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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13CFAB it is the complementary color #EC3054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13CFAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13CFAB shade: #18CFA6, #29E1B9, #3AF3CC, #4BFFDF and #5CFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13CFAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13CFAB shade: #13CFAB, #02BD98, #00AB85, #009972 and #00875F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13CFAB shade: #13CDAA, #13CD77, #13CD45, #13CD13 and #45CD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13CFAB shade: #13CDAA, #13BFCD, #138DCD, #135ACD and #1328CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13CFAB shade matches the following richer shades: #13CDAA and #01DFB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13CFAB shade: #13CDAA, #25BB9E, #37A993, #4A9788 and #5C857D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13CFAB shade: #13CD45, #13CD76, #13CDA8, #13C1CD and #138FCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13CFAB shade: #0C826B, #10A88A, #13CDAA, #1FEAC3 and #45EECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13CFAB shade: #13CFAB, #1313CD and #CD5E13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13CFAB shade: #13CFAB, #A813CD and #CDA813

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13CFAB shade: #13CFAB, #1313CD, #CD1338 and #CDCD13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13CFAB shade: #13CFAB, #4B13CD, #CD1338 and #95CD13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 17 / 19

HEX #13CFAB

RGB 19 207 171

HSL 168.51, 0.83%, 0.44%

LAB 74.64, -50.51, 6.03

 

Complementary color

CMYK 0 / 80 / 64 / 7

HEX #EC3054

RGB 236 48 84

HSL 348.51, 0.83%, 0.56%

LAB 52.49, 70.67, 26.68

 

CMYK 88 / 0 / 20 / 19

HEX #18CFA6

RGB 24 207 166

HSL 166.56, 0.79%, 0.45%

LAB 74.55, -51.52, 8.6

 

CMYK 82 / 0 / 18 / 12

HEX #29E1B9

RGB 41 225 185

HSL 166.96, 0.75%, 0.52%

LAB 80.64, -52.81, 7.21

 

CMYK 76 / 0 / 16 / 5

HEX #3AF3CC

RGB 58 243 204

HSL 167.35, 0.89%, 0.59%

LAB 86.68, -53.78, 5.95

 

CMYK 71 / 0 / 13 / 0

HEX #4BFFDF

RGB 75 255 223

HSL 169.33, 1%, 0.65%

LAB 90.94, -52.04, 2.27

 

CMYK 64 / 0 / 5 / 0

HEX #5CFFF2

RGB 92 255 242

HSL 175.21, 1%, 0.68%

LAB 91.78, -44.89, -6.3

 

CMYK 91 / 0 / 17 / 19

HEX #13CFAB

RGB 19 207 171

HSL 168.51, 0.83%, 0.44%

LAB 74.64, -50.51, 6.03

 

CMYK 99 / 0 / 20 / 26

HEX #02BD98

RGB 2 189 152

HSL 168.13, 0.98%, 0.37%

LAB 68.52, -48.74, 7.53

 

CMYK 100 / 0 / 22 / 33

HEX #00AB85

RGB 0 171 133

HSL 166.67, 1%, 0.34%

LAB 62.35, -46.43, 9.21

 

CMYK 100 / 0 / 25 / 40

HEX #009972

RGB 0 153 114

HSL 164.71, 1%, 0.3%

LAB 56.09, -43.99, 10.99

 

CMYK 100 / 0 / 30 / 47

HEX #00875F

RGB 0 135 95

HSL 162.22, 1%, 0.26%

LAB 49.68, -41.47, 12.87

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAA

RGB 19 205 170

HSL 168.71, 0.83%, 0.44%

LAB 74, -49.95, 5.65

 

CMYK 91 / 0 / 42 / 20

HEX #13CD77

RGB 19 205 119

HSL 152.26, 0.83%, 0.44%

LAB 72.98, -61.35, 31.23

 

CMYK 91 / 0 / 66 / 20

HEX #13CD45

RGB 19 205 69

HSL 136.13, 0.83%, 0.44%

LAB 72.38, -68.6, 54.04

 

CMYK 91 / 0 / 91 / 20

HEX #13CD13

RGB 19 205 19

HSL 120, 0.83%, 0.44%

LAB 72.13, -71.85, 68.5

 

CMYK 66 / 0 / 91 / 20

HEX #45CD13

RGB 69 205 19

HSL 103.87, 0.83%, 0.44%

LAB 72.88, -65.29, 69.43

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAA

RGB 19 205 170

HSL 168.71, 0.83%, 0.44%

LAB 74, -49.95, 5.65

 

CMYK 91 / 7 / 0 / 20

HEX #13BFCD

RGB 19 191 205

HSL 184.52, 0.83%, 0.44%

LAB 70.74, -33.75, -18.2

 

CMYK 91 / 31 / 0 / 20

HEX #138DCD

RGB 19 141 205

HSL 200.65, 0.83%, 0.44%

LAB 55.68, -7.6, -41.48

 

CMYK 91 / 56 / 0 / 20

HEX #135ACD

RGB 19 90 205

HSL 217.1, 0.83%, 0.44%

LAB 40.99, 24.22, -65.03

 

CMYK 91 / 80 / 0 / 20

HEX #1328CD

RGB 19 40 205

HSL 233.23, 0.83%, 0.44%

LAB 29.57, 54.72, -83.82

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAA

RGB 19 205 170

HSL 168.71, 0.83%, 0.44%

LAB 74, -49.95, 5.65

 

CMYK 100 / 0 / 19 / 13

HEX #01DFB5

RGB 1 223 181

HSL 168.65, 0.99%, 0.44%

LAB 79.68, -54.92, 7.92

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAA

RGB 19 205 170

HSL 168.71, 0.83%, 0.44%

LAB 74, -49.95, 5.65

 

CMYK 80 / 0 / 16 / 27

HEX #25BB9E

RGB 37 187 158

HSL 168.4, 0.67%, 0.44%

LAB 68.32, -44.34, 4

 

CMYK 67 / 0 / 13 / 34

HEX #37A993

RGB 55 169 147

HSL 168.42, 0.51%, 0.44%

LAB 62.76, -37.05, 2.08

 

CMYK 51 / 0 / 10 / 41

HEX #4A9788

RGB 74 151 136

HSL 168.31, 0.34%, 0.44%

LAB 57.43, -27.61, 0.61

 

CMYK 31 / 0 / 6 / 48

HEX #5C857D

RGB 92 133 125

HSL 168.29, 0.18%, 0.44%

LAB 52.43, -16.03, -0.25

 

CMYK 91 / 0 / 66 / 20

HEX #13CD45

RGB 19 205 69

HSL 136.13, 0.83%, 0.44%

LAB 72.38, -68.6, 54.04

 

CMYK 91 / 0 / 42 / 20

HEX #13CD76

RGB 19 205 118

HSL 151.94, 0.83%, 0.44%

LAB 72.96, -61.53, 31.72

 

CMYK 91 / 0 / 18 / 20

HEX #13CDA8

RGB 19 205 168

HSL 168.06, 0.83%, 0.44%

LAB 73.95, -50.47, 6.66

 

CMYK 91 / 6 / 0 / 20

HEX #13C1CD

RGB 19 193 205

HSL 183.87, 0.83%, 0.44%

LAB 71.34, -34.69, -17.29

 

CMYK 91 / 30 / 0 / 20

HEX #138FCD

RGB 19 143 205

HSL 200, 0.83%, 0.44%

LAB 56.28, -8.75, -40.54

 

CMYK 91 / 0 / 18 / 49

HEX #0C826B

RGB 12 130 107

HSL 168.31, 0.83%, 0.28%

LAB 48.39, -35.46, 4.09

 

CMYK 90 / 0 / 18 / 34

HEX #10A88A

RGB 16 168 138

HSL 168.16, 0.83%, 0.36%

LAB 61.61, -43.19, 5.38

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAA

RGB 19 205 170

HSL 168.71, 0.83%, 0.44%

LAB 74, -49.95, 5.65

 

CMYK 87 / 0 / 17 / 8

HEX #1FEAC3

RGB 31 234 195

HSL 168.47, 0.83%, 0.52%

LAB 83.48, -54.62, 6.01

 

CMYK 71 / 0 / 14 / 7

HEX #45EECD

RGB 69 238 205

HSL 168.28, 0.83%, 0.6%

LAB 85.41, -50.2, 3.62

 

CMYK 91 / 0 / 17 / 19

HEX #13CFAB

RGB 19 207 171

HSL 168.51, 0.83%, 0.44%

LAB 74.64, -50.51, 6.03

 

CMYK 91 / 91 / 0 / 20

HEX #1313CD

RGB 19 19 205

HSL 240, 0.83%, 0.44%

LAB 26.77, 63.1, -88.5

 

CMYK 0 / 54 / 91 / 20

HEX #CD5E13

RGB 205 94 19

HSL 24.19, 0.83%, 0.44%

LAB 52.98, 40.41, 57.66

 

CMYK 91 / 0 / 17 / 19

HEX #13CFAB

RGB 19 207 171

HSL 168.51, 0.83%, 0.44%

LAB 74.64, -50.51, 6.03

 

CMYK 18 / 91 / 0 / 20

HEX #A813CD

RGB 168 19 205

HSL 288.06, 0.83%, 0.44%

LAB 43.06, 75.73, -61.1

 

CMYK 0 / 18 / 91 / 20

HEX #CDA813

RGB 205 168 19

HSL 48.06, 0.83%, 0.44%

LAB 70.2, 0.94, 70.59

 

CMYK 91 / 0 / 17 / 19

HEX #13CFAB

RGB 19 207 171

HSL 168.51, 0.83%, 0.44%

LAB 74.64, -50.51, 6.03

 

CMYK 91 / 91 / 0 / 20

HEX #1313CD

RGB 19 19 205

HSL 240, 0.83%, 0.44%

LAB 26.77, 63.1, -88.5

 

CMYK 0 / 91 / 73 / 20

HEX #CD1338

RGB 205 19 56

HSL 348.06, 0.83%, 0.44%

LAB 43.84, 67.14, 31.49

 

CMYK 0 / 0 / 91 / 20

HEX #CDCD13

RGB 205 205 19

HSL 60, 0.83%, 0.44%

LAB 80, -18.07, 78.16

 

CMYK 91 / 0 / 17 / 19

HEX #13CFAB

RGB 19 207 171

HSL 168.51, 0.83%, 0.44%

LAB 74.64, -50.51, 6.03

 

CMYK 63 / 91 / 0 / 20

HEX #4B13CD

RGB 75 19 205

HSL 258.06, 0.83%, 0.44%

LAB 30.33, 65.34, -82.48

 

CMYK 0 / 91 / 73 / 20

HEX #CD1338

RGB 205 19 56

HSL 348.06, 0.83%, 0.44%

LAB 43.84, 67.14, 31.49

 

CMYK 27 / 0 / 91 / 20

HEX #95CD13

RGB 149 205 19

HSL 78.06, 0.83%, 0.44%

LAB 76.13, -40.99, 73.45

 

Description

Color code: HEX #13CFAB | qconv.com Color code: HEX #13CFAB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 207 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 207 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 17 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 17% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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