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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13F0AF it is the complementary color #EC0F50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13F0AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13F0AF shade: #18F0AA, #29FFBD, #3AFFD0, #4BFFE3 and #5CFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13F0AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13F0AF shade: #13F0AF, #02DE9C, #00CC89, #00BA76 and #00A863

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13F0AF shade: #14F0AF, #14F074, #14F039, #2BF014 and #66F014

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13F0AF shade: #14F0AF, #14F0EB, #14BAF0, #147FF0 and #1443F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13F0AF shade matches the following richer shades: #14F0AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13F0AF shade: #14F0AF, #28DCA7, #3DC89F, #51B396 and #659F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13F0AF shade: #14F039, #14F073, #14F0AE, #14F0E9 and #14BDF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13F0AF shade: #0BA779, #0DCE95, #14F0AF, #3BF2BC and #62F5CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13F0AF shade: #13F0AF, #142AF0 and #F05614

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13F0AF shade: #13F0AF, #AE14F0 and #F0AE14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13F0AF shade: #13F0AF, #142AF0, #F01456 and #F0DA14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13F0AF shade: #13F0AF, #4014F0, #F01456 and #C4F014

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 27 / 6

HEX #13F0AF

RGB 19 240 175

HSL 162.35, 0.88%, 0.51%

LAB 84.77, -62.27, 18.27

 

Complementary color

CMYK 0 / 94 / 66 / 7

HEX #EC0F50

RGB 236 15 80

HSL 342.35, 0.88%, 0.49%

LAB 50.4, 76.27, 26.4

 

CMYK 90 / 0 / 29 / 6

HEX #18F0AA

RGB 24 240 170

HSL 160.56, 0.88%, 0.52%

LAB 84.7, -63.16, 20.76

 

CMYK 84 / 0 / 26 / 0

HEX #29FFBD

RGB 41 255 189

HSL 161.5, 1%, 0.58%

LAB 89.7, -63.46, 17.98

 

CMYK 77 / 0 / 18 / 0

HEX #3AFFD0

RGB 58 255 208

HSL 165.69, 1%, 0.61%

LAB 90.31, -57.61, 9.09

 

CMYK 71 / 0 / 11 / 0

HEX #4BFFE3

RGB 75 255 227

HSL 170.67, 1%, 0.65%

LAB 91.04, -51.05, 0.34

 

CMYK 64 / 0 / 4 / 0

HEX #5CFFF6

RGB 92 255 246

HSL 176.69, 1%, 0.68%

LAB 91.89, -43.85, -8.22

 

CMYK 92 / 0 / 27 / 6

HEX #13F0AF

RGB 19 240 175

HSL 162.35, 0.88%, 0.51%

LAB 84.77, -62.27, 18.27

 

CMYK 99 / 0 / 30 / 13

HEX #02DE9C

RGB 2 222 156

HSL 162, 0.98%, 0.44%

LAB 78.84, -60.44, 19.92

 

CMYK 100 / 0 / 33 / 20

HEX #00CC89

RGB 0 204 137

HSL 160.29, 1%, 0.4%

LAB 72.89, -58.11, 21.72

 

CMYK 100 / 0 / 37 / 27

HEX #00BA76

RGB 0 186 118

HSL 158.06, 1%, 0.36%

LAB 66.84, -55.64, 23.6

 

CMYK 100 / 0 / 41 / 34

HEX #00A863

RGB 0 168 99

HSL 155.36, 1%, 0.33%

LAB 60.7, -53.06, 25.55

 

CMYK 92 / 0 / 27 / 6

HEX #14F0AF

RGB 20 240 175

HSL 162.27, 0.88%, 0.51%

LAB 84.77, -62.23, 18.28

 

CMYK 92 / 0 / 52 / 6

HEX #14F074

RGB 20 240 116

HSL 146.18, 0.88%, 0.51%

LAB 83.82, -73.26, 46.46

 

CMYK 92 / 0 / 76 / 6

HEX #14F039

RGB 20 240 57

HSL 130.09, 0.88%, 0.51%

LAB 83.32, -79.58, 69.6

 

CMYK 82 / 0 / 92 / 6

HEX #2BF014

RGB 43 240 20

HSL 113.73, 0.88%, 0.51%

LAB 83.38, -79.51, 77.92

 

CMYK 58 / 0 / 92 / 6

HEX #66F014

RGB 102 240 20

HSL 97.64, 0.88%, 0.51%

LAB 84.58, -69.24, 79.41

 

CMYK 92 / 0 / 27 / 6

HEX #14F0AF

RGB 20 240 175

HSL 162.27, 0.88%, 0.51%

LAB 84.77, -62.23, 18.28

 

CMYK 92 / 0 / 2 / 6

HEX #14F0EB

RGB 20 240 235

HSL 178.64, 0.88%, 0.51%

LAB 86.24, -46.87, -10.98

 

CMYK 92 / 23 / 0 / 6

HEX #14BAF0

RGB 20 186 240

HSL 194.73, 0.88%, 0.51%

LAB 70.56, -19.67, -37.53

 

CMYK 92 / 47 / 0 / 6

HEX #147FF0

RGB 20 127 240

HSL 210.82, 0.88%, 0.51%

LAB 53.62, 14.2, -64.38

 

CMYK 92 / 72 / 0 / 6

HEX #1443F0

RGB 20 67 240

HSL 227.18, 0.88%, 0.51%

LAB 38.65, 51.72, -88.85

 

CMYK 92 / 0 / 27 / 6

HEX #14F0AF

RGB 20 240 175

HSL 162.27, 0.88%, 0.51%

LAB 84.77, -62.23, 18.28

 

CMYK 92 / 0 / 27 / 6

HEX #14F0AF

RGB 20 240 175

HSL 162.27, 0.88%, 0.51%

LAB 84.77, -62.23, 18.28

 

CMYK 82 / 0 / 24 / 14

HEX #28DCA7

RGB 40 220 167

HSL 162.33, 0.72%, 0.51%

LAB 78.71, -55.25, 13.99

 

CMYK 70 / 0 / 21 / 22

HEX #3DC89F

RGB 61 200 159

HSL 162.3, 0.56%, 0.51%

LAB 72.76, -46.62, 9.88

 

CMYK 55 / 0 / 16 / 30

HEX #51B396

RGB 81 179 150

HSL 162.24, 0.39%, 0.51%

LAB 66.67, -35.88, 6.15

 

CMYK 36 / 0 / 11 / 38

HEX #659F8E

RGB 101 159 142

HSL 162.41, 0.23%, 0.51%

LAB 61.23, -22.93, 2.88

 

CMYK 92 / 0 / 76 / 6

HEX #14F039

RGB 20 240 57

HSL 130.09, 0.88%, 0.51%

LAB 83.32, -79.58, 69.6

 

CMYK 92 / 0 / 52 / 6

HEX #14F073

RGB 20 240 115

HSL 145.91, 0.88%, 0.51%

LAB 83.81, -73.41, 46.91

 

CMYK 92 / 0 / 28 / 6

HEX #14F0AE

RGB 20 240 174

HSL 162, 0.88%, 0.51%

LAB 84.75, -62.46, 18.77

 

CMYK 92 / 0 / 3 / 6

HEX #14F0E9

RGB 20 240 233

HSL 178.09, 0.88%, 0.51%

LAB 86.18, -47.43, -10.02

 

CMYK 92 / 21 / 0 / 6

HEX #14BDF0

RGB 20 189 240

HSL 193.91, 0.88%, 0.51%

LAB 71.44, -21.23, -36.17

 

CMYK 93 / 0 / 28 / 35

HEX #0BA779

RGB 11 167 121

HSL 162.31, 0.88%, 0.35%

LAB 60.86, -47.35, 13.78

 

CMYK 94 / 0 / 28 / 19

HEX #0DCE95

RGB 13 206 149

HSL 162.28, 0.88%, 0.43%

LAB 73.8, -55.73, 16.62

 

CMYK 92 / 0 / 27 / 6

HEX #14F0AF

RGB 20 240 175

HSL 162.27, 0.88%, 0.51%

LAB 84.77, -62.23, 18.28

 

CMYK 76 / 0 / 22 / 5

HEX #3BF2BC

RGB 59 242 188

HSL 162.3, 0.88%, 0.59%

LAB 86.04, -57.08, 13.37

 

CMYK 60 / 0 / 18 / 4

HEX #62F5CA

RGB 98 245 202

HSL 162.45, 0.88%, 0.67%

LAB 88.05, -49.35, 9.06

 

CMYK 92 / 0 / 27 / 6

HEX #13F0AF

RGB 19 240 175

HSL 162.35, 0.88%, 0.51%

LAB 84.77, -62.27, 18.27

 

CMYK 92 / 83 / 0 / 6

HEX #142AF0

RGB 20 42 240

HSL 234, 0.88%, 0.51%

LAB 34.18, 64.55, -96.26

 

CMYK 0 / 64 / 92 / 6

HEX #F05614

RGB 240 86 20

HSL 18, 0.88%, 0.51%

LAB 57.3, 56.83, 63.06

 

CMYK 92 / 0 / 27 / 6

HEX #13F0AF

RGB 19 240 175

HSL 162.35, 0.88%, 0.51%

LAB 84.77, -62.27, 18.27

 

CMYK 28 / 92 / 0 / 6

HEX #AE14F0

RGB 174 20 240

HSL 282, 0.88%, 0.51%

LAB 46.7, 82.7, -75.13

 

CMYK 0 / 28 / 92 / 6

HEX #F0AE14

RGB 240 174 20

HSL 42, 0.88%, 0.51%

LAB 75.36, 13.05, 75.92

 

CMYK 92 / 0 / 27 / 6

HEX #13F0AF

RGB 19 240 175

HSL 162.35, 0.88%, 0.51%

LAB 84.77, -62.27, 18.27

 

CMYK 92 / 83 / 0 / 6

HEX #142AF0

RGB 20 42 240

HSL 234, 0.88%, 0.51%

LAB 34.18, 64.55, -96.26

 

CMYK 0 / 92 / 64 / 6

HEX #F01456

RGB 240 20 86

HSL 342, 0.88%, 0.51%

LAB 51.49, 76.99, 24.33

 

CMYK 0 / 9 / 92 / 6

HEX #F0DA14

RGB 240 218 20

HSL 54, 0.88%, 0.51%

LAB 86.36, -9.63, 84.19

 

CMYK 92 / 0 / 27 / 6

HEX #13F0AF

RGB 19 240 175

HSL 162.35, 0.88%, 0.51%

LAB 84.77, -62.27, 18.27

 

CMYK 73 / 92 / 0 / 6

HEX #4014F0

RGB 64 20 240

HSL 252, 0.88%, 0.51%

LAB 33.74, 73.25, -96.95

 

CMYK 0 / 92 / 64 / 6

HEX #F01456

RGB 240 20 86

HSL 342, 0.88%, 0.51%

LAB 51.49, 76.99, 24.33

 

CMYK 18 / 0 / 92 / 6

HEX #C4F014

RGB 196 240 20

HSL 72, 0.88%, 0.51%

LAB 88.97, -38.22, 84.79

 

Description

Color code: HEX #13F0AF | qconv.com Color code: HEX #13F0AF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 240 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 240 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 27 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 27% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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