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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13DF17 it is the complementary color #EC20E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13DF17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13DF17 shade: #18DF12, #29F125, #3AFF38, #4BFF4B and #5CFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13DF17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13DF17 shade: #13DF17, #02CD04, #00BB00, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13DF17 shade: #13DD17, #46DD13, #7CDD13, #B2DD13 and #DDD113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13DF17 shade: #13DD17, #13DD4D, #13DD84, #13DDBA and #13C9DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13DF17 shade matches the following richer shades: #13DD17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13DF17 shade: #13DD17, #27C92A, #3AB63C, #4DA24F and #618F62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13DF17 shade: #7BDD13, #46DD13, #13DD17, #13DD4C and #13DD82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13DF17 shade: #0D910F, #10B713, #13DD17, #2CED30 and #52F055

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13DF17 shade: #13DF17, #13B1DD and #DD1360

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13DF17 shade: #13DF17, #1713DD and #DD1713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13DF17 shade: #13DF17, #13B1DD, #DD13D9 and #DD3F13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13DF17 shade: #13DF17, #1374DD, #DD13D9 and #DD7B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 90 / 13

HEX #13DF17

RGB 19 223 23

HSL 121.18, 0.84%, 0.47%

LAB 77.86, -76.66, 72.74

 

Complementary color

CMYK 0 / 86 / 2 / 7

HEX #EC20E8

RGB 236 32 232

HSL 301.18, 0.84%, 0.53%

LAB 56.77, 89.07, -53.86

 

CMYK 89 / 0 / 92 / 13

HEX #18DF12

RGB 24 223 18

HSL 118.24, 0.85%, 0.47%

LAB 77.88, -76.5, 73.51

 

CMYK 83 / 0 / 85 / 5

HEX #29F125

RGB 41 241 37

HSL 118.82, 0.88%, 0.55%

LAB 83.71, -79.43, 75.27

 

CMYK 77 / 0 / 78 / 0

HEX #3AFF38

RGB 58 255 56

HSL 119.4, 1%, 0.61%

LAB 88.31, -80.55, 74.83

 

CMYK 71 / 0 / 71 / 0

HEX #4BFF4B

RGB 75 255 75

HSL 120, 1%, 0.65%

LAB 88.7, -76.8, 69.26

 

CMYK 64 / 0 / 63 / 0

HEX #5CFF5E

RGB 92 255 94

HSL 120.74, 1%, 0.68%

LAB 89.21, -72.05, 62.69

 

CMYK 91 / 0 / 90 / 13

HEX #13DF17

RGB 19 223 23

HSL 121.18, 0.84%, 0.47%

LAB 77.86, -76.66, 72.74

 

CMYK 99 / 0 / 98 / 20

HEX #02CD04

RGB 2 205 4

HSL 120.59, 0.98%, 0.41%

LAB 72.02, -72.96, 70.16

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 91 / 0 / 90 / 13

HEX #13DD17

RGB 19 221 23

HSL 121.19, 0.84%, 0.47%

LAB 77.23, -76.11, 72.2

 

CMYK 68 / 0 / 91 / 13

HEX #46DD13

RGB 70 221 19

HSL 104.85, 0.84%, 0.47%

LAB 77.91, -70.13, 73.66

 

CMYK 44 / 0 / 91 / 13

HEX #7CDD13

RGB 124 221 19

HSL 88.81, 0.84%, 0.47%

LAB 79.64, -56.31, 75.8

 

CMYK 19 / 0 / 91 / 13

HEX #B2DD13

RGB 178 221 19

HSL 72.77, 0.84%, 0.47%

LAB 82.5, -36.8, 79.3

 

CMYK 0 / 5 / 91 / 13

HEX #DDD113

RGB 221 209 19

HSL 56.44, 0.84%, 0.47%

LAB 82.39, -13.23, 80.58

 

CMYK 91 / 0 / 90 / 13

HEX #13DD17

RGB 19 221 23

HSL 121.19, 0.84%, 0.47%

LAB 77.23, -76.11, 72.2

 

CMYK 91 / 0 / 65 / 13

HEX #13DD4D

RGB 19 221 77

HSL 137.23, 0.84%, 0.47%

LAB 77.51, -72.51, 56.38

 

CMYK 91 / 0 / 40 / 13

HEX #13DD84

RGB 19 221 132

HSL 153.56, 0.84%, 0.47%

LAB 78.18, -64.42, 31.43

 

CMYK 91 / 0 / 16 / 13

HEX #13DDBA

RGB 19 221 186

HSL 169.6, 0.84%, 0.47%

LAB 79.27, -52.3, 4.68

 

CMYK 91 / 9 / 0 / 13

HEX #13C9DD

RGB 19 201 221

HSL 185.94, 0.84%, 0.47%

LAB 74.27, -33.46, -21.53

 

CMYK 91 / 0 / 90 / 13

HEX #13DD17

RGB 19 221 23

HSL 121.19, 0.84%, 0.47%

LAB 77.23, -76.11, 72.2

 

CMYK 91 / 0 / 90 / 13

HEX #13DD17

RGB 19 221 23

HSL 121.19, 0.84%, 0.47%

LAB 77.23, -76.11, 72.2

 

CMYK 81 / 0 / 79 / 21

HEX #27C92A

RGB 39 201 42

HSL 121.11, 0.68%, 0.47%

LAB 71.13, -67.89, 62.45

 

CMYK 68 / 0 / 67 / 29

HEX #3AB63C

RGB 58 182 60

HSL 120.97, 0.52%, 0.47%

LAB 65.5, -57.47, 50.42

 

CMYK 52 / 0 / 51 / 36

HEX #4DA24F

RGB 77 162 79

HSL 121.41, 0.36%, 0.47%

LAB 59.87, -43.18, 35.24

 

CMYK 32 / 0 / 31 / 44

HEX #618F62

RGB 97 143 98

HSL 121.3, 0.19%, 0.47%

LAB 55.14, -25.17, 19.1

 

CMYK 44 / 0 / 91 / 13

HEX #7BDD13

RGB 123 221 19

HSL 89.11, 0.84%, 0.47%

LAB 79.6, -56.63, 75.75

 

CMYK 68 / 0 / 91 / 13

HEX #46DD13

RGB 70 221 19

HSL 104.85, 0.84%, 0.47%

LAB 77.91, -70.13, 73.66

 

CMYK 91 / 0 / 90 / 13

HEX #13DD17

RGB 19 221 23

HSL 121.19, 0.84%, 0.47%

LAB 77.23, -76.11, 72.2

 

CMYK 91 / 0 / 66 / 13

HEX #13DD4C

RGB 19 221 76

HSL 136.93, 0.84%, 0.47%

LAB 77.5, -72.61, 56.78

 

CMYK 91 / 0 / 41 / 13

HEX #13DD82

RGB 19 221 130

HSL 152.97, 0.84%, 0.47%

LAB 78.15, -64.79, 32.4

 

CMYK 91 / 0 / 90 / 43

HEX #0D910F

RGB 13 145 15

HSL 120.91, 0.84%, 0.31%

LAB 52.25, -55.22, 52.11

 

CMYK 91 / 0 / 90 / 28

HEX #10B713

RGB 16 183 19

HSL 121.08, 0.84%, 0.39%

LAB 64.98, -65.89, 62.38

 

CMYK 91 / 0 / 90 / 13

HEX #13DD17

RGB 19 221 23

HSL 121.19, 0.84%, 0.47%

LAB 77.23, -76.11, 72.2

 

CMYK 81 / 0 / 80 / 7

HEX #2CED30

RGB 44 237 48

HSL 121.24, 0.84%, 0.55%

LAB 82.55, -77.47, 71.55

 

CMYK 66 / 0 / 65 / 6

HEX #52F055

RGB 82 240 85

HSL 121.14, 0.84%, 0.63%

LAB 84.37, -69.91, 60.92

 

CMYK 91 / 0 / 90 / 13

HEX #13DF17

RGB 19 223 23

HSL 121.18, 0.84%, 0.47%

LAB 77.86, -76.66, 72.74

 

CMYK 91 / 20 / 0 / 13

HEX #13B1DD

RGB 19 177 221

HSL 193.07, 0.84%, 0.47%

LAB 67.13, -21.55, -32.5

 

CMYK 0 / 91 / 57 / 13

HEX #DD1360

RGB 221 19 96

HSL 337.13, 0.84%, 0.47%

LAB 47.86, 73.18, 12.66

 

CMYK 91 / 0 / 90 / 13

HEX #13DF17

RGB 19 223 23

HSL 121.18, 0.84%, 0.47%

LAB 77.86, -76.66, 72.74

 

CMYK 90 / 91 / 0 / 13

HEX #1713DD

RGB 23 19 221

HSL 241.19, 0.84%, 0.47%

LAB 29.08, 67.46, -93.92

 

CMYK 0 / 90 / 91 / 13

HEX #DD1713

RGB 221 23 19

HSL 1.19, 0.84%, 0.47%

LAB 47.02, 69.73, 54.87

 

CMYK 91 / 0 / 90 / 13

HEX #13DF17

RGB 19 223 23

HSL 121.18, 0.84%, 0.47%

LAB 77.86, -76.66, 72.74

 

CMYK 91 / 20 / 0 / 13

HEX #13B1DD

RGB 19 177 221

HSL 193.07, 0.84%, 0.47%

LAB 67.13, -21.55, -32.5

 

CMYK 0 / 91 / 2 / 13

HEX #DD13D9

RGB 221 19 217

HSL 301.19, 0.84%, 0.47%

LAB 52.78, 86.1, -51.88

 

CMYK 0 / 71 / 91 / 13

HEX #DD3F13

RGB 221 63 19

HSL 13.07, 0.84%, 0.47%

LAB 50.66, 59.48, 57.28

 

CMYK 91 / 0 / 90 / 13

HEX #13DF17

RGB 19 223 23

HSL 121.18, 0.84%, 0.47%

LAB 77.86, -76.66, 72.74

 

CMYK 91 / 48 / 0 / 13

HEX #1374DD

RGB 19 116 221

HSL 211.19, 0.84%, 0.47%

LAB 49.31, 13.7, -60.68

 

CMYK 0 / 91 / 2 / 13

HEX #DD13D9

RGB 221 19 217

HSL 301.19, 0.84%, 0.47%

LAB 52.78, 86.1, -51.88

 

CMYK 0 / 44 / 91 / 13

HEX #DD7B13

RGB 221 123 19

HSL 30.89, 0.84%, 0.47%

LAB 61.29, 31.98, 64.76

 

Description

Color code: HEX #13DF17 | qconv.com Color code: HEX #13DF17 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 223 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 223 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 90 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 90% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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