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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13F2DB it is the complementary color #EC0D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13F2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13F2DB shade: #18F2D6, #29FFE9, #3AFFFC, #4BFFFF and #5CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13F2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13F2DB shade: #13F2DB, #02E0C8, #00CEB5, #00BCA2 and #00AA8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13F2DB shade: #12F3DB, #12F39F, #12F362, #12F325 and #3AF312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13F2DB shade: #12F3DB, #12CDF3, #1290F3, #1254F3 and #1217F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13F2DB shade matches the following richer shades: #12F3DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13F2DB shade: #12F3DB, #26DECB, #3ACABB, #4EB6AB and #62A29B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13F2DB shade: #12F360, #12F39C, #12F3D8, #12D1F3 and #1295F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13F2DB shade: #09A998, #0BD0BC, #12F3DB, #39F5E1 and #60F7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13F2DB shade: #13F2DB, #2412F3 and #F37E12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13F2DB shade: #13F2DB, #D812F3 and #F3D812

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13F2DB shade: #13F2DB, #2412F3, #F3122C and #E0F312

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13F2DB shade: #13F2DB, #6812F3, #F3122C and #9CF312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 10 / 5

HEX #13F2DB

RGB 19 242 219

HSL 173.81, 0.9%, 0.51%

LAB 86.38, -52.17, -2.38

 

Complementary color

CMYK 0 / 94 / 85 / 7

HEX #EC0D24

RGB 236 13 36

HSL 353.81, 0.9%, 0.49%

LAB 49.8, 74.97, 50.81

 

CMYK 90 / 0 / 12 / 5

HEX #18F2D6

RGB 24 242 214

HSL 172.29, 0.89%, 0.52%

LAB 86.28, -53.3, 0.1

 

CMYK 84 / 0 / 9 / 0

HEX #29FFE9

RGB 41 255 233

HSL 173.83, 1%, 0.58%

LAB 90.72, -52.7, -3.28

 

CMYK 77 / 0 / 1 / 0

HEX #3AFFFC

RGB 58 255 252

HSL 179.09, 1%, 0.61%

LAB 91.44, -46.24, -12.06

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 92 / 0 / 10 / 5

HEX #13F2DB

RGB 19 242 219

HSL 173.81, 0.9%, 0.51%

LAB 86.38, -52.17, -2.38

 

CMYK 99 / 0 / 11 / 12

HEX #02E0C8

RGB 2 224 200

HSL 173.51, 0.98%, 0.44%

LAB 80.46, -50.33, -1.04

 

CMYK 100 / 0 / 12 / 19

HEX #00CEB5

RGB 0 206 181

HSL 172.72, 1%, 0.4%

LAB 74.5, -48.08, 0.42

 

CMYK 100 / 0 / 14 / 26

HEX #00BCA2

RGB 0 188 162

HSL 171.7, 1%, 0.37%

LAB 68.44, -45.75, 1.95

 

CMYK 100 / 0 / 16 / 33

HEX #00AA8F

RGB 0 170 143

HSL 170.47, 1%, 0.33%

LAB 62.28, -43.37, 3.54

 

CMYK 93 / 0 / 10 / 5

HEX #12F3DB

RGB 18 243 219

HSL 173.6, 0.9%, 0.51%

LAB 86.67, -52.61, -1.95

 

CMYK 93 / 0 / 35 / 5

HEX #12F39F

RGB 18 243 159

HSL 157.6, 0.9%, 0.51%

LAB 85.37, -66.8, 27.3

 

CMYK 93 / 0 / 60 / 5

HEX #12F362

RGB 18 243 98

HSL 141.33, 0.9%, 0.51%

LAB 84.54, -76.68, 55.45

 

CMYK 93 / 0 / 85 / 5

HEX #12F325

RGB 18 243 37

HSL 125.07, 0.9%, 0.51%

LAB 84.15, -81.58, 75.6

 

CMYK 76 / 0 / 93 / 5

HEX #3AF312

RGB 58 243 18

HSL 109.33, 0.9%, 0.51%

LAB 84.51, -78.61, 79.19

 

CMYK 93 / 0 / 10 / 5

HEX #12F3DB

RGB 18 243 219

HSL 173.6, 0.9%, 0.51%

LAB 86.67, -52.61, -1.95

 

CMYK 93 / 16 / 0 / 5

HEX #12CDF3

RGB 18 205 243

HSL 190.13, 0.9%, 0.51%

LAB 76.23, -28.37, -30.39

 

CMYK 93 / 41 / 0 / 5

HEX #1290F3

RGB 18 144 243

HSL 206.4, 0.9%, 0.51%

LAB 58.55, 4.89, -58.13

 

CMYK 93 / 65 / 0 / 5

HEX #1254F3

RGB 18 84 243

HSL 222.4, 0.9%, 0.51%

LAB 42.67, 42.48, -83.9

 

CMYK 93 / 91 / 0 / 5

HEX #1217F3

RGB 18 23 243

HSL 238.67, 0.9%, 0.51%

LAB 32.29, 72.1, -101.12

 

CMYK 93 / 0 / 10 / 5

HEX #12F3DB

RGB 18 243 219

HSL 173.6, 0.9%, 0.51%

LAB 86.67, -52.61, -1.95

 

CMYK 93 / 0 / 10 / 5

HEX #12F3DB

RGB 18 243 219

HSL 173.6, 0.9%, 0.51%

LAB 86.67, -52.61, -1.95

 

CMYK 83 / 0 / 9 / 13

HEX #26DECB

RGB 38 222 203

HSL 173.8, 0.74%, 0.51%

LAB 80.16, -47.11, -3.05

 

CMYK 71 / 0 / 7 / 21

HEX #3ACABB

RGB 58 202 187

HSL 173.75, 0.58%, 0.51%

LAB 74.02, -40.76, -3.46

 

CMYK 57 / 0 / 6 / 29

HEX #4EB6AB

RGB 78 182 171

HSL 173.65, 0.42%, 0.51%

LAB 68.03, -32.63, -3.46

 

CMYK 40 / 0 / 4 / 36

HEX #62A29B

RGB 98 162 155

HSL 173.44, 0.26%, 0.51%

LAB 62.34, -22.21, -2.84

 

CMYK 93 / 0 / 60 / 5

HEX #12F360

RGB 18 243 96

HSL 140.8, 0.9%, 0.51%

LAB 84.52, -76.92, 56.29

 

CMYK 93 / 0 / 36 / 5

HEX #12F39C

RGB 18 243 156

HSL 156.8, 0.9%, 0.51%

LAB 85.32, -67.4, 28.76

 

CMYK 93 / 0 / 11 / 5

HEX #12F3D8

RGB 18 243 216

HSL 172.8, 0.9%, 0.51%

LAB 86.6, -53.41, -0.49

 

CMYK 93 / 14 / 0 / 5

HEX #12D1F3

RGB 18 209 243

HSL 189.07, 0.9%, 0.51%

LAB 77.4, -30.32, -28.59

 

CMYK 93 / 39 / 0 / 5

HEX #1295F3

RGB 18 149 243

HSL 205.07, 0.9%, 0.51%

LAB 59.97, 1.92, -55.86

 

CMYK 95 / 0 / 10 / 34

HEX #09A998

RGB 9 169 152

HSL 173.63, 0.9%, 0.35%

LAB 62.25, -40.07, -1.53

 

CMYK 95 / 0 / 10 / 18

HEX #0BD0BC

RGB 11 208 188

HSL 173.91, 0.9%, 0.43%

LAB 75.34, -46.68, -2.12

 

CMYK 93 / 0 / 10 / 5

HEX #12F3DB

RGB 18 243 219

HSL 173.6, 0.9%, 0.51%

LAB 86.67, -52.61, -1.95

 

CMYK 77 / 0 / 8 / 4

HEX #39F5E1

RGB 57 245 225

HSL 173.62, 0.9%, 0.59%

LAB 87.78, -49.35, -3.42

 

CMYK 61 / 0 / 6 / 3

HEX #60F7E7

RGB 96 247 231

HSL 173.64, 0.9%, 0.67%

LAB 89.29, -43.56, -4.25

 

CMYK 92 / 0 / 10 / 5

HEX #13F2DB

RGB 19 242 219

HSL 173.81, 0.9%, 0.51%

LAB 86.38, -52.17, -2.38

 

CMYK 85 / 93 / 0 / 5

HEX #2412F3

RGB 36 18 243

HSL 244.8, 0.9%, 0.51%

LAB 32.43, 73.62, -100.86

 

CMYK 0 / 48 / 93 / 5

HEX #F37E12

RGB 243 126 18

HSL 28.8, 0.9%, 0.51%

LAB 64.98, 39.3, 69.01

 

CMYK 92 / 0 / 10 / 5

HEX #13F2DB

RGB 19 242 219

HSL 173.81, 0.9%, 0.51%

LAB 86.38, -52.17, -2.38

 

CMYK 11 / 93 / 0 / 5

HEX #D812F3

RGB 216 18 243

HSL 292.8, 0.9%, 0.51%

LAB 53.5, 89.32, -65.47

 

CMYK 0 / 11 / 93 / 5

HEX #F3D812

RGB 243 216 18

HSL 52.8, 0.9%, 0.51%

LAB 86.11, -7.37, 84.37

 

CMYK 92 / 0 / 10 / 5

HEX #13F2DB

RGB 19 242 219

HSL 173.81, 0.9%, 0.51%

LAB 86.38, -52.17, -2.38

 

CMYK 85 / 93 / 0 / 5

HEX #2412F3

RGB 36 18 243

HSL 244.8, 0.9%, 0.51%

LAB 32.43, 73.62, -100.86

 

CMYK 0 / 93 / 82 / 5

HEX #F3122C

RGB 243 18 44

HSL 353.07, 0.9%, 0.51%

LAB 51.46, 76.37, 48.76

 

CMYK 8 / 0 / 93 / 5

HEX #E0F312

RGB 224 243 18

HSL 65.07, 0.9%, 0.51%

LAB 91.68, -28.42, 87.95

 

CMYK 92 / 0 / 10 / 5

HEX #13F2DB

RGB 19 242 219

HSL 173.81, 0.9%, 0.51%

LAB 86.38, -52.17, -2.38

 

CMYK 57 / 93 / 0 / 5

HEX #6812F3

RGB 104 18 243

HSL 262.93, 0.9%, 0.51%

LAB 37.57, 76.59, -92.18

 

CMYK 0 / 93 / 82 / 5

HEX #F3122C

RGB 243 18 44

HSL 353.07, 0.9%, 0.51%

LAB 51.46, 76.37, 48.76

 

CMYK 36 / 0 / 93 / 5

HEX #9CF312

RGB 156 243 18

HSL 83.2, 0.9%, 0.51%

LAB 87.59, -54.31, 82.98

 

Description

Color code: HEX #13F2DB | qconv.com Color code: HEX #13F2DB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 242 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 242 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 10 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 10% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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