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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C92D it is the complementary color #EC36D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C92D shade: #18C928, #29DB3B, #3AED4E, #4BFF61 and #5CFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C92D shade: #13C92D, #02B71A, #00A507, #009300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C92D shade: #13C92D, #2AC913, #5BC913, #8CC913 and #BDC913

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C92D shade: #13C92D, #13C95E, #13C98F, #13C9C0 and #13A0C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C92D shade matches the following richer shades: #13C92D and #01DA20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C92D shade: #13C92D, #24B739, #36A546, #489353 and #5A825F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C92D shade: #5BC913, #2BC913, #13C92B, #13C95B and #13C98C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C92D shade: #0C7D1C, #0FA324, #13C92D, #1BEA38 and #41ED59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C92D shade: #13C92D, #138CC9 and #C91343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C92D shade: #13C92D, #2B13C9 and #C92B13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C92D shade: #13C92D, #138CC9, #C913B0 and #C94F13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C92D shade: #13C92D, #1355C9, #C913B0 and #C98613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

Complementary color

CMYK 0 / 77 / 11 / 7

HEX #EC36D2

RGB 236 54 210

HSL 308.57, 0.83%, 0.57%

LAB 57.2, 81.41, -40.73

 

CMYK 88 / 0 / 80 / 21

HEX #18C928

RGB 24 201 40

HSL 125.42, 0.79%, 0.44%

LAB 70.95, -69.46, 62.81

 

CMYK 81 / 0 / 73 / 14

HEX #29DB3B

RGB 41 219 59

HSL 126.07, 0.71%, 0.51%

LAB 76.95, -71.82, 62.69

 

CMYK 76 / 0 / 67 / 7

HEX #3AED4E

RGB 58 237 78

HSL 126.7, 0.83%, 0.58%

LAB 82.92, -73.54, 61.99

 

CMYK 71 / 0 / 62 / 0

HEX #4BFF61

RGB 75 255 97

HSL 127.33, 1%, 0.65%

LAB 88.87, -74.77, 60.97

 

CMYK 64 / 0 / 55 / 0

HEX #5CFF74

RGB 92 255 116

HSL 128.83, 1%, 0.68%

LAB 89.42, -69.59, 53.48

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 99 / 0 / 86 / 28

HEX #02B71A

RGB 2 183 26

HSL 127.96, 0.98%, 0.36%

LAB 64.93, -66.31, 60.86

 

CMYK 100 / 0 / 96 / 35

HEX #00A507

RGB 0 165 7

HSL 122.55, 1%, 0.32%

LAB 58.91, -62.03, 59.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 79 / 0 / 91 / 21

HEX #2AC913

RGB 42 201 19

HSL 112.42, 0.83%, 0.43%

LAB 71.09, -68.57, 67.71

 

CMYK 55 / 0 / 91 / 21

HEX #5BC913

RGB 91 201 19

HSL 96.26, 0.83%, 0.43%

LAB 72.26, -58.71, 69.17

 

CMYK 30 / 0 / 91 / 21

HEX #8CC913

RGB 140 201 19

HSL 80.11, 0.83%, 0.43%

LAB 74.44, -42.66, 71.86

 

CMYK 6 / 0 / 91 / 21

HEX #BDC913

RGB 189 201 19

HSL 63.96, 0.83%, 0.43%

LAB 77.66, -22.9, 75.8

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 91 / 0 / 53 / 21

HEX #13C95E

RGB 19 201 94

HSL 144.73, 0.83%, 0.43%

LAB 71.36, -64.2, 41.65

 

CMYK 91 / 0 / 29 / 21

HEX #13C98F

RGB 19 201 143

HSL 160.88, 0.83%, 0.43%

LAB 72.16, -54.95, 17.54

 

CMYK 91 / 0 / 4 / 21

HEX #13C9C0

RGB 19 201 192

HSL 177.03, 0.83%, 0.43%

LAB 73.36, -42.23, -7.19

 

CMYK 91 / 20 / 0 / 21

HEX #13A0C9

RGB 19 160 201

HSL 193.52, 0.83%, 0.43%

LAB 61.22, -19.54, -30.58

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 100 / 0 / 85 / 15

HEX #01DA20

RGB 1 218 32

HSL 128.57, 0.99%, 0.43%

LAB 76.22, -75.7, 69.59

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 80 / 0 / 69 / 28

HEX #24B739

RGB 36 183 57

HSL 128.57, 0.67%, 0.43%

LAB 65.39, -61.56, 51.41

 

CMYK 67 / 0 / 58 / 35

HEX #36A546

RGB 54 165 70

HSL 128.65, 0.51%, 0.43%

LAB 60.01, -51.09, 39.7

 

CMYK 51 / 0 / 44 / 42

HEX #489353

RGB 72 147 83

HSL 128.8, 0.34%, 0.43%

LAB 54.94, -37.58, 26.89

 

CMYK 31 / 0 / 27 / 49

HEX #5A825F

RGB 90 130 95

HSL 127.5, 0.18%, 0.43%

LAB 50.65, -21.56, 14.6

 

CMYK 55 / 0 / 91 / 21

HEX #5BC913

RGB 91 201 19

HSL 96.26, 0.83%, 0.43%

LAB 72.26, -58.71, 69.17

 

CMYK 79 / 0 / 91 / 21

HEX #2BC913

RGB 43 201 19

HSL 112.09, 0.83%, 0.43%

LAB 71.1, -68.44, 67.73

 

CMYK 91 / 0 / 79 / 21

HEX #13C92B

RGB 19 201 43

HSL 127.91, 0.83%, 0.43%

LAB 70.93, -69.62, 61.89

 

CMYK 91 / 0 / 55 / 21

HEX #13C95B

RGB 19 201 91

HSL 143.74, 0.83%, 0.43%

LAB 71.33, -64.64, 43.04

 

CMYK 91 / 0 / 30 / 21

HEX #13C98C

RGB 19 201 140

HSL 159.89, 0.83%, 0.43%

LAB 72.1, -55.62, 19.06

 

CMYK 90 / 0 / 78 / 51

HEX #0C7D1C

RGB 12 125 28

HSL 128.5, 0.82%, 0.27%

LAB 45.4, -48.35, 41.94

 

CMYK 91 / 0 / 78 / 36

HEX #0FA324

RGB 15 163 36

HSL 128.51, 0.83%, 0.35%

LAB 58.44, -59.25, 52.01

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 88 / 0 / 76 / 8

HEX #1BEA38

RGB 27 234 56

HSL 128.41, 0.83%, 0.51%

LAB 81.49, -77.58, 68.14

 

CMYK 73 / 0 / 62 / 7

HEX #41ED59

RGB 65 237 89

HSL 128.37, 0.83%, 0.59%

LAB 83.13, -71.43, 57.82

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 91 / 30 / 0 / 21

HEX #138CC9

RGB 19 140 201

HSL 200.11, 0.83%, 0.43%

LAB 55.19, -8.51, -40

 

CMYK 0 / 91 / 67 / 21

HEX #C91343

RGB 201 19 67

HSL 344.18, 0.83%, 0.43%

LAB 43.19, 66.63, 23.73

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 79 / 91 / 0 / 21

HEX #2B13C9

RGB 43 19 201

HSL 247.91, 0.83%, 0.43%

LAB 27.29, 62.65, -85.26

 

CMYK 0 / 79 / 91 / 21

HEX #C92B13

RGB 201 43 19

HSL 7.91, 0.83%, 0.43%

LAB 44.51, 59.84, 51.25

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 91 / 30 / 0 / 21

HEX #138CC9

RGB 19 140 201

HSL 200.11, 0.83%, 0.43%

LAB 55.19, -8.51, -40

 

CMYK 0 / 91 / 12 / 21

HEX #C913B0

RGB 201 19 176

HSL 308.24, 0.83%, 0.43%

LAB 47, 76.86, -37.51

 

CMYK 0 / 61 / 91 / 21

HEX #C94F13

RGB 201 79 19

HSL 19.78, 0.83%, 0.43%

LAB 49.56, 46.08, 54.88

 

CMYK 91 / 0 / 78 / 21

HEX #13C92D

RGB 19 201 45

HSL 128.57, 0.83%, 0.43%

LAB 70.94, -69.49, 61.29

 

CMYK 91 / 58 / 0 / 21

HEX #1355C9

RGB 19 85 201

HSL 218.24, 0.83%, 0.43%

LAB 39.33, 25.94, -65.42

 

CMYK 0 / 91 / 12 / 21

HEX #C913B0

RGB 201 19 176

HSL 308.24, 0.83%, 0.43%

LAB 47, 76.86, -37.51

 

CMYK 0 / 33 / 91 / 21

HEX #C98613

RGB 201 134 19

HSL 37.91, 0.83%, 0.43%

LAB 61.23, 17.56, 63.56

 

Description

Color code: HEX #13C92D | qconv.com Color code: HEX #13C92D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 201 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 201 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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