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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #144B7ACE it is the complementary color #EBB485CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #144B7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #144B7ACE shade: #194B75CE, #2A5D88CE, #3B6F9BCE, #4C81AECE and #5D93C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #144B7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #144B7ACE shade: #144B7ACE, #033967CE, #002754CE, #001541CE and #00032ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #144B7ACE shade: #144B7B, #14307B, #14147B, #30147B and #4B147B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #144B7ACE shade: #144B7B, #14307B and #14147B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #144B7ACE shade matches the following richer shades: #144B7B and #084C86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #144B7ACE shade: #144B7B, #204B6F, #2B4A64, #374958 and #42484D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #144B7ACE shade: #147B72, #14687B, #144D7B, #14317B and #14167B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #144B7ACE shade: #082034, #0E3657, #144B7B, #1A619E and #2077C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #144B7ACE shade: #144B7A, #57147B and #767B14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #144B7ACE shade: #144B7A, #7B144D and #4D7B14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #144B7ACE shade: #144B7A, #57147B, #7B4214 and #387B14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #144B7ACE shade: #144B7A, #76147B, #7B4214 and #197B14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 31 / 0 / 42

HEX #144B7ACE

RGBA 20 75 122 0.81

HSLA 207.65, 0.72%, 0.28%, 0.81

LABA 30.85, 0.62, -31.68, 0.81

 

Complementary color

CMYK 0 / 19 / 35 / 6

HEX #EBB485CE

RGBA 235 180 133 0.81

HSLA 27.65, 0.72%, 0.72%, 0.81

LABA 77.28, 14.12, 31.65, 0.81

 

CMYK 64 / 29 / 0 / 44

HEX #194B75CE

RGBA 25 75 117 0.81

HSLA 207.39, 0.65%, 0.28%, 0.81

LABA 30.7, -0.78, -28.78, 0.81

 

CMYK 56 / 26 / 0 / 38

HEX #2A5D88CE

RGBA 42 93 136 0.81

HSLA 207.45, 0.53%, 0.35%, 0.81

LABA 38.02, -2.33, -28.92, 0.81

 

CMYK 50 / 23 / 0 / 32

HEX #3B6F9BCE

RGBA 59 111 155 0.81

HSLA 207.5, 0.45%, 0.42%, 0.81

LABA 45.17, -3.41, -29.06, 0.81

 

CMYK 46 / 21 / 0 / 26

HEX #4C81AECE

RGBA 76 129 174 0.81

HSLA 207.55, 0.39%, 0.49%, 0.81

LABA 52.17, -4.21, -29.19, 0.81

 

CMYK 42 / 19 / 0 / 20

HEX #5D93C1CE

RGBA 93 147 193 0.81

HSLA 207.6, 0.45%, 0.56%, 0.81

LABA 59.02, -4.82, -29.34, 0.81

 

CMYK 68 / 31 / 0 / 42

HEX #144B7ACE

RGBA 20 75 122 0.81

HSLA 207.65, 0.72%, 0.28%, 0.81

LABA 30.85, 0.62, -31.68, 0.81

 

CMYK 79 / 36 / 0 / 48

HEX #033967CE

RGBA 3 57 103 0.81

HSLA 207.6, 0.94%, 0.21%, 0.81

LABA 23.42, 3.25, -31.47, 0.81

 

CMYK 81 / 43 / 0 / 54

HEX #002754CE

RGBA 0 39 84 0.81

HSLA 212.14, 1%, 0.16%, 0.81

LABA 15.96, 7.41, -30.94, 0.81

 

CMYK 81 / 55 / 0 / 60

HEX #001541CE

RGBA 0 21 65 0.81

HSLA 220.62, 1%, 0.13%, 0.81

LABA 8.29, 12.45, -30.28, 0.81

 

CMYK 81 / 76 / 0 / 66

HEX #00032ECE

RGBA 0 3 46 0.81

HSLA 236.09, 1%, 0.09%, 0.81

LABA 2.37, 11.32, -25.98, 0.81

 

CMYK 84 / 39 / 0 / 52

HEX #144B7B

RGB 20 75 123

HSL 207.96, 0.72%, 0.28%

LAB 30.9, 1.03, -32.21

 

CMYK 84 / 61 / 0 / 52

HEX #14307B

RGB 20 48 123

HSL 223.69, 0.72%, 0.28%

LAB 22.63, 19.85, -45.54

 

CMYK 84 / 84 / 0 / 52

HEX #14147B

RGB 20 20 123

HSL 240, 0.72%, 0.28%

LAB 15.9, 38.06, -56.62

 

CMYK 61 / 84 / 0 / 52

HEX #30147B

RGB 48 20 123

HSL 256.31, 0.72%, 0.28%

LAB 18.18, 40.56, -52.76

 

CMYK 39 / 84 / 0 / 52

HEX #4B147B

RGB 75 20 123

HSL 272.04, 0.72%, 0.28%

LAB 21.68, 44.43, -46.89

 

CMYK 84 / 39 / 0 / 52

HEX #144B7B

RGB 20 75 123

HSL 207.96, 0.72%, 0.28%

LAB 30.9, 1.03, -32.21

 

CMYK 84 / 61 / 0 / 52

HEX #14307B

RGB 20 48 123

HSL 223.69, 0.72%, 0.28%

LAB 22.63, 19.85, -45.54

 

CMYK 84 / 84 / 0 / 52

HEX #14147B

RGB 20 20 123

HSL 240, 0.72%, 0.28%

LAB 15.9, 38.06, -56.62

 

CMYK 84 / 39 / 0 / 52

HEX #144B7B

RGB 20 75 123

HSL 207.96, 0.72%, 0.28%

LAB 30.9, 1.03, -32.21

 

CMYK 94 / 43 / 0 / 47

HEX #084C86

RGB 8 76 134

HSL 207.62, 0.89%, 0.28%

LAB 31.67, 3.97, -37.82

 

CMYK 84 / 39 / 0 / 52

HEX #144B7B

RGB 20 75 123

HSL 207.96, 0.72%, 0.28%

LAB 30.9, 1.03, -32.21

 

CMYK 71 / 32 / 0 / 56

HEX #204B6F

RGB 32 75 111

HSL 207.34, 0.55%, 0.28%

LAB 30.61, -2.03, -25.13

 

CMYK 57 / 26 / 0 / 61

HEX #2B4A64

RGB 43 74 100

HSL 207.37, 0.4%, 0.28%

LAB 30.23, -3.05, -18.71

 

CMYK 38 / 17 / 0 / 65

HEX #374958

RGB 55 73 88

HSL 207.27, 0.23%, 0.28%

LAB 30.11, -2.83, -11.16

 

CMYK 14 / 6 / 0 / 70

HEX #42484D

RGB 66 72 77

HSL 207.27, 0.08%, 0.28%

LAB 30.23, -1.24, -3.83

 

CMYK 84 / 0 / 7 / 52

HEX #147B72

RGB 20 123 114

HSL 174.76, 0.72%, 0.28%

LAB 46.35, -29.54, -3.01

 

CMYK 84 / 15 / 0 / 52

HEX #14687B

RGB 20 104 123

HSL 191.07, 0.72%, 0.28%

LAB 40.38, -16.69, -17.41

 

CMYK 84 / 37 / 0 / 52

HEX #144D7B

RGB 20 77 123

HSL 206.8, 0.72%, 0.28%

LAB 31.55, -0.29, -31.19

 

CMYK 84 / 60 / 0 / 52

HEX #14317B

RGB 20 49 123

HSL 223.11, 0.72%, 0.28%

LAB 22.91, 19.14, -45.07

 

CMYK 84 / 82 / 0 / 52

HEX #14167B

RGB 20 22 123

HSL 238.83, 0.72%, 0.28%

LAB 16.27, 36.98, -56

 

CMYK 85 / 38 / 0 / 80

HEX #082034

RGB 8 32 52

HSL 207.27, 0.73%, 0.12%

LAB 11.5, -0.95, -15.81

 

CMYK 84 / 38 / 0 / 66

HEX #0E3657

RGB 14 54 87

HSL 207.12, 0.72%, 0.2%

LAB 21.65, -0.5, -23.81

 

CMYK 84 / 39 / 0 / 52

HEX #144B7B

RGB 20 75 123

HSL 207.96, 0.72%, 0.28%

LAB 30.9, 1.03, -32.21

 

CMYK 84 / 39 / 0 / 38

HEX #1A619E

RGB 26 97 158

HSL 207.73, 0.72%, 0.36%

LAB 39.98, 1.43, -39.1

 

CMYK 84 / 39 / 0 / 24

HEX #2077C2

RGB 32 119 194

HSL 207.78, 0.72%, 0.44%

LAB 48.75, 2.21, -46.18

 

CMYK 84 / 39 / 0 / 52

HEX #144B7A

RGB 20 75 122

HSL 207.65, 0.72%, 0.28%

LAB 30.85, 0.62, -31.68

 

CMYK 29 / 84 / 0 / 52

HEX #57147B

RGB 87 20 123

HSL 279.03, 0.72%, 0.28%

LAB 23.53, 46.49, -43.79

 

CMYK 4 / 0 / 84 / 52

HEX #767B14

RGB 118 123 20

HSL 62.91, 0.72%, 0.28%

LAB 49.58, -14.4, 50.24

 

CMYK 84 / 39 / 0 / 52

HEX #144B7A

RGB 20 75 122

HSL 207.65, 0.72%, 0.28%

LAB 30.85, 0.62, -31.68

 

CMYK 0 / 84 / 37 / 52

HEX #7B144D

RGB 123 20 77

HSL 326.8, 0.72%, 0.28%

LAB 27.43, 46.94, -7.18

 

CMYK 37 / 0 / 84 / 52

HEX #4D7B14

RGB 77 123 20

HSL 86.8, 0.72%, 0.28%

LAB 46.7, -32.13, 46.59

 

CMYK 84 / 39 / 0 / 52

HEX #144B7A

RGB 20 75 122

HSL 207.65, 0.72%, 0.28%

LAB 30.85, 0.62, -31.68

 

CMYK 29 / 84 / 0 / 52

HEX #57147B

RGB 87 20 123

HSL 279.03, 0.72%, 0.28%

LAB 23.53, 46.49, -43.79

 

CMYK 0 / 46 / 84 / 52

HEX #7B4214

RGB 123 66 20

HSL 26.8, 0.72%, 0.28%

LAB 34.31, 21.09, 36.79

 

CMYK 54 / 0 / 84 / 52

HEX #387B14

RGB 56 123 20

HSL 99.03, 0.72%, 0.28%

LAB 45.71, -39.46, 45.32

 

CMYK 84 / 39 / 0 / 52

HEX #144B7A

RGB 20 75 122

HSL 207.65, 0.72%, 0.28%

LAB 30.85, 0.62, -31.68

 

CMYK 4 / 84 / 0 / 52

HEX #76147B

RGB 118 20 123

HSL 297.09, 0.72%, 0.28%

LAB 28.86, 52.49, -34.93

 

CMYK 0 / 46 / 84 / 52

HEX #7B4214

RGB 123 66 20

HSL 26.8, 0.72%, 0.28%

LAB 34.31, 21.09, 36.79

 

CMYK 80 / 0 / 84 / 52

HEX #197B14

RGB 25 123 20

HSL 117.09, 0.72%, 0.28%

LAB 44.83, -46.71, 44.18

 

Description

Color code: HEX #144B7ACE | qconv.com Color code: HEX #144B7ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 75 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 75 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 31 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 31% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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