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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13E45B it is the complementary color #EC1BA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13E45B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13E45B shade: #18E456, #29F669, #3AFF7C, #4BFF8F and #5CFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13E45B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13E45B shade: #13E45B, #02D248, #00C035, #00AE22 and #009C0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13E45B shade: #12E25A, #12E222, #3BE212, #73E212 and #ABE212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13E45B shade: #12E25A, #12E292, #12E2CA, #12C2E2 and #128AE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13E45B shade matches the following richer shades: #12E25A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13E45B shade: #12E25A, #26CF60, #3ABB66, #4EA76D and #629373

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13E45B shade: #3CE212, #12E220, #12E258, #12E28F and #12E2C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13E45B shade: #0C963C, #0FBC4B, #12E25A, #30EE71 and #56F18C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13E45B shade: #13E45B, #1273E2 and #E21220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13E45B shade: #13E45B, #5812E2 and #E25812

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13E45B shade: #13E45B, #1273E2, #E2129D and #E28112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13E45B shade: #13E45B, #1235E2, #E2129D and #E2C012

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 60 / 11

HEX #13E45B

RGB 19 228 91

HSL 140.67, 0.85%, 0.48%

LAB 79.83, -73.01, 53.06

 

Complementary color

CMYK 0 / 89 / 31 / 7

HEX #EC1BA4

RGB 236 27 164

HSL 320.67, 0.85%, 0.52%

LAB 53.27, 81.29, -20.17

 

CMYK 89 / 0 / 62 / 11

HEX #18E456

RGB 24 228 86

HSL 138.24, 0.81%, 0.49%

LAB 79.81, -73.32, 55.21

 

CMYK 83 / 0 / 57 / 4

HEX #29F669

RGB 41 246 105

HSL 138.73, 0.92%, 0.56%

LAB 85.71, -75.23, 53.78

 

CMYK 77 / 0 / 51 / 0

HEX #3AFF7C

RGB 58 255 124

HSL 140.1, 1%, 0.61%

LAB 88.86, -73.77, 49

 

CMYK 71 / 0 / 44 / 0

HEX #4BFF8F

RGB 75 255 143

HSL 142.67, 1%, 0.65%

LAB 89.39, -68.61, 40.7

 

CMYK 64 / 0 / 36 / 0

HEX #5CFFA2

RGB 92 255 162

HSL 145.77, 1%, 0.68%

LAB 90.05, -62.57, 32.26

 

CMYK 92 / 0 / 60 / 11

HEX #13E45B

RGB 19 228 91

HSL 140.67, 0.85%, 0.48%

LAB 79.83, -73.01, 53.06

 

CMYK 99 / 0 / 66 / 18

HEX #02D248

RGB 2 210 72

HSL 140.19, 0.98%, 0.42%

LAB 73.92, -70.49, 54.46

 

CMYK 100 / 0 / 72 / 25

HEX #00C035

RGB 0 192 53

HSL 136.56, 1%, 0.38%

LAB 67.99, -67.16, 55.58

 

CMYK 100 / 0 / 80 / 32

HEX #00AE22

RGB 0 174 34

HSL 131.72, 1%, 0.34%

LAB 61.99, -63.42, 56.03

 

CMYK 100 / 0 / 90 / 39

HEX #009C0F

RGB 0 156 15

HSL 125.77, 1%, 0.31%

LAB 55.9, -59.25, 55.24

 

CMYK 92 / 0 / 60 / 11

HEX #12E25A

RGB 18 226 90

HSL 140.77, 0.85%, 0.48%

LAB 79.19, -72.57, 52.76

 

CMYK 92 / 0 / 85 / 11

HEX #12E222

RGB 18 226 34

HSL 124.62, 0.85%, 0.48%

LAB 78.83, -77.12, 71.5

 

CMYK 74 / 0 / 92 / 11

HEX #3BE212

RGB 59 226 18

HSL 108.17, 0.85%, 0.48%

LAB 79.25, -73.54, 74.83

 

CMYK 49 / 0 / 92 / 11

HEX #73E212

RGB 115 226 18

HSL 92.02, 0.85%, 0.48%

LAB 80.78, -60.93, 76.72

 

CMYK 24 / 0 / 92 / 11

HEX #ABE212

RGB 171 226 18

HSL 75.87, 0.85%, 0.48%

LAB 83.49, -41.76, 80.04

 

CMYK 92 / 0 / 60 / 11

HEX #12E25A

RGB 18 226 90

HSL 140.77, 0.85%, 0.48%

LAB 79.19, -72.57, 52.76

 

CMYK 92 / 0 / 35 / 11

HEX #12E292

RGB 18 226 146

HSL 156.92, 0.85%, 0.48%

LAB 79.95, -63.47, 26.63

 

CMYK 92 / 0 / 11 / 11

HEX #12E2CA

RGB 18 226 202

HSL 173.08, 0.85%, 0.48%

LAB 81.17, -50.17, -1.05

 

CMYK 92 / 14 / 0 / 11

HEX #12C2E2

RGB 18 194 226

HSL 189.23, 0.85%, 0.48%

LAB 72.36, -28.51, -27.16

 

CMYK 92 / 39 / 0 / 11

HEX #128AE2

RGB 18 138 226

HSL 205.38, 0.85%, 0.48%

LAB 55.88, 2.03, -52.95

 

CMYK 92 / 0 / 60 / 11

HEX #12E25A

RGB 18 226 90

HSL 140.77, 0.85%, 0.48%

LAB 79.19, -72.57, 52.76

 

CMYK 92 / 0 / 60 / 11

HEX #12E25A

RGB 18 226 90

HSL 140.77, 0.85%, 0.48%

LAB 79.19, -72.57, 52.76

 

CMYK 82 / 0 / 54 / 19

HEX #26CF60

RGB 38 207 96

HSL 140.59, 0.69%, 0.48%

LAB 73.47, -64.33, 43.3

 

CMYK 69 / 0 / 45 / 27

HEX #3ABB66

RGB 58 187 102

HSL 140.47, 0.53%, 0.48%

LAB 67.58, -53.65, 33.06

 

CMYK 53 / 0 / 35 / 35

HEX #4EA76D

RGB 78 167 109

HSL 140.9, 0.36%, 0.48%

LAB 61.96, -40.05, 22.1

 

CMYK 33 / 0 / 22 / 42

HEX #629373

RGB 98 147 115

HSL 140.82, 0.2%, 0.48%

LAB 56.78, -23.62, 11.78

 

CMYK 73 / 0 / 92 / 11

HEX #3CE212

RGB 60 226 18

HSL 107.88, 0.85%, 0.48%

LAB 79.27, -73.38, 74.85

 

CMYK 92 / 0 / 86 / 11

HEX #12E220

RGB 18 226 32

HSL 124.04, 0.85%, 0.48%

LAB 78.83, -77.2, 71.92

 

CMYK 92 / 0 / 61 / 11

HEX #12E258

RGB 18 226 88

HSL 140.19, 0.85%, 0.48%

LAB 79.17, -72.81, 53.61

 

CMYK 92 / 0 / 37 / 11

HEX #12E28F

RGB 18 226 143

HSL 156.06, 0.85%, 0.48%

LAB 79.9, -64.07, 28.1

 

CMYK 92 / 0 / 12 / 11

HEX #12E2C7

RGB 18 226 199

HSL 172.21, 0.85%, 0.48%

LAB 81.1, -50.97, 0.43

 

CMYK 92 / 0 / 60 / 41

HEX #0C963C

RGB 12 150 60

HSL 140.87, 0.85%, 0.32%

LAB 54.26, -52.88, 37.58

 

CMYK 92 / 0 / 60 / 26

HEX #0FBC4B

RGB 15 188 75

HSL 140.81, 0.85%, 0.4%

LAB 66.96, -62.93, 45.33

 

CMYK 92 / 0 / 60 / 11

HEX #12E25A

RGB 18 226 90

HSL 140.77, 0.85%, 0.48%

LAB 79.19, -72.57, 52.76

 

CMYK 80 / 0 / 53 / 7

HEX #30EE71

RGB 48 238 113

HSL 140.53, 0.85%, 0.56%

LAB 83.43, -70.95, 47.43

 

CMYK 64 / 0 / 42 / 5

HEX #56F18C

RGB 86 241 140

HSL 140.9, 0.85%, 0.64%

LAB 85.39, -62.27, 37.05

 

CMYK 92 / 0 / 60 / 11

HEX #13E45B

RGB 19 228 91

HSL 140.67, 0.85%, 0.48%

LAB 79.83, -73.01, 53.06

 

CMYK 92 / 49 / 0 / 11

HEX #1273E2

RGB 18 115 226

HSL 212.02, 0.85%, 0.48%

LAB 49.35, 16.24, -63.44

 

CMYK 0 / 92 / 86 / 11

HEX #E21220

RGB 226 18 32

HSL 355.96, 0.85%, 0.48%

LAB 47.89, 71.88, 50.33

 

CMYK 92 / 0 / 60 / 11

HEX #13E45B

RGB 19 228 91

HSL 140.67, 0.85%, 0.48%

LAB 79.83, -73.01, 53.06

 

CMYK 61 / 92 / 0 / 11

HEX #5812E2

RGB 88 18 226

HSL 260.19, 0.85%, 0.48%

LAB 33.98, 71.53, -88.51

 

CMYK 0 / 61 / 92 / 11

HEX #E25812

RGB 226 88 18

HSL 20.19, 0.85%, 0.48%

LAB 55.27, 51.06, 61.12

 

CMYK 92 / 0 / 60 / 11

HEX #13E45B

RGB 19 228 91

HSL 140.67, 0.85%, 0.48%

LAB 79.83, -73.01, 53.06

 

CMYK 92 / 49 / 0 / 11

HEX #1273E2

RGB 18 115 226

HSL 212.02, 0.85%, 0.48%

LAB 49.35, 16.24, -63.44

 

CMYK 0 / 92 / 31 / 11

HEX #E2129D

RGB 226 18 157

HSL 319.9, 0.85%, 0.48%

LAB 50.73, 79.64, -20.09

 

CMYK 0 / 43 / 92 / 11

HEX #E28112

RGB 226 129 18

HSL 32.02, 0.85%, 0.48%

LAB 63.27, 30.89, 66.72

 

CMYK 92 / 0 / 60 / 11

HEX #13E45B

RGB 19 228 91

HSL 140.67, 0.85%, 0.48%

LAB 79.83, -73.01, 53.06

 

CMYK 92 / 77 / 0 / 11

HEX #1235E2

RGB 18 53 226

HSL 229.9, 0.85%, 0.48%

LAB 34.33, 54.77, -88.06

 

CMYK 0 / 92 / 31 / 11

HEX #E2129D

RGB 226 18 157

HSL 319.9, 0.85%, 0.48%

LAB 50.73, 79.64, -20.09

 

CMYK 0 / 15 / 92 / 11

HEX #E2C012

RGB 226 192 18

HSL 50.19, 0.85%, 0.48%

LAB 78.41, -2.45, 77.89

 

Description

Color code: HEX #13E45B | qconv.com Color code: HEX #13E45B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 228 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 228 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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