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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C3B8 it is the complementary color #EC3C47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C3B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C3B8 shade: #18C3B3, #29D5C6, #3AE7D9, #4BF9EC and #5CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C3B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C3B8 shade: #13C3B8, #02B1A5, #009F92, #008D7F and #007B6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C3B8 shade: #13C3B8, #13C389, #13C359, #13C32A and #2CC313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C3B8 shade: #13C3B8, #139FC3, #136FC3, #1340C3 and #1313C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C3B8 shade matches the following richer shades: #13C3B8 and #02D4C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C3B8 shade: #13C3B8, #25B2A9, #36A09A, #478F8A and #597E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C3B8 shade: #13C35A, #13C388, #13C3B7, #13A0C3 and #1371C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C3B8 shade: #0C7871, #109D95, #13C3B8, #17E8DB and #3DECE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C3B8 shade: #13C3B8, #2B13C3 and #C37113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C3B8 shade: #13C3B8, #B713C3 and #C3B713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C3B8 shade: #13C3B8, #2B13C3, #C3131F and #ACC313

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C3B8 shade: #13C3B8, #5F13C3, #C3131F and #77C313

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

Complementary color

CMYK 0 / 75 / 70 / 7

HEX #EC3C47

RGB 236 60 71

HSL 356.25, 0.82%, 0.58%

LAB 53.51, 66.59, 35.58

 

CMYK 88 / 0 / 8 / 24

HEX #18C3B3

RGB 24 195 179

HSL 174.39, 0.78%, 0.43%

LAB 71.2, -43.06, -3.3

 

CMYK 81 / 0 / 7 / 16

HEX #29D5C6

RGB 41 213 198

HSL 174.77, 0.68%, 0.5%

LAB 77.36, -44.38, -4.49

 

CMYK 75 / 0 / 6 / 9

HEX #3AE7D9

RGB 58 231 217

HSL 175.14, 0.78%, 0.57%

LAB 83.47, -45.39, -5.56

 

CMYK 70 / 0 / 5 / 2

HEX #4BF9EC

RGB 75 249 236

HSL 175.52, 0.94%, 0.64%

LAB 89.53, -46.17, -6.54

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 99 / 0 / 7 / 31

HEX #02B1A5

RGB 2 177 165

HSL 175.89, 0.98%, 0.35%

LAB 65.1, -40.09, -4.6

 

CMYK 100 / 0 / 8 / 38

HEX #009F92

RGB 0 159 146

HSL 175.09, 1%, 0.31%

LAB 58.86, -37.74, -3.15

 

CMYK 100 / 0 / 10 / 45

HEX #008D7F

RGB 0 141 127

HSL 174.04, 1%, 0.28%

LAB 52.49, -35.27, -1.62

 

CMYK 100 / 0 / 12 / 52

HEX #007B6C

RGB 0 123 108

HSL 172.68, 1%, 0.24%

LAB 45.97, -32.75, -0.02

HEX #007B6C

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 90 / 0 / 30 / 24

HEX #13C389

RGB 19 195 137

HSL 160.23, 0.82%, 0.42%

LAB 70.16, -54.04, 17.98

 

CMYK 90 / 0 / 54 / 24

HEX #13C359

RGB 19 195 89

HSL 143.86, 0.82%, 0.42%

LAB 69.39, -63, 41.66

 

CMYK 90 / 0 / 78 / 24

HEX #13C32A

RGB 19 195 42

HSL 127.84, 0.82%, 0.42%

LAB 68.99, -67.96, 60.34

 

CMYK 77 / 0 / 90 / 24

HEX #2CC313

RGB 44 195 19

HSL 111.48, 0.82%, 0.42%

LAB 69.19, -66.52, 66.11

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 90 / 18 / 0 / 24

HEX #139FC3

RGB 19 159 195

HSL 192.27, 0.82%, 0.42%

LAB 60.67, -21.1, -28.06

 

CMYK 90 / 43 / 0 / 24

HEX #136FC3

RGB 19 111 195

HSL 208.64, 0.82%, 0.42%

LAB 46.24, 6.66, -50.78

 

CMYK 90 / 67 / 0 / 24

HEX #1340C3

RGB 19 64 195

HSL 224.66, 0.82%, 0.42%

LAB 33.45, 37.37, -71.57

 

CMYK 90 / 90 / 0 / 24

HEX #1313C3

RGB 19 19 195

HSL 240, 0.82%, 0.42%

LAB 25.39, 60.35, -84.92

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 99 / 0 / 6 / 17

HEX #02D4C7

RGB 2 212 199

HSL 176.29, 0.98%, 0.42%

LAB 76.81, -45.55, -5.87

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 79 / 0 / 5 / 30

HEX #25B2A9

RGB 37 178 169

HSL 176.17, 0.66%, 0.42%

LAB 65.83, -37.35, -5.72

 

CMYK 66 / 0 / 4 / 37

HEX #36A09A

RGB 54 160 154

HSL 176.6, 0.5%, 0.42%

LAB 60.12, -31.09, -5.73

 

CMYK 50 / 0 / 3 / 44

HEX #478F8A

RGB 71 143 138

HSL 175.83, 0.34%, 0.42%

LAB 54.89, -23.78, -4.29

 

CMYK 29 / 0 / 2 / 51

HEX #597E7B

RGB 89 126 123

HSL 175.14, 0.17%, 0.42%

LAB 50.07, -13.64, -2.56

 

CMYK 90 / 0 / 54 / 24

HEX #13C35A

RGB 19 195 90

HSL 144.2, 0.82%, 0.42%

LAB 69.4, -62.86, 41.19

 

CMYK 90 / 0 / 30 / 24

HEX #13C388

RGB 19 195 136

HSL 159.89, 0.82%, 0.42%

LAB 70.14, -54.26, 18.49

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B7

RGB 19 195 183

HSL 175.91, 0.82%, 0.42%

LAB 71.27, -42.18, -5.38

 

CMYK 90 / 18 / 0 / 24

HEX #13A0C3

RGB 19 160 195

HSL 191.93, 0.82%, 0.42%

LAB 60.98, -21.62, -27.59

 

CMYK 90 / 42 / 0 / 24

HEX #1371C3

RGB 19 113 195

HSL 207.95, 0.82%, 0.42%

LAB 46.83, 5.4, -49.84

 

CMYK 90 / 0 / 6 / 53

HEX #0C7871

RGB 12 120 113

HSL 176.11, 0.82%, 0.26%

LAB 45.23, -29.06, -4.09

 

CMYK 90 / 0 / 5 / 38

HEX #109D95

RGB 16 157 149

HSL 176.6, 0.82%, 0.34%

LAB 58.41, -35.23, -5.5

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 90 / 0 / 6 / 9

HEX #17E8DB

RGB 23 232 219

HSL 176.27, 0.82%, 0.5%

LAB 83.45, -47.83, -6.7

 

CMYK 74 / 0 / 5 / 7

HEX #3DECE1

RGB 61 236 225

HSL 176.23, 0.82%, 0.58%

LAB 85.21, -45.08, -7.21

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 78 / 90 / 0 / 24

HEX #2B13C3

RGB 43 19 195

HSL 248.18, 0.82%, 0.42%

LAB 26.5, 61.04, -83.04

 

CMYK 0 / 42 / 90 / 24

HEX #C37113

RGB 195 113 19

HSL 32.05, 0.82%, 0.42%

LAB 55.54, 26.4, 58.92

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 6 / 90 / 0 / 24

HEX #B713C3

RGB 183 19 195

HSL 295.91, 0.82%, 0.42%

LAB 44.9, 76.44, -52.18

 

CMYK 0 / 6 / 90 / 24

HEX #C3B713

RGB 195 183 19

HSL 55.91, 0.82%, 0.42%

LAB 73.23, -11.31, 72.53

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 78 / 90 / 0 / 24

HEX #2B13C3

RGB 43 19 195

HSL 248.18, 0.82%, 0.42%

LAB 26.5, 61.04, -83.04

 

CMYK 0 / 90 / 84 / 24

HEX #C3131F

RGB 195 19 31

HSL 355.91, 0.82%, 0.42%

LAB 41.48, 63.76, 42.77

 

CMYK 12 / 0 / 90 / 24

HEX #ACC313

RGB 172 195 19

HSL 67.84, 0.82%, 0.42%

LAB 74.73, -27.16, 72.94

 

CMYK 90 / 0 / 6 / 24

HEX #13C3B8

RGB 19 195 184

HSL 176.25, 0.82%, 0.42%

LAB 71.3, -41.9, -5.89

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C3

RGB 95 19 195

HSL 265.91, 0.82%, 0.42%

LAB 31.44, 64.54, -74.71

 

CMYK 0 / 90 / 84 / 24

HEX #C3131F

RGB 195 19 31

HSL 355.91, 0.82%, 0.42%

LAB 41.48, 63.76, 42.77

 

CMYK 39 / 0 / 90 / 24

HEX #77C313

RGB 119 195 19

HSL 85.91, 0.82%, 0.42%

LAB 71.55, -47.73, 69.04

 

Description

Color code: HEX #13C3B8 | qconv.com Color code: HEX #13C3B8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 195 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 195 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 6 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 6% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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