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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C051 it is the complementary color #EC3FAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C051. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C051 shade: #18C04C, #29D25F, #3AE472, #4BF685 and #5CFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C051. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C051 shade: #13C051, #02AE3E, #009C2B, #008A18 and #007805

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C051 shade: #13BE50, #13BE22, #32BE13, #60BE13 and #8EBE13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C051 shade: #13BE50, #13BE7E, #13BEAD, #13A2BE and #1373BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C051 shade matches the following richer shades: #13BE50 and #02CF4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C051 shade: #13BE50, #24AD55, #359C5A, #468C5F and #567B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C051 shade: #32BE13, #13BE21, #13BE4F, #13BE7D and #13BEAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C051 shade: #0B7331, #0F9940, #13BE50, #17E460 and #38EB78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C051 shade: #13C051, #1360BE and #BE131B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C051 shade: #13C051, #4F13BE and #BE4F13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C051 shade: #13C051, #1360BE, #BE1382 and #BE7113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C051 shade: #13C051, #132DBE, #BE1382 and #BEA513

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 58 / 25

HEX #13C051

RGB 19 192 81

HSL 141.5, 0.82%, 0.41%

LAB 68.34, -63.17, 44.18

 

Complementary color

CMYK 0 / 73 / 26 / 7

HEX #EC3FAE

RGB 236 63 174

HSL 321.5, 0.82%, 0.59%

LAB 56.53, 74.19, -21.05

 

CMYK 88 / 0 / 60 / 25

HEX #18C04C

RGB 24 192 76

HSL 138.57, 0.78%, 0.42%

LAB 68.33, -63.47, 46.48

 

CMYK 80 / 0 / 55 / 18

HEX #29D25F

RGB 41 210 95

HSL 139.17, 0.67%, 0.49%

LAB 74.44, -65.14, 44.95

 

CMYK 75 / 0 / 50 / 11

HEX #3AE472

RGB 58 228 114

HSL 139.76, 0.76%, 0.56%

LAB 80.52, -66.29, 43.41

 

CMYK 70 / 0 / 46 / 4

HEX #4BF685

RGB 75 246 133

HSL 140.35, 0.9%, 0.63%

LAB 86.55, -67.06, 41.91

 

CMYK 64 / 0 / 40 / 0

HEX #5CFF98

RGB 92 255 152

HSL 142.09, 1%, 0.68%

LAB 89.89, -64.3, 37.01

 

CMYK 90 / 0 / 58 / 25

HEX #13C051

RGB 19 192 81

HSL 141.5, 0.82%, 0.41%

LAB 68.34, -63.17, 44.18

 

CMYK 99 / 0 / 64 / 32

HEX #02AE3E

RGB 2 174 62

HSL 140.93, 0.98%, 0.35%

LAB 62.2, -60.8, 45.73

 

CMYK 100 / 0 / 72 / 39

HEX #009C2B

RGB 0 156 43

HSL 136.54, 1%, 0.31%

LAB 56.04, -57.44, 47.02

 

CMYK 100 / 0 / 83 / 46

HEX #008A18

RGB 0 138 24

HSL 130.43, 1%, 0.27%

LAB 49.79, -53.56, 47.52

 

CMYK 100 / 0 / 96 / 53

HEX #007805

RGB 0 120 5

HSL 122.5, 1%, 0.24%

LAB 43.42, -49.15, 46.51

 

CMYK 90 / 0 / 58 / 25

HEX #13BE50

RGB 19 190 80

HSL 141.4, 0.82%, 0.41%

LAB 67.68, -62.67, 43.88

 

CMYK 90 / 0 / 82 / 25

HEX #13BE22

RGB 19 190 34

HSL 125.26, 0.82%, 0.41%

LAB 67.34, -67.01, 61.08

 

CMYK 74 / 0 / 90 / 25

HEX #32BE13

RGB 50 190 19

HSL 109.12, 0.82%, 0.41%

LAB 67.69, -64.1, 64.87

 

CMYK 49 / 0 / 90 / 25

HEX #60BE13

RGB 96 190 19

HSL 92.98, 0.82%, 0.41%

LAB 69.01, -53.26, 66.52

 

CMYK 25 / 0 / 90 / 25

HEX #8EBE13

RGB 142 190 19

HSL 76.84, 0.82%, 0.41%

LAB 71.3, -37.05, 69.35

 

CMYK 90 / 0 / 58 / 25

HEX #13BE50

RGB 19 190 80

HSL 141.4, 0.82%, 0.41%

LAB 67.68, -62.67, 43.88

 

CMYK 90 / 0 / 34 / 25

HEX #13BE7E

RGB 19 190 126

HSL 157.54, 0.82%, 0.41%

LAB 68.37, -54.59, 21.41

 

CMYK 90 / 0 / 9 / 25

HEX #13BEAD

RGB 19 190 173

HSL 174.04, 0.82%, 0.41%

LAB 69.46, -42.84, -2.59

 

CMYK 90 / 15 / 0 / 25

HEX #13A2BE

RGB 19 162 190

HSL 189.82, 0.82%, 0.41%

LAB 61.39, -24.36, -24.15

 

CMYK 90 / 39 / 0 / 25

HEX #1373BE

RGB 19 115 190

HSL 206.32, 0.82%, 0.41%

LAB 47.13, 2.2, -46.48

 

CMYK 90 / 0 / 58 / 25

HEX #13BE50

RGB 19 190 80

HSL 141.4, 0.82%, 0.41%

LAB 67.68, -62.67, 43.88

 

CMYK 99 / 0 / 64 / 19

HEX #02CF4B

RGB 2 207 75

HSL 141.37, 0.98%, 0.41%

LAB 72.99, -69.27, 52.18

 

CMYK 90 / 0 / 58 / 25

HEX #13BE50

RGB 19 190 80

HSL 141.4, 0.82%, 0.41%

LAB 67.68, -62.67, 43.88

 

CMYK 79 / 0 / 51 / 32

HEX #24AD55

RGB 36 173 85

HSL 141.46, 0.66%, 0.41%

LAB 62.44, -54.68, 35.14

 

CMYK 66 / 0 / 42 / 39

HEX #359C5A

RGB 53 156 90

HSL 141.55, 0.49%, 0.41%

LAB 57.34, -44.71, 26.11

 

CMYK 50 / 0 / 32 / 45

HEX #468C5F

RGB 70 140 95

HSL 141.43, 0.33%, 0.41%

LAB 52.82, -32.78, 17.42

 

CMYK 30 / 0 / 20 / 52

HEX #567B63

RGB 86 123 99

HSL 141.08, 0.18%, 0.41%

LAB 48.32, -18.48, 8.99

 

CMYK 74 / 0 / 90 / 25

HEX #32BE13

RGB 50 190 19

HSL 109.12, 0.82%, 0.41%

LAB 67.69, -64.1, 64.87

 

CMYK 90 / 0 / 83 / 25

HEX #13BE21

RGB 19 190 33

HSL 124.91, 0.82%, 0.41%

LAB 67.33, -67.07, 61.35

 

CMYK 90 / 0 / 58 / 25

HEX #13BE4F

RGB 19 190 79

HSL 141.05, 0.82%, 0.41%

LAB 67.67, -62.8, 44.33

 

CMYK 90 / 0 / 34 / 25

HEX #13BE7D

RGB 19 190 125

HSL 157.19, 0.82%, 0.41%

LAB 68.35, -54.8, 21.92

 

CMYK 90 / 0 / 11 / 25

HEX #13BEAA

RGB 19 190 170

HSL 172.98, 0.82%, 0.41%

LAB 69.38, -43.68, -1.07

 

CMYK 90 / 0 / 57 / 55

HEX #0B7331

RGB 11 115 49

HSL 141.92, 0.83%, 0.25%

LAB 42.08, -42.56, 28.67

 

CMYK 90 / 0 / 58 / 40

HEX #0F9940

RGB 15 153 64

HSL 141.3, 0.82%, 0.33%

LAB 55.33, -53.11, 36.91

 

CMYK 90 / 0 / 58 / 25

HEX #13BE50

RGB 19 190 80

HSL 141.4, 0.82%, 0.41%

LAB 67.68, -62.67, 43.88

 

CMYK 90 / 0 / 58 / 11

HEX #17E460

RGB 23 228 96

HSL 141.37, 0.82%, 0.49%

LAB 79.91, -72.17, 50.94

 

CMYK 76 / 0 / 49 / 8

HEX #38EB78

RGB 56 235 120

HSL 141.45, 0.82%, 0.57%

LAB 82.71, -68.01, 43.26

 

CMYK 90 / 0 / 58 / 25

HEX #13C051

RGB 19 192 81

HSL 141.5, 0.82%, 0.41%

LAB 68.34, -63.17, 44.18

 

CMYK 90 / 49 / 0 / 25

HEX #1360BE

RGB 19 96 190

HSL 212.98, 0.82%, 0.41%

LAB 41.57, 14.32, -55.41

 

CMYK 0 / 90 / 86 / 25

HEX #BE131B

RGB 190 19 27

HSL 357.19, 0.82%, 0.41%

LAB 40.4, 62.34, 43.49

 

CMYK 90 / 0 / 58 / 25

HEX #13C051

RGB 19 192 81

HSL 141.5, 0.82%, 0.41%

LAB 68.34, -63.17, 44.18

 

CMYK 58 / 90 / 0 / 25

HEX #4F13BE

RGB 79 19 190

HSL 261.05, 0.82%, 0.41%

LAB 29.02, 61.91, -75.82

 

CMYK 0 / 58 / 90 / 25

HEX #BE4F13

RGB 190 79 19

HSL 21.05, 0.82%, 0.41%

LAB 47.73, 41.96, 52.7

 

CMYK 90 / 0 / 58 / 25

HEX #13C051

RGB 19 192 81

HSL 141.5, 0.82%, 0.41%

LAB 68.34, -63.17, 44.18

 

CMYK 90 / 49 / 0 / 25

HEX #1360BE

RGB 19 96 190

HSL 212.98, 0.82%, 0.41%

LAB 41.57, 14.32, -55.41

 

CMYK 0 / 90 / 32 / 25

HEX #BE1382

RGB 190 19 130

HSL 321.05, 0.82%, 0.41%

LAB 42.8, 69.02, -16.49

 

CMYK 0 / 41 / 90 / 25

HEX #BE7113

RGB 190 113 19

HSL 32.98, 0.82%, 0.41%

LAB 54.87, 24.25, 58.11

 

CMYK 90 / 0 / 58 / 25

HEX #13C051

RGB 19 192 81

HSL 141.5, 0.82%, 0.41%

LAB 68.34, -63.17, 44.18

 

CMYK 90 / 76 / 0 / 25

HEX #132DBE

RGB 19 45 190

HSL 230.88, 0.82%, 0.41%

LAB 28.73, 47.13, -76.43

 

CMYK 0 / 90 / 32 / 25

HEX #BE1382

RGB 190 19 130

HSL 321.05, 0.82%, 0.41%

LAB 42.8, 69.02, -16.49

 

CMYK 0 / 13 / 90 / 25

HEX #BEA513

RGB 190 165 19

HSL 51.23, 0.82%, 0.41%

LAB 67.95, -4.13, 68.22

 

Description

Color code: HEX #13C051 | qconv.com Color code: HEX #13C051 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 192 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 192 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 58% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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