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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13D986 it is the complementary color #EC2679. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13D986. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13D986 shade: #18D981, #29EB94, #3AFDA7, #4BFFBA and #5CFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13D986. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13D986 shade: #13D986, #02C773, #00B560, #00A34D and #00913A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13D986 shade: #13D885, #13D850, #13D81B, #40D813 and #75D813

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13D986 shade: #13D885, #13D8BA, #13C0D8, #138BD8 and #1356D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13D986 shade matches the following richer shades: #13D885

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13D986 shade: #13D885, #26C582, #39B27F, #4C9F7C and #5F8C79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13D986 shade: #13D819, #13D84E, #13D882, #13D8B7 and #13C4D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13D986 shade: #0C8C56, #0FB26E, #13D885, #28EC9A and #4EF0AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13D986 shade: #13D986, #1341D8 and #D83413

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13D986 shade: #13D986, #8213D8 and #D88213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13D986 shade: #13D986, #1341D8, #D81368 and #D8AA13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13D986 shade: #13D986, #2013D8, #D81368 and #CBD813

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 38 / 15

HEX #13D986

RGB 19 217 134

HSL 154.85, 0.84%, 0.46%

LAB 76.97, -62.65, 28.81

 

Complementary color

CMYK 0 / 84 / 49 / 7

HEX #EC2679

RGB 236 38 121

HSL 334.85, 0.84%, 0.54%

LAB 52.51, 75.41, 4.38

 

CMYK 89 / 0 / 41 / 15

HEX #18D981

RGB 24 217 129

HSL 152.64, 0.8%, 0.47%

LAB 76.92, -63.34, 31.31

 

CMYK 83 / 0 / 37 / 8

HEX #29EB94

RGB 41 235 148

HSL 153.09, 0.83%, 0.54%

LAB 82.93, -64.75, 29.64

 

CMYK 77 / 0 / 34 / 1

HEX #3AFDA7

RGB 58 253 167

HSL 153.54, 0.98%, 0.61%

LAB 88.89, -65.79, 28.09

 

CMYK 71 / 0 / 27 / 0

HEX #4BFFBA

RGB 75 255 186

HSL 157, 1%, 0.65%

LAB 90.12, -60.56, 20.16

 

CMYK 64 / 0 / 20 / 0

HEX #5CFFCD

RGB 92 255 205

HSL 161.6, 1%, 0.68%

LAB 90.87, -53.84, 11.52

 

CMYK 91 / 0 / 38 / 15

HEX #13D986

RGB 19 217 134

HSL 154.85, 0.84%, 0.46%

LAB 76.97, -62.65, 28.81

 

CMYK 99 / 0 / 42 / 22

HEX #02C773

RGB 2 199 115

HSL 154.42, 0.98%, 0.39%

LAB 70.94, -60.72, 30.6

 

CMYK 100 / 0 / 47 / 29

HEX #00B560

RGB 0 181 96

HSL 151.82, 1%, 0.35%

LAB 64.88, -58.14, 32.54

 

CMYK 100 / 0 / 53 / 36

HEX #00A34D

RGB 0 163 77

HSL 148.34, 1%, 0.32%

LAB 58.72, -55.31, 34.52

 

CMYK 100 / 0 / 60 / 43

HEX #00913A

RGB 0 145 58

HSL 144, 1%, 0.28%

LAB 52.46, -52.25, 36.43

 

CMYK 91 / 0 / 38 / 15

HEX #13D885

RGB 19 216 133

HSL 154.72, 0.84%, 0.46%

LAB 76.64, -62.5, 28.88

 

CMYK 91 / 0 / 63 / 15

HEX #13D850

RGB 19 216 80

HSL 138.58, 0.84%, 0.46%

LAB 75.96, -70.69, 53.41

 

CMYK 91 / 0 / 88 / 15

HEX #13D81B

RGB 19 216 27

HSL 122.44, 0.84%, 0.46%

LAB 75.66, -74.61, 70.14

 

CMYK 70 / 0 / 91 / 15

HEX #40D813

RGB 64 216 19

HSL 106.29, 0.84%, 0.46%

LAB 76.22, -69.69, 72.2

 

CMYK 46 / 0 / 91 / 15

HEX #75D813

RGB 117 216 19

HSL 90.15, 0.84%, 0.46%

LAB 77.84, -56.61, 74.2

 

CMYK 91 / 0 / 38 / 15

HEX #13D885

RGB 19 216 133

HSL 154.72, 0.84%, 0.46%

LAB 76.64, -62.5, 28.88

 

CMYK 91 / 0 / 14 / 15

HEX #13D8BA

RGB 19 216 186

HSL 170.86, 0.84%, 0.46%

LAB 77.75, -50.27, 2.49

 

CMYK 91 / 11 / 0 / 15

HEX #13C0D8

RGB 19 192 216

HSL 187.31, 0.84%, 0.46%

LAB 71.42, -30.73, -23.17

 

CMYK 91 / 36 / 0 / 15

HEX #138BD8

RGB 19 139 216

HSL 203.45, 0.84%, 0.46%

LAB 55.65, -2.31, -47.73

 

CMYK 91 / 60 / 0 / 15

HEX #1356D8

RGB 19 86 216

HSL 219.59, 0.84%, 0.46%

LAB 40.82, 31.12, -71.63

 

CMYK 91 / 0 / 38 / 15

HEX #13D885

RGB 19 216 133

HSL 154.72, 0.84%, 0.46%

LAB 76.64, -62.5, 28.88

 

CMYK 91 / 0 / 38 / 15

HEX #13D885

RGB 19 216 133

HSL 154.72, 0.84%, 0.46%

LAB 76.64, -62.5, 28.88

 

CMYK 81 / 0 / 34 / 23

HEX #26C582

RGB 38 197 130

HSL 154.72, 0.68%, 0.46%

LAB 70.84, -54.83, 22.68

 

CMYK 68 / 0 / 29 / 30

HEX #39B27F

RGB 57 178 127

HSL 154.71, 0.51%, 0.46%

LAB 65.15, -45.45, 16.55

 

CMYK 52 / 0 / 22 / 38

HEX #4C9F7C

RGB 76 159 124

HSL 154.7, 0.35%, 0.46%

LAB 59.7, -33.84, 10.66

 

CMYK 32 / 0 / 14 / 45

HEX #5F8C79

RGB 95 140 121

HSL 154.67, 0.19%, 0.46%

LAB 54.63, -19.71, 5.27

 

CMYK 91 / 0 / 88 / 15

HEX #13D819

RGB 19 216 25

HSL 121.83, 0.84%, 0.46%

LAB 75.65, -74.69, 70.5

 

CMYK 91 / 0 / 64 / 15

HEX #13D84E

RGB 19 216 78

HSL 137.97, 0.84%, 0.46%

LAB 75.95, -70.92, 54.24

 

CMYK 91 / 0 / 40 / 15

HEX #13D882

RGB 19 216 130

HSL 153.81, 0.84%, 0.46%

LAB 76.6, -63.08, 30.36

 

CMYK 91 / 0 / 15 / 15

HEX #13D8B7

RGB 19 216 183

HSL 169.95, 0.84%, 0.46%

LAB 77.68, -51.05, 3.98

 

CMYK 91 / 9 / 0 / 15

HEX #13C4D8

RGB 19 196 216

HSL 186.09, 0.84%, 0.46%

LAB 72.61, -32.66, -21.35

 

CMYK 91 / 0 / 39 / 45

HEX #0C8C56

RGB 12 140 86

HSL 154.69, 0.84%, 0.3%

LAB 51.27, -44.78, 20.16

 

CMYK 92 / 0 / 38 / 30

HEX #0FB26E

RGB 15 178 110

HSL 154.97, 0.84%, 0.38%

LAB 64.22, -53.76, 24.36

 

CMYK 91 / 0 / 38 / 15

HEX #13D885

RGB 19 216 133

HSL 154.72, 0.84%, 0.46%

LAB 76.64, -62.5, 28.88

 

CMYK 83 / 0 / 35 / 7

HEX #28EC9A

RGB 40 236 154

HSL 154.9, 0.84%, 0.54%

LAB 83.32, -64.02, 27.11

 

CMYK 68 / 0 / 28 / 6

HEX #4EF0AC

RGB 78 240 172

HSL 154.81, 0.84%, 0.62%

LAB 85.46, -57.26, 20.9

 

CMYK 91 / 0 / 38 / 15

HEX #13D986

RGB 19 217 134

HSL 154.85, 0.84%, 0.46%

LAB 76.97, -62.65, 28.81

 

CMYK 91 / 70 / 0 / 15

HEX #1341D8

RGB 19 65 216

HSL 225.99, 0.84%, 0.46%

LAB 35.75, 44.45, -79.97

 

CMYK 0 / 76 / 91 / 15

HEX #D83413

RGB 216 52 19

HSL 10.05, 0.84%, 0.46%

LAB 48.39, 61.62, 55.3

 

CMYK 91 / 0 / 38 / 15

HEX #13D986

RGB 19 217 134

HSL 154.85, 0.84%, 0.46%

LAB 76.97, -62.65, 28.81

 

CMYK 40 / 91 / 0 / 15

HEX #8213D8

RGB 130 19 216

HSL 273.81, 0.84%, 0.46%

LAB 38.14, 72.84, -75.72

 

CMYK 0 / 40 / 91 / 15

HEX #D88213

RGB 216 130 19

HSL 33.81, 0.84%, 0.46%

LAB 62.18, 26.19, 65.11

 

CMYK 91 / 0 / 38 / 15

HEX #13D986

RGB 19 217 134

HSL 154.85, 0.84%, 0.46%

LAB 76.97, -62.65, 28.81

 

CMYK 91 / 70 / 0 / 15

HEX #1341D8

RGB 19 65 216

HSL 225.99, 0.84%, 0.46%

LAB 35.75, 44.45, -79.97

 

CMYK 0 / 91 / 52 / 15

HEX #D81368

RGB 216 19 104

HSL 334.11, 0.84%, 0.46%

LAB 47.06, 72.56, 6.45

 

CMYK 0 / 21 / 91 / 15

HEX #D8AA13

RGB 216 170 19

HSL 45.99, 0.84%, 0.46%

LAB 71.82, 4.73, 72.32

 

CMYK 91 / 0 / 38 / 15

HEX #13D986

RGB 19 217 134

HSL 154.85, 0.84%, 0.46%

LAB 76.97, -62.65, 28.81

 

CMYK 85 / 91 / 0 / 15

HEX #2013D8

RGB 32 19 216

HSL 243.96, 0.84%, 0.46%

LAB 28.72, 66.31, -91.62

 

CMYK 0 / 91 / 52 / 15

HEX #D81368

RGB 216 19 104

HSL 334.11, 0.84%, 0.46%

LAB 47.06, 72.56, 6.45

 

CMYK 6 / 0 / 91 / 15

HEX #CBD813

RGB 203 216 19

HSL 63.96, 0.84%, 0.46%

LAB 82.84, -24.28, 80.3

 

Description

Color code: HEX #13D986 | qconv.com Color code: HEX #13D986 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 217 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 217 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 38 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 38% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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