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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13BF90 it is the complementary color #EC406F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13BF90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13BF90 shade: #18BF8B, #29D19E, #3AE3B1, #4BF5C4 and #5CFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13BF90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13BF90 shade: #13BF90, #02AD7D, #009B6A, #008957 and #007744

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13BF90 shade: #13BE8F, #13BE61, #13BE33, #21BE13 and #4FBE13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13BF90 shade: #13BE8F, #13BEBE, #1391BE, #1362BE and #1334BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13BF90 shade matches the following richer shades: #13BE8F and #02CF97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13BF90 shade: #13BE8F, #24AD88, #359C80, #468C78 and #567B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13BF90 shade: #13BE32, #13BE60, #13BE8E, #13BEBB and #1393BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13BF90 shade: #0B7357, #0F9973, #13BE8F, #17E4AC and #38EBBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13BF90 shade: #13BF90, #1321BE and #BE4913

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13BF90 shade: #13BF90, #8E13BE and #BE8E13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13BF90 shade: #13BF90, #1321BE, #BE1343 and #BEB013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13BF90 shade: #13BF90, #3813BE, #BE1343 and #99BE13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 25 / 25

HEX #13BF90

RGB 19 191 144

HSL 163.6, 0.82%, 0.41%

LAB 69.05, -50.86, 12.66

 

Complementary color

CMYK 0 / 73 / 53 / 7

HEX #EC406F

RGB 236 64 111

HSL 343.6, 0.82%, 0.59%

LAB 54.71, 67.71, 13.5

 

CMYK 87 / 0 / 27 / 25

HEX #18BF8B

RGB 24 191 139

HSL 161.32, 0.78%, 0.42%

LAB 68.98, -51.74, 15.28

 

CMYK 80 / 0 / 24 / 18

HEX #29D19E

RGB 41 209 158

HSL 161.79, 0.67%, 0.49%

LAB 75.16, -52.95, 13.77

 

CMYK 74 / 0 / 22 / 11

HEX #3AE3B1

RGB 58 227 177

HSL 162.25, 0.75%, 0.56%

LAB 81.3, -53.81, 12.41

 

CMYK 69 / 0 / 20 / 4

HEX #4BF5C4

RGB 75 245 196

HSL 162.71, 0.89%, 0.63%

LAB 87.38, -54.42, 11.16

 

CMYK 64 / 0 / 16 / 0

HEX #5CFFD7

RGB 92 255 215

HSL 165.28, 1%, 0.68%

LAB 91.1, -51.55, 6.69

 

CMYK 90 / 0 / 25 / 25

HEX #13BF90

RGB 19 191 144

HSL 163.6, 0.82%, 0.41%

LAB 69.05, -50.86, 12.66

 

CMYK 99 / 0 / 28 / 32

HEX #02AD7D

RGB 2 173 125

HSL 163.16, 0.98%, 0.34%

LAB 62.83, -49.12, 14.3

 

CMYK 100 / 0 / 32 / 39

HEX #009B6A

RGB 0 155 106

HSL 161.03, 1%, 0.3%

LAB 56.57, -46.72, 16.16

 

CMYK 100 / 0 / 36 / 46

HEX #008957

RGB 0 137 87

HSL 158.1, 1%, 0.27%

LAB 50.19, -44.14, 18.13

 

CMYK 100 / 0 / 43 / 53

HEX #007744

RGB 0 119 68

HSL 154.29, 1%, 0.23%

LAB 43.67, -41.41, 20.2

 

CMYK 90 / 0 / 25 / 25

HEX #13BE8F

RGB 19 190 143

HSL 163.51, 0.82%, 0.41%

LAB 68.71, -50.71, 12.73

 

CMYK 90 / 0 / 49 / 25

HEX #13BE61

RGB 19 190 97

HSL 147.37, 0.82%, 0.41%

LAB 67.89, -60.11, 35.88

 

CMYK 90 / 0 / 73 / 25

HEX #13BE33

RGB 19 190 51

HSL 131.23, 0.82%, 0.41%

LAB 67.43, -65.83, 55.78

 

CMYK 83 / 0 / 90 / 25

HEX #21BE13

RGB 33 190 19

HSL 115.09, 0.82%, 0.41%

LAB 67.42, -66.43, 64.54

 

CMYK 58 / 0 / 90 / 25

HEX #4FBE13

RGB 79 190 19

HSL 98.95, 0.82%, 0.41%

LAB 68.41, -58, 65.77

 

CMYK 90 / 0 / 25 / 25

HEX #13BE8F

RGB 19 190 143

HSL 163.51, 0.82%, 0.41%

LAB 68.71, -50.71, 12.73

 

CMYK 90 / 0 / 0 / 25

HEX #13BEBE

RGB 19 190 190

HSL 180, 0.82%, 0.41%

LAB 69.95, -37.89, -11.18

 

CMYK 90 / 24 / 0 / 25

HEX #1391BE

RGB 19 145 190

HSL 195.79, 0.82%, 0.41%

LAB 56.19, -15.34, -32.19

 

CMYK 90 / 48 / 0 / 25

HEX #1362BE

RGB 19 98 190

HSL 212.28, 0.82%, 0.41%

LAB 42.14, 13.01, -54.48

 

CMYK 90 / 73 / 0 / 25

HEX #1334BE

RGB 19 52 190

HSL 228.42, 0.82%, 0.41%

LAB 30.19, 43.03, -74.01

 

CMYK 90 / 0 / 25 / 25

HEX #13BE8F

RGB 19 190 143

HSL 163.51, 0.82%, 0.41%

LAB 68.71, -50.71, 12.73

 

CMYK 99 / 0 / 27 / 19

HEX #02CF97

RGB 2 207 151

HSL 163.61, 0.98%, 0.41%

LAB 74.11, -56.01, 15.98

 

CMYK 90 / 0 / 25 / 25

HEX #13BE8F

RGB 19 190 143

HSL 163.51, 0.82%, 0.41%

LAB 68.71, -50.71, 12.73

 

CMYK 79 / 0 / 21 / 32

HEX #24AD88

RGB 36 173 136

HSL 163.8, 0.66%, 0.41%

LAB 63.38, -44.17, 9.04

 

CMYK 66 / 0 / 18 / 39

HEX #359C80

RGB 53 156 128

HSL 163.69, 0.49%, 0.41%

LAB 58.12, -36.4, 6.07

 

CMYK 50 / 0 / 14 / 45

HEX #468C78

RGB 70 140 120

HSL 162.86, 0.33%, 0.41%

LAB 53.4, -27.18, 3.92

 

CMYK 30 / 0 / 8 / 52

HEX #567B71

RGB 86 123 113

HSL 163.78, 0.18%, 0.41%

LAB 48.68, -15.36, 1.28

 

CMYK 90 / 0 / 74 / 25

HEX #13BE32

RGB 19 190 50

HSL 130.88, 0.82%, 0.41%

LAB 67.42, -65.91, 56.13

 

CMYK 90 / 0 / 49 / 25

HEX #13BE60

RGB 19 190 96

HSL 147.02, 0.82%, 0.41%

LAB 67.88, -60.28, 36.36

 

CMYK 90 / 0 / 25 / 25

HEX #13BE8E

RGB 19 190 142

HSL 163.16, 0.82%, 0.41%

LAB 68.69, -50.95, 13.24

 

CMYK 90 / 0 / 2 / 25

HEX #13BEBB

RGB 19 190 187

HSL 178.95, 0.82%, 0.41%

LAB 69.86, -38.79, -9.67

 

CMYK 90 / 23 / 0 / 25

HEX #1393BE

RGB 19 147 190

HSL 195.09, 0.82%, 0.41%

LAB 56.81, -16.44, -31.24

 

CMYK 90 / 0 / 24 / 55

HEX #0B7357

RGB 11 115 87

HSL 163.85, 0.83%, 0.25%

LAB 42.79, -34.4, 7.91

 

CMYK 90 / 0 / 25 / 40

HEX #0F9973

RGB 15 153 115

HSL 163.48, 0.82%, 0.33%

LAB 56.21, -42.97, 10.62

 

CMYK 90 / 0 / 25 / 25

HEX #13BE8F

RGB 19 190 143

HSL 163.51, 0.82%, 0.41%

LAB 68.71, -50.71, 12.73

 

CMYK 90 / 0 / 25 / 11

HEX #17E4AC

RGB 23 228 172

HSL 163.61, 0.82%, 0.49%

LAB 81.1, -58.3, 14.69

 

CMYK 76 / 0 / 21 / 8

HEX #38EBBA

RGB 56 235 186

HSL 163.58, 0.82%, 0.57%

LAB 83.86, -55.12, 11.32

 

CMYK 90 / 0 / 25 / 25

HEX #13BF90

RGB 19 191 144

HSL 163.6, 0.82%, 0.41%

LAB 69.05, -50.86, 12.66

 

CMYK 90 / 83 / 0 / 25

HEX #1321BE

RGB 19 33 190

HSL 235.09, 0.82%, 0.41%

LAB 26.57, 53.37, -80

 

CMYK 0 / 62 / 90 / 25

HEX #BE4913

RGB 190 73 19

HSL 18.95, 0.82%, 0.41%

LAB 46.66, 44.79, 51.9

 

CMYK 90 / 0 / 25 / 25

HEX #13BF90

RGB 19 191 144

HSL 163.6, 0.82%, 0.41%

LAB 69.05, -50.86, 12.66

 

CMYK 25 / 90 / 0 / 25

HEX #8E13BE

RGB 142 19 190

HSL 283.16, 0.82%, 0.41%

LAB 37.72, 69.17, -61.2

 

CMYK 0 / 25 / 90 / 25

HEX #BE8E13

RGB 190 142 19

HSL 43.16, 0.82%, 0.41%

LAB 61.95, 8.29, 63.56

 

CMYK 90 / 0 / 25 / 25

HEX #13BF90

RGB 19 191 144

HSL 163.6, 0.82%, 0.41%

LAB 69.05, -50.86, 12.66

 

CMYK 90 / 83 / 0 / 25

HEX #1321BE

RGB 19 33 190

HSL 235.09, 0.82%, 0.41%

LAB 26.57, 53.37, -80

 

CMYK 0 / 90 / 65 / 25

HEX #BE1343

RGB 190 19 67

HSL 343.16, 0.82%, 0.41%

LAB 40.93, 63.85, 20.36

 

CMYK 0 / 7 / 90 / 25

HEX #BEB013

RGB 190 176 19

HSL 55.09, 0.82%, 0.41%

LAB 70.9, -9.9, 70.53

 

CMYK 90 / 0 / 25 / 25

HEX #13BF90

RGB 19 191 144

HSL 163.6, 0.82%, 0.41%

LAB 69.05, -50.86, 12.66

 

CMYK 71 / 90 / 0 / 25

HEX #3813BE

RGB 56 19 190

HSL 252.98, 0.82%, 0.41%

LAB 26.8, 60.33, -79.57

 

CMYK 0 / 90 / 65 / 25

HEX #BE1343

RGB 190 19 67

HSL 343.16, 0.82%, 0.41%

LAB 40.93, 63.85, 20.36

 

CMYK 19 / 0 / 90 / 25

HEX #99BE13

RGB 153 190 19

HSL 72.98, 0.82%, 0.41%

LAB 71.99, -32.65, 70.2

 

Description

Color code: HEX #13BF90 | qconv.com Color code: HEX #13BF90 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 191 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 191 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 25 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 25% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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