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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #145332 it is the complementary color #EBACCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #145332. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #145332 shade: #19532D, #2A6540, #3B7753, #4C8966 and #5D9B79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #145332. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #145332 shade: #145332, #03411F, #002F0C, #001D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #145332 shade: #145232, #145221, #185214, #295214 and #395214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #145332 shade: #145232, #145242, #145152, #144052 and #143052

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #145332 shade matches the following richer shades: #145232, #0C5A31 and #036331

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #145332 shade: #145232, #1C4A32, #244232, #2D3933 and #353133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #145332 shade: #185214, #145220, #145231, #145242 and #145252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #145332 shade: #041009, #0C311D, #145232, #1C7346 and #24955A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #145332 shade: #145332, #142952 and #521814

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #145332 shade: #145332, #311452 and #523114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #145332 shade: #145332, #142952, #521435 and #523D14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #145332 shade: #145332, #141652, #521435 and #525014

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 40 / 67

HEX #145332

RGB 20 83 50

HSL 148.57, 0.61%, 0.2%

LAB 30.8, -28.41, 13.78

 

Complementary color

CMYK 0 / 27 / 13 / 8

HEX #EBACCD

RGB 235 172 205

HSL 328.57, 0.61%, 0.8%

LAB 77.03, 28.02, -7.62

 

CMYK 70 / 0 / 46 / 67

HEX #19532D

RGB 25 83 45

HSL 140.69, 0.54%, 0.21%

LAB 30.84, -28.43, 16.9

 

CMYK 58 / 0 / 37 / 60

HEX #2A6540

RGB 42 101 64

HSL 142.37, 0.41%, 0.28%

LAB 38.15, -28.56, 15.31

 

CMYK 50 / 0 / 30 / 53

HEX #3B7753

RGB 59 119 83

HSL 144, 0.34%, 0.35%

LAB 45.29, -28.43, 13.94

 

CMYK 45 / 0 / 26 / 46

HEX #4C8966

RGB 76 137 102

HSL 145.57, 0.29%, 0.42%

LAB 52.27, -28.19, 12.72

 

CMYK 40 / 0 / 22 / 39

HEX #5D9B79

RGB 93 155 121

HSL 147.1, 0.25%, 0.49%

LAB 59.11, -27.93, 11.63

 

CMYK 76 / 0 / 40 / 67

HEX #145332

RGB 20 83 50

HSL 148.57, 0.61%, 0.2%

LAB 30.8, -28.41, 13.78

 

CMYK 95 / 0 / 52 / 75

HEX #03411F

RGB 3 65 31

HSL 147.1, 0.91%, 0.13%

LAB 23.33, -27.59, 15.63

 

CMYK 100 / 0 / 74 / 82

HEX #002F0C

RGB 0 47 12

HSL 135.32, 1%, 0.09%

LAB 15.8, -24.55, 17.39

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 76 / 0 / 39 / 68

HEX #145232

RGB 20 82 50

HSL 149.03, 0.61%, 0.2%

LAB 30.43, -27.96, 13.29

 

CMYK 76 / 0 / 60 / 68

HEX #145221

RGB 20 82 33

HSL 132.58, 0.61%, 0.2%

LAB 30.14, -31.27, 22.98

 

CMYK 71 / 0 / 76 / 68

HEX #185214

RGB 24 82 20

HSL 116.13, 0.61%, 0.2%

LAB 30.11, -32.07, 29.62

 

CMYK 50 / 0 / 76 / 68

HEX #295214

RGB 41 82 20

HSL 99.68, 0.61%, 0.2%

LAB 30.78, -26.86, 30.53

 

CMYK 30 / 0 / 76 / 68

HEX #395214

RGB 57 82 20

HSL 84.19, 0.61%, 0.2%

LAB 31.7, -20.41, 31.78

 

CMYK 76 / 0 / 39 / 68

HEX #145232

RGB 20 82 50

HSL 149.03, 0.61%, 0.2%

LAB 30.43, -27.96, 13.29

 

CMYK 76 / 0 / 20 / 68

HEX #145242

RGB 20 82 66

HSL 164.52, 0.61%, 0.2%

LAB 30.82, -23.81, 3.8

 

CMYK 76 / 1 / 0 / 68

HEX #145152

RGB 20 81 82

HSL 180.97, 0.61%, 0.2%

LAB 30.98, -18.28, -6.17

 

CMYK 76 / 22 / 0 / 68

HEX #144052

RGB 20 64 82

HSL 197.42, 0.61%, 0.2%

LAB 25.03, -8.24, -15.22

 

CMYK 76 / 41 / 0 / 68

HEX #143052

RGB 20 48 82

HSL 212.9, 0.61%, 0.2%

LAB 19.52, 2.55, -23.85

 

CMYK 76 / 0 / 39 / 68

HEX #145232

RGB 20 82 50

HSL 149.03, 0.61%, 0.2%

LAB 30.43, -27.96, 13.29

 

CMYK 87 / 0 / 46 / 65

HEX #0C5A31

RGB 12 90 49

HSL 148.46, 0.76%, 0.2%

LAB 33.16, -32.89, 17.48

 

CMYK 97 / 0 / 51 / 61

HEX #036331

RGB 3 99 49

HSL 148.75, 0.94%, 0.2%

LAB 36.3, -37.41, 21.5

 

CMYK 76 / 0 / 39 / 68

HEX #145232

RGB 20 82 50

HSL 149.03, 0.61%, 0.2%

LAB 30.43, -27.96, 13.29

 

CMYK 62 / 0 / 32 / 71

HEX #1C4A32

RGB 28 74 50

HSL 148.7, 0.45%, 0.2%

LAB 27.78, -22.29, 9.72

 

CMYK 45 / 0 / 24 / 74

HEX #244232

RGB 36 66 50

HSL 148, 0.29%, 0.2%

LAB 25.27, -15.56, 6.28

 

CMYK 21 / 0 / 11 / 78

HEX #2D3933

RGB 45 57 51

HSL 150, 0.12%, 0.2%

LAB 22.73, -6.47, 2.09

 

CMYK 0 / 8 / 4 / 79

HEX #353133

RGB 53 49 51

HSL 330, 0.04%, 0.2%

LAB 20.8, 2.23, -0.63

 

CMYK 71 / 0 / 76 / 68

HEX #185214

RGB 24 82 20

HSL 116.13, 0.61%, 0.2%

LAB 30.11, -32.07, 29.62

 

CMYK 76 / 0 / 61 / 68

HEX #145220

RGB 20 82 32

HSL 131.61, 0.61%, 0.2%

LAB 30.13, -31.43, 23.51

 

CMYK 76 / 0 / 40 / 68

HEX #145231

RGB 20 82 49

HSL 148.06, 0.61%, 0.2%

LAB 30.41, -28.19, 13.88

 

CMYK 76 / 0 / 20 / 68

HEX #145242

RGB 20 82 66

HSL 164.52, 0.61%, 0.2%

LAB 30.82, -23.81, 3.8

 

CMYK 76 / 0 / 0 / 68

HEX #145252

RGB 20 82 82

HSL 180, 0.61%, 0.2%

LAB 31.33, -18.82, -5.64

 

CMYK 75 / 0 / 44 / 94

HEX #041009

RGB 4 16 9

HSL 145, 0.6%, 0.04%

LAB 3.76, -4.54, 1.85

 

CMYK 76 / 0 / 41 / 81

HEX #0C311D

RGB 12 49 29

HSL 147.57, 0.61%, 0.12%

LAB 17.29, -18.87, 9.02

 

CMYK 76 / 0 / 39 / 68

HEX #145232

RGB 20 82 50

HSL 149.03, 0.61%, 0.2%

LAB 30.43, -27.96, 13.29

 

CMYK 76 / 0 / 39 / 55

HEX #1C7346

RGB 28 115 70

HSL 148.97, 0.61%, 0.28%

LAB 42.69, -36.48, 17.81

 

CMYK 76 / 0 / 40 / 42

HEX #24955A

RGB 36 149 90

HSL 148.67, 0.61%, 0.36%

LAB 54.67, -44.88, 22.52

 

CMYK 76 / 0 / 40 / 67

HEX #145332

RGB 20 83 50

HSL 148.57, 0.61%, 0.2%

LAB 30.8, -28.41, 13.78

 

CMYK 76 / 50 / 0 / 68

HEX #142952

RGB 20 41 82

HSL 219.68, 0.61%, 0.2%

LAB 17.2, 7.65, -27.56

 

CMYK 0 / 71 / 76 / 68

HEX #521814

RGB 82 24 20

HSL 3.87, 0.61%, 0.2%

LAB 17.91, 26.78, 17.48

 

CMYK 76 / 0 / 40 / 67

HEX #145332

RGB 20 83 50

HSL 148.57, 0.61%, 0.2%

LAB 30.8, -28.41, 13.78

 

CMYK 40 / 76 / 0 / 68

HEX #311452

RGB 49 20 82

HSL 268.06, 0.61%, 0.2%

LAB 14.19, 28.59, -32.28

 

CMYK 0 / 40 / 76 / 68

HEX #523114

RGB 82 49 20

HSL 28.06, 0.61%, 0.2%

LAB 23.81, 12, 24.2

 

CMYK 76 / 0 / 40 / 67

HEX #145332

RGB 20 83 50

HSL 148.57, 0.61%, 0.2%

LAB 30.8, -28.41, 13.78

 

CMYK 76 / 50 / 0 / 68

HEX #142952

RGB 20 41 82

HSL 219.68, 0.61%, 0.2%

LAB 17.2, 7.65, -27.56

 

CMYK 0 / 76 / 35 / 68

HEX #521435

RGB 82 20 53

HSL 328.06, 0.61%, 0.2%

LAB 18.15, 31.96, -5.49

 

CMYK 0 / 26 / 76 / 68

HEX #523D14

RGB 82 61 20

HSL 39.68, 0.61%, 0.2%

LAB 27.25, 4.31, 27.89

 

CMYK 76 / 0 / 40 / 67

HEX #145332

RGB 20 83 50

HSL 148.57, 0.61%, 0.2%

LAB 30.8, -28.41, 13.78

 

CMYK 76 / 73 / 0 / 68

HEX #141652

RGB 20 22 82

HSL 238.06, 0.61%, 0.2%

LAB 11.5, 21.75, -36.81

 

CMYK 0 / 76 / 35 / 68

HEX #521435

RGB 82 20 53

HSL 328.06, 0.61%, 0.2%

LAB 18.15, 31.96, -5.49

 

CMYK 0 / 2 / 76 / 68

HEX #525014

RGB 82 80 20

HSL 58.06, 0.61%, 0.2%

LAB 33.1, -7.42, 33.85

 

Description

Color code: HEX #145332 | qconv.com Color code: HEX #145332 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 83 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 83 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 40 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 40% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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