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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C602 it is the complementary color #EC39FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C602. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C602 shade: #18C600, #29D810, #3AEA23, #4BFC36 and #5CFF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C602. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C602 shade: #13C602, #02B400, #00A200, #009000 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C602 shade: #13C502, #47C502, #7CC502, #B1C502 and #C5A502

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C602 shade: #13C502, #02C526, #02C55A, #02C58F and #02C5C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C602 shade matches the following richer shades: #13C502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C602 shade: #13C502, #20B512, #2DA522, #3B9532 and #488542

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C602 shade: #7DC502, #49C502, #15C502, #02C522 and #02C556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C602 shade: #0B7301, #0F9C02, #13C502, #17EE02 and #30FD1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C602 shade: #13C602, #02B1C5 and #C50263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C602 shade: #13C602, #0215C5 and #C50215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C602 shade: #13C602, #02B1C5, #B102C5 and #C51502

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C602 shade: #13C602, #0277C5, #B102C5 and #C55002

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 99 / 22

HEX #13C602

RGB 19 198 2

HSL 114.8, 0.98%, 0.39%

LAB 69.85, -70.3, 68.65

 

Complementary color

CMYK 7 / 77 / 0 / 1

HEX #EC39FD

RGB 236 57 253

HSL 294.8, 0.98%, 0.61%

LAB 59.75, 87.04, -60.81

 

CMYK 88 / 0 / 100 / 22

HEX #18C600

RGB 24 198 0

HSL 112.73, 1%, 0.39%

LAB 69.88, -69.98, 68.92

 

CMYK 81 / 0 / 93 / 15

HEX #29D810

RGB 41 216 16

HSL 112.5, 0.86%, 0.45%

LAB 75.84, -73.09, 72.13

 

CMYK 75 / 0 / 85 / 8

HEX #3AEA23

RGB 58 234 35

HSL 113.07, 0.83%, 0.53%

LAB 81.77, -75.49, 74.06

 

CMYK 70 / 0 / 79 / 1

HEX #4BFC36

RGB 75 252 54

HSL 113.64, 0.97%, 0.6%

LAB 87.67, -77.3, 74.89

 

CMYK 64 / 0 / 71 / 0

HEX #5CFF49

RGB 92 255 73

HSL 113.74, 1%, 0.64%

LAB 89.05, -73.87, 70.43

 

CMYK 90 / 0 / 99 / 22

HEX #13C602

RGB 19 198 2

HSL 114.8, 0.98%, 0.39%

LAB 69.85, -70.3, 68.65

 

CMYK 99 / 0 / 100 / 29

HEX #02B400

RGB 2 180 0

HSL 119.33, 1%, 0.35%

LAB 63.88, -66.26, 64.06

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 90 / 0 / 99 / 23

HEX #13C502

RGB 19 197 2

HSL 114.77, 0.98%, 0.39%

LAB 69.52, -70.03, 68.39

 

CMYK 64 / 0 / 99 / 23

HEX #47C502

RGB 71 197 2

HSL 98.77, 0.98%, 0.39%

LAB 70.37, -62.63, 69.43

 

CMYK 37 / 0 / 99 / 23

HEX #7CC502

RGB 124 197 2

HSL 82.46, 0.98%, 0.39%

LAB 72.38, -47.1, 71.87

 

CMYK 10 / 0 / 99 / 23

HEX #B1C502

RGB 177 197 2

HSL 66.15, 0.98%, 0.39%

LAB 75.63, -26.25, 75.77

 

CMYK 0 / 16 / 99 / 23

HEX #C5A502

RGB 197 165 2

HSL 50.15, 0.98%, 0.39%

LAB 68.6, -1.23, 71.39

 

CMYK 90 / 0 / 99 / 23

HEX #13C502

RGB 19 197 2

HSL 114.77, 0.98%, 0.39%

LAB 69.52, -70.03, 68.39

 

CMYK 99 / 0 / 81 / 23

HEX #02C526

RGB 2 197 38

HSL 131.08, 0.98%, 0.39%

LAB 69.53, -69.59, 61.99

 

CMYK 99 / 0 / 54 / 23

HEX #02C55A

RGB 2 197 90

HSL 147.08, 0.98%, 0.39%

LAB 69.95, -64.26, 41.84

 

CMYK 99 / 0 / 27 / 23

HEX #02C58F

RGB 2 197 143

HSL 163.38, 0.98%, 0.39%

LAB 70.82, -54.09, 15.67

 

CMYK 99 / 0 / 1 / 23

HEX #02C5C3

RGB 2 197 195

HSL 179.38, 0.98%, 0.39%

LAB 72.15, -40.13, -10.63

 

CMYK 90 / 0 / 99 / 23

HEX #13C502

RGB 19 197 2

HSL 114.77, 0.98%, 0.39%

LAB 69.52, -70.03, 68.39

 

CMYK 90 / 0 / 99 / 23

HEX #13C502

RGB 19 197 2

HSL 114.77, 0.98%, 0.39%

LAB 69.52, -70.03, 68.39

 

CMYK 82 / 0 / 90 / 29

HEX #20B512

RGB 32 181 18

HSL 114.85, 0.82%, 0.39%

LAB 64.48, -63.94, 62.19

 

CMYK 73 / 0 / 79 / 35

HEX #2DA522

RGB 45 165 34

HSL 114.96, 0.66%, 0.39%

LAB 59.51, -56.32, 53.85

 

CMYK 60 / 0 / 66 / 42

HEX #3B9532

RGB 59 149 50

HSL 114.55, 0.5%, 0.39%

LAB 54.72, -46.36, 42.97

 

CMYK 46 / 0 / 50 / 48

HEX #488542

RGB 72 133 66

HSL 114.63, 0.34%, 0.39%

LAB 50.15, -34, 29.94

 

CMYK 37 / 0 / 99 / 23

HEX #7DC502

RGB 125 197 2

HSL 82.15, 0.98%, 0.39%

LAB 72.43, -46.74, 71.93

 

CMYK 63 / 0 / 99 / 23

HEX #49C502

RGB 73 197 2

HSL 98.15, 0.98%, 0.39%

LAB 70.42, -62.18, 69.49

 

CMYK 89 / 0 / 99 / 23

HEX #15C502

RGB 21 197 2

HSL 114.15, 0.98%, 0.39%

LAB 69.54, -69.89, 68.41

 

CMYK 99 / 0 / 83 / 23

HEX #02C522

RGB 2 197 34

HSL 129.85, 0.98%, 0.39%

LAB 69.51, -69.81, 63.06

 

CMYK 99 / 0 / 56 / 23

HEX #02C556

RGB 2 197 86

HSL 145.85, 0.98%, 0.39%

LAB 69.91, -64.83, 43.68

 

CMYK 90 / 0 / 99 / 55

HEX #0B7301

RGB 11 115 1

HSL 114.74, 0.98%, 0.23%

LAB 41.74, -46.82, 46.1

 

CMYK 90 / 0 / 99 / 39

HEX #0F9C02

RGB 15 156 2

HSL 114.94, 0.97%, 0.31%

LAB 55.97, -58.71, 57.44

 

CMYK 90 / 0 / 99 / 23

HEX #13C502

RGB 19 197 2

HSL 114.77, 0.98%, 0.39%

LAB 69.52, -70.03, 68.39

 

CMYK 90 / 0 / 99 / 7

HEX #17EE02

RGB 23 238 2

HSL 114.66, 0.98%, 0.47%

LAB 82.56, -80.88, 78.9

 

CMYK 81 / 0 / 89 / 1

HEX #30FD1D

RGB 48 253 29

HSL 114.91, 0.98%, 0.55%

LAB 87.47, -82.34, 80.08

 

CMYK 90 / 0 / 99 / 22

HEX #13C602

RGB 19 198 2

HSL 114.8, 0.98%, 0.39%

LAB 69.85, -70.3, 68.65

 

CMYK 99 / 10 / 0 / 23

HEX #02B1C5

RGB 2 177 197

HSL 186.15, 0.98%, 0.39%

LAB 66.13, -30.15, -20.82

 

CMYK 0 / 99 / 50 / 23

HEX #C50263

RGB 197 2 99

HSL 330.15, 0.98%, 0.39%

LAB 42.48, 69.55, 2.49

 

CMYK 90 / 0 / 99 / 22

HEX #13C602

RGB 19 198 2

HSL 114.8, 0.98%, 0.39%

LAB 69.85, -70.3, 68.65

 

CMYK 99 / 89 / 0 / 23

HEX #0215C5

RGB 2 21 197

HSL 234.15, 0.98%, 0.39%

LAB 25.5, 60.03, -85.93

 

CMYK 0 / 99 / 89 / 23

HEX #C50215

RGB 197 2 21

HSL 354.15, 0.98%, 0.39%

LAB 41.17, 66, 47.63

 

CMYK 90 / 0 / 99 / 22

HEX #13C602

RGB 19 198 2

HSL 114.8, 0.98%, 0.39%

LAB 69.85, -70.3, 68.65

 

CMYK 99 / 10 / 0 / 23

HEX #02B1C5

RGB 2 177 197

HSL 186.15, 0.98%, 0.39%

LAB 66.13, -30.15, -20.82

 

CMYK 10 / 99 / 0 / 23

HEX #B102C5

RGB 177 2 197

HSL 293.85, 0.98%, 0.39%

LAB 43.39, 77.61, -55.84

 

CMYK 0 / 89 / 99 / 23

HEX #C51502

RGB 197 21 2

HSL 5.85, 0.98%, 0.39%

LAB 41.86, 63.54, 54.95

 

CMYK 90 / 0 / 99 / 22

HEX #13C602

RGB 19 198 2

HSL 114.8, 0.98%, 0.39%

LAB 69.85, -70.3, 68.65

 

CMYK 99 / 40 / 0 / 23

HEX #0277C5

RGB 2 119 197

HSL 204, 0.98%, 0.39%

LAB 48.56, 1.78, -48.23

 

CMYK 10 / 99 / 0 / 23

HEX #B102C5

RGB 177 2 197

HSL 293.85, 0.98%, 0.39%

LAB 43.39, 77.61, -55.84

 

CMYK 0 / 59 / 99 / 23

HEX #C55002

RGB 197 80 2

HSL 24, 0.98%, 0.39%

LAB 49.02, 43.91, 58.54

 

Description

Color code: HEX #13C602 | qconv.com Color code: HEX #13C602 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 198 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 198 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 99 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 99% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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