856914

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1471834C shade: #147183, #851474 and #748514

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1471834C shade: #147183, #3C1485, #852514 and #5D8514

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1471834C shade: #147183, #5D1485, #852514 and #3C8514

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 4 / 0 / 15

HEX #1471834C

RGBA 20 113 131 0.3

HSLA 189.73, 0.74%, 0.3%, 0.3

LABA 43.65, -18.81, -17.22, 0.3

 

Complementary color

CMYK 0 / 12 / 14 / 2

HEX #EB8E7C4C

RGBA 235 142 124 0.3

HSLA 9.73, 0.74%, 0.7%, 0.3

LABA 68.36, 33.36, 24.66, 0.3

 

CMYK 24 / 3 / 0 / 15

HEX #19717E4C

RGBA 25 113 126 0.3

HSLA 187.72, 0.67%, 0.3%, 0.3

LABA 43.54, -20.04, -14.38, 0.3

 

CMYK 21 / 3 / 0 / 13

HEX #2A83914C

RGBA 42 131 145 0.3

HSLA 188.16, 0.55%, 0.37%, 0.3

LABA 50.42, -21.08, -15.14, 0.3

 

CMYK 19 / 3 / 0 / 11

HEX #3B95A44C

RGBA 59 149 164 0.3

HSLA 188.57, 0.47%, 0.44%, 0.3

LABA 57.18, -21.78, -15.81, 0.3

 

CMYK 18 / 3 / 0 / 8

HEX #4CA7B74C

RGBA 76 167 183 0.3

HSLA 188.97, 0.43%, 0.51%, 0.3

LABA 63.83, -22.26, -16.41, 0.3

 

CMYK 16 / 3 / 0 / 6

HEX #5DB9CA4C

RGBA 93 185 202 0.3

HSLA 189.36, 0.51%, 0.58%, 0.3

LABA 70.38, -22.6, -16.96, 0.3

 

CMYK 25 / 4 / 0 / 15

HEX #1471834C

RGBA 20 113 131 0.3

HSLA 189.73, 0.74%, 0.3%, 0.3

LABA 43.65, -18.81, -17.22, 0.3

 

CMYK 29 / 5 / 0 / 17

HEX #035F704C

RGBA 3 95 112 0.3

HSLA 189.36, 0.95%, 0.23%, 0.3

LABA 36.69, -17, -16.35, 0.3

 

CMYK 30 / 5 / 0 / 19

HEX #004D5D4C

RGBA 0 77 93 0.3

HSLA 190.32, 1%, 0.18%, 0.3

LABA 29.66, -14.2, -15.24, 0.3

 

CMYK 30 / 6 / 0 / 21

HEX #003B4A4C

RGBA 0 59 74 0.3

HSLA 192.16, 1%, 0.15%, 0.3

LABA 22.38, -11.02, -14.06, 0.3

 

CMYK 30 / 8 / 0 / 24

HEX #0029374C

RGBA 0 41 55 0.3

HSLA 195.27, 1%, 0.11%, 0.3

LABA 14.74, -7.59, -12.9, 0.3

 

CMYK 85 / 14 / 0 / 48

HEX #147385

RGB 20 115 133

HSL 189.56, 0.74%, 0.3%

LAB 44.38, -19.19, -17.29

 

CMYK 85 / 37 / 0 / 48

HEX #145485

RGB 20 84 133

HSL 206.02, 0.74%, 0.3%

LAB 34.36, -0.79, -32.91

 

CMYK 85 / 59 / 0 / 48

HEX #143685

RGB 20 54 133

HSL 221.95, 0.74%, 0.3%

LAB 25.2, 19.73, -47.64

 

CMYK 85 / 83 / 0 / 48

HEX #141785

RGB 20 23 133

HSL 238.41, 0.74%, 0.3%

LAB 17.71, 39.86, -59.96

 

CMYK 65 / 85 / 0 / 48

HEX #2F1485

RGB 47 20 133

HSL 254.34, 0.74%, 0.3%

LAB 19.22, 43.41, -57.4

 

CMYK 85 / 14 / 0 / 48

HEX #147385

RGB 20 115 133

HSL 189.56, 0.74%, 0.3%

LAB 44.38, -19.19, -17.29

 

CMYK 85 / 37 / 0 / 48

HEX #145485

RGB 20 84 133

HSL 206.02, 0.74%, 0.3%

LAB 34.36, -0.79, -32.91

 

CMYK 85 / 59 / 0 / 48

HEX #143685

RGB 20 54 133

HSL 221.95, 0.74%, 0.3%

LAB 25.2, 19.73, -47.64

 

CMYK 85 / 83 / 0 / 48

HEX #141785

RGB 20 23 133

HSL 238.41, 0.74%, 0.3%

LAB 17.71, 39.86, -59.96

 

CMYK 85 / 85 / 0 / 48

HEX #141485

RGB 20 20 133

HSL 240, 0.74%, 0.3%

LAB 17.19, 41.4, -60.82

 

CMYK 85 / 14 / 0 / 48

HEX #147385

RGB 20 115 133

HSL 189.56, 0.74%, 0.3%

LAB 44.38, -19.19, -17.29

 

CMYK 94 / 15 / 0 / 43

HEX #087B91

RGB 8 123 145

HSL 189.64, 0.9%, 0.3%

LAB 47.32, -20.05, -19.92

 

CMYK 85 / 14 / 0 / 48

HEX #147385

RGB 20 115 133

HSL 189.56, 0.74%, 0.3%

LAB 44.38, -19.19, -17.29

 

CMYK 74 / 12 / 0 / 53

HEX #206A79

RGB 32 106 121

HSL 190.11, 0.58%, 0.3%

LAB 41.21, -17.01, -14.9

 

CMYK 58 / 9 / 0 / 58

HEX #2D626C

RGB 45 98 108

HSL 189.52, 0.41%, 0.3%

LAB 38.51, -14.41, -11.03

 

CMYK 41 / 6 / 0 / 62

HEX #395A60

RGB 57 90 96

HSL 189.23, 0.25%, 0.3%

LAB 36.04, -10.26, -7.27

 

CMYK 18 / 4 / 0 / 67

HEX #455154

RGB 69 81 84

HSL 192, 0.1%, 0.3%

LAB 33.54, -3.99, -3.36

 

CMYK 85 / 0 / 32 / 48

HEX #14855A

RGB 20 133 90

HSL 157.17, 0.74%, 0.3%

LAB 49.08, -40.46, 14.94

 

CMYK 85 / 0 / 10 / 48

HEX #148578

RGB 20 133 120

HSL 173.1, 0.74%, 0.3%

LAB 49.83, -32.47, -1.42

 

CMYK 85 / 13 / 0 / 48

HEX #147485

RGB 20 116 133

HSL 189.03, 0.74%, 0.3%

LAB 44.71, -19.73, -16.8

 

CMYK 85 / 35 / 0 / 48

HEX #145685

RGB 20 86 133

HSL 204.96, 0.74%, 0.3%

LAB 35, -2.08, -31.9

 

CMYK 85 / 58 / 0 / 48

HEX #143885

RGB 20 56 133

HSL 220.88, 0.74%, 0.3%

LAB 25.77, 18.32, -46.7

 

CMYK 85 / 13 / 0 / 76

HEX #09353D

RGB 9 53 61

HSL 189.23, 0.74%, 0.14%

LAB 19.81, -11.24, -9.23

 

CMYK 85 / 13 / 0 / 62

HEX #0F5461

RGB 15 84 97

HSL 189.51, 0.73%, 0.22%

LAB 32.49, -15.33, -13.41

 

CMYK 85 / 14 / 0 / 48

HEX #147385

RGB 20 115 133

HSL 189.56, 0.74%, 0.3%

LAB 44.38, -19.19, -17.29

 

CMYK 85 / 14 / 0 / 34

HEX #1992A9

RGB 25 146 169

HSL 189.58, 0.74%, 0.38%

LAB 55.71, -22.83, -20.96

 

CMYK 85 / 14 / 0 / 20

HEX #1FB1CD

RGB 31 177 205

HSL 189.66, 0.74%, 0.46%

LAB 66.63, -26.24, -24.45

 

CMYK 85 / 14 / 0 / 49

HEX #147183

RGB 20 113 131

HSL 189.73, 0.74%, 0.3%

LAB 43.65, -18.81, -17.22

 

CMYK 55 / 85 / 0 / 48

HEX #3C1485

RGB 60 20 133

HSL 261.24, 0.74%, 0.3%

LAB 20.65, 44.87, -54.99

 

CMYK 0 / 21 / 85 / 48

HEX #856914

RGB 133 105 20

HSL 45.13, 0.74%, 0.3%

LAB 45.83, 2.81, 47.55

 

CMYK 85 / 14 / 0 / 49

HEX #147183

RGB 20 113 131

HSL 189.73, 0.74%, 0.3%

LAB 43.65, -18.81, -17.22

 

CMYK 0 / 85 / 13 / 48

HEX #851474

RGB 133 20 116

HSL 309.03, 0.74%, 0.3%

LAB 31.23, 54.55, -26.56

 

CMYK 13 / 0 / 85 / 48

HEX #748514

RGB 116 133 20

HSL 69.03, 0.74%, 0.3%

LAB 52.44, -20.57, 52.65

 

CMYK 85 / 14 / 0 / 49

HEX #147183

RGB 20 113 131

HSL 189.73, 0.74%, 0.3%

LAB 43.65, -18.81, -17.22

 

CMYK 55 / 85 / 0 / 48

HEX #3C1485

RGB 60 20 133

HSL 261.24, 0.74%, 0.3%

LAB 20.65, 44.87, -54.99

 

CMYK 0 / 72 / 85 / 48

HEX #852514

RGB 133 37 20

HSL 9.03, 0.74%, 0.3%

LAB 30.3, 40.03, 33.68

 

CMYK 30 / 0 / 85 / 48

HEX #5D8514

RGB 93 133 20

HSL 81.24, 0.74%, 0.3%

LAB 50.87, -30.41, 50.67

 

CMYK 85 / 14 / 0 / 49

HEX #147183

RGB 20 113 131

HSL 189.73, 0.74%, 0.3%

LAB 43.65, -18.81, -17.22

 

CMYK 30 / 85 / 0 / 48

HEX #5D1485

RGB 93 20 133

HSL 278.76, 0.74%, 0.3%

LAB 25.32, 49.76, -47.15

 

CMYK 0 / 72 / 85 / 48

HEX #852514

RGB 133 37 20

HSL 9.03, 0.74%, 0.3%

LAB 30.3, 40.03, 33.68

 

CMYK 55 / 0 / 85 / 48

HEX #3C8514

RGB 60 133 20

HSL 98.76, 0.74%, 0.3%

LAB 49.24, -42.21, 48.59

 

Description

Color code: HEX #1471834C | qconv.com Color code: HEX #1471834C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 113 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 113 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 4 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 4% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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