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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #144126 it is the complementary color #EBBED9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #144126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #144126 shade: #194121, #2A5334, #3B6547, #4C775A and #5D896D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #144126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #144126 shade: #144126, #032F13, #001D00, #000B00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #144126 shade: #144227, #14421A, #1B4214, #274214 and #344214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #144126 shade: #144227, #144233, #144240, #143942 and #142C42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #144126 shade matches the following richer shades: #144227, #0D4925 and #065024

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #144126 shade: #144227, #1B3B28, #22342A, #292D2B and #30262C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #144126 shade: #1B4214, #14421B, #144227, #144233 and #14423F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #144126 shade: #010302, #0B2314, #144227, #1E6239 and #28814C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #144126 shade: #144126, #142742 and #421414

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #144126 shade: #144126, #271442 and #422714

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #144126 shade: #144126, #142742, #421430 and #423014

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #144126 shade: #144126, #141942, #421430 and #423E14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 42 / 75

HEX #144126

RGB 20 65 38

HSL 144, 0.53%, 0.17%

LAB 23.9, -22.72, 12.05

 

Complementary color

CMYK 0 / 19 / 8 / 8

HEX #EBBED9

RGB 235 190 217

HSL 324, 0.53%, 0.83%

LAB 81.57, 20.43, -7.38

 

CMYK 62 / 0 / 49 / 75

HEX #194121

RGB 25 65 33

HSL 132, 0.44%, 0.18%

LAB 23.99, -22.38, 15.36

 

CMYK 49 / 0 / 37 / 67

HEX #2A5334

RGB 42 83 52

HSL 134.63, 0.33%, 0.25%

LAB 31.64, -22.24, 13.82

 

CMYK 42 / 0 / 30 / 60

HEX #3B6547

RGB 59 101 71

HSL 137.14, 0.26%, 0.31%

LAB 39.06, -21.96, 12.49

 

CMYK 36 / 0 / 24 / 53

HEX #4C775A

RGB 76 119 90

HSL 139.53, 0.22%, 0.38%

LAB 46.27, -21.66, 11.32

 

CMYK 32 / 0 / 20 / 46

HEX #5D896D

RGB 93 137 109

HSL 141.82, 0.19%, 0.45%

LAB 53.3, -21.37, 10.27

 

CMYK 69 / 0 / 42 / 75

HEX #144126

RGB 20 65 38

HSL 144, 0.53%, 0.17%

LAB 23.9, -22.72, 12.05

 

CMYK 94 / 0 / 60 / 82

HEX #032F13

RGB 3 47 19

HSL 141.82, 0.88%, 0.1%

LAB 16, -22.43, 13.86

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 70 / 0 / 41 / 74

HEX #144227

RGB 20 66 39

HSL 144.78, 0.53%, 0.17%

LAB 24.3, -22.98, 11.95

 

CMYK 70 / 0 / 61 / 74

HEX #14421A

RGB 20 66 26

HSL 127.83, 0.53%, 0.17%

LAB 24.06, -25.53, 19.63

 

CMYK 59 / 0 / 70 / 74

HEX #1B4214

RGB 27 66 20

HSL 110.87, 0.53%, 0.17%

LAB 24.26, -24.3, 23.29

 

CMYK 41 / 0 / 70 / 74

HEX #274214

RGB 39 66 20

HSL 95.22, 0.53%, 0.17%

LAB 24.88, -19.79, 24.16

 

CMYK 21 / 0 / 70 / 74

HEX #344214

RGB 52 66 20

HSL 78.26, 0.53%, 0.17%

LAB 25.79, -13.95, 25.42

 

CMYK 70 / 0 / 41 / 74

HEX #144227

RGB 20 66 39

HSL 144.78, 0.53%, 0.17%

LAB 24.3, -22.98, 11.95

 

CMYK 70 / 0 / 23 / 74

HEX #144233

RGB 20 66 51

HSL 160.43, 0.53%, 0.17%

LAB 24.59, -19.91, 4.57

 

CMYK 70 / 0 / 3 / 74

HEX #144240

RGB 20 66 64

HSL 177.39, 0.53%, 0.17%

LAB 25, -15.91, -3.4

 

CMYK 70 / 14 / 0 / 74

HEX #143942

RGB 20 57 66

HSL 191.74, 0.53%, 0.17%

LAB 21.83, -9.84, -9.5

 

CMYK 70 / 33 / 0 / 74

HEX #142C42

RGB 20 44 66

HSL 208.7, 0.53%, 0.17%

LAB 17.2, -1.18, -16.66

 

CMYK 70 / 0 / 41 / 74

HEX #144227

RGB 20 66 39

HSL 144.78, 0.53%, 0.17%

LAB 24.3, -22.98, 11.95

 

CMYK 82 / 0 / 49 / 71

HEX #0D4925

RGB 13 73 37

HSL 144, 0.7%, 0.17%

LAB 26.69, -28.08, 16.3

 

CMYK 93 / 0 / 55 / 69

HEX #065024

RGB 6 80 36

HSL 144.32, 0.86%, 0.17%

LAB 29.17, -32.2, 20.01

 

CMYK 70 / 0 / 41 / 74

HEX #144227

RGB 20 66 39

HSL 144.78, 0.53%, 0.17%

LAB 24.3, -22.98, 11.95

 

CMYK 54 / 0 / 32 / 77

HEX #1B3B28

RGB 27 59 40

HSL 144.38, 0.37%, 0.17%

LAB 22, -17.11, 8.22

 

CMYK 35 / 0 / 19 / 80

HEX #22342A

RGB 34 52 42

HSL 146.67, 0.21%, 0.17%

LAB 19.9, -9.99, 4

 

CMYK 9 / 0 / 4 / 82

HEX #292D2B

RGB 41 45 43

HSL 150, 0.05%, 0.17%

LAB 18.02, -2.25, 0.68

 

CMYK 0 / 21 / 8 / 81

HEX #30262C

RGB 48 38 44

HSL 324, 0.12%, 0.17%

LAB 16.49, 5.98, -2.18

 

CMYK 59 / 0 / 70 / 74

HEX #1B4214

RGB 27 66 20

HSL 110.87, 0.53%, 0.17%

LAB 24.26, -24.3, 23.29

 

CMYK 70 / 0 / 59 / 74

HEX #14421B

RGB 20 66 27

HSL 129.13, 0.53%, 0.17%

LAB 24.08, -25.36, 19.07

 

CMYK 70 / 0 / 41 / 74

HEX #144227

RGB 20 66 39

HSL 144.78, 0.53%, 0.17%

LAB 24.3, -22.98, 11.95

 

CMYK 70 / 0 / 23 / 74

HEX #144233

RGB 20 66 51

HSL 160.43, 0.53%, 0.17%

LAB 24.59, -19.91, 4.57

 

CMYK 70 / 0 / 5 / 74

HEX #14423F

RGB 20 66 63

HSL 176.09, 0.53%, 0.17%

LAB 24.96, -16.24, -2.8

 

CMYK 67 / 0 / 33 / 99

HEX #010302

RGB 1 3 2

HSL 150, 0.5%, 0.01%

LAB 0.69, -0.66, 0.19

 

CMYK 69 / 0 / 43 / 86

HEX #0B2314

RGB 11 35 20

HSL 142.5, 0.52%, 0.09%

LAB 11.44, -13.87, 7.26

 

CMYK 70 / 0 / 41 / 74

HEX #144227

RGB 20 66 39

HSL 144.78, 0.53%, 0.17%

LAB 24.3, -22.98, 11.95

 

CMYK 69 / 0 / 42 / 62

HEX #1E6239

RGB 30 98 57

HSL 143.82, 0.53%, 0.25%

LAB 36.57, -31.55, 17.29

 

CMYK 69 / 0 / 41 / 49

HEX #28814C

RGB 40 129 76

HSL 144.27, 0.53%, 0.33%

LAB 47.85, -38.92, 21.29

 

CMYK 69 / 0 / 42 / 75

HEX #144126

RGB 20 65 38

HSL 144, 0.53%, 0.17%

LAB 23.9, -22.72, 12.05

 

CMYK 70 / 41 / 0 / 74

HEX #142742

RGB 20 39 66

HSL 215.22, 0.53%, 0.17%

LAB 15.45, 2.41, -19.41

 

CMYK 0 / 70 / 70 / 74

HEX #421414

RGB 66 20 20

HSL 0, 0.53%, 0.17%

LAB 13.88, 22.31, 11.72

 

CMYK 69 / 0 / 42 / 75

HEX #144126

RGB 20 65 38

HSL 144, 0.53%, 0.17%

LAB 23.9, -22.72, 12.05

 

CMYK 41 / 70 / 0 / 74

HEX #271442

RGB 39 20 66

HSL 264.78, 0.53%, 0.17%

LAB 11.45, 21.32, -25.7

 

CMYK 0 / 41 / 70 / 74

HEX #422714

RGB 66 39 20

HSL 24.78, 0.53%, 0.17%

LAB 18.63, 10.47, 17.65

 

CMYK 69 / 0 / 42 / 75

HEX #144126

RGB 20 65 38

HSL 144, 0.53%, 0.17%

LAB 23.9, -22.72, 12.05

 

CMYK 70 / 41 / 0 / 74

HEX #142742

RGB 20 39 66

HSL 215.22, 0.53%, 0.17%

LAB 15.45, 2.41, -19.41

 

CMYK 0 / 70 / 27 / 74

HEX #421430

RGB 66 20 48

HSL 323.48, 0.53%, 0.17%

LAB 14.8, 25.79, -7.29

 

CMYK 0 / 27 / 70 / 74

HEX #423014

RGB 66 48 20

HSL 36.52, 0.53%, 0.17%

LAB 21.29, 4.49, 20.77

 

CMYK 69 / 0 / 42 / 75

HEX #144126

RGB 20 65 38

HSL 144, 0.53%, 0.17%

LAB 23.9, -22.72, 12.05

 

CMYK 70 / 62 / 0 / 74

HEX #141942

RGB 20 25 66

HSL 233.48, 0.53%, 0.17%

LAB 10.83, 13.02, -26.8

 

CMYK 0 / 70 / 27 / 74

HEX #421430

RGB 66 20 48

HSL 323.48, 0.53%, 0.17%

LAB 14.8, 25.79, -7.29

 

CMYK 0 / 6 / 70 / 74

HEX #423E14

RGB 66 62 20

HSL 54.78, 0.53%, 0.17%

LAB 25.73, -4.56, 25.72

 

Description

Color code: HEX #144126 | qconv.com Color code: HEX #144126 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 65 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 65 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 42 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 42% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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