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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13B68F it is the complementary color #EC4970. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13B68F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13B68F shade: #18B68A, #29C89D, #3ADAB0, #4BECC3 and #5CFED6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13B68F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13B68F shade: #13B68F, #02A47C, #009269, #008056 and #006E43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13B68F shade: #13B48D, #13B462, #13B437, #1BB413 and #46B413

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13B68F shade: #13B48D, #13AFB4, #1384B4, #1358B4 and #132DB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13B68F shade matches the following richer shades: #13B48D and #03C496

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13B68F shade: #13B48D, #23A485, #33947D, #438474 and #53746C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13B68F shade: #13B436, #13B461, #13B48C, #13B1B4 and #1386B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13B68F shade: #0B6953, #0F8F70, #13B48D, #17D9AB and #30E9BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13B68F shade: #13B68F, #131BB4 and #B44B13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13B68F shade: #13B68F, #8C13B4 and #B48C13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13B68F shade: #13B68F, #131BB4, #B4133B and #B4AC13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13B68F shade: #13B68F, #3B13B4, #B4133B and #8CB413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 21 / 29

HEX #13B68F

RGB 19 182 143

HSL 165.64, 0.81%, 0.39%

LAB 66.2, -47.51, 9.17

 

Complementary color

CMYK 0 / 69 / 53 / 7

HEX #EC4970

RGB 236 73 112

HSL 345.64, 0.81%, 0.61%

LAB 55.85, 64.66, 14.5

 

CMYK 87 / 0 / 24 / 29

HEX #18B68A

RGB 24 182 138

HSL 163.29, 0.77%, 0.4%

LAB 66.12, -48.43, 11.81

 

CMYK 80 / 0 / 22 / 22

HEX #29C89D

RGB 41 200 157

HSL 163.77, 0.66%, 0.47%

LAB 72.37, -49.59, 10.36

 

CMYK 73 / 0 / 19 / 15

HEX #3ADAB0

RGB 58 218 176

HSL 164.25, 0.68%, 0.54%

LAB 78.56, -50.41, 9.05

 

CMYK 68 / 0 / 17 / 7

HEX #4BECC3

RGB 75 236 195

HSL 164.72, 0.81%, 0.61%

LAB 84.7, -50.98, 7.85

 

CMYK 64 / 0 / 16 / 0

HEX #5CFED6

RGB 92 254 214

HSL 165.19, 0.99%, 0.68%

LAB 90.79, -51.37, 6.75

 

CMYK 90 / 0 / 21 / 29

HEX #13B68F

RGB 19 182 143

HSL 165.64, 0.81%, 0.39%

LAB 66.2, -47.51, 9.17

 

CMYK 99 / 0 / 24 / 36

HEX #02A47C

RGB 2 164 124

HSL 165.19, 0.98%, 0.33%

LAB 59.91, -45.81, 10.76

 

CMYK 100 / 0 / 28 / 43

HEX #009269

RGB 0 146 105

HSL 163.15, 1%, 0.29%

LAB 53.58, -43.42, 12.57

 

CMYK 100 / 0 / 33 / 50

HEX #008056

RGB 0 128 86

HSL 160.31, 1%, 0.25%

LAB 47.12, -40.85, 14.51

 

CMYK 100 / 0 / 39 / 57

HEX #006E43

RGB 0 110 67

HSL 156.55, 1%, 0.22%

LAB 40.5, -38.15, 16.57

 

CMYK 89 / 0 / 22 / 29

HEX #13B48D

RGB 19 180 141

HSL 165.47, 0.81%, 0.39%

LAB 65.52, -47.2, 9.3

 

CMYK 89 / 0 / 46 / 29

HEX #13B462

RGB 19 180 98

HSL 149.44, 0.81%, 0.39%

LAB 64.69, -56.52, 31.3

 

CMYK 89 / 0 / 69 / 29

HEX #13B437

RGB 19 180 55

HSL 133.42, 0.81%, 0.39%

LAB 64.21, -62.47, 50.9

 

CMYK 85 / 0 / 89 / 29

HEX #1BB413

RGB 27 180 19

HSL 117.02, 0.81%, 0.39%

LAB 64.1, -64.14, 61.65

 

CMYK 61 / 0 / 89 / 29

HEX #46B413

RGB 70 180 19

HSL 100.99, 0.81%, 0.39%

LAB 64.96, -56.78, 62.73

 

CMYK 89 / 0 / 22 / 29

HEX #13B48D

RGB 19 180 141

HSL 165.47, 0.81%, 0.39%

LAB 65.52, -47.2, 9.3

 

CMYK 89 / 3 / 0 / 29

HEX #13AFB4

RGB 19 175 180

HSL 181.86, 0.81%, 0.39%

LAB 65.04, -33.99, -13.03

 

CMYK 89 / 27 / 0 / 29

HEX #1384B4

RGB 19 132 180

HSL 197.89, 0.81%, 0.39%

LAB 51.77, -11.72, -33.39

 

CMYK 89 / 51 / 0 / 29

HEX #1358B4

RGB 19 88 180

HSL 214.29, 0.81%, 0.39%

LAB 38.57, 15.58, -54.39

 

CMYK 89 / 75 / 0 / 29

HEX #132DB4

RGB 19 45 180

HSL 230.31, 0.81%, 0.39%

LAB 27.6, 43.66, -72.36

 

CMYK 89 / 0 / 22 / 29

HEX #13B48D

RGB 19 180 141

HSL 165.47, 0.81%, 0.39%

LAB 65.52, -47.2, 9.3

 

CMYK 98 / 0 / 23 / 23

HEX #03C496

RGB 3 196 150

HSL 165.7, 0.97%, 0.39%

LAB 70.66, -51.99, 11.68

 

CMYK 89 / 0 / 22 / 29

HEX #13B48D

RGB 19 180 141

HSL 165.47, 0.81%, 0.39%

LAB 65.52, -47.2, 9.3

 

CMYK 79 / 0 / 19 / 36

HEX #23A485

RGB 35 164 133

HSL 165.58, 0.65%, 0.39%

LAB 60.43, -41.23, 6.51

 

CMYK 66 / 0 / 16 / 42

HEX #33947D

RGB 51 148 125

HSL 165.77, 0.49%, 0.39%

LAB 55.45, -33.87, 3.92

 

CMYK 49 / 0 / 12 / 48

HEX #438474

RGB 67 132 116

HSL 165.23, 0.33%, 0.39%

LAB 50.64, -24.95, 2.24

 

CMYK 28 / 0 / 7 / 55

HEX #53746C

RGB 83 116 108

HSL 165.45, 0.17%, 0.39%

LAB 46.19, -13.68, 0.6

 

CMYK 89 / 0 / 70 / 29

HEX #13B436

RGB 19 180 54

HSL 133.04, 0.81%, 0.39%

LAB 64.2, -62.57, 51.28

 

CMYK 89 / 0 / 46 / 29

HEX #13B461

RGB 19 180 97

HSL 149.07, 0.81%, 0.39%

LAB 64.68, -56.7, 31.8

 

CMYK 89 / 0 / 22 / 29

HEX #13B48C

RGB 19 180 140

HSL 165.09, 0.81%, 0.39%

LAB 65.49, -47.45, 9.82

 

CMYK 89 / 2 / 0 / 29

HEX #13B1B4

RGB 19 177 180

HSL 181.12, 0.81%, 0.39%

LAB 65.65, -34.92, -12.1

 

CMYK 89 / 26 / 0 / 29

HEX #1386B4

RGB 19 134 180

HSL 197.14, 0.81%, 0.39%

LAB 52.38, -12.85, -32.43

 

CMYK 90 / 0 / 21 / 59

HEX #0B6953

RGB 11 105 83

HSL 165.96, 0.81%, 0.23%

LAB 39.24, -31.03, 5.27

 

CMYK 90 / 0 / 22 / 44

HEX #0F8F70

RGB 15 143 112

HSL 165.47, 0.81%, 0.31%

LAB 52.86, -39.56, 7.58

 

CMYK 89 / 0 / 22 / 29

HEX #13B48D

RGB 19 180 141

HSL 165.47, 0.81%, 0.39%

LAB 65.52, -47.2, 9.3

 

CMYK 89 / 0 / 21 / 15

HEX #17D9AB

RGB 23 217 171

HSL 165.77, 0.81%, 0.47%

LAB 77.73, -54.29, 10.45

 

CMYK 79 / 0 / 19 / 9

HEX #30E9BD

RGB 48 233 189

HSL 165.73, 0.81%, 0.55%

LAB 83.22, -54.41, 8.82

 

CMYK 90 / 0 / 21 / 29

HEX #13B68F

RGB 19 182 143

HSL 165.64, 0.81%, 0.39%

LAB 66.2, -47.51, 9.17

 

CMYK 89 / 85 / 0 / 29

HEX #131BB4

RGB 19 27 180

HSL 237.02, 0.81%, 0.39%

LAB 24.38, 52.99, -77.71

 

CMYK 0 / 58 / 89 / 29

HEX #B44B13

RGB 180 75 19

HSL 20.87, 0.81%, 0.39%

LAB 45.33, 40.07, 50.16

 

CMYK 90 / 0 / 21 / 29

HEX #13B68F

RGB 19 182 143

HSL 165.64, 0.81%, 0.39%

LAB 66.2, -47.51, 9.17

 

CMYK 22 / 89 / 0 / 29

HEX #8C13B4

RGB 140 19 180

HSL 285.09, 0.81%, 0.39%

LAB 36.62, 66.99, -57.09

 

CMYK 0 / 22 / 89 / 29

HEX #B48C13

RGB 180 140 19

HSL 45.09, 0.81%, 0.39%

LAB 60.34, 4.88, 61.84

 

CMYK 90 / 0 / 21 / 29

HEX #13B68F

RGB 19 182 143

HSL 165.64, 0.81%, 0.39%

LAB 66.2, -47.51, 9.17

 

CMYK 89 / 85 / 0 / 29

HEX #131BB4

RGB 19 27 180

HSL 237.02, 0.81%, 0.39%

LAB 24.38, 52.99, -77.71

 

CMYK 0 / 89 / 67 / 29

HEX #B4133B

RGB 180 19 59

HSL 345.09, 0.81%, 0.39%

LAB 38.7, 60.85, 22.14

 

CMYK 0 / 4 / 89 / 29

HEX #B4AC13

RGB 180 172 19

HSL 57.02, 0.81%, 0.39%

LAB 68.94, -12.24, 68.61

 

CMYK 90 / 0 / 21 / 29

HEX #13B68F

RGB 19 182 143

HSL 165.64, 0.81%, 0.39%

LAB 66.2, -47.51, 9.17

 

CMYK 67 / 89 / 0 / 29

HEX #3B13B4

RGB 59 19 180

HSL 254.91, 0.81%, 0.39%

LAB 25.84, 57.86, -75.22

 

CMYK 0 / 89 / 67 / 29

HEX #B4133B

RGB 180 19 59

HSL 345.09, 0.81%, 0.39%

LAB 38.7, 60.85, 22.14

 

CMYK 22 / 0 / 89 / 29

HEX #8CB413

RGB 140 180 19

HSL 74.91, 0.81%, 0.39%

LAB 68.22, -33.29, 66.77

 

Description

Color code: HEX #13B68F | qconv.com Color code: HEX #13B68F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 182 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 182 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 21 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 21% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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