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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C080 it is the complementary color #EC3F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C080 shade: #18C07B, #29D28E, #3AE4A1, #4BF6B4 and #5CFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C080 shade: #13C080, #02AE6D, #009C5A, #008A47 and #007834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C080 shade: #13BE7F, #13BE51, #13BE22, #32BE13 and #60BE13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C080 shade: #13BE7F, #13BEAD, #13A1BE, #1373BE and #1345BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C080 shade matches the following richer shades: #13BE7F and #02CF83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C080 shade: #13BE7F, #24AD7A, #359C76, #468C72 and #567B6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C080 shade: #13BE21, #13BE4F, #13BE7D, #13BEAA and #13A5BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C080 shade: #0B734D, #0F9966, #13BE7F, #17E498 and #38EBA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C080 shade: #13C080, #1332BE and #BE3813

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C080 shade: #13C080, #7D13BE and #BE7D13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C080 shade: #13C080, #1332BE, #BE1355 and #BE9F13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C080 shade: #13C080, #2713BE, #BE1355 and #AABE13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 33 / 25

HEX #13C080

RGB 19 192 128

HSL 157.8, 0.82%, 0.41%

LAB 69.04, -54.9, 21.26

 

Complementary color

CMYK 0 / 73 / 46 / 7

HEX #EC3F7F

RGB 236 63 127

HSL 337.8, 0.82%, 0.59%

LAB 54.99, 69.33, 4.36

 

CMYK 88 / 0 / 36 / 25

HEX #18C07B

RGB 24 192 123

HSL 155.36, 0.78%, 0.42%

LAB 68.98, -55.64, 23.85

 

CMYK 80 / 0 / 32 / 18

HEX #29D28E

RGB 41 210 142

HSL 155.86, 0.67%, 0.49%

LAB 75.15, -56.89, 22.22

 

CMYK 75 / 0 / 29 / 11

HEX #3AE4A1

RGB 58 228 161

HSL 156.35, 0.76%, 0.56%

LAB 81.27, -57.76, 20.74

 

CMYK 70 / 0 / 27 / 4

HEX #4BF6B4

RGB 75 246 180

HSL 156.84, 0.9%, 0.63%

LAB 87.34, -58.36, 19.37

 

CMYK 64 / 0 / 22 / 0

HEX #5CFFC7

RGB 92 255 199

HSL 159.39, 1%, 0.68%

LAB 90.74, -55.18, 14.43

 

CMYK 90 / 0 / 33 / 25

HEX #13C080

RGB 19 192 128

HSL 157.8, 0.82%, 0.41%

LAB 69.04, -54.9, 21.26

 

CMYK 99 / 0 / 37 / 32

HEX #02AE6D

RGB 2 174 109

HSL 157.33, 0.98%, 0.35%

LAB 62.83, -53.09, 23.03

 

CMYK 100 / 0 / 42 / 39

HEX #009C5A

RGB 0 156 90

HSL 154.62, 1%, 0.31%

LAB 56.6, -50.56, 25

 

CMYK 100 / 0 / 49 / 46

HEX #008A47

RGB 0 138 71

HSL 150.87, 1%, 0.27%

LAB 50.25, -47.77, 27.05

 

CMYK 100 / 0 / 57 / 53

HEX #007834

RGB 0 120 52

HSL 146, 1%, 0.24%

LAB 43.77, -44.75, 29.11

 

CMYK 90 / 0 / 33 / 25

HEX #13BE7F

RGB 19 190 127

HSL 157.89, 0.82%, 0.41%

LAB 68.39, -54.37, 20.9

 

CMYK 90 / 0 / 57 / 25

HEX #13BE51

RGB 19 190 81

HSL 141.75, 0.82%, 0.41%

LAB 67.69, -62.53, 43.42

 

CMYK 90 / 0 / 82 / 25

HEX #13BE22

RGB 19 190 34

HSL 125.26, 0.82%, 0.41%

LAB 67.34, -67.01, 61.08

 

CMYK 74 / 0 / 90 / 25

HEX #32BE13

RGB 50 190 19

HSL 109.12, 0.82%, 0.41%

LAB 67.69, -64.1, 64.87

 

CMYK 49 / 0 / 90 / 25

HEX #60BE13

RGB 96 190 19

HSL 92.98, 0.82%, 0.41%

LAB 69.01, -53.26, 66.52

 

CMYK 90 / 0 / 33 / 25

HEX #13BE7F

RGB 19 190 127

HSL 157.89, 0.82%, 0.41%

LAB 68.39, -54.37, 20.9

 

CMYK 90 / 0 / 9 / 25

HEX #13BEAD

RGB 19 190 173

HSL 174.04, 0.82%, 0.41%

LAB 69.46, -42.84, -2.59

 

CMYK 90 / 15 / 0 / 25

HEX #13A1BE

RGB 19 161 190

HSL 190.18, 0.82%, 0.41%

LAB 61.09, -23.85, -24.62

 

CMYK 90 / 39 / 0 / 25

HEX #1373BE

RGB 19 115 190

HSL 206.32, 0.82%, 0.41%

LAB 47.13, 2.2, -46.48

 

CMYK 90 / 64 / 0 / 25

HEX #1345BE

RGB 19 69 190

HSL 222.46, 0.82%, 0.41%

LAB 34.22, 32.21, -67.38

 

CMYK 90 / 0 / 33 / 25

HEX #13BE7F

RGB 19 190 127

HSL 157.89, 0.82%, 0.41%

LAB 68.39, -54.37, 20.9

 

CMYK 99 / 0 / 37 / 19

HEX #02CF83

RGB 2 207 131

HSL 157.76, 0.98%, 0.41%

LAB 73.73, -60.37, 26

 

CMYK 90 / 0 / 33 / 25

HEX #13BE7F

RGB 19 190 127

HSL 157.89, 0.82%, 0.41%

LAB 68.39, -54.37, 20.9

 

CMYK 79 / 0 / 29 / 32

HEX #24AD7A

RGB 36 173 122

HSL 157.66, 0.66%, 0.41%

LAB 63.07, -47.51, 16.33

 

CMYK 66 / 0 / 24 / 39

HEX #359C76

RGB 53 156 118

HSL 157.86, 0.49%, 0.41%

LAB 57.89, -38.84, 11.38

 

CMYK 50 / 0 / 19 / 45

HEX #468C72

RGB 70 140 114

HSL 157.71, 0.33%, 0.41%

LAB 53.25, -28.63, 7.16

 

CMYK 30 / 0 / 11 / 52

HEX #567B6D

RGB 86 123 109

HSL 157.3, 0.18%, 0.41%

LAB 48.57, -16.29, 3.48

 

CMYK 90 / 0 / 83 / 25

HEX #13BE21

RGB 19 190 33

HSL 124.91, 0.82%, 0.41%

LAB 67.33, -67.07, 61.35

 

CMYK 90 / 0 / 58 / 25

HEX #13BE4F

RGB 19 190 79

HSL 141.05, 0.82%, 0.41%

LAB 67.67, -62.8, 44.33

 

CMYK 90 / 0 / 34 / 25

HEX #13BE7D

RGB 19 190 125

HSL 157.19, 0.82%, 0.41%

LAB 68.35, -54.8, 21.92

 

CMYK 90 / 0 / 11 / 25

HEX #13BEAA

RGB 19 190 170

HSL 172.98, 0.82%, 0.41%

LAB 69.38, -43.68, -1.07

 

CMYK 90 / 13 / 0 / 25

HEX #13A5BE

RGB 19 165 190

HSL 188.77, 0.82%, 0.41%

LAB 62.31, -25.88, -22.74

 

CMYK 90 / 0 / 33 / 55

HEX #0B734D

RGB 11 115 77

HSL 158.08, 0.83%, 0.25%

LAB 42.56, -36.95, 13.52

 

CMYK 90 / 0 / 33 / 40

HEX #0F9966

RGB 15 153 102

HSL 157.83, 0.82%, 0.33%

LAB 55.93, -46.07, 17.53

 

CMYK 90 / 0 / 33 / 25

HEX #13BE7F

RGB 19 190 127

HSL 157.89, 0.82%, 0.41%

LAB 68.39, -54.37, 20.9

 

CMYK 90 / 0 / 33 / 11

HEX #17E498

RGB 23 228 152

HSL 157.76, 0.82%, 0.49%

LAB 80.7, -62.71, 24.56

 

CMYK 76 / 0 / 28 / 8

HEX #38EBA9

RGB 56 235 169

HSL 157.88, 0.82%, 0.57%

LAB 83.51, -58.95, 19.68

 

CMYK 90 / 0 / 33 / 25

HEX #13C080

RGB 19 192 128

HSL 157.8, 0.82%, 0.41%

LAB 69.04, -54.9, 21.26

 

CMYK 90 / 74 / 0 / 25

HEX #1332BE

RGB 19 50 190

HSL 229.12, 0.82%, 0.41%

LAB 29.76, 44.23, -74.72

 

CMYK 0 / 71 / 90 / 25

HEX #BE3813

RGB 190 56 19

HSL 12.98, 0.82%, 0.41%

LAB 43.98, 52, 49.91

 

CMYK 90 / 0 / 33 / 25

HEX #13C080

RGB 19 192 128

HSL 157.8, 0.82%, 0.41%

LAB 69.04, -54.9, 21.26

 

CMYK 34 / 90 / 0 / 25

HEX #7D13BE

RGB 125 19 190

HSL 277.19, 0.82%, 0.41%

LAB 35.09, 66.83, -65.61

 

CMYK 0 / 34 / 90 / 25

HEX #BE7D13

RGB 190 125 19

HSL 37.19, 0.82%, 0.41%

LAB 57.71, 17.66, 60.29

 

CMYK 90 / 0 / 33 / 25

HEX #13C080

RGB 19 192 128

HSL 157.8, 0.82%, 0.41%

LAB 69.04, -54.9, 21.26

 

CMYK 90 / 74 / 0 / 25

HEX #1332BE

RGB 19 50 190

HSL 229.12, 0.82%, 0.41%

LAB 29.76, 44.23, -74.72

 

CMYK 0 / 90 / 55 / 25

HEX #BE1355

RGB 190 19 85

HSL 336.84, 0.82%, 0.41%

LAB 41.33, 64.97, 9.49

 

CMYK 0 / 16 / 90 / 25

HEX #BE9F13

RGB 190 159 19

HSL 49.12, 0.82%, 0.41%

LAB 66.36, -0.93, 66.98

 

CMYK 90 / 0 / 33 / 25

HEX #13C080

RGB 19 192 128

HSL 157.8, 0.82%, 0.41%

LAB 69.04, -54.9, 21.26

 

CMYK 79 / 90 / 0 / 25

HEX #2713BE

RGB 39 19 190

HSL 247.02, 0.82%, 0.41%

LAB 25.61, 59.53, -81.59

 

CMYK 0 / 90 / 55 / 25

HEX #BE1355

RGB 190 19 85

HSL 336.84, 0.82%, 0.41%

LAB 41.33, 64.97, 9.49

 

CMYK 11 / 0 / 90 / 25

HEX #AABE13

RGB 170 190 19

HSL 67.02, 0.82%, 0.41%

LAB 73.17, -25.59, 71.63

 

Description

Color code: HEX #13C080 | qconv.com Color code: HEX #13C080 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 192 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 192 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 33 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 33% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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