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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #140ECF it is the complementary color #EBF130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #140ECF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #140ECF shade: #190ECA, #2A20DD, #3B32F0, #4C44FF and #5D56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #140ECF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #140ECF shade: #140ECF, #0300BC, #0000A9, #000096 and #000083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #140ECF shade: #140ECD, #480ECD, #7B0ECD, #AF0ECD and #CD0EB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #140ECF shade: #140ECD and #0E0ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #140ECF shade matches the following richer shades: #140ECD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #140ECF shade: #140ECD, #2520BB, #3532AA, #464398 and #575586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #140ECF shade: #0E71CD, #0E3ECD, #110ECD, #440ECD and #770ECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #140ECF shade: #0D0980, #100CA6, #140ECD, #1D16EF and #423CF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #140ECF shade: #140ECF, #CD0EA4 and #57CD0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #140ECF shade: #140ECF, #CD110E and #0ECD11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #140ECF shade: #140ECF, #CD0EA4, #CACD0E and #0ECD38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #140ECF shade: #140ECF, #CD0E6A, #CACD0E and #0ECD71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 93 / 0 / 19

HEX #140ECF

RGB 20 14 207

HSL 241.87, 0.87%, 0.43%

LAB 26.64, 64.98, -89.87

 

Complementary color

CMYK 2 / 0 / 80 / 5

HEX #EBF130

RGB 235 241 48

HSL 61.87, 0.87%, 0.57%

LAB 92.04, -22.35, 83.21

 

CMYK 88 / 93 / 0 / 21

HEX #190ECA

RGB 25 14 202

HSL 243.51, 0.87%, 0.42%

LAB 26.11, 63.74, -87.83

 

CMYK 81 / 86 / 0 / 13

HEX #2A20DD

RGB 42 32 221

HSL 243.17, 0.75%, 0.5%

LAB 31.22, 63.77, -90.33

 

CMYK 75 / 79 / 0 / 6

HEX #3B32F0

RGB 59 50 240

HSL 242.84, 0.86%, 0.57%

LAB 36.93, 62.5, -91.64

 

CMYK 70 / 73 / 0 / 0

HEX #4C44FF

RGB 76 68 255

HSL 242.57, 1%, 0.63%

LAB 42.6, 59.44, -90.67

 

CMYK 64 / 66 / 0 / 0

HEX #5D56FF

RGB 93 86 255

HSL 242.49, 1%, 0.67%

LAB 47.24, 51.54, -82.99

 

CMYK 90 / 93 / 0 / 19

HEX #140ECF

RGB 20 14 207

HSL 241.87, 0.87%, 0.43%

LAB 26.64, 64.98, -89.87

 

CMYK 98 / 100 / 0 / 26

HEX #0300BC

RGB 3 0 188

HSL 240.96, 1%, 0.37%

LAB 22.48, 63, -85.66

 

CMYK 100 / 100 / 0 / 34

HEX #0000A9

RGB 0 0 169

HSL 240, 1%, 0.33%

LAB 19.49, 58.19, -79.26

 

CMYK 100 / 100 / 0 / 41

HEX #000096

RGB 0 0 150

HSL 240, 1%, 0.29%

LAB 16.51, 53.31, -72.61

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 90 / 93 / 0 / 20

HEX #140ECD

RGB 20 14 205

HSL 241.88, 0.87%, 0.43%

LAB 26.36, 64.45, -89.17

 

CMYK 65 / 93 / 0 / 20

HEX #480ECD

RGB 72 14 205

HSL 258.22, 0.87%, 0.43%

LAB 29.66, 66.29, -83.59

 

CMYK 40 / 93 / 0 / 20

HEX #7B0ECD

RGB 123 14 205

HSL 274.24, 0.87%, 0.43%

LAB 35.85, 70.6, -73.15

 

CMYK 15 / 93 / 0 / 20

HEX #AF0ECD

RGB 175 14 205

HSL 290.58, 0.87%, 0.43%

LAB 44, 77.44, -59.52

 

CMYK 0 / 93 / 10 / 20

HEX #CD0EB8

RGB 205 14 184

HSL 306.6, 0.87%, 0.43%

LAB 47.95, 79.25, -40.67

 

CMYK 90 / 93 / 0 / 20

HEX #140ECD

RGB 20 14 205

HSL 241.88, 0.87%, 0.43%

LAB 26.36, 64.45, -89.17

 

CMYK 93 / 93 / 0 / 20

HEX #0E0ECD

RGB 14 14 205

HSL 240, 0.87%, 0.43%

LAB 26.2, 64.37, -89.45

 

CMYK 90 / 93 / 0 / 20

HEX #140ECD

RGB 20 14 205

HSL 241.88, 0.87%, 0.43%

LAB 26.36, 64.45, -89.17

 

CMYK 90 / 93 / 0 / 20

HEX #140ECD

RGB 20 14 205

HSL 241.88, 0.87%, 0.43%

LAB 26.36, 64.45, -89.17

 

CMYK 80 / 83 / 0 / 27

HEX #2520BB

RGB 37 32 187

HSL 241.94, 0.71%, 0.43%

LAB 26.78, 53.61, -77.87

 

CMYK 69 / 71 / 0 / 33

HEX #3532AA

RGB 53 50 170

HSL 241.5, 0.55%, 0.43%

LAB 29.26, 39.88, -63.58

 

CMYK 54 / 56 / 0 / 40

HEX #464398

RGB 70 67 152

HSL 242.12, 0.39%, 0.43%

LAB 33.1, 25.97, -46.39

 

CMYK 35 / 37 / 0 / 47

HEX #575586

RGB 87 85 134

HSL 242.45, 0.22%, 0.43%

LAB 38.28, 13.22, -27.11

 

CMYK 93 / 45 / 0 / 20

HEX #0E71CD

RGB 14 113 205

HSL 208.9, 0.87%, 0.43%

LAB 47.38, 9.1, -54.7

 

CMYK 93 / 70 / 0 / 20

HEX #0E3ECD

RGB 14 62 205

HSL 224.92, 0.87%, 0.43%

LAB 33.87, 42.15, -76.71

 

CMYK 92 / 93 / 0 / 20

HEX #110ECD

RGB 17 14 205

HSL 240.94, 0.87%, 0.43%

LAB 26.28, 64.41, -89.32

 

CMYK 67 / 93 / 0 / 20

HEX #440ECD

RGB 68 14 205

HSL 256.96, 0.87%, 0.43%

LAB 29.29, 66.06, -84.22

 

CMYK 42 / 93 / 0 / 20

HEX #770ECD

RGB 119 14 205

HSL 272.98, 0.87%, 0.43%

LAB 35.29, 70.17, -74.1

 

CMYK 90 / 93 / 0 / 50

HEX #0D0980

RGB 13 9 128

HSL 242.02, 0.87%, 0.27%

LAB 14.62, 44.22, -61.94

 

CMYK 90 / 93 / 0 / 35

HEX #100CA6

RGB 16 12 166

HSL 241.56, 0.87%, 0.35%

LAB 20.54, 54.32, -75.67

 

CMYK 90 / 93 / 0 / 20

HEX #140ECD

RGB 20 14 205

HSL 241.88, 0.87%, 0.43%

LAB 26.36, 64.45, -89.17

 

CMYK 88 / 91 / 0 / 6

HEX #1D16EF

RGB 29 22 239

HSL 241.94, 0.87%, 0.51%

LAB 31.96, 71.49, -99.39

 

CMYK 73 / 75 / 0 / 5

HEX #423CF1

RGB 66 60 241

HSL 241.99, 0.87%, 0.59%

LAB 39.14, 58.43, -88.54

 

CMYK 90 / 93 / 0 / 19

HEX #140ECF

RGB 20 14 207

HSL 241.87, 0.87%, 0.43%

LAB 26.64, 64.98, -89.87

 

CMYK 0 / 93 / 20 / 20

HEX #CD0EA4

RGB 205 14 164

HSL 312.88, 0.87%, 0.43%

LAB 46.94, 76.67, -30.44

 

CMYK 58 / 0 / 93 / 20

HEX #57CD0E

RGB 87 205 14

HSL 97.07, 0.87%, 0.43%

LAB 73.36, -61.28, 70.73

 

CMYK 90 / 93 / 0 / 19

HEX #140ECF

RGB 20 14 207

HSL 241.87, 0.87%, 0.43%

LAB 26.64, 64.98, -89.87

 

CMYK 0 / 92 / 93 / 20

HEX #CD110E

RGB 205 17 14

HSL 0.94, 0.87%, 0.43%

LAB 43.38, 66.36, 52.76

 

CMYK 93 / 0 / 92 / 20

HEX #0ECD11

RGB 14 205 17

HSL 120.94, 0.87%, 0.43%

LAB 72.09, -72.19, 68.75

 

CMYK 90 / 93 / 0 / 19

HEX #140ECF

RGB 20 14 207

HSL 241.87, 0.87%, 0.43%

LAB 26.64, 64.98, -89.87

 

CMYK 0 / 93 / 20 / 20

HEX #CD0EA4

RGB 205 14 164

HSL 312.88, 0.87%, 0.43%

LAB 46.94, 76.67, -30.44

 

CMYK 1 / 0 / 93 / 20

HEX #CACD0E

RGB 202 205 14

HSL 60.94, 0.87%, 0.43%

LAB 79.76, -19.42, 78.51

 

CMYK 93 / 0 / 73 / 20

HEX #0ECD38

RGB 14 205 56

HSL 133.19, 0.87%, 0.43%

LAB 72.26, -70.08, 58.89

 

CMYK 90 / 93 / 0 / 19

HEX #140ECF

RGB 20 14 207

HSL 241.87, 0.87%, 0.43%

LAB 26.64, 64.98, -89.87

 

CMYK 0 / 93 / 48 / 20

HEX #CD0E6A

RGB 205 14 106

HSL 331.1, 0.87%, 0.43%

LAB 44.71, 70.76, 1.54

 

CMYK 1 / 0 / 93 / 20

HEX #CACD0E

RGB 202 205 14

HSL 60.94, 0.87%, 0.43%

LAB 79.76, -19.42, 78.51

 

CMYK 93 / 0 / 45 / 20

HEX #0ECD71

RGB 14 205 113

HSL 151.1, 0.87%, 0.43%

LAB 72.86, -62.68, 34.12

 

Description

Color code: HEX #140ECF | qconv.com Color code: HEX #140ECF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 14 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 14 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 93 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 93% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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