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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13F4DF it is the complementary color #EC0B20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13F4DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13F4DF shade: #18F4DA, #29FFED, #3AFFFF, #4BFFFF and #5CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13F4DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13F4DF shade: #13F4DF, #02E2CC, #00D0B9, #00BEA6 and #00AC93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13F4DF shade: #15F4DF, #15F4A3, #15F467, #15F42B and #3CF415

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13F4DF shade: #15F4DF, #15CDF4, #1591F4, #1555F4 and #1518F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13F4DF shade matches the following richer shades: #15F4DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13F4DF shade: #15F4DF, #29E0CF, #3DCCBF, #51B9AF and #64A59F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13F4DF shade: #15F467, #15F4A2, #15F4DE, #15CFF4 and #1593F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13F4DF shade: #08AE9F, #0AD6C3, #15F4DF, #3DF6E5 and #64F8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13F4DF shade: #13F4DF, #2B15F4 and #F48515

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13F4DF shade: #13F4DF, #DE15F4 and #F4DE15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13F4DF shade: #13F4DF, #2B15F4, #F4152B and #DEF415

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13F4DF shade: #13F4DF, #6E15F4, #F4152B and #9BF415

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 9 / 4

HEX #13F4DF

RGB 19 244 223

HSL 174.4, 0.91%, 0.52%

LAB 87.08, -51.92, -3.45

 

Complementary color

CMYK 0 / 95 / 86 / 7

HEX #EC0B20

RGB 236 11 32

HSL 354.4, 0.91%, 0.48%

LAB 49.71, 75.06, 52.67

 

CMYK 90 / 0 / 11 / 4

HEX #18F4DA

RGB 24 244 218

HSL 172.91, 0.91%, 0.53%

LAB 86.98, -53.06, -0.98

 

CMYK 84 / 0 / 7 / 0

HEX #29FFED

RGB 41 255 237

HSL 174.95, 1%, 0.58%

LAB 90.83, -51.63, -5.2

 

CMYK 77 / 0 / 0 / 0

HEX #3AFFFF

RGB 58 255 255

HSL 180, 1%, 0.61%

LAB 91.52, -45.41, -13.49

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 92 / 0 / 9 / 4

HEX #13F4DF

RGB 19 244 223

HSL 174.4, 0.91%, 0.52%

LAB 87.08, -51.92, -3.45

 

CMYK 99 / 0 / 10 / 11

HEX #02E2CC

RGB 2 226 204

HSL 174.11, 0.98%, 0.45%

LAB 81.16, -50.07, -2.13

 

CMYK 100 / 0 / 11 / 18

HEX #00D0B9

RGB 0 208 185

HSL 173.37, 1%, 0.41%

LAB 75.21, -47.82, -0.69

 

CMYK 100 / 0 / 13 / 25

HEX #00BEA6

RGB 0 190 166

HSL 172.42, 1%, 0.37%

LAB 69.17, -45.49, 0.81

 

CMYK 100 / 0 / 15 / 33

HEX #00AC93

RGB 0 172 147

HSL 171.28, 1%, 0.34%

LAB 63.02, -43.12, 2.38

 

CMYK 91 / 0 / 9 / 4

HEX #15F4DF

RGB 21 244 223

HSL 174.35, 0.91%, 0.52%

LAB 87.09, -51.85, -3.43

 

CMYK 91 / 0 / 33 / 4

HEX #15F4A3

RGB 21 244 163

HSL 158.21, 0.91%, 0.52%

LAB 85.76, -66.21, 25.8

 

CMYK 91 / 0 / 58 / 4

HEX #15F467

RGB 21 244 103

HSL 142.06, 0.91%, 0.52%

LAB 84.91, -76.23, 53.7

 

CMYK 91 / 0 / 82 / 4

HEX #15F42B

RGB 21 244 43

HSL 125.92, 0.91%, 0.52%

LAB 84.5, -81.44, 74.56

 

CMYK 75 / 0 / 91 / 4

HEX #3CF415

RGB 60 244 21

HSL 109.51, 0.91%, 0.52%

LAB 84.85, -78.56, 79.11

 

CMYK 91 / 0 / 9 / 4

HEX #15F4DF

RGB 21 244 223

HSL 174.35, 0.91%, 0.52%

LAB 87.09, -51.85, -3.43

 

CMYK 91 / 16 / 0 / 4

HEX #15CDF4

RGB 21 205 244

HSL 190.49, 0.91%, 0.52%

LAB 76.29, -27.93, -30.84

 

CMYK 91 / 41 / 0 / 4

HEX #1591F4

RGB 21 145 244

HSL 206.64, 0.91%, 0.52%

LAB 58.92, 4.79, -58.09

 

CMYK 91 / 65 / 0 / 4

HEX #1555F4

RGB 21 85 244

HSL 222.78, 0.91%, 0.52%

LAB 43.05, 42.33, -83.85

 

CMYK 91 / 90 / 0 / 4

HEX #1518F4

RGB 21 24 244

HSL 239.19, 0.91%, 0.52%

LAB 32.58, 72.13, -101.2

 

CMYK 91 / 0 / 9 / 4

HEX #15F4DF

RGB 21 244 223

HSL 174.35, 0.91%, 0.52%

LAB 87.09, -51.85, -3.43

 

CMYK 91 / 0 / 9 / 4

HEX #15F4DF

RGB 21 244 223

HSL 174.35, 0.91%, 0.52%

LAB 87.09, -51.85, -3.43

 

CMYK 82 / 0 / 8 / 12

HEX #29E0CF

RGB 41 224 207

HSL 174.43, 0.75%, 0.52%

LAB 80.9, -46.65, -4.08

 

CMYK 70 / 0 / 6 / 20

HEX #3DCCBF

RGB 61 204 191

HSL 174.55, 0.58%, 0.52%

LAB 74.79, -40.18, -4.48

 

CMYK 56 / 0 / 5 / 27

HEX #51B9AF

RGB 81 185 175

HSL 174.23, 0.43%, 0.52%

LAB 69.14, -32.41, -4.02

 

CMYK 39 / 0 / 4 / 35

HEX #64A59F

RGB 100 165 159

HSL 174.46, 0.27%, 0.52%

LAB 63.44, -22.21, -3.45

 

CMYK 91 / 0 / 58 / 4

HEX #15F467

RGB 21 244 103

HSL 142.06, 0.91%, 0.52%

LAB 84.91, -76.23, 53.7

 

CMYK 91 / 0 / 34 / 4

HEX #15F4A2

RGB 21 244 162

HSL 157.94, 0.91%, 0.52%

LAB 85.74, -66.42, 26.28

 

CMYK 91 / 0 / 9 / 4

HEX #15F4DE

RGB 21 244 222

HSL 174.08, 0.91%, 0.52%

LAB 87.06, -52.12, -2.95

 

CMYK 91 / 15 / 0 / 4

HEX #15CFF4

RGB 21 207 244

HSL 189.96, 0.91%, 0.52%

LAB 76.87, -28.91, -29.94

 

CMYK 91 / 40 / 0 / 4

HEX #1593F4

RGB 21 147 244

HSL 206.1, 0.91%, 0.52%

LAB 59.49, 3.6, -57.18

 

CMYK 95 / 0 / 9 / 32

HEX #08AE9F

RGB 8 174 159

HSL 174.58, 0.91%, 0.36%

LAB 64.02, -40.29, -2.85

 

CMYK 95 / 0 / 9 / 16

HEX #0AD6C3

RGB 10 214 195

HSL 174.41, 0.91%, 0.44%

LAB 77.34, -47.31, -2.94

 

CMYK 91 / 0 / 9 / 4

HEX #15F4DF

RGB 21 244 223

HSL 174.35, 0.91%, 0.52%

LAB 87.09, -51.85, -3.43

 

CMYK 75 / 0 / 7 / 4

HEX #3DF6E5

RGB 61 246 229

HSL 174.49, 0.91%, 0.6%

LAB 88.24, -48.32, -4.83

 

CMYK 60 / 0 / 6 / 3

HEX #64F8EA

RGB 100 248 234

HSL 174.32, 0.91%, 0.68%

LAB 89.76, -42.58, -5.1

 

CMYK 92 / 0 / 9 / 4

HEX #13F4DF

RGB 19 244 223

HSL 174.4, 0.91%, 0.52%

LAB 87.08, -51.92, -3.45

 

CMYK 82 / 91 / 0 / 4

HEX #2B15F4

RGB 43 21 244

HSL 245.92, 0.91%, 0.52%

LAB 33.1, 73.33, -100.32

 

CMYK 0 / 45 / 91 / 4

HEX #F48515

RGB 244 133 21

HSL 30.13, 0.91%, 0.52%

LAB 66.57, 36.19, 69.54

 

CMYK 92 / 0 / 9 / 4

HEX #13F4DF

RGB 19 244 223

HSL 174.4, 0.91%, 0.52%

LAB 87.08, -51.92, -3.45

 

CMYK 9 / 91 / 0 / 4

HEX #DE15F4

RGB 222 21 244

HSL 294.08, 0.91%, 0.52%

LAB 54.66, 90.06, -64.11

 

CMYK 0 / 9 / 91 / 4

HEX #F4DE15

RGB 244 222 21

HSL 54.08, 0.91%, 0.52%

LAB 87.74, -9.91, 85.25

 

CMYK 92 / 0 / 9 / 4

HEX #13F4DF

RGB 19 244 223

HSL 174.4, 0.91%, 0.52%

LAB 87.08, -51.92, -3.45

 

CMYK 82 / 91 / 0 / 4

HEX #2B15F4

RGB 43 21 244

HSL 245.92, 0.91%, 0.52%

LAB 33.1, 73.33, -100.32

 

CMYK 0 / 91 / 82 / 4

HEX #F4152B

RGB 244 21 43

HSL 354.08, 0.91%, 0.52%

LAB 51.77, 76.25, 49.64

 

CMYK 9 / 0 / 91 / 4

HEX #DEF415

RGB 222 244 21

HSL 65.92, 0.91%, 0.52%

LAB 91.81, -29.66, 87.64

 

CMYK 92 / 0 / 9 / 4

HEX #13F4DF

RGB 19 244 223

HSL 174.4, 0.91%, 0.52%

LAB 87.08, -51.92, -3.45

 

CMYK 55 / 91 / 0 / 4

HEX #6E15F4

RGB 110 21 244

HSL 263.95, 0.91%, 0.52%

LAB 38.52, 76.7, -91.14

 

CMYK 0 / 91 / 82 / 4

HEX #F4152B

RGB 244 21 43

HSL 354.08, 0.91%, 0.52%

LAB 51.77, 76.25, 49.64

 

CMYK 36 / 0 / 91 / 4

HEX #9BF415

RGB 155 244 21

HSL 83.95, 0.91%, 0.52%

LAB 87.84, -54.99, 82.8

 

Description

Color code: HEX #13F4DF | qconv.com Color code: HEX #13F4DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 244 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 244 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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