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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13FB92 it is the complementary color #EC046D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13FB92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13FB92 shade: #18FB8D, #29FFA0, #3AFFB3, #4BFFC6 and #5CFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13FB92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13FB92 shade: #13FB92, #02E97F, #00D76C, #00C559 and #00B346

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13FB92 shade: #13FB92, #13FB53, #13FB15, #50FB13 and #8EFB13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13FB92 shade: #13FB92, #13FBD1, #13E7FB, #13A9FB and #136AFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13FB92 shade matches the following richer shades: #13FB92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13FB92 shade: #13FB92, #26E890, #3AD58E, #4DC18D and #60AE8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13FB92 shade: #13FB13, #13FB51, #13FB8F, #13FBCD and #13ECFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13FB92 shade: #03B967, #03E27D, #13FB92, #3CFCA5 and #64FDB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13FB92 shade: #13FB92, #1351FB and #FB3213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13FB92 shade: #13FB92, #8F13FB and #FB8F13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13FB92 shade: #13FB92, #1351FB, #FB137F and #FBBD13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13FB92 shade: #13FB92, #1B13FB, #FB137F and #F4FB13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

Complementary color

CMYK 0 / 98 / 54 / 7

HEX #EC046D

RGB 236 4 109

HSL 332.84, 0.97%, 0.47%

LAB 50.72, 78.81, 9.12

 

CMYK 90 / 0 / 44 / 2

HEX #18FB8D

RGB 24 251 141

HSL 150.93, 0.97%, 0.54%

LAB 87.54, -72.59, 39.16

 

CMYK 84 / 0 / 37 / 0

HEX #29FFA0

RGB 41 255 160

HSL 153.36, 1%, 0.58%

LAB 89.17, -69.43, 31.94

 

CMYK 77 / 0 / 30 / 0

HEX #3AFFB3

RGB 58 255 179

HSL 156.85, 1%, 0.61%

LAB 89.71, -64.1, 23.12

 

CMYK 71 / 0 / 22 / 0

HEX #4BFFC6

RGB 75 255 198

HSL 161, 1%, 0.65%

LAB 90.36, -57.95, 14.36

 

CMYK 64 / 0 / 15 / 0

HEX #5CFFD9

RGB 92 255 217

HSL 166.01, 1%, 0.68%

LAB 91.15, -51.08, 5.72

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 99 / 0 / 45 / 9

HEX #02E97F

RGB 2 233 127

HSL 152.47, 0.98%, 0.46%

LAB 81.74, -69.9, 38.54

 

CMYK 100 / 0 / 50 / 16

HEX #00D76C

RGB 0 215 108

HSL 150.14, 1%, 0.42%

LAB 75.87, -67.3, 40.42

 

CMYK 100 / 0 / 55 / 23

HEX #00C559

RGB 0 197 89

HSL 147.11, 1%, 0.39%

LAB 69.93, -64.48, 42.29

 

CMYK 100 / 0 / 61 / 30

HEX #00B346

RGB 0 179 70

HSL 143.46, 1%, 0.35%

LAB 63.9, -61.46, 44.07

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 92 / 0 / 67 / 2

HEX #13FB53

RGB 19 251 83

HSL 136.55, 0.97%, 0.53%

LAB 86.88, -80.58, 64.19

 

CMYK 92 / 0 / 92 / 2

HEX #13FB15

RGB 19 251 21

HSL 120.52, 0.97%, 0.53%

LAB 86.6, -84.18, 80.41

 

CMYK 68 / 0 / 92 / 2

HEX #50FB13

RGB 80 251 19

HSL 104.22, 0.97%, 0.53%

LAB 87.36, -77.43, 81.6

 

CMYK 43 / 0 / 92 / 2

HEX #8EFB13

RGB 142 251 19

HSL 88.19, 0.97%, 0.53%

LAB 89.3, -61.95, 83.98

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 92 / 0 / 17 / 2

HEX #13FBD1

RGB 19 251 209

HSL 169.14, 0.97%, 0.53%

LAB 88.8, -58.37, 6.35

 

CMYK 92 / 8 / 0 / 2

HEX #13E7FB

RGB 19 231 251

HSL 185.17, 0.97%, 0.53%

LAB 84.1, -38.17, -22.62

 

CMYK 92 / 33 / 0 / 2

HEX #13A9FB

RGB 19 169 251

HSL 201.21, 0.97%, 0.53%

LAB 66.12, -6.61, -50.48

 

CMYK 92 / 58 / 0 / 2

HEX #136AFB

RGB 19 106 251

HSL 217.5, 0.97%, 0.53%

LAB 48.77, 31.63, -78.37

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 84 / 0 / 38 / 9

HEX #26E890

RGB 38 232 144

HSL 152.78, 0.81%, 0.53%

LAB 81.91, -64.72, 30.31

 

CMYK 73 / 0 / 33 / 16

HEX #3AD58E

RGB 58 213 142

HSL 152.52, 0.65%, 0.53%

LAB 76.34, -55.99, 23.89

 

CMYK 60 / 0 / 27 / 24

HEX #4DC18D

RGB 77 193 141

HSL 153.1, 0.48%, 0.53%

LAB 70.62, -44.94, 16.63

 

CMYK 45 / 0 / 20 / 32

HEX #60AE8B

RGB 96 174 139

HSL 153.08, 0.33%, 0.53%

LAB 65.45, -32.37, 10.57

 

CMYK 92 / 0 / 92 / 2

HEX #13FB13

RGB 19 251 19

HSL 120, 0.97%, 0.53%

LAB 86.59, -84.23, 80.65

 

CMYK 92 / 0 / 68 / 2

HEX #13FB51

RGB 19 251 81

HSL 136.03, 0.97%, 0.53%

LAB 86.86, -80.77, 64.94

 

CMYK 92 / 0 / 43 / 2

HEX #13FB8F

RGB 19 251 143

HSL 152.07, 0.97%, 0.53%

LAB 87.54, -72.47, 38.18

 

CMYK 92 / 0 / 18 / 2

HEX #13FBCD

RGB 19 251 205

HSL 168.1, 0.97%, 0.53%

LAB 88.7, -59.36, 8.29

 

CMYK 92 / 6 / 0 / 2

HEX #13ECFB

RGB 19 236 251

HSL 183.88, 0.97%, 0.53%

LAB 85.55, -40.45, -20.42

 

CMYK 98 / 0 / 44 / 27

HEX #03B967

RGB 3 185 103

HSL 152.97, 0.97%, 0.37%

LAB 66.29, -58.11, 30.75

 

CMYK 99 / 0 / 45 / 11

HEX #03E27D

RGB 3 226 125

HSL 152.83, 0.97%, 0.45%

LAB 79.55, -67.93, 36.72

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 76 / 0 / 35 / 1

HEX #3CFCA5

RGB 60 252 165

HSL 152.81, 0.97%, 0.61%

LAB 88.59, -65.6, 28.69

 

CMYK 60 / 0 / 27 / 1

HEX #64FDB8

RGB 100 253 184

HSL 152.94, 0.97%, 0.69%

LAB 90.05, -56.12, 21.18

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 92 / 68 / 0 / 2

HEX #1351FB

RGB 19 81 251

HSL 223.97, 0.97%, 0.53%

LAB 42.75, 47.24, -88.26

 

CMYK 0 / 80 / 92 / 2

HEX #FB3213

RGB 251 50 19

HSL 8.02, 0.97%, 0.53%

LAB 54.9, 72.3, 62.79

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 43 / 92 / 0 / 2

HEX #8F13FB

RGB 143 19 251

HSL 272.07, 0.97%, 0.53%

LAB 43.17, 81.47, -87.27

 

CMYK 0 / 43 / 92 / 2

HEX #FB8F13

RGB 251 143 19

HSL 32.07, 0.97%, 0.53%

LAB 69.61, 33.86, 72.55

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 92 / 68 / 0 / 2

HEX #1351FB

RGB 19 81 251

HSL 223.97, 0.97%, 0.53%

LAB 42.75, 47.24, -88.26

 

CMYK 0 / 92 / 49 / 2

HEX #FB137F

RGB 251 19 127

HSL 332.07, 0.97%, 0.53%

LAB 54.56, 82.2, 4.1

 

CMYK 0 / 25 / 92 / 2

HEX #FBBD13

RGB 251 189 19

HSL 43.97, 0.97%, 0.53%

LAB 80.15, 9.89, 80.15

 

CMYK 92 / 0 / 42 / 2

HEX #13FB92

RGB 19 251 146

HSL 152.84, 0.97%, 0.53%

LAB 87.59, -71.94, 36.76

 

CMYK 89 / 92 / 0 / 2

HEX #1B13FB

RGB 27 19 251

HSL 242.07, 0.97%, 0.53%

LAB 33.27, 75.27, -103.98

 

CMYK 0 / 92 / 49 / 2

HEX #FB137F

RGB 251 19 127

HSL 332.07, 0.97%, 0.53%

LAB 54.56, 82.2, 4.1

 

CMYK 3 / 0 / 92 / 2

HEX #F4FB13

RGB 244 251 19

HSL 61.81, 0.97%, 0.53%

LAB 95.28, -24.01, 91.24

 

Description

Color code: HEX #13FB92 | qconv.com Color code: HEX #13FB92 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 251 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 251 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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