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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13E076 it is the complementary color #EC1F89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13E076. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13E076 shade: #18E071, #29F284, #3AFF97, #4BFFAA and #5CFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13E076. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13E076 shade: #13E076, #02CE63, #00BC50, #00AA3D and #00982A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13E076 shade: #14E177, #14E13F, #1FE114, #57E114 and #8EE114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13E076 shade: #14E177, #14E1AE, #14DDE1, #14A5E1 and #146EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13E076 shade matches the following richer shades: #14E177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13E076 shade: #14E177, #27CD78, #3BBA78, #4FA679 and #63927A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13E076 shade: #21E114, #14E13D, #14E174, #14E1AA and #14E1E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13E076 shade: #0D954F, #10BB63, #14E177, #31ED8C and #57F0A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13E076 shade: #13E076, #1458E1 and #E12114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13E076 shade: #13E076, #7414E1 and #E17414

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13E076 shade: #13E076, #1458E1, #E11481 and #E19D14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13E076 shade: #13E076, #141AE1, #E11481 and #E1DA14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 47 / 12

HEX #13E076

RGB 19 224 118

HSL 148.98, 0.84%, 0.48%

LAB 78.9, -67.89, 39.36

 

Complementary color

CMYK 0 / 87 / 42 / 7

HEX #EC1F89

RGB 236 31 137

HSL 328.98, 0.84%, 0.52%

LAB 52.53, 78.05, -5.22

 

CMYK 89 / 0 / 50 / 12

HEX #18E071

RGB 24 224 113

HSL 146.7, 0.81%, 0.49%

LAB 78.87, -68.43, 41.75

 

CMYK 83 / 0 / 45 / 5

HEX #29F284

RGB 41 242 132

HSL 147.16, 0.89%, 0.55%

LAB 84.81, -70.01, 40.07

 

CMYK 77 / 0 / 41 / 0

HEX #3AFF97

RGB 58 255 151

HSL 148.32, 1%, 0.61%

LAB 89.23, -69.47, 36.52

 

CMYK 71 / 0 / 33 / 0

HEX #4BFFAA

RGB 75 255 170

HSL 151.67, 1%, 0.65%

LAB 89.82, -63.8, 27.88

 

CMYK 64 / 0 / 26 / 0

HEX #5CFFBD

RGB 92 255 189

HSL 155.71, 1%, 0.68%

LAB 90.54, -57.32, 19.27

 

CMYK 92 / 0 / 47 / 12

HEX #13E076

RGB 19 224 118

HSL 148.98, 0.84%, 0.48%

LAB 78.9, -67.89, 39.36

 

CMYK 99 / 0 / 52 / 19

HEX #02CE63

RGB 2 206 99

HSL 148.53, 0.98%, 0.41%

LAB 72.93, -65.76, 41.14

 

CMYK 100 / 0 / 57 / 26

HEX #00BC50

RGB 0 188 80

HSL 145.53, 1%, 0.37%

LAB 66.93, -62.93, 42.97

 

CMYK 100 / 0 / 64 / 33

HEX #00AA3D

RGB 0 170 61

HSL 141.53, 1%, 0.33%

LAB 60.86, -59.79, 44.67

 

CMYK 100 / 0 / 72 / 40

HEX #00982A

RGB 0 152 42

HSL 136.58, 1%, 0.3%

LAB 54.68, -56.32, 46

 

CMYK 91 / 0 / 47 / 12

HEX #14E177

RGB 20 225 119

HSL 148.98, 0.84%, 0.48%

LAB 79.23, -68.01, 39.29

 

CMYK 91 / 0 / 72 / 12

HEX #14E13F

RGB 20 225 63

HSL 132.59, 0.84%, 0.48%

LAB 78.67, -74.93, 62.97

 

CMYK 86 / 0 / 91 / 12

HEX #1FE114

RGB 31 225 20

HSL 116.78, 0.84%, 0.48%

LAB 78.57, -76.48, 73.84

 

CMYK 61 / 0 / 91 / 12

HEX #57E114

RGB 87 225 20

HSL 100.39, 0.84%, 0.48%

LAB 79.57, -67.84, 75.08

 

CMYK 37 / 0 / 91 / 12

HEX #8EE114

RGB 142 225 20

HSL 84.29, 0.84%, 0.48%

LAB 81.65, -51.89, 77.64

 

CMYK 91 / 0 / 47 / 12

HEX #14E177

RGB 20 225 119

HSL 148.98, 0.84%, 0.48%

LAB 79.23, -68.01, 39.29

 

CMYK 91 / 0 / 23 / 12

HEX #14E1AE

RGB 20 225 174

HSL 165.07, 0.84%, 0.48%

LAB 80.21, -56.82, 12.39

 

CMYK 91 / 2 / 0 / 12

HEX #14DDE1

RGB 20 221 225

HSL 181.17, 0.84%, 0.48%

LAB 80.35, -41.42, -14.51

 

CMYK 91 / 27 / 0 / 12

HEX #14A5E1

RGB 20 165 225

HSL 197.56, 0.84%, 0.48%

LAB 63.75, -13.72, -39.96

 

CMYK 91 / 51 / 0 / 12

HEX #146EE1

RGB 20 110 225

HSL 213.66, 0.84%, 0.48%

LAB 47.93, 19.12, -65.18

 

CMYK 91 / 0 / 47 / 12

HEX #14E177

RGB 20 225 119

HSL 148.98, 0.84%, 0.48%

LAB 79.23, -68.01, 39.29

 

CMYK 91 / 0 / 47 / 12

HEX #14E177

RGB 20 225 119

HSL 148.98, 0.84%, 0.48%

LAB 79.23, -68.01, 39.29

 

CMYK 81 / 0 / 41 / 20

HEX #27CD78

RGB 39 205 120

HSL 149.28, 0.68%, 0.48%

LAB 73.19, -59.61, 31.03

 

CMYK 68 / 0 / 35 / 27

HEX #3BBA78

RGB 59 186 120

HSL 148.82, 0.52%, 0.48%

LAB 67.58, -49.8, 23.64

 

CMYK 52 / 0 / 27 / 35

HEX #4FA679

RGB 79 166 121

HSL 148.97, 0.36%, 0.48%

LAB 61.93, -36.95, 15.47

 

CMYK 32 / 0 / 16 / 43

HEX #63927A

RGB 99 146 122

HSL 149.36, 0.19%, 0.48%

LAB 56.7, -21.33, 7.69

 

CMYK 85 / 0 / 91 / 12

HEX #21E114

RGB 33 225 20

HSL 116.2, 0.84%, 0.48%

LAB 78.59, -76.31, 73.86

 

CMYK 91 / 0 / 73 / 12

HEX #14E13D

RGB 20 225 61

HSL 132, 0.84%, 0.48%

LAB 78.66, -75.09, 63.66

 

CMYK 91 / 0 / 48 / 12

HEX #14E174

RGB 20 225 116

HSL 148.1, 0.84%, 0.48%

LAB 79.19, -68.49, 40.7

 

CMYK 91 / 0 / 24 / 12

HEX #14E1AA

RGB 20 225 170

HSL 163.9, 0.84%, 0.48%

LAB 80.12, -57.77, 14.37

 

CMYK 91 / 0 / 0 / 12

HEX #14E1E1

RGB 20 225 225

HSL 180, 0.84%, 0.48%

LAB 81.53, -43.2, -12.73

 

CMYK 91 / 0 / 47 / 42

HEX #0D954F

RGB 13 149 79

HSL 149.12, 0.84%, 0.32%

LAB 54.18, -49.43, 27.79

 

CMYK 91 / 0 / 47 / 27

HEX #10BB63

RGB 16 187 99

HSL 149.12, 0.84%, 0.4%

LAB 66.94, -58.94, 33.66

 

CMYK 91 / 0 / 47 / 12

HEX #14E177

RGB 20 225 119

HSL 148.98, 0.84%, 0.48%

LAB 79.23, -68.01, 39.29

 

CMYK 79 / 0 / 41 / 7

HEX #31ED8C

RGB 49 237 140

HSL 149.04, 0.84%, 0.56%

LAB 83.5, -66.18, 34.45

 

CMYK 64 / 0 / 33 / 6

HEX #57F0A1

RGB 87 240 161

HSL 149.02, 0.84%, 0.64%

LAB 85.46, -57.95, 26.57

 

CMYK 92 / 0 / 47 / 12

HEX #13E076

RGB 19 224 118

HSL 148.98, 0.84%, 0.48%

LAB 78.9, -67.89, 39.36

 

CMYK 91 / 61 / 0 / 12

HEX #1458E1

RGB 20 88 225

HSL 220.1, 0.84%, 0.48%

LAB 42.1, 33.31, -74.67

 

CMYK 0 / 85 / 91 / 12

HEX #E12114

RGB 225 33 20

HSL 3.8, 0.84%, 0.48%

LAB 48.44, 69.05, 55.83

 

CMYK 92 / 0 / 47 / 12

HEX #13E076

RGB 19 224 118

HSL 148.98, 0.84%, 0.48%

LAB 78.9, -67.89, 39.36

 

CMYK 48 / 91 / 0 / 12

HEX #7414E1

RGB 116 20 225

HSL 268.1, 0.84%, 0.48%

LAB 37.21, 73.14, -82.5

 

CMYK 0 / 48 / 91 / 12

HEX #E17414

RGB 225 116 20

HSL 28.1, 0.84%, 0.48%

LAB 60.38, 37.24, 64.12

 

CMYK 92 / 0 / 47 / 12

HEX #13E076

RGB 19 224 118

HSL 148.98, 0.84%, 0.48%

LAB 78.9, -67.89, 39.36

 

CMYK 91 / 61 / 0 / 12

HEX #1458E1

RGB 20 88 225

HSL 220.1, 0.84%, 0.48%

LAB 42.1, 33.31, -74.67

 

CMYK 0 / 91 / 43 / 12

HEX #E11481

RGB 225 20 129

HSL 328.1, 0.84%, 0.48%

LAB 49.61, 76.49, -4.95

 

CMYK 0 / 30 / 91 / 12

HEX #E19D14

RGB 225 157 20

HSL 40.1, 0.84%, 0.48%

LAB 69.59, 15.6, 70.89

 

CMYK 92 / 0 / 47 / 12

HEX #13E076

RGB 19 224 118

HSL 148.98, 0.84%, 0.48%

LAB 78.9, -67.89, 39.36

 

CMYK 91 / 88 / 0 / 12

HEX #141AE1

RGB 20 26 225

HSL 238.24, 0.84%, 0.48%

LAB 30.22, 66.41, -94.32

 

CMYK 0 / 91 / 43 / 12

HEX #E11481

RGB 225 20 129

HSL 328.1, 0.84%, 0.48%

LAB 49.61, 76.49, -4.95

 

CMYK 0 / 3 / 91 / 12

HEX #E1DA14

RGB 225 218 20

HSL 57.95, 0.84%, 0.48%

LAB 85.1, -15.98, 82.67

 

Description

Color code: HEX #13E076 | qconv.com Color code: HEX #13E076 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 224 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 224 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 47 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 47% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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