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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13CB32 it is the complementary color #EC34CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13CB32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13CB32 shade: #18CB2D, #29DD40, #3AEF53, #4BFF66 and #5CFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13CB32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13CB32 shade: #13CB32, #02B91F, #00A70C, #009500 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13CB32 shade: #13CD32, #26CD13, #58CD13, #8ACD13 and #BDCD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13CB32 shade: #13CD32, #13CD65, #13CD97, #13CDC9 and #139FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13CB32 shade matches the following richer shades: #13CD32 and #01DF26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13CB32 shade: #13CD32, #25BB3E, #37A94B, #4A9757 and #5C8563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13CB32 shade: #57CD13, #26CD13, #13CD32, #13CD64 and #13CD95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13CB32 shade: #0C8220, #10A829, #13CD32, #1FEA42 and #45EE62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13CB32 shade: #13CB32, #1389CD and #CD133F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13CB32 shade: #13CB32, #3213CD and #CD3213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13CB32 shade: #13CB32, #1389CD, #CD13AE and #CD5713

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13CB32 shade: #13CB32, #1351CD, #CD13AE and #CD8F13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 75 / 20

HEX #13CB32

RGB 19 203 50

HSL 130.11, 0.83%, 0.44%

LAB 71.61, -69.7, 60.33

 

Complementary color

CMYK 0 / 78 / 13 / 7

HEX #EC34CD

RGB 236 52 205

HSL 310.11, 0.83%, 0.56%

LAB 56.78, 81.24, -38.54

 

CMYK 88 / 0 / 78 / 20

HEX #18CB2D

RGB 24 203 45

HSL 127.04, 0.79%, 0.45%

LAB 71.62, -69.72, 61.96

 

CMYK 81 / 0 / 71 / 13

HEX #29DD40

RGB 41 221 64

HSL 127.67, 0.73%, 0.51%

LAB 77.61, -72.01, 61.58

 

CMYK 76 / 0 / 65 / 6

HEX #3AEF53

RGB 58 239 83

HSL 128.29, 0.85%, 0.58%

LAB 83.58, -73.68, 60.73

 

CMYK 71 / 0 / 60 / 0

HEX #4BFF66

RGB 75 255 102

HSL 129, 1%, 0.65%

LAB 88.91, -74.23, 58.93

 

CMYK 64 / 0 / 53 / 0

HEX #5CFF79

RGB 92 255 121

HSL 130.67, 1%, 0.68%

LAB 89.48, -68.95, 51.28

 

CMYK 91 / 0 / 75 / 20

HEX #13CB32

RGB 19 203 50

HSL 130.11, 0.83%, 0.44%

LAB 71.61, -69.7, 60.33

 

CMYK 99 / 0 / 83 / 27

HEX #02B91F

RGB 2 185 31

HSL 129.51, 0.98%, 0.37%

LAB 65.6, -66.62, 60.24

 

CMYK 100 / 0 / 93 / 35

HEX #00A70C

RGB 0 167 12

HSL 124.31, 1%, 0.33%

LAB 59.58, -62.46, 58.91

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 91 / 0 / 76 / 20

HEX #13CD32

RGB 19 205 50

HSL 130, 0.83%, 0.44%

LAB 72.25, -70.28, 60.96

 

CMYK 81 / 0 / 91 / 20

HEX #26CD13

RGB 38 205 19

HSL 113.87, 0.83%, 0.44%

LAB 72.31, -70.21, 68.72

 

CMYK 57 / 0 / 91 / 20

HEX #58CD13

RGB 88 205 19

HSL 97.74, 0.83%, 0.44%

LAB 73.41, -60.9, 70.09

 

CMYK 33 / 0 / 91 / 20

HEX #8ACD13

RGB 138 205 19

HSL 81.61, 0.83%, 0.44%

LAB 75.52, -45.1, 72.7

 

CMYK 8 / 0 / 91 / 20

HEX #BDCD13

RGB 189 205 19

HSL 65.16, 0.83%, 0.44%

LAB 78.77, -24.84, 76.67

 

CMYK 91 / 0 / 76 / 20

HEX #13CD32

RGB 19 205 50

HSL 130, 0.83%, 0.44%

LAB 72.25, -70.28, 60.96

 

CMYK 91 / 0 / 51 / 20

HEX #13CD65

RGB 19 205 101

HSL 146.45, 0.83%, 0.44%

LAB 72.72, -64.43, 39.93

 

CMYK 91 / 0 / 26 / 20

HEX #13CD97

RGB 19 205 151

HSL 162.58, 0.83%, 0.44%

LAB 73.57, -54.63, 15.24

 

CMYK 91 / 0 / 2 / 20

HEX #13CDC9

RGB 19 205 201

HSL 178.71, 0.83%, 0.44%

LAB 74.84, -41.39, -9.87

 

CMYK 91 / 22 / 0 / 20

HEX #139FCD

RGB 19 159 205

HSL 194.84, 0.83%, 0.44%

LAB 61.08, -17.61, -33.02

 

CMYK 91 / 0 / 76 / 20

HEX #13CD32

RGB 19 205 50

HSL 130, 0.83%, 0.44%

LAB 72.25, -70.28, 60.96

 

CMYK 100 / 0 / 83 / 13

HEX #01DF26

RGB 1 223 38

HSL 130, 0.99%, 0.44%

LAB 77.83, -76.77, 69.66

 

CMYK 91 / 0 / 76 / 20

HEX #13CD32

RGB 19 205 50

HSL 130, 0.83%, 0.44%

LAB 72.25, -70.28, 60.96

 

CMYK 80 / 0 / 67 / 27

HEX #25BB3E

RGB 37 187 62

HSL 130, 0.67%, 0.44%

LAB 66.73, -62.21, 50.82

 

CMYK 67 / 0 / 56 / 34

HEX #37A94B

RGB 55 169 75

HSL 130.53, 0.51%, 0.44%

LAB 61.39, -51.68, 38.92

 

CMYK 51 / 0 / 42 / 41

HEX #4A9757

RGB 74 151 87

HSL 130.13, 0.34%, 0.44%

LAB 56.36, -38.09, 26.59

 

CMYK 31 / 0 / 26 / 48

HEX #5C8563

RGB 92 133 99

HSL 130.24, 0.18%, 0.44%

LAB 51.78, -21.64, 13.89

 

CMYK 58 / 0 / 91 / 20

HEX #57CD13

RGB 87 205 19

HSL 98.06, 0.83%, 0.44%

LAB 73.37, -61.16, 70.05

 

CMYK 81 / 0 / 91 / 20

HEX #26CD13

RGB 38 205 19

HSL 113.87, 0.83%, 0.44%

LAB 72.31, -70.21, 68.72

 

CMYK 91 / 0 / 76 / 20

HEX #13CD32

RGB 19 205 50

HSL 130, 0.83%, 0.44%

LAB 72.25, -70.28, 60.96

 

CMYK 91 / 0 / 51 / 20

HEX #13CD64

RGB 19 205 100

HSL 146.13, 0.83%, 0.44%

LAB 72.71, -64.59, 40.4

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 91 / 0 / 75 / 49

HEX #0C8220

RGB 12 130 32

HSL 130.17, 0.83%, 0.28%

LAB 47.17, -49.6, 42.2

 

CMYK 90 / 0 / 76 / 34

HEX #10A829

RGB 16 168 41

HSL 129.87, 0.83%, 0.36%

LAB 60.14, -60.3, 51.98

 

CMYK 91 / 0 / 76 / 20

HEX #13CD32

RGB 19 205 50

HSL 130, 0.83%, 0.44%

LAB 72.25, -70.28, 60.96

 

CMYK 87 / 0 / 72 / 8

HEX #1FEA42

RGB 31 234 66

HSL 130.34, 0.83%, 0.52%

LAB 81.58, -76.55, 64.92

 

CMYK 71 / 0 / 59 / 7

HEX #45EE62

RGB 69 238 98

HSL 130.3, 0.83%, 0.6%

LAB 83.6, -70.12, 54.51

 

CMYK 91 / 0 / 75 / 20

HEX #13CB32

RGB 19 203 50

HSL 130.11, 0.83%, 0.44%

LAB 71.61, -69.7, 60.33

 

CMYK 91 / 33 / 0 / 20

HEX #1389CD

RGB 19 137 205

HSL 201.94, 0.83%, 0.44%

LAB 54.49, -5.28, -43.36

 

CMYK 0 / 91 / 69 / 20

HEX #CD133F

RGB 205 19 63

HSL 345.81, 0.83%, 0.44%

LAB 43.95, 67.44, 27.34

 

CMYK 91 / 0 / 75 / 20

HEX #13CB32

RGB 19 203 50

HSL 130.11, 0.83%, 0.44%

LAB 71.61, -69.7, 60.33

 

CMYK 76 / 91 / 0 / 20

HEX #3213CD

RGB 50 19 205

HSL 250, 0.83%, 0.44%

LAB 28.25, 63.99, -85.98

 

CMYK 0 / 76 / 91 / 20

HEX #CD3213

RGB 205 50 19

HSL 10, 0.83%, 0.44%

LAB 46.05, 58.91, 52.7

 

CMYK 91 / 0 / 75 / 20

HEX #13CB32

RGB 19 203 50

HSL 130.11, 0.83%, 0.44%

LAB 71.61, -69.7, 60.33

 

CMYK 91 / 33 / 0 / 20

HEX #1389CD

RGB 19 137 205

HSL 201.94, 0.83%, 0.44%

LAB 54.49, -5.28, -43.36

 

CMYK 0 / 91 / 15 / 20

HEX #CD13AE

RGB 205 19 174

HSL 310, 0.83%, 0.44%

LAB 47.62, 77.35, -35.3

 

CMYK 0 / 58 / 91 / 20

HEX #CD5713

RGB 205 87 19

HSL 21.94, 0.83%, 0.44%

LAB 51.66, 43.82, 56.7

 

CMYK 91 / 0 / 75 / 20

HEX #13CB32

RGB 19 203 50

HSL 130.11, 0.83%, 0.44%

LAB 71.61, -69.7, 60.33

 

CMYK 91 / 60 / 0 / 20

HEX #1351CD

RGB 19 81 205

HSL 220, 0.83%, 0.44%

LAB 38.61, 30.13, -68.92

 

CMYK 0 / 91 / 15 / 20

HEX #CD13AE

RGB 205 19 174

HSL 310, 0.83%, 0.44%

LAB 47.62, 77.35, -35.3

 

CMYK 0 / 30 / 91 / 20

HEX #CD8F13

RGB 205 143 19

HSL 40, 0.83%, 0.44%

LAB 63.89, 14.41, 65.79

 

Description

Color code: HEX #13CB32 | qconv.com Color code: HEX #13CB32 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 203 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 203 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 75% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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