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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13CE68 it is the complementary color #EC3197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13CE68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13CE68 shade: #18CE63, #29E076, #3AF289, #4BFF9C and #5CFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13CE68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13CE68 shade: #13CE68, #02BC55, #00AA42, #00982F and #00861C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13CE68 shade: #13CD68, #13CD35, #23CD13, #55CD13 and #87CD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13CE68 shade: #13CD68, #13CD9A, #13CDCC, #139CCD and #136ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13CE68 shade matches the following richer shades: #13CD68 and #01DF66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13CE68 shade: #13CD68, #25BB69, #37A96B, #4A976D and #5C856E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13CE68 shade: #23CD13, #13CD35, #13CD67, #13CD99 and #13CDCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13CE68 shade: #0C8242, #10A855, #13CD68, #1FEA7C and #45EE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13CE68 shade: #13CE68, #1354CD and #CD1C13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13CE68 shade: #13CE68, #6713CD and #CD6713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13CE68 shade: #13CE68, #1354CD, #CD137A and #CD8C13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13CE68 shade: #13CE68, #131CCD, #CD137A and #CDC413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 50 / 19

HEX #13CE68

RGB 19 206 104

HSL 147.27, 0.83%, 0.44%

LAB 73.08, -64.28, 38.9

 

Complementary color

CMYK 0 / 79 / 36 / 7

HEX #EC3197

RGB 236 49 151

HSL 327.27, 0.83%, 0.56%

LAB 54.31, 75.6, -10.92

 

CMYK 88 / 0 / 52 / 19

HEX #18CE63

RGB 24 206 99

HSL 144.73, 0.79%, 0.45%

LAB 73.05, -64.75, 41.31

 

CMYK 82 / 0 / 47 / 12

HEX #29E076

RGB 41 224 118

HSL 145.25, 0.75%, 0.52%

LAB 79.09, -66.3, 39.64

 

CMYK 76 / 0 / 43 / 5

HEX #3AF289

RGB 58 242 137

HSL 145.76, 0.88%, 0.59%

LAB 85.1, -67.41, 38.04

 

CMYK 71 / 0 / 39 / 0

HEX #4BFF9C

RGB 75 255 156

HSL 147, 1%, 0.65%

LAB 89.59, -66.4, 34.57

 

CMYK 64 / 0 / 31 / 0

HEX #5CFFAF

RGB 92 255 175

HSL 150.55, 1%, 0.68%

LAB 90.27, -60.14, 26.02

 

CMYK 91 / 0 / 50 / 19

HEX #13CE68

RGB 19 206 104

HSL 147.27, 0.83%, 0.44%

LAB 73.08, -64.28, 38.9

 

CMYK 99 / 0 / 55 / 26

HEX #02BC55

RGB 2 188 85

HSL 146.77, 0.98%, 0.37%

LAB 67, -62.13, 40.67

 

CMYK 100 / 0 / 61 / 33

HEX #00AA42

RGB 0 170 66

HSL 143.29, 1%, 0.33%

LAB 60.91, -59.16, 42.45

 

CMYK 100 / 0 / 69 / 40

HEX #00982F

RGB 0 152 47

HSL 138.55, 1%, 0.3%

LAB 54.72, -55.82, 43.99

 

CMYK 100 / 0 / 79 / 47

HEX #00861C

RGB 0 134 28

HSL 132.54, 1%, 0.26%

LAB 48.43, -52.07, 44.9

 

CMYK 91 / 0 / 49 / 20

HEX #13CD68

RGB 19 205 104

HSL 147.42, 0.83%, 0.44%

LAB 72.76, -63.95, 38.5

 

CMYK 91 / 0 / 74 / 20

HEX #13CD35

RGB 19 205 53

HSL 130.97, 0.83%, 0.44%

LAB 72.27, -70.05, 59.97

 

CMYK 83 / 0 / 91 / 20

HEX #23CD13

RGB 35 205 19

HSL 114.84, 0.83%, 0.44%

LAB 72.27, -70.54, 68.68

 

CMYK 59 / 0 / 91 / 20

HEX #55CD13

RGB 85 205 19

HSL 98.71, 0.83%, 0.44%

LAB 73.31, -61.66, 69.97

 

CMYK 34 / 0 / 91 / 20

HEX #87CD13

RGB 135 205 19

HSL 82.58, 0.83%, 0.44%

LAB 75.36, -46.19, 72.51

 

CMYK 91 / 0 / 49 / 20

HEX #13CD68

RGB 19 205 104

HSL 147.42, 0.83%, 0.44%

LAB 72.76, -63.95, 38.5

 

CMYK 91 / 0 / 25 / 20

HEX #13CD9A

RGB 19 205 154

HSL 163.55, 0.83%, 0.44%

LAB 73.63, -53.92, 13.72

 

CMYK 91 / 0 / 0 / 20

HEX #13CDCC

RGB 19 205 204

HSL 179.68, 0.83%, 0.44%

LAB 74.93, -40.51, -11.36

 

CMYK 91 / 24 / 0 / 20

HEX #139CCD

RGB 19 156 205

HSL 195.81, 0.83%, 0.44%

LAB 60.18, -15.99, -34.43

 

CMYK 91 / 48 / 0 / 20

HEX #136ACD

RGB 19 106 205

HSL 211.94, 0.83%, 0.44%

LAB 45.43, 13.79, -57.83

 

CMYK 91 / 0 / 49 / 20

HEX #13CD68

RGB 19 205 104

HSL 147.42, 0.83%, 0.44%

LAB 72.76, -63.95, 38.5

 

CMYK 100 / 0 / 54 / 13

HEX #01DF66

RGB 1 223 102

HSL 147.3, 0.99%, 0.44%

LAB 78.31, -70.69, 46.28

 

CMYK 91 / 0 / 49 / 20

HEX #13CD68

RGB 19 205 104

HSL 147.42, 0.83%, 0.44%

LAB 72.76, -63.95, 38.5

 

CMYK 80 / 0 / 44 / 27

HEX #25BB69

RGB 37 187 105

HSL 147.2, 0.67%, 0.44%

LAB 67.24, -56.13, 31.01

 

CMYK 67 / 0 / 37 / 34

HEX #37A96B

RGB 55 169 107

HSL 147.37, 0.51%, 0.44%

LAB 61.87, -46.31, 22.93

 

CMYK 51 / 0 / 28 / 41

HEX #4A976D

RGB 74 151 109

HSL 147.27, 0.34%, 0.44%

LAB 56.78, -33.91, 14.99

 

CMYK 31 / 0 / 17 / 48

HEX #5C856E

RGB 92 133 110

HSL 146.34, 0.18%, 0.44%

LAB 52.04, -19.41, 7.9

 

CMYK 83 / 0 / 91 / 20

HEX #23CD13

RGB 35 205 19

HSL 114.84, 0.83%, 0.44%

LAB 72.27, -70.54, 68.68

 

CMYK 91 / 0 / 74 / 20

HEX #13CD35

RGB 19 205 53

HSL 130.97, 0.83%, 0.44%

LAB 72.27, -70.05, 59.97

 

CMYK 91 / 0 / 50 / 20

HEX #13CD67

RGB 19 205 103

HSL 147.1, 0.83%, 0.44%

LAB 72.75, -64.11, 38.98

 

CMYK 91 / 0 / 25 / 20

HEX #13CD99

RGB 19 205 153

HSL 163.23, 0.83%, 0.44%

LAB 73.61, -54.16, 14.23

 

CMYK 91 / 0 / 1 / 20

HEX #13CDCA

RGB 19 205 202

HSL 179.03, 0.83%, 0.44%

LAB 74.87, -41.09, -10.37

 

CMYK 91 / 0 / 49 / 49

HEX #0C8242

RGB 12 130 66

HSL 147.46, 0.83%, 0.28%

LAB 47.54, -45, 26.33

 

CMYK 90 / 0 / 49 / 34

HEX #10A855

RGB 16 168 85

HSL 147.24, 0.83%, 0.36%

LAB 60.58, -54.84, 32.77

 

CMYK 91 / 0 / 49 / 20

HEX #13CD68

RGB 19 205 104

HSL 147.42, 0.83%, 0.44%

LAB 72.76, -63.95, 38.5

 

CMYK 87 / 0 / 47 / 8

HEX #1FEA7C

RGB 31 234 124

HSL 147.49, 0.83%, 0.52%

LAB 82.16, -69.47, 40.57

 

CMYK 71 / 0 / 39 / 7

HEX #45EE92

RGB 69 238 146

HSL 147.34, 0.83%, 0.6%

LAB 84.22, -62.94, 32.44

 

CMYK 91 / 0 / 50 / 19

HEX #13CE68

RGB 19 206 104

HSL 147.27, 0.83%, 0.44%

LAB 73.08, -64.28, 38.9

 

CMYK 91 / 59 / 0 / 20

HEX #1354CD

RGB 19 84 205

HSL 219.03, 0.83%, 0.44%

LAB 39.39, 28.16, -67.64

 

CMYK 0 / 86 / 91 / 20

HEX #CD1C13

RGB 205 28 19

HSL 2.9, 0.83%, 0.44%

LAB 44.03, 64.63, 51.3

 

CMYK 91 / 0 / 50 / 19

HEX #13CE68

RGB 19 206 104

HSL 147.27, 0.83%, 0.44%

LAB 73.08, -64.28, 38.9

 

CMYK 50 / 91 / 0 / 20

HEX #6713CD

RGB 103 19 205

HSL 267.1, 0.83%, 0.44%

LAB 33.47, 67.62, -77.17

 

CMYK 0 / 50 / 91 / 20

HEX #CD6713

RGB 205 103 19

HSL 27.1, 0.83%, 0.44%

LAB 54.79, 35.85, 58.98

 

CMYK 91 / 0 / 50 / 19

HEX #13CE68

RGB 19 206 104

HSL 147.27, 0.83%, 0.44%

LAB 73.08, -64.28, 38.9

 

CMYK 91 / 59 / 0 / 20

HEX #1354CD

RGB 19 84 205

HSL 219.03, 0.83%, 0.44%

LAB 39.39, 28.16, -67.64

 

CMYK 0 / 91 / 40 / 20

HEX #CD137A

RGB 205 19 122

HSL 326.77, 0.83%, 0.44%

LAB 45.43, 71.53, -7.31

 

CMYK 0 / 32 / 91 / 20

HEX #CD8C13

RGB 205 140 19

HSL 39.03, 0.83%, 0.44%

LAB 63.16, 16.04, 65.24

 

CMYK 91 / 0 / 50 / 19

HEX #13CE68

RGB 19 206 104

HSL 147.27, 0.83%, 0.44%

LAB 73.08, -64.28, 38.9

 

CMYK 91 / 86 / 0 / 20

HEX #131CCD

RGB 19 28 205

HSL 237.1, 0.83%, 0.44%

LAB 27.78, 60.03, -86.81

 

CMYK 0 / 91 / 40 / 20

HEX #CD137A

RGB 205 19 122

HSL 326.77, 0.83%, 0.44%

LAB 45.43, 71.53, -7.31

 

CMYK 0 / 4 / 91 / 20

HEX #CDC413

RGB 205 196 19

HSL 57.1, 0.83%, 0.44%

LAB 77.58, -13.58, 76.29

 

Description

Color code: HEX #13CE68 | qconv.com Color code: HEX #13CE68 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 206 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 206 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 50 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 50% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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