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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1413F1 it is the complementary color #EBEC0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1413F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1413F1 shade: #1913EC, #2A25FF, #3B37FF, #4C49FF and #5D5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1413F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1413F1 shade: #1413F1, #0301DE, #0000CB, #0000B8 and #0000A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1413F1 shade: #1413F1, #5013F1, #8C13F1, #C813F1 and #F113DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1413F1 shade: #1413F1 and #1313F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1413F1 shade matches the following richer shades: #1413F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1413F1 shade: #1413F1, #2827DD, #3C3BC9, #504FB5 and #6464A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1413F1 shade: #1389F1, #134EF1, #1313F1, #4E13F1 and #8913F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1413F1 shade: #0A0AA8, #0D0CCF, #1413F1, #3B3AF4 and #6161F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1413F1 shade: #1413F1, #F113C5 and #6CF113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1413F1 shade: #1413F1, #F11313 and #13F113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1413F1 shade: #1413F1, #F113C5, #F1F113 and #13F13F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1413F1 shade: #1413F1, #F11382, #F1F113 and #13F182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

Complementary color

CMYK 0 / 0 / 94 / 7

HEX #EBEC0E

RGB 235 236 14

HSL 60.27, 0.89%, 0.49%

LAB 90.64, -20.63, 87.91

 

CMYK 89 / 92 / 0 / 7

HEX #1913EC

RGB 25 19 236

HSL 241.66, 0.85%, 0.5%

LAB 31.18, 71.41, -98.99

 

CMYK 84 / 85 / 0 / 0

HEX #2A25FF

RGB 42 37 255

HSL 241.38, 1%, 0.57%

LAB 36.05, 71.37, -101.58

 

CMYK 77 / 78 / 0 / 0

HEX #3B37FF

RGB 59 55 255

HSL 241.2, 1%, 0.61%

LAB 39.38, 64.61, -96.02

 

CMYK 70 / 71 / 0 / 0

HEX #4C49FF

RGB 76 73 255

HSL 240.99, 1%, 0.64%

LAB 43.54, 56.8, -89.11

 

CMYK 64 / 64 / 0 / 0

HEX #5D5BFF

RGB 93 91 255

HSL 240.73, 1%, 0.68%

LAB 48.3, 48.7, -81.26

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 99 / 100 / 0 / 13

HEX #0301DE

RGB 3 1 222

HSL 240.54, 0.99%, 0.44%

LAB 27.61, 71.16, -96.95

 

CMYK 100 / 100 / 0 / 20

HEX #0000CB

RGB 0 0 203

HSL 240, 1%, 0.4%

LAB 24.68, 66.69, -90.83

 

CMYK 100 / 100 / 0 / 28

HEX #0000B8

RGB 0 0 184

HSL 240, 1%, 0.36%

LAB 21.8, 61.98, -84.41

 

CMYK 100 / 100 / 0 / 35

HEX #0000A5

RGB 0 0 165

HSL 240, 1%, 0.32%

LAB 18.87, 57.17, -77.87

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 67 / 92 / 0 / 5

HEX #5013F1

RGB 80 19 241

HSL 256.49, 0.89%, 0.51%

LAB 35.05, 74.45, -95.3

 

CMYK 42 / 92 / 0 / 5

HEX #8C13F1

RGB 140 19 241

HSL 272.7, 0.89%, 0.51%

LAB 41.83, 79.1, -83.86

 

CMYK 17 / 92 / 0 / 5

HEX #C813F1

RGB 200 19 241

HSL 288.92, 0.89%, 0.51%

LAB 50.8, 86.55, -68.84

 

CMYK 0 / 92 / 7 / 5

HEX #F113DF

RGB 241 19 223

HSL 304.86, 0.89%, 0.51%

LAB 56.58, 90.32, -49.04

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 92 / 92 / 0 / 5

HEX #1313F1

RGB 19 19 241

HSL 240, 0.89%, 0.51%

LAB 31.7, 72.62, -100.96

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 82 / 82 / 0 / 13

HEX #2827DD

RGB 40 39 221

HSL 240.33, 0.73%, 0.51%

LAB 32.08, 60.83, -88.89

 

CMYK 70 / 71 / 0 / 21

HEX #3C3BC9

RGB 60 59 201

HSL 240.42, 0.57%, 0.51%

LAB 34.61, 45.72, -73.1

 

CMYK 56 / 56 / 0 / 29

HEX #504FB5

RGB 80 79 181

HSL 240.59, 0.41%, 0.51%

LAB 38.96, 29.94, -54.23

 

CMYK 38 / 38 / 0 / 37

HEX #6464A0

RGB 100 100 160

HSL 240, 0.24%, 0.51%

LAB 44.75, 15.14, -32.5

 

CMYK 92 / 43 / 0 / 5

HEX #1389F1

RGB 19 137 241

HSL 208.11, 0.89%, 0.51%

LAB 56.47, 8.39, -60.36

 

CMYK 92 / 68 / 0 / 5

HEX #134EF1

RGB 19 78 241

HSL 224.05, 0.89%, 0.51%

LAB 41.12, 45.49, -85.34

 

CMYK 92 / 92 / 0 / 5

HEX #1313F1

RGB 19 19 241

HSL 240, 0.89%, 0.51%

LAB 31.7, 72.62, -100.96

 

CMYK 68 / 92 / 0 / 5

HEX #4E13F1

RGB 78 19 241

HSL 255.95, 0.89%, 0.51%

LAB 34.88, 74.35, -95.59

 

CMYK 43 / 92 / 0 / 5

HEX #8913F1

RGB 137 19 241

HSL 271.89, 0.89%, 0.51%

LAB 41.43, 78.8, -84.54

 

CMYK 94 / 94 / 0 / 34

HEX #0A0AA8

RGB 10 10 168

HSL 240, 0.89%, 0.35%

LAB 20.47, 55.33, -77.01

 

CMYK 94 / 94 / 0 / 19

HEX #0D0CCF

RGB 13 12 207

HSL 240.31, 0.89%, 0.43%

LAB 26.31, 65.34, -90.43

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 76 / 76 / 0 / 4

HEX #3B3AF4

RGB 59 58 244

HSL 240.32, 0.89%, 0.59%

LAB 38.7, 59.84, -90.97

 

CMYK 61 / 61 / 0 / 4

HEX #6161F6

RGB 97 97 246

HSL 240, 0.89%, 0.67%

LAB 49.18, 42.93, -74.79

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 0 / 92 / 18 / 5

HEX #F113C5

RGB 241 19 197

HSL 311.89, 0.89%, 0.51%

LAB 55.28, 87, -36.24

 

CMYK 55 / 0 / 92 / 5

HEX #6CF113

RGB 108 241 19

HSL 95.95, 0.89%, 0.51%

LAB 85.07, -68.09, 80.01

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 0 / 92 / 92 / 5

HEX #F11313

RGB 241 19 19

HSL 0, 0.89%, 0.51%

LAB 50.94, 75.33, 59.38

 

CMYK 92 / 0 / 92 / 5

HEX #13F113

RGB 19 241 19

HSL 120, 0.89%, 0.51%

LAB 83.49, -81.59, 78.06

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 0 / 92 / 18 / 5

HEX #F113C5

RGB 241 19 197

HSL 311.89, 0.89%, 0.51%

LAB 55.28, 87, -36.24

 

CMYK 0 / 0 / 92 / 5

HEX #F1F113

RGB 241 241 19

HSL 60, 0.89%, 0.51%

LAB 92.42, -20.49, 88.96

 

CMYK 92 / 0 / 74 / 5

HEX #13F13F

RGB 19 241 63

HSL 131.89, 0.89%, 0.51%

LAB 83.66, -79.48, 68.02

 

CMYK 92 / 92 / 0 / 5

HEX #1413F1

RGB 20 19 241

HSL 240.27, 0.89%, 0.51%

LAB 31.73, 72.63, -100.92

 

CMYK 0 / 92 / 46 / 5

HEX #F11382

RGB 241 19 130

HSL 330, 0.89%, 0.51%

LAB 52.71, 80.22, -0.64

 

CMYK 0 / 0 / 92 / 5

HEX #F1F113

RGB 241 241 19

HSL 60, 0.89%, 0.51%

LAB 92.42, -20.49, 88.96

 

CMYK 92 / 0 / 46 / 5

HEX #13F182

RGB 19 241 130

HSL 150, 0.89%, 0.51%

LAB 84.31, -71.43, 40.37

 

Description

Color code: HEX #1413F1 | qconv.com Color code: HEX #1413F1 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 19 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 19 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 92 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 92% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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