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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13CD5E it is the complementary color #EC32A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13CD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13CD5E shade: #18CD59, #29DF6C, #3AF17F, #4BFF92 and #5CFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13CD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13CD5E shade: #13CD5E, #02BB4B, #00A938, #009725 and #008512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13CD5E shade: #13CD5E, #13CD2C, #2CCD13, #5FCD13 and #91CD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13CD5E shade: #13CD5E, #13CD90, #13CDC3, #13A6CD and #1374CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13CD5E shade matches the following richer shades: #13CD5E and #01DF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13CD5E shade: #13CD5E, #25BB62, #37A965, #4A9769 and #5C856C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13CD5E shade: #2CCD13, #13CD2C, #13CD5E, #13CD8F and #13CDC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13CD5E shade: #0C823C, #10A84D, #13CD5E, #1FEA71 and #45EE89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13CD5E shade: #13CD5E, #135ECD and #CD1313

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13CD5E shade: #13CD5E, #5E13CD and #CD5E13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13CD5E shade: #13CD5E, #135ECD, #CD1383 and #CD8313

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13CD5E shade: #13CD5E, #1326CD, #CD1383 and #CDBB13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

Complementary color

CMYK 0 / 79 / 32 / 7

HEX #EC32A1

RGB 236 50 161

HSL 324.19, 0.83%, 0.56%

LAB 54.75, 76.39, -16.16

 

CMYK 88 / 0 / 57 / 20

HEX #18CD59

RGB 24 205 89

HSL 141.55, 0.79%, 0.45%

LAB 72.61, -65.87, 45.53

 

CMYK 82 / 0 / 52 / 13

HEX #29DF6C

RGB 41 223 108

HSL 142.09, 0.74%, 0.52%

LAB 78.65, -67.52, 43.93

 

CMYK 76 / 0 / 47 / 5

HEX #3AF17F

RGB 58 241 127

HSL 142.62, 0.87%, 0.59%

LAB 84.66, -68.69, 42.35

 

CMYK 71 / 0 / 43 / 0

HEX #4BFF92

RGB 75 255 146

HSL 143.67, 1%, 0.65%

LAB 89.44, -68.11, 39.29

 

CMYK 64 / 0 / 35 / 0

HEX #5CFFA5

RGB 92 255 165

HSL 146.87, 1%, 0.68%

LAB 90.1, -62.02, 30.83

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 99 / 0 / 60 / 27

HEX #02BB4B

RGB 2 187 75

HSL 143.68, 0.98%, 0.37%

LAB 66.57, -63.2, 44.86

 

CMYK 100 / 0 / 67 / 34

HEX #00A938

RGB 0 169 56

HSL 139.88, 1%, 0.33%

LAB 60.48, -60.05, 46.43

 

CMYK 100 / 0 / 75 / 41

HEX #009725

RGB 0 151 37

HSL 134.7, 1%, 0.3%

LAB 54.31, -56.47, 47.53

 

CMYK 100 / 0 / 86 / 48

HEX #008512

RGB 0 133 18

HSL 128.12, 1%, 0.26%

LAB 48.03, -52.43, 47.6

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 91 / 0 / 79 / 20

HEX #13CD2C

RGB 19 205 44

HSL 128.06, 0.83%, 0.44%

LAB 72.22, -70.69, 62.82

 

CMYK 79 / 0 / 91 / 20

HEX #2CCD13

RGB 44 205 19

HSL 111.94, 0.83%, 0.44%

LAB 72.39, -69.48, 68.83

 

CMYK 54 / 0 / 91 / 20

HEX #5FCD13

RGB 95 205 19

HSL 95.48, 0.83%, 0.44%

LAB 73.64, -59.04, 70.37

 

CMYK 29 / 0 / 91 / 20

HEX #91CD13

RGB 145 205 19

HSL 79.35, 0.83%, 0.44%

LAB 75.9, -42.5, 73.17

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 91 / 0 / 30 / 20

HEX #13CD90

RGB 19 205 144

HSL 160.32, 0.83%, 0.44%

LAB 73.43, -56.23, 18.76

 

CMYK 91 / 0 / 5 / 20

HEX #13CDC3

RGB 19 205 195

HSL 176.77, 0.83%, 0.44%

LAB 74.66, -43.13, -6.89

 

CMYK 91 / 19 / 0 / 20

HEX #13A6CD

RGB 19 166 205

HSL 192.58, 0.83%, 0.44%

LAB 63.19, -21.31, -29.75

 

CMYK 91 / 43 / 0 / 20

HEX #1374CD

RGB 19 116 205

HSL 208.71, 0.83%, 0.44%

LAB 48.31, 7.45, -53.21

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 100 / 0 / 59 / 13

HEX #01DF5B

RGB 1 223 91

HSL 144.32, 0.99%, 0.44%

LAB 78.19, -72.16, 51.15

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 80 / 0 / 48 / 27

HEX #25BB62

RGB 37 187 98

HSL 144.4, 0.67%, 0.44%

LAB 67.14, -57.35, 34.46

 

CMYK 67 / 0 / 40 / 34

HEX #37A965

RGB 55 169 101

HSL 144.21, 0.51%, 0.44%

LAB 61.76, -47.46, 26.02

 

CMYK 51 / 0 / 30 / 41

HEX #4A9769

RGB 74 151 105

HSL 144.16, 0.34%, 0.44%

LAB 56.69, -34.74, 17.12

 

CMYK 31 / 0 / 19 / 48

HEX #5C856C

RGB 92 133 108

HSL 143.41, 0.18%, 0.44%

LAB 51.99, -19.83, 8.99

 

CMYK 79 / 0 / 91 / 20

HEX #2CCD13

RGB 44 205 19

HSL 111.94, 0.83%, 0.44%

LAB 72.39, -69.48, 68.83

 

CMYK 91 / 0 / 79 / 20

HEX #13CD2C

RGB 19 205 44

HSL 128.06, 0.83%, 0.44%

LAB 72.22, -70.69, 62.82

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 91 / 0 / 30 / 20

HEX #13CD8F

RGB 19 205 143

HSL 160, 0.83%, 0.44%

LAB 73.41, -56.45, 19.27

 

CMYK 91 / 0 / 6 / 20

HEX #13CDC1

RGB 19 205 193

HSL 176.13, 0.83%, 0.44%

LAB 74.6, -43.7, -5.89

 

CMYK 91 / 0 / 54 / 49

HEX #0C823C

RGB 12 130 60

HSL 144.41, 0.83%, 0.28%

LAB 47.46, -46.04, 29.43

 

CMYK 90 / 0 / 54 / 34

HEX #10A84D

RGB 16 168 77

HSL 144.08, 0.83%, 0.36%

LAB 60.47, -56.12, 36.68

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 87 / 0 / 52 / 8

HEX #1FEA71

RGB 31 234 113

HSL 144.24, 0.83%, 0.52%

LAB 82.02, -71.18, 45.67

 

CMYK 71 / 0 / 42 / 7

HEX #45EE89

RGB 69 238 137

HSL 144.14, 0.83%, 0.6%

LAB 84.08, -64.52, 36.75

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 91 / 54 / 0 / 20

HEX #135ECD

RGB 19 94 205

HSL 215.81, 0.83%, 0.44%

LAB 42.08, 21.59, -63.26

 

CMYK 0 / 91 / 91 / 20

HEX #CD1313

RGB 205 19 19

HSL 0, 0.83%, 0.44%

LAB 43.5, 66.15, 50.93

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 54 / 91 / 0 / 20

HEX #5E13CD

RGB 94 19 205

HSL 264.19, 0.83%, 0.44%

LAB 32.38, 66.8, -79.02

 

CMYK 0 / 54 / 91 / 20

HEX #CD5E13

RGB 205 94 19

HSL 24.19, 0.83%, 0.44%

LAB 52.98, 40.41, 57.66

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 91 / 54 / 0 / 20

HEX #135ECD

RGB 19 94 205

HSL 215.81, 0.83%, 0.44%

LAB 42.08, 21.59, -63.26

 

CMYK 0 / 91 / 36 / 20

HEX #CD1383

RGB 205 19 131

HSL 323.87, 0.83%, 0.44%

LAB 45.75, 72.4, -12.35

 

CMYK 0 / 36 / 91 / 20

HEX #CD8313

RGB 205 131 19

HSL 36.13, 0.83%, 0.44%

LAB 61.01, 20.94, 63.61

 

CMYK 91 / 0 / 54 / 20

HEX #13CD5E

RGB 19 205 94

HSL 144.19, 0.83%, 0.44%

LAB 72.63, -65.49, 43.2

 

CMYK 91 / 81 / 0 / 20

HEX #1326CD

RGB 19 38 205

HSL 233.87, 0.83%, 0.44%

LAB 29.24, 55.7, -84.38

 

CMYK 0 / 91 / 36 / 20

HEX #CD1383

RGB 205 19 131

HSL 323.87, 0.83%, 0.44%

LAB 45.75, 72.4, -12.35

 

CMYK 0 / 9 / 91 / 20

HEX #CDBB13

RGB 205 187 19

HSL 54.19, 0.83%, 0.44%

LAB 75.18, -8.99, 74.43

 

Description

Color code: HEX #13CD5E | qconv.com Color code: HEX #13CD5E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 205 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 205 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 54% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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