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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #145441 it is the complementary color #EBABBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #145441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #145441 shade: #19543C, #2A664F, #3B7862, #4C8A75 and #5D9C88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #145441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #145441 shade: #145441, #03422E, #00301B, #001E08 and #000C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #145441 shade: #135340, #13532F, #13531E, #1A5313 and #2B5313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #145441 shade: #135340, #135351, #134353, #133253 and #132153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #145441 shade matches the following richer shades: #135340, #0B5B43 and #036347

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #145441 shade: #135340, #1C4A3C, #244239, #2C3A36 and #343232

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #145441 shade: #13531E, #13532F, #135340, #135351 and #134453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #145441 shade: #04100C, #0C3126, #135340, #1B745A and #239574

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #145441 shade: #145441, #131A53 and #532613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #145441 shade: #145441, #401353 and #534013

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #145441 shade: #145441, #131A53, #531326 and #534C13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #145441 shade: #145441, #201353, #531326 and #465313

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 23 / 67

HEX #145441

RGB 20 84 65

HSL 162.19, 0.62%, 0.2%

LAB 31.51, -25.08, 5.41

 

Complementary color

CMYK 0 / 27 / 19 / 8

HEX #EBABBE

RGB 235 171 190

HSL 342.19, 0.62%, 0.8%

LAB 76.38, 26.2, -0.39

 

CMYK 70 / 0 / 29 / 67

HEX #19543C

RGB 25 84 60

HSL 155.59, 0.54%, 0.21%

LAB 31.52, -25.46, 8.58

 

CMYK 59 / 0 / 23 / 60

HEX #2A664F

RGB 42 102 79

HSL 157, 0.42%, 0.28%

LAB 38.83, -25.58, 7.22

 

CMYK 51 / 0 / 18 / 53

HEX #3B7862

RGB 59 120 98

HSL 158.36, 0.34%, 0.35%

LAB 45.97, -25.49, 6.06

 

CMYK 45 / 0 / 15 / 46

HEX #4C8A75

RGB 76 138 117

HSL 159.68, 0.29%, 0.42%

LAB 52.95, -25.31, 5.04

 

CMYK 40 / 0 / 13 / 39

HEX #5D9C88

RGB 93 156 136

HSL 160.95, 0.25%, 0.49%

LAB 59.78, -25.11, 4.12

 

CMYK 76 / 0 / 23 / 67

HEX #145441

RGB 20 84 65

HSL 162.19, 0.62%, 0.2%

LAB 31.51, -25.08, 5.41

 

CMYK 95 / 0 / 30 / 74

HEX #03422E

RGB 3 66 46

HSL 160.95, 0.91%, 0.14%

LAB 24.04, -24.32, 7.01

 

CMYK 100 / 0 / 44 / 81

HEX #00301B

RGB 0 48 27

HSL 153.75, 1%, 0.09%

LAB 16.47, -21.78, 9.19

 

CMYK 100 / 0 / 73 / 88

HEX #001E08

RGB 0 30 8

HSL 136, 1%, 0.06%

LAB 8.53, -15.97, 9.2

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 77 / 0 / 23 / 67

HEX #135340

RGB 19 83 64

HSL 162.19, 0.63%, 0.2%

LAB 31.1, -25.04, 5.46

 

CMYK 77 / 0 / 43 / 67

HEX #13532F

RGB 19 83 47

HSL 146.25, 0.63%, 0.2%

LAB 30.71, -29.26, 15.49

 

CMYK 77 / 0 / 64 / 67

HEX #13531E

RGB 19 83 30

HSL 130.31, 0.63%, 0.2%

LAB 30.45, -32.34, 24.97

 

CMYK 69 / 0 / 77 / 67

HEX #1A5313

RGB 26 83 19

HSL 113.44, 0.63%, 0.2%

LAB 30.53, -32.07, 30.53

 

CMYK 48 / 0 / 77 / 67

HEX #2B5313

RGB 43 83 19

HSL 97.5, 0.63%, 0.2%

LAB 31.22, -26.68, 31.47

 

CMYK 77 / 0 / 23 / 67

HEX #135340

RGB 19 83 64

HSL 162.19, 0.63%, 0.2%

LAB 31.1, -25.04, 5.46

 

CMYK 77 / 0 / 2 / 67

HEX #135351

RGB 19 83 81

HSL 178.13, 0.63%, 0.2%

LAB 31.62, -19.85, -4.58

 

CMYK 77 / 19 / 0 / 67

HEX #134353

RGB 19 67 83

HSL 195, 0.63%, 0.2%

LAB 26.09, -9.9, -14.24

 

CMYK 77 / 40 / 0 / 67

HEX #133253

RGB 19 50 83

HSL 210.94, 0.63%, 0.2%

LAB 20.22, 1.37, -23.41

 

CMYK 77 / 60 / 0 / 67

HEX #132153

RGB 19 33 83

HSL 226.88, 0.63%, 0.2%

LAB 14.68, 13.9, -32.29

 

CMYK 77 / 0 / 23 / 67

HEX #135340

RGB 19 83 64

HSL 162.19, 0.63%, 0.2%

LAB 31.1, -25.04, 5.46

 

CMYK 88 / 0 / 26 / 64

HEX #0B5B43

RGB 11 91 67

HSL 162, 0.78%, 0.2%

LAB 33.9, -29.08, 7.51

 

CMYK 97 / 0 / 28 / 61

HEX #036347

RGB 3 99 71

HSL 162.5, 0.94%, 0.2%

LAB 36.74, -32.34, 9.03

 

CMYK 77 / 0 / 23 / 67

HEX #135340

RGB 19 83 64

HSL 162.19, 0.63%, 0.2%

LAB 31.1, -25.04, 5.46

 

CMYK 62 / 0 / 19 / 71

HEX #1C4A3C

RGB 28 74 60

HSL 161.74, 0.45%, 0.2%

LAB 28.04, -19.69, 3.67

 

CMYK 45 / 0 / 14 / 74

HEX #244239

RGB 36 66 57

HSL 162, 0.29%, 0.2%

LAB 25.46, -13.74, 1.97

 

CMYK 24 / 0 / 7 / 77

HEX #2C3A36

RGB 44 58 54

HSL 162.86, 0.14%, 0.2%

LAB 23.09, -6.76, 0.59

 

CMYK 0 / 4 / 4 / 80

HEX #343232

RGB 52 50 50

HSL 0, 0.02%, 0.2%

LAB 20.99, 0.88, 0.31

 

CMYK 77 / 0 / 64 / 67

HEX #13531E

RGB 19 83 30

HSL 130.31, 0.63%, 0.2%

LAB 30.45, -32.34, 24.97

 

CMYK 77 / 0 / 43 / 67

HEX #13532F

RGB 19 83 47

HSL 146.25, 0.63%, 0.2%

LAB 30.71, -29.26, 15.49

 

CMYK 77 / 0 / 23 / 67

HEX #135340

RGB 19 83 64

HSL 162.19, 0.63%, 0.2%

LAB 31.1, -25.04, 5.46

 

CMYK 77 / 0 / 2 / 67

HEX #135351

RGB 19 83 81

HSL 178.13, 0.63%, 0.2%

LAB 31.62, -19.85, -4.58

 

CMYK 77 / 18 / 0 / 67

HEX #134453

RGB 19 68 83

HSL 194.06, 0.63%, 0.2%

LAB 26.44, -10.52, -13.7

 

CMYK 75 / 0 / 25 / 94

HEX #04100C

RGB 4 16 12

HSL 160, 0.6%, 0.04%

LAB 3.82, -4.11, 0.67

 

CMYK 76 / 0 / 22 / 81

HEX #0C3126

RGB 12 49 38

HSL 162.16, 0.61%, 0.12%

LAB 17.53, -16.38, 3.21

 

CMYK 77 / 0 / 23 / 67

HEX #135340

RGB 19 83 64

HSL 162.19, 0.63%, 0.2%

LAB 31.1, -25.04, 5.46

 

CMYK 77 / 0 / 22 / 55

HEX #1B745A

RGB 27 116 90

HSL 162.47, 0.62%, 0.28%

LAB 43.45, -32.28, 7.09

 

CMYK 77 / 0 / 22 / 42

HEX #239574

RGB 35 149 116

HSL 162.63, 0.62%, 0.36%

LAB 55.19, -39.11, 8.64

 

CMYK 76 / 0 / 23 / 67

HEX #145441

RGB 20 84 65

HSL 162.19, 0.62%, 0.2%

LAB 31.51, -25.08, 5.41

 

CMYK 77 / 69 / 0 / 67

HEX #131A53

RGB 19 26 83

HSL 233.44, 0.63%, 0.2%

LAB 12.62, 19.12, -35.65

 

CMYK 0 / 54 / 77 / 67

HEX #532613

RGB 83 38 19

HSL 17.81, 0.63%, 0.2%

LAB 21.1, 19.31, 21.85

 

CMYK 76 / 0 / 23 / 67

HEX #145441

RGB 20 84 65

HSL 162.19, 0.62%, 0.2%

LAB 31.51, -25.08, 5.41

 

CMYK 23 / 77 / 0 / 67

HEX #401353

RGB 64 19 83

HSL 282.19, 0.63%, 0.2%

LAB 16.41, 32.9, -29.26

 

CMYK 0 / 23 / 77 / 67

HEX #534013

RGB 83 64 19

HSL 42.19, 0.63%, 0.2%

LAB 28.25, 2.85, 29.48

 

CMYK 76 / 0 / 23 / 67

HEX #145441

RGB 20 84 65

HSL 162.19, 0.62%, 0.2%

LAB 31.51, -25.08, 5.41

 

CMYK 77 / 69 / 0 / 67

HEX #131A53

RGB 19 26 83

HSL 233.44, 0.63%, 0.2%

LAB 12.62, 19.12, -35.65

 

CMYK 0 / 77 / 54 / 67

HEX #531326

RGB 83 19 38

HSL 342.19, 0.63%, 0.2%

LAB 17.67, 30.95, 4.52

 

CMYK 0 / 8 / 77 / 67

HEX #534C13

RGB 83 76 19

HSL 53.44, 0.63%, 0.2%

LAB 31.93, -4.58, 33.17

 

CMYK 76 / 0 / 23 / 67

HEX #145441

RGB 20 84 65

HSL 162.19, 0.62%, 0.2%

LAB 31.51, -25.08, 5.41

 

CMYK 61 / 77 / 0 / 67

HEX #201353

RGB 32 19 83

HSL 252.19, 0.63%, 0.2%

LAB 11.94, 26.05, -36.72

 

CMYK 0 / 77 / 54 / 67

HEX #531326

RGB 83 19 38

HSL 342.19, 0.63%, 0.2%

LAB 17.67, 30.95, 4.52

 

CMYK 16 / 0 / 77 / 67

HEX #465313

RGB 70 83 19

HSL 72.19, 0.63%, 0.2%

LAB 33, -15.06, 33.83

 

Description

Color code: HEX #145441 | qconv.com Color code: HEX #145441 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 84 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 84 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 23 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 23% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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