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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13B73B it is the complementary color #EC48C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13B73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13B73B shade: #18B736, #29C949, #3ADB5C, #4BED6F and #5CFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13B73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13B73B shade: #13B73B, #02A528, #009315, #008102 and #006F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13B73B shade: #13B93C, #18B913, #44B913, #71B913 and #9DB913

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13B73B shade: #13B93C, #13B968, #13B995, #13B0B9 and #1383B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13B73B shade matches the following richer shades: #13B93C and #03C933

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13B73B shade: #13B93C, #24A844, #34984D, #458755 and #55775D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13B73B shade: #45B913, #19B913, #13B93A, #13B966 and #13B992

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13B73B shade: #0C6E24, #0F9330, #13B93C, #17DE48 and #35EA61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13B73B shade: #13B73B, #1371B9 and #B9132F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13B73B shade: #13B73B, #3A13B9 and #B93A13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13B73B shade: #13B73B, #1371B9, #B91392 and #B95B13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13B73B shade: #13B73B, #133FB9, #B91392 and #B98D13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 68 / 28

HEX #13B73B

RGB 19 183 59

HSL 134.63, 0.81%, 0.4%

LAB 65.22, -62.99, 50.36

 

Complementary color

CMYK 0 / 69 / 17 / 7

HEX #EC48C4

RGB 236 72 196

HSL 314.63, 0.81%, 0.6%

LAB 58.46, 74.06, -30.76

 

CMYK 87 / 0 / 70 / 28

HEX #18B736

RGB 24 183 54

HSL 131.32, 0.77%, 0.41%

LAB 65.22, -63.09, 52.38

 

CMYK 80 / 0 / 64 / 21

HEX #29C949

RGB 41 201 73

HSL 132, 0.66%, 0.47%

LAB 71.37, -64.99, 51.31

 

CMYK 74 / 0 / 58 / 14

HEX #3ADB5C

RGB 58 219 92

HSL 132.67, 0.69%, 0.54%

LAB 77.48, -66.3, 50.01

 

CMYK 68 / 0 / 53 / 7

HEX #4BED6F

RGB 75 237 111

HSL 133.33, 0.82%, 0.61%

LAB 83.55, -67.16, 48.62

 

CMYK 64 / 0 / 49 / 0

HEX #5CFF82

RGB 92 255 130

HSL 133.99, 1%, 0.68%

LAB 89.58, -67.72, 47.23

 

CMYK 90 / 0 / 68 / 28

HEX #13B73B

RGB 19 183 59

HSL 134.63, 0.81%, 0.4%

LAB 65.22, -62.99, 50.36

 

CMYK 99 / 0 / 76 / 35

HEX #02A528

RGB 2 165 40

HSL 133.99, 0.98%, 0.33%

LAB 59.04, -60.27, 51.21

 

CMYK 100 / 0 / 86 / 42

HEX #009315

RGB 0 147 21

HSL 128.57, 1%, 0.29%

LAB 52.86, -56.39, 51.2

 

CMYK 100 / 0 / 98 / 49

HEX #008102

RGB 0 129 2

HSL 120.93, 1%, 0.25%

LAB 46.58, -51.91, 49.77

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 90 / 0 / 68 / 27

HEX #13B93C

RGB 19 185 60

HSL 134.82, 0.81%, 0.4%

LAB 65.88, -63.49, 50.66

 

CMYK 87 / 0 / 90 / 27

HEX #18B913

RGB 24 185 19

HSL 118.19, 0.81%, 0.4%

LAB 65.7, -65.86, 63.02

 

CMYK 63 / 0 / 90 / 27

HEX #44B913

RGB 68 185 19

HSL 102.29, 0.81%, 0.4%

LAB 66.5, -58.95, 64.02

 

CMYK 39 / 0 / 90 / 27

HEX #71B913

RGB 113 185 19

HSL 86.02, 0.81%, 0.4%

LAB 68.21, -45.73, 66.15

 

CMYK 15 / 0 / 90 / 27

HEX #9DB913

RGB 157 185 19

HSL 70.12, 0.81%, 0.4%

LAB 70.81, -28.64, 69.35

 

CMYK 90 / 0 / 68 / 27

HEX #13B93C

RGB 19 185 60

HSL 134.82, 0.81%, 0.4%

LAB 65.88, -63.49, 50.66

 

CMYK 90 / 0 / 44 / 27

HEX #13B968

RGB 19 185 104

HSL 150.72, 0.81%, 0.4%

LAB 66.39, -57.18, 30.39

 

CMYK 90 / 0 / 19 / 27

HEX #13B995

RGB 19 185 149

HSL 166.99, 0.81%, 0.4%

LAB 67.28, -47.2, 7.42

 

CMYK 90 / 5 / 0 / 27

HEX #13B0B9

RGB 19 176 185

HSL 183.25, 0.81%, 0.4%

LAB 65.51, -32.9, -15.1

 

CMYK 90 / 29 / 0 / 27

HEX #1383B9

RGB 19 131 185

HSL 199.52, 0.81%, 0.4%

LAB 51.69, -9.29, -36.37

 

CMYK 90 / 0 / 68 / 27

HEX #13B93C

RGB 19 185 60

HSL 134.82, 0.81%, 0.4%

LAB 65.88, -63.49, 50.66

 

CMYK 99 / 0 / 75 / 21

HEX #03C933

RGB 3 201 51

HSL 134.55, 0.97%, 0.4%

LAB 70.89, -69.78, 59.25

 

CMYK 90 / 0 / 68 / 27

HEX #13B93C

RGB 19 185 60

HSL 134.82, 0.81%, 0.4%

LAB 65.88, -63.49, 50.66

 

CMYK 79 / 0 / 60 / 34

HEX #24A844

RGB 36 168 68

HSL 134.55, 0.65%, 0.4%

LAB 60.6, -55.42, 41.25

 

CMYK 66 / 0 / 49 / 40

HEX #34984D

RGB 52 152 77

HSL 135, 0.49%, 0.4%

LAB 55.81, -45.56, 31.05

 

CMYK 49 / 0 / 37 / 47

HEX #458755

RGB 69 135 85

HSL 134.55, 0.32%, 0.4%

LAB 50.98, -32.69, 20.56

 

CMYK 29 / 0 / 22 / 53

HEX #55775D

RGB 85 119 93

HSL 134.12, 0.17%, 0.4%

LAB 46.86, -17.93, 10.46

 

CMYK 63 / 0 / 90 / 27

HEX #45B913

RGB 69 185 19

HSL 101.93, 0.81%, 0.4%

LAB 66.53, -58.72, 64.06

 

CMYK 86 / 0 / 90 / 27

HEX #19B913

RGB 25 185 19

HSL 117.83, 0.81%, 0.4%

LAB 65.71, -65.78, 63.03

 

CMYK 90 / 0 / 69 / 27

HEX #13B93A

RGB 19 185 58

HSL 134.1, 0.81%, 0.4%

LAB 65.86, -63.7, 51.45

 

CMYK 90 / 0 / 45 / 27

HEX #13B966

RGB 19 185 102

HSL 150, 0.81%, 0.4%

LAB 66.36, -57.54, 31.38

 

CMYK 90 / 0 / 21 / 27

HEX #13B992

RGB 19 185 146

HSL 165.9, 0.81%, 0.4%

LAB 67.21, -47.97, 8.97

 

CMYK 89 / 0 / 67 / 57

HEX #0C6E24

RGB 12 110 36

HSL 134.69, 0.8%, 0.24%

LAB 40.18, -42.54, 33.01

 

CMYK 90 / 0 / 67 / 42

HEX #0F9330

RGB 15 147 48

HSL 135, 0.81%, 0.32%

LAB 53.15, -53.19, 41.88

 

CMYK 90 / 0 / 68 / 27

HEX #13B93C

RGB 19 185 60

HSL 134.82, 0.81%, 0.4%

LAB 65.88, -63.49, 50.66

 

CMYK 90 / 0 / 68 / 13

HEX #17DE48

RGB 23 222 72

HSL 134.77, 0.81%, 0.48%

LAB 77.81, -73.08, 58.72

 

CMYK 77 / 0 / 59 / 8

HEX #35EA61

RGB 53 234 97

HSL 134.59, 0.81%, 0.56%

LAB 82.09, -71.21, 53.13

 

CMYK 90 / 0 / 68 / 28

HEX #13B73B

RGB 19 183 59

HSL 134.63, 0.81%, 0.4%

LAB 65.22, -62.99, 50.36

 

CMYK 90 / 39 / 0 / 27

HEX #1371B9

RGB 19 113 185

HSL 206.02, 0.81%, 0.4%

LAB 46.25, 1.48, -44.99

 

CMYK 0 / 90 / 75 / 27

HEX #B9132F

RGB 185 19 47

HSL 349.88, 0.81%, 0.4%

LAB 39.56, 61.62, 30.91

 

CMYK 90 / 0 / 68 / 28

HEX #13B73B

RGB 19 183 59

HSL 134.63, 0.81%, 0.4%

LAB 65.22, -62.99, 50.36

 

CMYK 69 / 90 / 0 / 27

HEX #3A13B9

RGB 58 19 185

HSL 254.1, 0.81%, 0.4%

LAB 26.36, 59.12, -77.34

 

CMYK 0 / 69 / 90 / 27

HEX #B93A13

RGB 185 58 19

HSL 14.1, 0.81%, 0.4%

LAB 43.34, 49.52, 49.02

 

CMYK 90 / 0 / 68 / 28

HEX #13B73B

RGB 19 183 59

HSL 134.63, 0.81%, 0.4%

LAB 65.22, -62.99, 50.36

 

CMYK 90 / 39 / 0 / 27

HEX #1371B9

RGB 19 113 185

HSL 206.02, 0.81%, 0.4%

LAB 46.25, 1.48, -44.99

 

CMYK 0 / 90 / 21 / 27

HEX #B91392

RGB 185 19 146

HSL 314.1, 0.81%, 0.4%

LAB 42.54, 69.83, -26.75

 

CMYK 0 / 51 / 90 / 27

HEX #B95B13

RGB 185 91 19

HSL 26.02, 0.81%, 0.4%

LAB 49.31, 33.95, 53.55

 

CMYK 90 / 0 / 68 / 28

HEX #13B73B

RGB 19 183 59

HSL 134.63, 0.81%, 0.4%

LAB 65.22, -62.99, 50.36

 

CMYK 90 / 66 / 0 / 27

HEX #133FB9

RGB 19 63 185

HSL 224.1, 0.81%, 0.4%

LAB 32.25, 34.23, -67.66

 

CMYK 0 / 90 / 21 / 27

HEX #B91392

RGB 185 19 146

HSL 314.1, 0.81%, 0.4%

LAB 42.54, 69.83, -26.75

 

CMYK 0 / 24 / 90 / 27

HEX #B98D13

RGB 185 141 19

HSL 44.1, 0.81%, 0.4%

LAB 61.14, 6.59, 62.7

 

Description

Color code: HEX #13B73B | qconv.com Color code: HEX #13B73B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 183 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 183 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 68 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 68% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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