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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13CEAC it is the complementary color #EC3153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13CEAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13CEAC shade: #18CEA7, #29E0BA, #3AF2CD, #4BFFE0 and #5CFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13CEAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13CEAC shade: #13CEAC, #02BC99, #00AA86, #009873 and #008660

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13CEAC shade: #13CDAB, #13CD79, #13CD47, #13CD15 and #44CD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13CEAC shade: #13CDAB, #13BDCD, #138BCD, #1359CD and #1326CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13CEAC shade matches the following richer shades: #13CDAB and #01DFB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13CEAC shade: #13CDAB, #25BBA0, #37A994, #4A9789 and #5C857D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13CEAC shade: #13CD48, #13CD7A, #13CDAB, #13BECD and #138CCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13CEAC shade: #0C826C, #10A88C, #13CDAB, #1FEAC5 and #45EECF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13CEAC shade: #13CEAC, #1613CD and #CD6113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13CEAC shade: #13CEAC, #AB13CD and #CDAB13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13CEAC shade: #13CEAC, #1613CD, #CD1335 and #CACD13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13CEAC shade: #13CEAC, #4E13CD, #CD1335 and #92CD13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 17 / 19

HEX #13CEAC

RGB 19 206 172

HSL 169.09, 0.83%, 0.44%

LAB 74.36, -49.84, 5.08

 

Complementary color

CMYK 0 / 79 / 65 / 7

HEX #EC3153

RGB 236 49 83

HSL 349.09, 0.83%, 0.56%

LAB 52.57, 70.35, 27.37

 

CMYK 88 / 0 / 19 / 19

HEX #18CEA7

RGB 24 206 167

HSL 167.14, 0.79%, 0.45%

LAB 74.27, -50.86, 7.66

 

CMYK 82 / 0 / 17 / 12

HEX #29E0BA

RGB 41 224 186

HSL 167.54, 0.75%, 0.52%

LAB 80.36, -52.15, 6.29

 

CMYK 76 / 0 / 15 / 5

HEX #3AF2CD

RGB 58 242 205

HSL 167.93, 0.88%, 0.59%

LAB 86.41, -53.13, 5.04

 

CMYK 71 / 0 / 12 / 0

HEX #4BFFE0

RGB 75 255 224

HSL 169.67, 1%, 0.65%

LAB 90.96, -51.8, 1.79

 

CMYK 64 / 0 / 5 / 0

HEX #5CFFF3

RGB 92 255 243

HSL 175.58, 1%, 0.68%

LAB 91.8, -44.63, -6.78

 

CMYK 91 / 0 / 17 / 19

HEX #13CEAC

RGB 19 206 172

HSL 169.09, 0.83%, 0.44%

LAB 74.36, -49.84, 5.08

 

CMYK 99 / 0 / 19 / 26

HEX #02BC99

RGB 2 188 153

HSL 168.71, 0.98%, 0.37%

LAB 68.23, -48.08, 6.57

 

CMYK 100 / 0 / 21 / 33

HEX #00AA86

RGB 0 170 134

HSL 167.29, 1%, 0.33%

LAB 62.06, -45.77, 8.24

 

CMYK 100 / 0 / 24 / 40

HEX #009873

RGB 0 152 115

HSL 165.39, 1%, 0.3%

LAB 55.78, -43.33, 10

 

CMYK 100 / 0 / 28 / 47

HEX #008660

RGB 0 134 96

HSL 162.99, 1%, 0.26%

LAB 49.37, -40.81, 11.86

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAB

RGB 19 205 171

HSL 169.03, 0.83%, 0.44%

LAB 74.02, -49.69, 5.15

 

CMYK 91 / 0 / 41 / 20

HEX #13CD79

RGB 19 205 121

HSL 152.9, 0.83%, 0.44%

LAB 73.01, -60.97, 30.25

 

CMYK 91 / 0 / 65 / 20

HEX #13CD47

RGB 19 205 71

HSL 136.77, 0.83%, 0.44%

LAB 72.4, -68.39, 53.23

 

CMYK 91 / 0 / 90 / 20

HEX #13CD15

RGB 19 205 21

HSL 120.65, 0.83%, 0.44%

LAB 72.13, -71.79, 68.18

 

CMYK 67 / 0 / 91 / 20

HEX #44CD13

RGB 68 205 19

HSL 104.19, 0.83%, 0.44%

LAB 72.85, -65.5, 69.4

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAB

RGB 19 205 171

HSL 169.03, 0.83%, 0.44%

LAB 74.02, -49.69, 5.15

 

CMYK 91 / 8 / 0 / 20

HEX #13BDCD

RGB 19 189 205

HSL 185.16, 0.83%, 0.44%

LAB 70.13, -32.8, -19.12

 

CMYK 91 / 32 / 0 / 20

HEX #138BCD

RGB 19 139 205

HSL 201.29, 0.83%, 0.44%

LAB 55.08, -6.44, -42.42

 

CMYK 91 / 57 / 0 / 20

HEX #1359CD

RGB 19 89 205

HSL 217.42, 0.83%, 0.44%

LAB 40.72, 24.87, -65.47

 

CMYK 91 / 81 / 0 / 20

HEX #1326CD

RGB 19 38 205

HSL 233.87, 0.83%, 0.44%

LAB 29.24, 55.7, -84.38

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAB

RGB 19 205 171

HSL 169.03, 0.83%, 0.44%

LAB 74.02, -49.69, 5.15

 

CMYK 100 / 0 / 18 / 13

HEX #01DFB7

RGB 1 223 183

HSL 169.19, 0.99%, 0.44%

LAB 79.73, -54.42, 6.93

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAB

RGB 19 205 171

HSL 169.03, 0.83%, 0.44%

LAB 74.02, -49.69, 5.15

 

CMYK 80 / 0 / 14 / 27

HEX #25BBA0

RGB 37 187 160

HSL 169.2, 0.67%, 0.44%

LAB 68.37, -43.81, 2.97

 

CMYK 67 / 0 / 12 / 34

HEX #37A994

RGB 55 169 148

HSL 168.95, 0.51%, 0.44%

LAB 62.78, -36.79, 1.55

 

CMYK 51 / 0 / 9 / 41

HEX #4A9789

RGB 74 151 137

HSL 169.09, 0.34%, 0.44%

LAB 57.46, -27.36, 0.08

 

CMYK 31 / 0 / 6 / 48

HEX #5C857D

RGB 92 133 125

HSL 168.29, 0.18%, 0.44%

LAB 52.43, -16.03, -0.25

 

CMYK 91 / 0 / 65 / 20

HEX #13CD48

RGB 19 205 72

HSL 137.1, 0.83%, 0.44%

LAB 72.41, -68.28, 52.82

 

CMYK 91 / 0 / 40 / 20

HEX #13CD7A

RGB 19 205 122

HSL 153.23, 0.83%, 0.44%

LAB 73.03, -60.78, 29.75

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAB

RGB 19 205 171

HSL 169.03, 0.83%, 0.44%

LAB 74.02, -49.69, 5.15

 

CMYK 91 / 7 / 0 / 20

HEX #13BECD

RGB 19 190 205

HSL 184.84, 0.83%, 0.44%

LAB 70.44, -33.27, -18.66

 

CMYK 91 / 32 / 0 / 20

HEX #138CCD

RGB 19 140 205

HSL 200.97, 0.83%, 0.44%

LAB 55.38, -7.02, -41.95

 

CMYK 91 / 0 / 17 / 49

HEX #0C826C

RGB 12 130 108

HSL 168.81, 0.83%, 0.28%

LAB 48.42, -35.18, 3.54

 

CMYK 90 / 0 / 17 / 34

HEX #10A88C

RGB 16 168 140

HSL 168.95, 0.83%, 0.36%

LAB 61.66, -42.65, 4.33

 

CMYK 91 / 0 / 17 / 20

HEX #13CDAB

RGB 19 205 171

HSL 169.03, 0.83%, 0.44%

LAB 74.02, -49.69, 5.15

 

CMYK 87 / 0 / 16 / 8

HEX #1FEAC5

RGB 31 234 197

HSL 169.06, 0.83%, 0.52%

LAB 83.53, -54.11, 5.03

 

CMYK 71 / 0 / 13 / 7

HEX #45EECF

RGB 69 238 207

HSL 168.99, 0.83%, 0.6%

LAB 85.46, -49.7, 2.64

 

CMYK 91 / 0 / 17 / 19

HEX #13CEAC

RGB 19 206 172

HSL 169.09, 0.83%, 0.44%

LAB 74.36, -49.84, 5.08

 

CMYK 89 / 91 / 0 / 20

HEX #1613CD

RGB 22 19 205

HSL 240.97, 0.83%, 0.44%

LAB 26.86, 63.15, -88.34

 

CMYK 0 / 53 / 91 / 20

HEX #CD6113

RGB 205 97 19

HSL 25.16, 0.83%, 0.44%

LAB 53.57, 38.91, 58.09

 

CMYK 91 / 0 / 17 / 19

HEX #13CEAC

RGB 19 206 172

HSL 169.09, 0.83%, 0.44%

LAB 74.36, -49.84, 5.08

 

CMYK 17 / 91 / 0 / 20

HEX #AB13CD

RGB 171 19 205

HSL 289.03, 0.83%, 0.44%

LAB 43.55, 76.18, -60.27

 

CMYK 0 / 17 / 91 / 20

HEX #CDAB13

RGB 205 171 19

HSL 49.03, 0.83%, 0.44%

LAB 70.98, -0.65, 71.19

 

CMYK 91 / 0 / 17 / 19

HEX #13CEAC

RGB 19 206 172

HSL 169.09, 0.83%, 0.44%

LAB 74.36, -49.84, 5.08

 

CMYK 89 / 91 / 0 / 20

HEX #1613CD

RGB 22 19 205

HSL 240.97, 0.83%, 0.44%

LAB 26.86, 63.15, -88.34

 

CMYK 0 / 91 / 74 / 20

HEX #CD1335

RGB 205 19 53

HSL 349.03, 0.83%, 0.44%

LAB 43.8, 67.02, 33.25

 

CMYK 1 / 0 / 91 / 20

HEX #CACD13

RGB 202 205 19

HSL 60.97, 0.83%, 0.44%

LAB 79.77, -19.35, 77.88

 

CMYK 91 / 0 / 17 / 19

HEX #13CEAC

RGB 19 206 172

HSL 169.09, 0.83%, 0.44%

LAB 74.36, -49.84, 5.08

 

CMYK 62 / 91 / 0 / 20

HEX #4E13CD

RGB 78 19 205

HSL 259.03, 0.83%, 0.44%

LAB 30.62, 65.55, -81.97

 

CMYK 0 / 91 / 74 / 20

HEX #CD1335

RGB 205 19 53

HSL 349.03, 0.83%, 0.44%

LAB 43.8, 67.02, 33.25

 

CMYK 29 / 0 / 91 / 20

HEX #92CD13

RGB 146 205 19

HSL 79.03, 0.83%, 0.44%

LAB 75.96, -42.13, 73.24

 

Description

Color code: HEX #13CEAC | qconv.com Color code: HEX #13CEAC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 206 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 206 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 17 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 17% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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