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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13CF02 it is the complementary color #EC30FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13CF02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13CF02 shade: #18CF00, #29E110, #3AF323, #4BFF36 and #5CFF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13CF02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13CF02 shade: #13CF02, #02BD00, #00AB00, #009900 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13CF02 shade: #13CF02, #4ACF02, #82CF02, #B9CF02 and #CFAE02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13CF02 shade: #13CF02, #02CF28, #02CF60, #02CF97 and #02CFCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13CF02 shade matches the following richer shades: #13CF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13CF02 shade: #13CF02, #21BE13, #2FAD24, #3D9C35 and #4C8B46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13CF02 shade: #80CF02, #4ACF02, #13CF02, #02CF28 and #02CF5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13CF02 shade: #0C7D01, #0FA602, #13CF02, #17F803 and #39FD27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13CF02 shade: #13CF02, #02B7CF and #CF0265

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13CF02 shade: #13CF02, #0213CF and #CF0213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13CF02 shade: #13CF02, #02B7CF, #BE02CF and #CF1A02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13CF02 shade: #13CF02, #027ACF, #BE02CF and #CF5702

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

Complementary color

CMYK 7 / 81 / 0 / 1

HEX #EC30FD

RGB 236 48 253

HSL 295.02, 0.98%, 0.59%

LAB 59.01, 89.2, -62.01

 

CMYK 88 / 0 / 100 / 19

HEX #18CF00

RGB 24 207 0

HSL 113.04, 1%, 0.41%

LAB 72.77, -72.47, 71.24

 

CMYK 82 / 0 / 93 / 12

HEX #29E110

RGB 41 225 16

HSL 112.82, 0.87%, 0.47%

LAB 78.67, -75.64, 74.49

 

CMYK 76 / 0 / 86 / 5

HEX #3AF323

RGB 58 243 35

HSL 113.37, 0.9%, 0.55%

LAB 84.55, -78.11, 76.51

 

CMYK 71 / 0 / 79 / 0

HEX #4BFF36

RGB 75 255 54

HSL 113.73, 1%, 0.61%

LAB 88.58, -78.2, 75.75

 

CMYK 64 / 0 / 71 / 0

HEX #5CFF49

RGB 92 255 73

HSL 113.74, 1%, 0.64%

LAB 89.05, -73.87, 70.43

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 99 / 0 / 100 / 26

HEX #02BD00

RGB 2 189 0

HSL 119.37, 1%, 0.37%

LAB 66.83, -68.72, 66.42

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 64 / 0 / 99 / 19

HEX #4ACF02

RGB 74 207 2

HSL 98.93, 0.98%, 0.41%

LAB 73.6, -65.22, 72.04

 

CMYK 37 / 0 / 99 / 19

HEX #82CF02

RGB 130 207 2

HSL 82.54, 0.98%, 0.41%

LAB 75.68, -49.07, 74.57

 

CMYK 11 / 0 / 99 / 19

HEX #B9CF02

RGB 185 207 2

HSL 66.44, 0.98%, 0.41%

LAB 79.01, -27.69, 78.56

 

CMYK 0 / 16 / 99 / 19

HEX #CFAE02

RGB 207 174 2

HSL 50.34, 0.98%, 0.41%

LAB 71.92, -1.55, 74.2

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 99 / 0 / 81 / 19

HEX #02CF28

RGB 2 207 40

HSL 131.12, 0.98%, 0.41%

LAB 72.75, -72.25, 64.46

 

CMYK 99 / 0 / 54 / 19

HEX #02CF60

RGB 2 207 96

HSL 147.51, 0.98%, 0.41%

LAB 73.21, -66.53, 42.92

 

CMYK 99 / 0 / 27 / 19

HEX #02CF97

RGB 2 207 151

HSL 163.61, 0.98%, 0.41%

LAB 74.11, -56.01, 15.98

 

CMYK 99 / 0 / 0 / 19

HEX #02CFCE

RGB 2 207 206

HSL 179.71, 0.98%, 0.41%

LAB 75.51, -41.33, -11.57

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 83 / 0 / 90 / 25

HEX #21BE13

RGB 33 190 19

HSL 115.09, 0.82%, 0.41%

LAB 67.42, -66.43, 64.54

 

CMYK 73 / 0 / 79 / 32

HEX #2FAD24

RGB 47 173 36

HSL 115.18, 0.66%, 0.41%

LAB 62.18, -58.45, 55.79

 

CMYK 61 / 0 / 66 / 39

HEX #3D9C35

RGB 61 156 53

HSL 115.34, 0.49%, 0.41%

LAB 57.1, -48.2, 44.28

 

CMYK 45 / 0 / 50 / 45

HEX #4C8B46

RGB 76 139 70

HSL 114.78, 0.33%, 0.41%

LAB 52.34, -34.85, 30.57

 

CMYK 38 / 0 / 99 / 19

HEX #80CF02

RGB 128 207 2

HSL 83.12, 0.98%, 0.41%

LAB 75.59, -49.77, 74.45

 

CMYK 64 / 0 / 99 / 19

HEX #4ACF02

RGB 74 207 2

HSL 98.93, 0.98%, 0.41%

LAB 73.6, -65.22, 72.04

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 99 / 0 / 81 / 19

HEX #02CF28

RGB 2 207 40

HSL 131.12, 0.98%, 0.41%

LAB 72.75, -72.25, 64.46

 

CMYK 99 / 0 / 55 / 19

HEX #02CF5E

RGB 2 207 94

HSL 146.93, 0.98%, 0.41%

LAB 73.19, -66.82, 43.84

 

CMYK 90 / 0 / 99 / 51

HEX #0C7D01

RGB 12 125 1

HSL 114.68, 0.98%, 0.25%

LAB 45.29, -49.8, 48.97

 

CMYK 91 / 0 / 99 / 35

HEX #0FA602

RGB 15 166 2

HSL 115.24, 0.98%, 0.33%

LAB 59.32, -61.59, 60.15

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 91 / 0 / 99 / 3

HEX #17F803

RGB 23 248 3

HSL 115.1, 0.98%, 0.49%

LAB 85.67, -83.5, 81.32

 

CMYK 77 / 0 / 85 / 1

HEX #39FD27

RGB 57 253 39

HSL 114.95, 0.98%, 0.57%

LAB 87.61, -80.94, 78.39

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 99 / 12 / 0 / 19

HEX #02B7CF

RGB 2 183 207

HSL 187.02, 0.98%, 0.41%

LAB 68.3, -29.81, -23.01

 

CMYK 0 / 99 / 51 / 19

HEX #CF0265

RGB 207 2 101

HSL 331.02, 0.98%, 0.41%

LAB 44.59, 71.95, 4.53

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 99 / 91 / 0 / 19

HEX #0213CF

RGB 2 19 207

HSL 235.02, 0.98%, 0.41%

LAB 26.69, 63.45, -89.81

 

CMYK 0 / 99 / 91 / 19

HEX #CF0213

RGB 207 2 19

HSL 355.02, 0.98%, 0.41%

LAB 43.29, 68.46, 51

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 99 / 12 / 0 / 19

HEX #02B7CF

RGB 2 183 207

HSL 187.02, 0.98%, 0.41%

LAB 68.3, -29.81, -23.01

 

CMYK 8 / 99 / 0 / 19

HEX #BE02CF

RGB 190 2 207

HSL 295.02, 0.98%, 0.41%

LAB 46.31, 81.15, -56.83

 

CMYK 0 / 87 / 99 / 19

HEX #CF1A02

RGB 207 26 2

HSL 7.02, 0.98%, 0.41%

LAB 44.25, 65.36, 57.18

 

CMYK 91 / 0 / 99 / 19

HEX #13CF02

RGB 19 207 2

HSL 115.02, 0.98%, 0.41%

LAB 72.74, -72.77, 70.99

 

CMYK 99 / 41 / 0 / 19

HEX #027ACF

RGB 2 122 207

HSL 204.88, 0.98%, 0.41%

LAB 50.02, 3.86, -51.61

 

CMYK 8 / 99 / 0 / 19

HEX #BE02CF

RGB 190 2 207

HSL 295.02, 0.98%, 0.41%

LAB 46.31, 81.15, -56.83

 

CMYK 0 / 58 / 99 / 19

HEX #CF5702

RGB 207 87 2

HSL 24.88, 0.98%, 0.41%

LAB 51.93, 44.37, 61.07

 

Description

Color code: HEX #13CF02 | qconv.com Color code: HEX #13CF02 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 207 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 207 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 99 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 99% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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