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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C453 it is the complementary color #EC3BAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C453 shade: #18C44E, #29D661, #3AE874, #4BFA87 and #5CFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C453 shade: #13C453, #02B240, #00A02D, #008E1A and #007C07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C453 shade: #13C353, #13C323, #33C313, #62C313 and #91C313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C453 shade: #13C353, #13C382, #13C3B2, #13A5C3 and #1376C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C453 shade matches the following richer shades: #13C353 and #02D44E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C453 shade: #13C353, #25B258, #36A05C, #478F61 and #597E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C453 shade: #33C313, #13C322, #13C351, #13C380 and #13C3AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C453 shade: #0C7833, #109D43, #13C353, #17E863 and #3DEC7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C453 shade: #13C453, #1362C3 and #C3131C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C453 shade: #13C453, #5113C3 and #C35113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C453 shade: #13C453, #1362C3, #C31385 and #C37413

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C453 shade: #13C453, #132EC3, #C31385 and #C3A913

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 58 / 23

HEX #13C453

RGB 19 196 83

HSL 141.69, 0.82%, 0.42%

LAB 69.64, -64.17, 44.79

 

Complementary color

CMYK 0 / 75 / 27 / 7

HEX #EC3BAC

RGB 236 59 172

HSL 321.69, 0.82%, 0.58%

LAB 56.03, 75.16, -20.65

 

CMYK 88 / 0 / 60 / 23

HEX #18C44E

RGB 24 196 78

HSL 138.84, 0.78%, 0.43%

LAB 69.63, -64.48, 47.08

 

CMYK 81 / 0 / 55 / 16

HEX #29D661

RGB 41 214 97

HSL 139.42, 0.68%, 0.5%

LAB 75.72, -66.17, 45.55

 

CMYK 75 / 0 / 50 / 9

HEX #3AE874

RGB 58 232 116

HSL 140, 0.79%, 0.57%

LAB 81.77, -67.34, 44.01

 

CMYK 70 / 0 / 46 / 2

HEX #4BFA87

RGB 75 250 135

HSL 140.57, 0.95%, 0.64%

LAB 87.78, -68.14, 42.51

 

CMYK 64 / 0 / 40 / 0

HEX #5CFF9A

RGB 92 255 154

HSL 142.82, 1%, 0.68%

LAB 89.92, -63.97, 36.06

 

CMYK 90 / 0 / 58 / 23

HEX #13C453

RGB 19 196 83

HSL 141.69, 0.82%, 0.42%

LAB 69.64, -64.17, 44.79

 

CMYK 99 / 0 / 64 / 30

HEX #02B240

RGB 2 178 64

HSL 141.14, 0.98%, 0.35%

LAB 63.53, -61.79, 46.34

 

CMYK 100 / 0 / 72 / 37

HEX #00A02D

RGB 0 160 45

HSL 136.88, 1%, 0.31%

LAB 57.4, -58.46, 47.65

 

CMYK 100 / 0 / 82 / 44

HEX #008E1A

RGB 0 142 26

HSL 130.99, 1%, 0.28%

LAB 51.18, -54.62, 48.21

 

CMYK 100 / 0 / 94 / 51

HEX #007C07

RGB 0 124 7

HSL 123.39, 1%, 0.24%

LAB 44.84, -50.25, 47.28

 

CMYK 90 / 0 / 57 / 24

HEX #13C353

RGB 19 195 83

HSL 141.82, 0.82%, 0.42%

LAB 69.32, -63.85, 44.41

 

CMYK 90 / 0 / 82 / 24

HEX #13C323

RGB 19 195 35

HSL 125.45, 0.82%, 0.42%

LAB 68.96, -68.38, 62.32

 

CMYK 74 / 0 / 90 / 24

HEX #33C313

RGB 51 195 19

HSL 109.09, 0.82%, 0.42%

LAB 69.31, -65.47, 66.26

 

CMYK 50 / 0 / 90 / 24

HEX #62C313

RGB 98 195 19

HSL 93.07, 0.82%, 0.42%

LAB 70.65, -54.53, 67.92

 

CMYK 26 / 0 / 90 / 24

HEX #91C313

RGB 145 195 19

HSL 77.05, 0.82%, 0.42%

LAB 72.96, -38.11, 70.77

 

CMYK 90 / 0 / 57 / 24

HEX #13C353

RGB 19 195 83

HSL 141.82, 0.82%, 0.42%

LAB 69.32, -63.85, 44.41

 

CMYK 90 / 0 / 33 / 24

HEX #13C382

RGB 19 195 130

HSL 157.84, 0.82%, 0.42%

LAB 70.02, -55.58, 21.53

 

CMYK 90 / 0 / 9 / 24

HEX #13C3B2

RGB 19 195 178

HSL 174.2, 0.82%, 0.42%

LAB 71.13, -43.6, -2.86

 

CMYK 90 / 15 / 0 / 24

HEX #13A5C3

RGB 19 165 195

HSL 190.23, 0.82%, 0.42%

LAB 62.5, -24.21, -25.25

 

CMYK 90 / 39 / 0 / 24

HEX #1376C3

RGB 19 118 195

HSL 206.25, 0.82%, 0.42%

LAB 48.3, 2.3, -47.48

 

CMYK 90 / 0 / 57 / 24

HEX #13C353

RGB 19 195 83

HSL 141.82, 0.82%, 0.42%

LAB 69.32, -63.85, 44.41

 

CMYK 99 / 0 / 63 / 17

HEX #02D44E

RGB 2 212 78

HSL 141.71, 0.98%, 0.42%

LAB 74.6, -70.41, 52.71

 

CMYK 90 / 0 / 57 / 24

HEX #13C353

RGB 19 195 83

HSL 141.82, 0.82%, 0.42%

LAB 69.32, -63.85, 44.41

 

CMYK 79 / 0 / 51 / 30

HEX #25B258

RGB 37 178 88

HSL 141.7, 0.66%, 0.42%

LAB 64.11, -55.83, 35.71

 

CMYK 66 / 0 / 43 / 37

HEX #36A05C

RGB 54 160 92

HSL 141.51, 0.5%, 0.42%

LAB 58.69, -45.74, 26.81

 

CMYK 50 / 0 / 32 / 44

HEX #478F61

RGB 71 143 97

HSL 141.67, 0.34%, 0.42%

LAB 53.86, -33.49, 17.72

 

CMYK 29 / 0 / 19 / 51

HEX #597E66

RGB 89 126 102

HSL 141.08, 0.17%, 0.42%

LAB 49.5, -18.41, 8.94

 

CMYK 74 / 0 / 90 / 24

HEX #33C313

RGB 51 195 19

HSL 109.09, 0.82%, 0.42%

LAB 69.31, -65.47, 66.26

 

CMYK 90 / 0 / 83 / 24

HEX #13C322

RGB 19 195 34

HSL 125.11, 0.82%, 0.42%

LAB 68.96, -68.44, 62.58

 

CMYK 90 / 0 / 58 / 24

HEX #13C351

RGB 19 195 81

HSL 141.14, 0.82%, 0.42%

LAB 69.3, -64.12, 45.32

 

CMYK 90 / 0 / 34 / 24

HEX #13C380

RGB 19 195 128

HSL 157.16, 0.82%, 0.42%

LAB 69.98, -56, 22.54

 

CMYK 90 / 0 / 11 / 24

HEX #13C3AE

RGB 19 195 174

HSL 172.84, 0.82%, 0.42%

LAB 71.03, -44.72, -0.84

 

CMYK 90 / 0 / 58 / 53

HEX #0C7833

RGB 12 120 51

HSL 141.67, 0.82%, 0.26%

LAB 43.87, -43.94, 29.78

 

CMYK 90 / 0 / 57 / 38

HEX #109D43

RGB 16 157 67

HSL 141.7, 0.82%, 0.34%

LAB 56.71, -53.94, 37.09

 

CMYK 90 / 0 / 57 / 24

HEX #13C353

RGB 19 195 83

HSL 141.82, 0.82%, 0.42%

LAB 69.32, -63.85, 44.41

 

CMYK 90 / 0 / 57 / 9

HEX #17E863

RGB 23 232 99

HSL 141.82, 0.82%, 0.5%

LAB 81.18, -73, 51.1

 

CMYK 74 / 0 / 47 / 7

HEX #3DEC7C

RGB 61 236 124

HSL 141.6, 0.82%, 0.58%

LAB 83.15, -67.08, 41.9

 

CMYK 90 / 0 / 58 / 23

HEX #13C453

RGB 19 196 83

HSL 141.69, 0.82%, 0.42%

LAB 69.64, -64.17, 44.79

 

CMYK 90 / 50 / 0 / 24

HEX #1362C3

RGB 19 98 195

HSL 213.07, 0.82%, 0.42%

LAB 42.48, 15.01, -56.83

 

CMYK 0 / 90 / 86 / 24

HEX #C3131C

RGB 195 19 28

HSL 356.93, 0.82%, 0.42%

LAB 41.46, 63.69, 44.3

 

CMYK 90 / 0 / 58 / 23

HEX #13C453

RGB 19 196 83

HSL 141.69, 0.82%, 0.42%

LAB 69.64, -64.17, 44.79

 

CMYK 58 / 90 / 0 / 24

HEX #5113C3

RGB 81 19 195

HSL 261.14, 0.82%, 0.42%

LAB 29.8, 63.31, -77.47

 

CMYK 0 / 58 / 90 / 24

HEX #C35113

RGB 195 81 19

HSL 21.14, 0.82%, 0.42%

LAB 48.93, 42.9, 53.96

 

CMYK 90 / 0 / 58 / 23

HEX #13C453

RGB 19 196 83

HSL 141.69, 0.82%, 0.42%

LAB 69.64, -64.17, 44.79

 

CMYK 90 / 50 / 0 / 24

HEX #1362C3

RGB 19 98 195

HSL 213.07, 0.82%, 0.42%

LAB 42.48, 15.01, -56.83

 

CMYK 0 / 90 / 32 / 24

HEX #C31385

RGB 195 19 133

HSL 321.14, 0.82%, 0.42%

LAB 43.89, 70.43, -16.58

 

CMYK 0 / 41 / 90 / 24

HEX #C37413

RGB 195 116 19

HSL 33.07, 0.82%, 0.42%

LAB 56.23, 24.77, 59.44

 

CMYK 90 / 0 / 58 / 23

HEX #13C453

RGB 19 196 83

HSL 141.69, 0.82%, 0.42%

LAB 69.64, -64.17, 44.79

 

CMYK 90 / 76 / 0 / 24

HEX #132EC3

RGB 19 46 195

HSL 230.8, 0.82%, 0.42%

LAB 29.49, 48.27, -78.1

 

CMYK 0 / 90 / 32 / 24

HEX #C31385

RGB 195 19 133

HSL 321.14, 0.82%, 0.42%

LAB 43.89, 70.43, -16.58

 

CMYK 0 / 13 / 90 / 24

HEX #C3A913

RGB 195 169 19

HSL 51.14, 0.82%, 0.42%

LAB 69.49, -4.02, 69.62

 

Description

Color code: HEX #13C453 | qconv.com Color code: HEX #13C453 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 196 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 196 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 58 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 58% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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