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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13F803 it is the complementary color #EC07FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13F803. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13F803 shade: #18F800, #29FF11, #3AFF24, #4BFF37 and #5CFF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13F803. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13F803 shade: #13F803, #02E600, #00D400, #00C200 and #00B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13F803 shade: #12F702, #55F702, #97F702, #D9F702 and #F7D402

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13F803 shade: #12F702, #02F735, #02F777, #02F7B9 and #02F4F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13F803 shade matches the following richer shades: #12F702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13F803 shade: #12F702, #24E317, #36CF2B, #47BB3F and #59A753

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13F803 shade: #95F702, #54F702, #13F702, #02F733 and #02F775

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13F803 shade: #0CA602, #0FCF02, #12F702, #34FD26 and #5BFD4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13F803 shade: #13F803, #02D7F7 and #F70275

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13F803 shade: #13F803, #0213F7 and #F70213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13F803 shade: #13F803, #02D7F7, #E702F7 and #F72302

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13F803 shade: #13F803, #028DF7, #E702F7 and #F76D02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 99 / 3

HEX #13F803

RGB 19 248 3

HSL 116.08, 0.98%, 0.49%

LAB 85.65, -83.7, 81.3

 

Complementary color

CMYK 6 / 97 / 0 / 1

HEX #EC07FC

RGB 236 7 252

HSL 296.08, 0.98%, 0.51%

LAB 57.09, 94.53, -64.54

 

CMYK 90 / 0 / 100 / 3

HEX #18F800

RGB 24 248 0

HSL 114.19, 1%, 0.49%

LAB 85.67, -83.49, 81.56

 

CMYK 84 / 0 / 93 / 0

HEX #29FF11

RGB 41 255 17

HSL 113.95, 1%, 0.53%

LAB 87.98, -83.86, 82.09

 

CMYK 77 / 0 / 86 / 0

HEX #3AFF24

RGB 58 255 36

HSL 113.97, 1%, 0.57%

LAB 88.23, -81.5, 79.54

 

CMYK 71 / 0 / 78 / 0

HEX #4BFF37

RGB 75 255 55

HSL 114, 1%, 0.61%

LAB 88.59, -78.15, 75.47

 

CMYK 64 / 0 / 71 / 0

HEX #5CFF4A

RGB 92 255 74

HSL 114.03, 1%, 0.65%

LAB 89.06, -73.8, 70.09

 

CMYK 92 / 0 / 99 / 3

HEX #13F803

RGB 19 248 3

HSL 116.08, 0.98%, 0.49%

LAB 85.65, -83.7, 81.3

 

CMYK 99 / 0 / 100 / 10

HEX #02E600

RGB 2 230 0

HSL 119.48, 1%, 0.45%

LAB 79.96, -79.65, 76.95

 

CMYK 100 / 0 / 100 / 17

HEX #00D400

RGB 0 212 0

HSL 120, 1%, 0.42%

LAB 74.25, -74.98, 72.36

 

CMYK 100 / 0 / 100 / 24

HEX #00C200

RGB 0 194 0

HSL 120, 1%, 0.38%

LAB 68.45, -70.16, 67.71

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 93 / 0 / 99 / 3

HEX #12F702

RGB 18 247 2

HSL 116.08, 0.98%, 0.49%

LAB 85.33, -83.5, 81.12

 

CMYK 66 / 0 / 99 / 3

HEX #55F702

RGB 85 247 2

HSL 99.67, 0.98%, 0.49%

LAB 86.23, -75.52, 82.22

 

CMYK 39 / 0 / 99 / 3

HEX #97F702

RGB 151 247 2

HSL 83.51, 0.98%, 0.49%

LAB 88.5, -57.76, 84.97

 

CMYK 12 / 0 / 99 / 3

HEX #D9F702

RGB 217 247 2

HSL 67.35, 0.98%, 0.49%

LAB 92.26, -33.25, 89.49

 

CMYK 0 / 14 / 99 / 3

HEX #F7D402

RGB 247 212 2

HSL 51.43, 0.98%, 0.49%

LAB 85.44, -3.8, 85.56

 

CMYK 93 / 0 / 99 / 3

HEX #12F702

RGB 18 247 2

HSL 116.08, 0.98%, 0.49%

LAB 85.33, -83.5, 81.12

 

CMYK 99 / 0 / 79 / 3

HEX #02F735

RGB 2 247 53

HSL 132.49, 0.98%, 0.49%

LAB 85.4, -82.38, 72.76

 

CMYK 99 / 0 / 52 / 3

HEX #02F777

RGB 2 247 119

HSL 148.65, 0.98%, 0.49%

LAB 85.94, -75.58, 47.64

 

CMYK 99 / 0 / 25 / 3

HEX #02F7B9

RGB 2 247 185

HSL 164.82, 0.98%, 0.49%

LAB 87.02, -63.06, 16.23

 

CMYK 99 / 1 / 0 / 3

HEX #02F4F7

RGB 2 244 247

HSL 180.73, 0.98%, 0.49%

LAB 87.69, -45.59, -15.1

 

CMYK 93 / 0 / 99 / 3

HEX #12F702

RGB 18 247 2

HSL 116.08, 0.98%, 0.49%

LAB 85.33, -83.5, 81.12

 

CMYK 93 / 0 / 99 / 3

HEX #12F702

RGB 18 247 2

HSL 116.08, 0.98%, 0.49%

LAB 85.33, -83.5, 81.12

 

CMYK 84 / 0 / 90 / 11

HEX #24E317

RGB 36 227 23

HSL 116.18, 0.82%, 0.49%

LAB 79.26, -76.51, 73.99

 

CMYK 74 / 0 / 79 / 19

HEX #36CF2B

RGB 54 207 43

HSL 115.98, 0.66%, 0.49%

LAB 73.28, -67.6, 64.28

 

CMYK 62 / 0 / 66 / 27

HEX #47BB3F

RGB 71 187 63

HSL 116.13, 0.5%, 0.49%

LAB 67.46, -56.18, 51.4

 

CMYK 47 / 0 / 50 / 35

HEX #59A753

RGB 89 167 83

HSL 115.71, 0.34%, 0.49%

LAB 61.99, -41.25, 35.92

 

CMYK 40 / 0 / 99 / 3

HEX #95F702

RGB 149 247 2

HSL 84, 0.98%, 0.49%

LAB 88.41, -58.42, 84.86

 

CMYK 66 / 0 / 99 / 3

HEX #54F702

RGB 84 247 2

HSL 99.92, 0.98%, 0.49%

LAB 86.21, -75.72, 82.2

 

CMYK 92 / 0 / 99 / 3

HEX #13F702

RGB 19 247 2

HSL 115.84, 0.98%, 0.49%

LAB 85.33, -83.46, 81.12

 

CMYK 99 / 0 / 79 / 3

HEX #02F733

RGB 2 247 51

HSL 132, 0.98%, 0.49%

LAB 85.39, -82.49, 73.3

 

CMYK 99 / 0 / 53 / 3

HEX #02F775

RGB 2 247 117

HSL 148.16, 0.98%, 0.49%

LAB 85.92, -75.87, 48.54

 

CMYK 93 / 0 / 99 / 35

HEX #0CA602

RGB 12 166 2

HSL 116.34, 0.98%, 0.33%

LAB 59.3, -61.79, 60.12

 

CMYK 93 / 0 / 99 / 19

HEX #0FCF02

RGB 15 207 2

HSL 116.2, 0.98%, 0.41%

LAB 72.71, -72.99, 70.96

 

CMYK 93 / 0 / 99 / 3

HEX #12F702

RGB 18 247 2

HSL 116.08, 0.98%, 0.49%

LAB 85.33, -83.5, 81.12

 

CMYK 79 / 0 / 85 / 1

HEX #34FD26

RGB 52 253 38

HSL 116.09, 0.98%, 0.57%

LAB 87.54, -81.58, 78.51

 

CMYK 64 / 0 / 69 / 1

HEX #5BFD4F

RGB 91 253 79

HSL 115.86, 0.98%, 0.65%

LAB 88.47, -72.95, 67.69

 

CMYK 92 / 0 / 99 / 3

HEX #13F803

RGB 19 248 3

HSL 116.08, 0.98%, 0.49%

LAB 85.65, -83.7, 81.3

 

CMYK 99 / 13 / 0 / 3

HEX #02D7F7

RGB 2 215 247

HSL 187.84, 0.98%, 0.49%

LAB 79.23, -32.34, -27.93

 

CMYK 0 / 99 / 53 / 3

HEX #F70275

RGB 247 2 117

HSL 331.84, 0.98%, 0.49%

LAB 53.06, 81.92, 7.88

 

CMYK 92 / 0 / 99 / 3

HEX #13F803

RGB 19 248 3

HSL 116.08, 0.98%, 0.49%

LAB 85.65, -83.7, 81.3

 

CMYK 99 / 92 / 0 / 3

HEX #0213F7

RGB 2 19 247

HSL 235.84, 0.98%, 0.49%

LAB 32.24, 74.02, -103.46

 

CMYK 0 / 99 / 92 / 3

HEX #F70213

RGB 247 2 19

HSL 355.84, 0.98%, 0.49%

LAB 51.68, 78.2, 60.45

 

CMYK 92 / 0 / 99 / 3

HEX #13F803

RGB 19 248 3

HSL 116.08, 0.98%, 0.49%

LAB 85.65, -83.7, 81.3

 

CMYK 99 / 13 / 0 / 3

HEX #02D7F7

RGB 2 215 247

HSL 187.84, 0.98%, 0.49%

LAB 79.23, -32.34, -27.93

 

CMYK 6 / 99 / 0 / 3

HEX #E702F7

RGB 231 2 247

HSL 296.08, 0.98%, 0.49%

LAB 55.83, 93.36, -63.81

 

CMYK 0 / 86 / 99 / 3

HEX #F72302

RGB 247 35 2

HSL 8.08, 0.98%, 0.49%

LAB 52.93, 74.34, 65.61

 

CMYK 92 / 0 / 99 / 3

HEX #13F803

RGB 19 248 3

HSL 116.08, 0.98%, 0.49%

LAB 85.65, -83.7, 81.3

 

CMYK 99 / 43 / 0 / 3

HEX #028DF7

RGB 2 141 247

HSL 205.96, 0.98%, 0.49%

LAB 57.83, 7.76, -61.51

 

CMYK 6 / 99 / 0 / 3

HEX #E702F7

RGB 231 2 247

HSL 296.08, 0.98%, 0.49%

LAB 55.83, 93.36, -63.81

 

CMYK 0 / 56 / 99 / 3

HEX #F76D02

RGB 247 109 2

HSL 26.2, 0.98%, 0.49%

LAB 62.27, 48.95, 70.3

 

Description

Color code: HEX #13F803 | qconv.com Color code: HEX #13F803 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 248 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 248 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 99 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 99% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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