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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13BF7C it is the complementary color #EC4083. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13BF7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13BF7C shade: #18BF77, #29D18A, #3AE39D, #4BF5B0 and #5CFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13BF7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13BF7C shade: #13BF7C, #02AD69, #009B56, #008943 and #007730

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13BF7C shade: #13BE7B, #13BE4D, #13BE1F, #35BE13 and #63BE13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13BF7C shade: #13BE7B, #13BEAA, #13A5BE, #1376BE and #1348BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13BF7C shade matches the following richer shades: #13BE7B and #02CF7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13BF7C shade: #13BE7B, #24AD78, #359C74, #468C70 and #567B6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13BF7C shade: #13BE1E, #13BE4C, #13BE7A, #13BEA7 and #13A7BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13BF7C shade: #0B734B, #0F9963, #13BE7B, #17E494 and #38EBA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13BF7C shade: #13BF7C, #1335BE and #BE3513

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13BF7C shade: #13BF7C, #7A13BE and #BE7A13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13BF7C shade: #13BF7C, #1335BE, #BE1357 and #BE9C13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13BF7C shade: #13BF7C, #2413BE, #BE1357 and #ADBE13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 35 / 25

HEX #13BF7C

RGB 19 191 124

HSL 156.63, 0.82%, 0.41%

LAB 68.65, -55.38, 22.86

 

Complementary color

CMYK 0 / 73 / 44 / 7

HEX #EC4083

RGB 236 64 131

HSL 336.63, 0.82%, 0.59%

LAB 55.21, 69.36, 2.3

 

CMYK 87 / 0 / 38 / 25

HEX #18BF77

RGB 24 191 119

HSL 154.13, 0.78%, 0.42%

LAB 68.6, -56.09, 25.44

 

CMYK 80 / 0 / 34 / 18

HEX #29D18A

RGB 41 209 138

HSL 154.64, 0.67%, 0.49%

LAB 74.77, -57.35, 23.8

 

CMYK 74 / 0 / 31 / 11

HEX #3AE39D

RGB 58 227 157

HSL 155.15, 0.75%, 0.56%

LAB 80.89, -58.23, 22.29

 

CMYK 69 / 0 / 28 / 4

HEX #4BF5B0

RGB 75 245 176

HSL 155.65, 0.89%, 0.63%

LAB 86.97, -58.82, 20.91

 

CMYK 64 / 0 / 24 / 0

HEX #5CFFC3

RGB 92 255 195

HSL 157.91, 1%, 0.68%

LAB 90.66, -56.05, 16.36

 

CMYK 90 / 0 / 35 / 25

HEX #13BF7C

RGB 19 191 124

HSL 156.63, 0.82%, 0.41%

LAB 68.65, -55.38, 22.86

 

CMYK 99 / 0 / 39 / 32

HEX #02AD69

RGB 2 173 105

HSL 156.14, 0.98%, 0.34%

LAB 62.44, -53.56, 24.65

 

CMYK 100 / 0 / 45 / 39

HEX #009B56

RGB 0 155 86

HSL 153.29, 1%, 0.3%

LAB 56.2, -50.98, 26.63

 

CMYK 100 / 0 / 51 / 46

HEX #008943

RGB 0 137 67

HSL 149.34, 1%, 0.27%

LAB 49.85, -48.13, 28.68

 

CMYK 100 / 0 / 60 / 53

HEX #007730

RGB 0 119 48

HSL 144.2, 1%, 0.23%

LAB 43.37, -45.03, 30.7

 

CMYK 90 / 0 / 35 / 25

HEX #13BE7B

RGB 19 190 123

HSL 156.49, 0.82%, 0.41%

LAB 68.31, -55.22, 22.93

 

CMYK 90 / 0 / 59 / 25

HEX #13BE4D

RGB 19 190 77

HSL 140.35, 0.82%, 0.41%

LAB 67.65, -63.06, 45.23

 

CMYK 90 / 0 / 84 / 25

HEX #13BE1F

RGB 19 190 31

HSL 124.21, 0.82%, 0.41%

LAB 67.33, -67.17, 61.85

 

CMYK 72 / 0 / 90 / 25

HEX #35BE13

RGB 53 190 19

HSL 108.07, 0.82%, 0.41%

LAB 67.75, -63.59, 64.94

 

CMYK 48 / 0 / 90 / 25

HEX #63BE13

RGB 99 190 19

HSL 91.93, 0.82%, 0.41%

LAB 69.13, -52.34, 66.67

 

CMYK 90 / 0 / 35 / 25

HEX #13BE7B

RGB 19 190 123

HSL 156.49, 0.82%, 0.41%

LAB 68.31, -55.22, 22.93

 

CMYK 90 / 0 / 11 / 25

HEX #13BEAA

RGB 19 190 170

HSL 172.98, 0.82%, 0.41%

LAB 69.38, -43.68, -1.07

 

CMYK 90 / 13 / 0 / 25

HEX #13A5BE

RGB 19 165 190

HSL 188.77, 0.82%, 0.41%

LAB 62.31, -25.88, -22.74

 

CMYK 90 / 38 / 0 / 25

HEX #1376BE

RGB 19 118 190

HSL 205.26, 0.82%, 0.41%

LAB 48.02, 0.35, -45.05

 

CMYK 90 / 62 / 0 / 25

HEX #1348BE

RGB 19 72 190

HSL 221.4, 0.82%, 0.41%

LAB 34.98, 30.23, -66.11

 

CMYK 90 / 0 / 35 / 25

HEX #13BE7B

RGB 19 190 123

HSL 156.49, 0.82%, 0.41%

LAB 68.31, -55.22, 22.93

 

CMYK 99 / 0 / 39 / 19

HEX #02CF7F

RGB 2 207 127

HSL 156.59, 0.98%, 0.41%

LAB 73.66, -61.17, 27.99

 

CMYK 90 / 0 / 35 / 25

HEX #13BE7B

RGB 19 190 123

HSL 156.49, 0.82%, 0.41%

LAB 68.31, -55.22, 22.93

 

CMYK 79 / 0 / 31 / 32

HEX #24AD78

RGB 36 173 120

HSL 156.79, 0.66%, 0.41%

LAB 63.03, -47.96, 17.37

 

CMYK 66 / 0 / 26 / 39

HEX #359C74

RGB 53 156 116

HSL 156.7, 0.49%, 0.41%

LAB 57.84, -39.31, 12.44

 

CMYK 50 / 0 / 20 / 45

HEX #468C70

RGB 70 140 112

HSL 156, 0.33%, 0.41%

LAB 53.2, -29.1, 8.25

 

CMYK 30 / 0 / 11 / 52

HEX #567B6D

RGB 86 123 109

HSL 157.3, 0.18%, 0.41%

LAB 48.57, -16.29, 3.48

 

CMYK 90 / 0 / 84 / 25

HEX #13BE1E

RGB 19 190 30

HSL 123.86, 0.82%, 0.41%

LAB 67.32, -67.22, 62.1

 

CMYK 90 / 0 / 60 / 25

HEX #13BE4C

RGB 19 190 76

HSL 140, 0.82%, 0.41%

LAB 67.64, -63.19, 45.68

 

CMYK 90 / 0 / 36 / 25

HEX #13BE7A

RGB 19 190 122

HSL 156.14, 0.82%, 0.41%

LAB 68.29, -55.43, 23.44

 

CMYK 90 / 0 / 12 / 25

HEX #13BEA7

RGB 19 190 167

HSL 171.93, 0.82%, 0.41%

LAB 69.29, -44.51, 0.46

 

CMYK 90 / 12 / 0 / 25

HEX #13A7BE

RGB 19 167 190

HSL 188.07, 0.82%, 0.41%

LAB 62.92, -26.89, -21.81

 

CMYK 90 / 0 / 35 / 55

HEX #0B734B

RGB 11 115 75

HSL 156.92, 0.83%, 0.25%

LAB 42.52, -37.42, 14.63

 

CMYK 90 / 0 / 35 / 40

HEX #0F9963

RGB 15 153 99

HSL 156.52, 0.82%, 0.33%

LAB 55.87, -46.74, 19.12

 

CMYK 90 / 0 / 35 / 25

HEX #13BE7B

RGB 19 190 123

HSL 156.49, 0.82%, 0.41%

LAB 68.31, -55.22, 22.93

 

CMYK 90 / 0 / 35 / 11

HEX #17E494

RGB 23 228 148

HSL 156.59, 0.82%, 0.49%

LAB 80.63, -63.53, 26.52

 

CMYK 76 / 0 / 29 / 8

HEX #38EBA6

RGB 56 235 166

HSL 156.87, 0.82%, 0.57%

LAB 83.45, -59.6, 21.15

 

CMYK 90 / 0 / 35 / 25

HEX #13BF7C

RGB 19 191 124

HSL 156.63, 0.82%, 0.41%

LAB 68.65, -55.38, 22.86

 

CMYK 90 / 72 / 0 / 25

HEX #1335BE

RGB 19 53 190

HSL 228.07, 0.82%, 0.41%

LAB 30.41, 42.42, -73.65

 

CMYK 0 / 72 / 90 / 25

HEX #BE3513

RGB 190 53 19

HSL 11.93, 0.82%, 0.41%

LAB 43.57, 53.13, 49.61

 

CMYK 90 / 0 / 35 / 25

HEX #13BF7C

RGB 19 191 124

HSL 156.63, 0.82%, 0.41%

LAB 68.65, -55.38, 22.86

 

CMYK 36 / 90 / 0 / 25

HEX #7A13BE

RGB 122 19 190

HSL 276.14, 0.82%, 0.41%

LAB 34.64, 66.45, -66.36

 

CMYK 0 / 36 / 90 / 25

HEX #BE7A13

RGB 190 122 19

HSL 36.14, 0.82%, 0.41%

LAB 56.99, 19.31, 59.74

 

CMYK 90 / 0 / 35 / 25

HEX #13BF7C

RGB 19 191 124

HSL 156.63, 0.82%, 0.41%

LAB 68.65, -55.38, 22.86

 

CMYK 90 / 72 / 0 / 25

HEX #1335BE

RGB 19 53 190

HSL 228.07, 0.82%, 0.41%

LAB 30.41, 42.42, -73.65

 

CMYK 0 / 90 / 54 / 25

HEX #BE1357

RGB 190 19 87

HSL 336.14, 0.82%, 0.41%

LAB 41.38, 65.11, 8.3

 

CMYK 0 / 18 / 90 / 25

HEX #BE9C13

RGB 190 156 19

HSL 48.07, 0.82%, 0.41%

LAB 65.57, 0.68, 66.37

 

CMYK 90 / 0 / 35 / 25

HEX #13BF7C

RGB 19 191 124

HSL 156.63, 0.82%, 0.41%

LAB 68.65, -55.38, 22.86

 

CMYK 81 / 90 / 0 / 25

HEX #2413BE

RGB 36 19 190

HSL 245.96, 0.82%, 0.41%

LAB 25.44, 59.42, -81.88

 

CMYK 0 / 90 / 54 / 25

HEX #BE1357

RGB 190 19 87

HSL 336.14, 0.82%, 0.41%

LAB 41.38, 65.11, 8.3

 

CMYK 9 / 0 / 90 / 25

HEX #ADBE13

RGB 173 190 19

HSL 65.96, 0.82%, 0.41%

LAB 73.39, -24.32, 71.9

 

Description

Color code: HEX #13BF7C | qconv.com Color code: HEX #13BF7C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 191 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 191 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 35 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 35% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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