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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13D517 it is the complementary color #EC2AE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13D517. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13D517 shade: #18D512, #29E725, #3AF938, #4BFF4B and #5CFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13D517. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13D517 shade: #13D517, #02C304, #00B100, #009F00 and #008D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13D517 shade: #12D316, #42D312, #76D312, #AAD312 and #D3C812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13D517 shade: #12D316, #12D34A, #12D37E, #12D3B2 and #12C0D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13D517 shade matches the following richer shades: #12D316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13D517 shade: #12D316, #25C128, #37AE3A, #4A9B4C and #5D895E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13D517 shade: #76D312, #43D312, #12D316, #12D349 and #12D37C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13D517 shade: #0C870E, #0FAD12, #12D316, #23EC27 and #49EF4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13D517 shade: #13D517, #12A9D3 and #D3125C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13D517 shade: #13D517, #1612D3 and #D31612

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13D517 shade: #13D517, #12A9D3, #D312D0 and #D33C12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13D517 shade: #13D517, #1270D3, #D312D0 and #D37612

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 89 / 16

HEX #13D517

RGB 19 213 23

HSL 121.24, 0.84%, 0.45%

LAB 74.69, -73.93, 70.03

 

Complementary color

CMYK 0 / 82 / 2 / 7

HEX #EC2AE8

RGB 236 42 232

HSL 301.24, 0.84%, 0.55%

LAB 57.38, 87.29, -52.89

 

CMYK 89 / 0 / 92 / 16

HEX #18D512

RGB 24 213 18

HSL 118.15, 0.84%, 0.45%

LAB 74.72, -73.76, 70.85

 

CMYK 82 / 0 / 84 / 9

HEX #29E725

RGB 41 231 37

HSL 118.76, 0.8%, 0.53%

LAB 80.6, -76.63, 72.5

 

CMYK 77 / 0 / 78 / 2

HEX #3AF938

RGB 58 249 56

HSL 119.38, 0.94%, 0.6%

LAB 86.47, -78.81, 73.08

 

CMYK 71 / 0 / 71 / 0

HEX #4BFF4B

RGB 75 255 75

HSL 120, 1%, 0.65%

LAB 88.7, -76.8, 69.26

 

CMYK 64 / 0 / 63 / 0

HEX #5CFF5E

RGB 92 255 94

HSL 120.74, 1%, 0.68%

LAB 89.21, -72.05, 62.69

 

CMYK 91 / 0 / 89 / 16

HEX #13D517

RGB 19 213 23

HSL 121.24, 0.84%, 0.45%

LAB 74.69, -73.93, 70.03

 

CMYK 99 / 0 / 98 / 24

HEX #02C304

RGB 2 195 4

HSL 120.62, 0.98%, 0.39%

LAB 68.79, -70.26, 67.54

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 91 / 0 / 90 / 17

HEX #12D316

RGB 18 211 22

HSL 121.24, 0.84%, 0.45%

LAB 74.05, -73.47, 69.64

 

CMYK 69 / 0 / 91 / 17

HEX #42D312

RGB 66 211 18

HSL 105.08, 0.84%, 0.45%

LAB 74.69, -67.8, 71.07

 

CMYK 44 / 0 / 91 / 17

HEX #76D312

RGB 118 211 18

HSL 88.91, 0.84%, 0.45%

LAB 76.37, -54.42, 73.14

 

CMYK 19 / 0 / 91 / 17

HEX #AAD312

RGB 170 211 18

HSL 72.75, 0.84%, 0.45%

LAB 79.14, -35.47, 76.55

 

CMYK 0 / 5 / 91 / 17

HEX #D3C812

RGB 211 200 18

HSL 56.58, 0.84%, 0.45%

LAB 79.16, -13.02, 77.87

 

CMYK 91 / 0 / 90 / 17

HEX #12D316

RGB 18 211 22

HSL 121.24, 0.84%, 0.45%

LAB 74.05, -73.47, 69.64

 

CMYK 91 / 0 / 65 / 17

HEX #12D34A

RGB 18 211 74

HSL 137.41, 0.84%, 0.45%

LAB 74.32, -69.92, 54.11

 

CMYK 91 / 0 / 40 / 17

HEX #12D37E

RGB 18 211 126

HSL 153.58, 0.84%, 0.45%

LAB 74.97, -62.16, 30.25

 

CMYK 91 / 0 / 16 / 17

HEX #12D3B2

RGB 18 211 178

HSL 169.74, 0.84%, 0.45%

LAB 76.03, -50.36, 4.27

 

CMYK 91 / 9 / 0 / 17

HEX #12C0D3

RGB 18 192 211

HSL 185.91, 0.84%, 0.45%

LAB 71.24, -32.37, -20.72

 

CMYK 91 / 0 / 90 / 17

HEX #12D316

RGB 18 211 22

HSL 121.24, 0.84%, 0.45%

LAB 74.05, -73.47, 69.64

 

CMYK 91 / 0 / 90 / 17

HEX #12D316

RGB 18 211 22

HSL 121.24, 0.84%, 0.45%

LAB 74.05, -73.47, 69.64

 

CMYK 81 / 0 / 79 / 24

HEX #25C128

RGB 37 193 40

HSL 121.15, 0.68%, 0.45%

LAB 68.52, -65.86, 60.56

 

CMYK 68 / 0 / 67 / 32

HEX #37AE3A

RGB 55 174 58

HSL 121.51, 0.52%, 0.45%

LAB 62.84, -55.49, 48.35

 

CMYK 52 / 0 / 51 / 39

HEX #4A9B4C

RGB 74 155 76

HSL 121.48, 0.35%, 0.45%

LAB 57.48, -41.52, 33.8

 

CMYK 32 / 0 / 31 / 46

HEX #5D895E

RGB 93 137 94

HSL 121.36, 0.19%, 0.45%

LAB 52.98, -24.27, 18.39

 

CMYK 44 / 0 / 91 / 17

HEX #76D312

RGB 118 211 18

HSL 88.91, 0.84%, 0.45%

LAB 76.37, -54.42, 73.14

 

CMYK 68 / 0 / 91 / 17

HEX #43D312

RGB 67 211 18

HSL 104.77, 0.84%, 0.45%

LAB 74.71, -67.61, 71.1

 

CMYK 91 / 0 / 90 / 17

HEX #12D316

RGB 18 211 22

HSL 121.24, 0.84%, 0.45%

LAB 74.05, -73.47, 69.64

 

CMYK 91 / 0 / 65 / 17

HEX #12D349

RGB 18 211 73

HSL 137.1, 0.84%, 0.45%

LAB 74.32, -70.02, 54.51

 

CMYK 91 / 0 / 41 / 17

HEX #12D37C

RGB 18 211 124

HSL 152.95, 0.84%, 0.45%

LAB 74.93, -62.53, 31.23

 

CMYK 91 / 0 / 90 / 47

HEX #0C870E

RGB 12 135 14

HSL 120.98, 0.84%, 0.29%

LAB 48.81, -52.33, 49.3

 

CMYK 91 / 0 / 90 / 32

HEX #0FAD12

RGB 15 173 18

HSL 121.14, 0.84%, 0.37%

LAB 61.68, -63.14, 59.71

 

CMYK 91 / 0 / 90 / 17

HEX #12D316

RGB 18 211 22

HSL 121.24, 0.84%, 0.45%

LAB 74.05, -73.47, 69.64

 

CMYK 85 / 0 / 83 / 7

HEX #23EC27

RGB 35 236 39

HSL 121.19, 0.84%, 0.53%

LAB 82.11, -78.5, 73.37

 

CMYK 69 / 0 / 68 / 6

HEX #49EF4C

RGB 73 239 76

HSL 121.08, 0.84%, 0.61%

LAB 83.79, -72.04, 63.76

 

CMYK 91 / 0 / 89 / 16

HEX #13D517

RGB 19 213 23

HSL 121.24, 0.84%, 0.45%

LAB 74.69, -73.93, 70.03

 

CMYK 91 / 20 / 0 / 17

HEX #12A9D3

RGB 18 169 211

HSL 193.06, 0.84%, 0.45%

LAB 64.33, -20.86, -31.32

 

CMYK 0 / 91 / 56 / 17

HEX #D3125C

RGB 211 18 92

HSL 336.99, 0.84%, 0.45%

LAB 45.71, 70.67, 11.85

 

CMYK 91 / 0 / 89 / 16

HEX #13D517

RGB 19 213 23

HSL 121.24, 0.84%, 0.45%

LAB 74.69, -73.93, 70.03

 

CMYK 90 / 91 / 0 / 17

HEX #1612D3

RGB 22 18 211

HSL 241.24, 0.84%, 0.45%

LAB 27.59, 65.05, -90.62

 

CMYK 0 / 90 / 91 / 17

HEX #D31612

RGB 211 22 18

HSL 1.24, 0.84%, 0.45%

LAB 44.89, 67.26, 52.86

 

CMYK 91 / 0 / 89 / 16

HEX #13D517

RGB 19 213 23

HSL 121.24, 0.84%, 0.45%

LAB 74.69, -73.93, 70.03

 

CMYK 91 / 20 / 0 / 17

HEX #12A9D3

RGB 18 169 211

HSL 193.06, 0.84%, 0.45%

LAB 64.33, -20.86, -31.32

 

CMYK 0 / 91 / 1 / 17

HEX #D312D0

RGB 211 18 208

HSL 300.93, 0.84%, 0.45%

LAB 50.49, 83.23, -50.48

 

CMYK 0 / 72 / 91 / 17

HEX #D33C12

RGB 211 60 18

HSL 13.06, 0.84%, 0.45%

LAB 48.42, 57.35, 55.21

 

CMYK 91 / 0 / 89 / 16

HEX #13D517

RGB 19 213 23

HSL 121.24, 0.84%, 0.45%

LAB 74.69, -73.93, 70.03

 

CMYK 91 / 47 / 0 / 17

HEX #1270D3

RGB 18 112 211

HSL 210.78, 0.84%, 0.45%

LAB 47.52, 12.28, -57.89

 

CMYK 0 / 91 / 1 / 17

HEX #D312D0

RGB 211 18 208

HSL 300.93, 0.84%, 0.45%

LAB 50.49, 83.23, -50.48

 

CMYK 0 / 44 / 91 / 17

HEX #D37612

RGB 211 118 18

HSL 31.09, 0.84%, 0.45%

LAB 58.83, 30.45, 62.59

 

Description

Color code: HEX #13D517 | qconv.com Color code: HEX #13D517 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 213 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 213 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 89 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 89% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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