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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C34A it is the complementary color #EC3CB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C34A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C34A shade: #18C345, #29D558, #3AE76B, #4BF97E and #5CFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C34A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C34A shade: #13C34A, #02B137, #009F24, #008D11 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C34A shade: #13C34A, #13C31B, #3BC313, #6AC313 and #9AC313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C34A shade: #13C34A, #13C37A, #13C3A9, #13AEC3 and #137EC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C34A shade matches the following richer shades: #13C34A and #02D444

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C34A shade: #13C34A, #25B251, #36A057, #478F5E and #597E64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C34A shade: #3CC313, #13C319, #13C348, #13C377 and #13C3A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C34A shade: #0C782E, #109D3C, #13C34A, #17E859 and #3DEC74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C34A shade: #13C34A, #136BC3 and #C31325

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C34A shade: #13C34A, #4813C3 and #C34813

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C34A shade: #13C34A, #136BC3, #C3138E and #C36B13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C34A shade: #13C34A, #1336C3, #C3138E and #C3A013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

Complementary color

CMYK 0 / 75 / 23 / 7

HEX #EC3CB5

RGB 236 60 181

HSL 318.75, 0.82%, 0.58%

LAB 56.49, 75.95, -25.18

 

CMYK 88 / 0 / 65 / 24

HEX #18C345

RGB 24 195 69

HSL 135.79, 0.78%, 0.43%

LAB 69.22, -65.23, 50.57

 

CMYK 81 / 0 / 59 / 16

HEX #29D558

RGB 41 213 88

HSL 136.4, 0.68%, 0.5%

LAB 75.3, -67.03, 49.2

 

CMYK 75 / 0 / 54 / 9

HEX #3AE76B

RGB 58 231 107

HSL 136.99, 0.78%, 0.57%

LAB 81.35, -68.3, 47.74

 

CMYK 70 / 0 / 49 / 2

HEX #4BF97E

RGB 75 249 126

HSL 137.59, 0.94%, 0.64%

LAB 87.37, -69.16, 46.28

 

CMYK 64 / 0 / 43 / 0

HEX #5CFF91

RGB 92 255 145

HSL 139.51, 1%, 0.68%

LAB 89.78, -65.45, 40.3

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 99 / 0 / 69 / 31

HEX #02B137

RGB 2 177 55

HSL 138.17, 0.98%, 0.35%

LAB 63.12, -62.47, 49.71

 

CMYK 100 / 0 / 77 / 38

HEX #009F24

RGB 0 159 36

HSL 133.58, 1%, 0.31%

LAB 57, -58.93, 50.57

 

CMYK 100 / 0 / 88 / 45

HEX #008D11

RGB 0 141 17

HSL 127.23, 1%, 0.28%

LAB 50.79, -54.84, 50.33

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 90 / 0 / 86 / 24

HEX #13C31B

RGB 19 195 27

HSL 122.73, 0.82%, 0.42%

LAB 68.93, -68.78, 64.23

 

CMYK 70 / 0 / 90 / 24

HEX #3BC313

RGB 59 195 19

HSL 106.36, 0.82%, 0.42%

LAB 69.47, -64.07, 66.46

 

CMYK 46 / 0 / 90 / 24

HEX #6AC313

RGB 106 195 19

HSL 90.34, 0.82%, 0.42%

LAB 70.97, -52.06, 68.32

 

CMYK 21 / 0 / 90 / 24

HEX #9AC313

RGB 154 195 19

HSL 73.98, 0.82%, 0.42%

LAB 73.51, -34.55, 71.45

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 90 / 0 / 37 / 24

HEX #13C37A

RGB 19 195 122

HSL 155.11, 0.82%, 0.42%

LAB 69.88, -57.25, 25.57

 

CMYK 90 / 0 / 13 / 24

HEX #13C3A9

RGB 19 195 169

HSL 171.14, 0.82%, 0.42%

LAB 70.89, -46.08, 1.7

 

CMYK 90 / 11 / 0 / 24

HEX #13AEC3

RGB 19 174 195

HSL 187.16, 0.82%, 0.42%

LAB 65.24, -28.73, -21.05

 

CMYK 90 / 35 / 0 / 24

HEX #137EC3

RGB 19 126 195

HSL 203.52, 0.82%, 0.42%

LAB 50.69, -2.57, -43.69

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 99 / 0 / 68 / 17

HEX #02D444

RGB 2 212 68

HSL 138.86, 0.98%, 0.42%

LAB 74.52, -71.48, 56.73

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 79 / 0 / 54 / 30

HEX #25B251

RGB 37 178 81

HSL 138.72, 0.66%, 0.42%

LAB 64.02, -56.9, 39.07

 

CMYK 66 / 0 / 46 / 37

HEX #36A057

RGB 54 160 87

HSL 138.68, 0.5%, 0.42%

LAB 58.62, -46.62, 29.36

 

CMYK 50 / 0 / 34 / 44

HEX #478F5E

RGB 71 143 94

HSL 139.17, 0.34%, 0.42%

LAB 53.81, -34.08, 19.33

 

CMYK 29 / 0 / 21 / 51

HEX #597E64

RGB 89 126 100

HSL 137.84, 0.17%, 0.42%

LAB 49.45, -18.82, 10.04

 

CMYK 69 / 0 / 90 / 24

HEX #3CC313

RGB 60 195 19

HSL 106.02, 0.82%, 0.42%

LAB 69.5, -63.89, 66.49

 

CMYK 90 / 0 / 87 / 24

HEX #13C319

RGB 19 195 25

HSL 122.05, 0.82%, 0.42%

LAB 68.92, -68.86, 64.65

 

CMYK 90 / 0 / 63 / 24

HEX #13C348

RGB 19 195 72

HSL 138.07, 0.82%, 0.42%

LAB 69.21, -65.24, 49.25

 

CMYK 90 / 0 / 39 / 24

HEX #13C377

RGB 19 195 119

HSL 154.09, 0.82%, 0.42%

LAB 69.82, -57.84, 27.07

 

CMYK 90 / 0 / 15 / 24

HEX #13C3A6

RGB 19 195 166

HSL 170.11, 0.82%, 0.42%

LAB 70.82, -46.89, 3.22

 

CMYK 90 / 0 / 62 / 53

HEX #0C782E

RGB 12 120 46

HSL 138.89, 0.82%, 0.26%

LAB 43.81, -44.68, 32.26

 

CMYK 90 / 0 / 62 / 38

HEX #109D3C

RGB 16 157 60

HSL 138.72, 0.82%, 0.34%

LAB 56.63, -54.9, 40.35

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 90 / 0 / 62 / 9

HEX #17E859

RGB 23 232 89

HSL 138.95, 0.82%, 0.5%

LAB 81.08, -74.23, 55.36

 

CMYK 74 / 0 / 51 / 7

HEX #3DEC74

RGB 61 236 116

HSL 138.86, 0.82%, 0.58%

LAB 83.04, -68.28, 45.6

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 90 / 45 / 0 / 24

HEX #136BC3

RGB 19 107 195

HSL 210, 0.82%, 0.42%

LAB 45.07, 9.2, -52.66

 

CMYK 0 / 90 / 81 / 24

HEX #C31325

RGB 195 19 37

HSL 353.86, 0.82%, 0.42%

LAB 41.53, 63.91, 39.54

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 63 / 90 / 0 / 24

HEX #4813C3

RGB 72 19 195

HSL 258.07, 0.82%, 0.42%

LAB 28.86, 62.63, -79.06

 

CMYK 0 / 63 / 90 / 24

HEX #C34813

RGB 195 72 19

HSL 18.07, 0.82%, 0.42%

LAB 47.34, 47.07, 52.79

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 90 / 45 / 0 / 24

HEX #136BC3

RGB 19 107 195

HSL 210, 0.82%, 0.42%

LAB 45.07, 9.2, -52.66

 

CMYK 0 / 90 / 27 / 24

HEX #C3138E

RGB 195 19 142

HSL 318.07, 0.82%, 0.42%

LAB 44.26, 71.43, -21.5

 

CMYK 0 / 45 / 90 / 24

HEX #C36B13

RGB 195 107 19

HSL 30, 0.82%, 0.42%

LAB 54.2, 29.63, 57.9

 

CMYK 90 / 0 / 62 / 24

HEX #13C34A

RGB 19 195 74

HSL 138.75, 0.82%, 0.42%

LAB 69.23, -65, 48.4

 

CMYK 90 / 72 / 0 / 24

HEX #1336C3

RGB 19 54 195

HSL 228.07, 0.82%, 0.42%

LAB 31.15, 43.61, -75.35

 

CMYK 0 / 90 / 27 / 24

HEX #C3138E

RGB 195 19 142

HSL 318.07, 0.82%, 0.42%

LAB 44.26, 71.43, -21.5

 

CMYK 0 / 18 / 90 / 24

HEX #C3A013

RGB 195 160 19

HSL 48.07, 0.82%, 0.42%

LAB 67.12, 0.77, 67.79

 

Description

Color code: HEX #13C34A | qconv.com Color code: HEX #13C34A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 195 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 195 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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