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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13B277 it is the complementary color #EC4D88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13B277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13B277 shade: #18B272, #29C485, #3AD698, #4BE8AB and #5CFABE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13B277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13B277 shade: #13B277, #02A064, #008E51, #007C3E and #006A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13B277 shade: #13B478, #13B44D, #13B421, #30B413 and #5BB413

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13B277 shade: #13B478, #13B4A4, #1399B4, #136DB4 and #1342B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13B277 shade matches the following richer shades: #13B478 and #03C47C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13B277 shade: #13B478, #23A474, #339470, #43846C and #537468

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13B277 shade: #13B420, #13B44B, #13B476, #13B4A1 and #139CB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13B277 shade: #0B6946, #0F8F5F, #13B478, #17D991 and #30E9A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13B277 shade: #13B277, #1330B4 and #B43613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13B277 shade: #13B277, #7613B4 and #B47613

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13B277 shade: #13B277, #1330B4, #B41351 and #B49613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13B277 shade: #13B277, #2613B4, #B41351 and #A1B413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 33 / 30

HEX #13B277

RGB 19 178 119

HSL 157.74, 0.81%, 0.39%

LAB 64.41, -51.61, 19.78

 

Complementary color

CMYK 0 / 67 / 42 / 7

HEX #EC4D88

RGB 236 77 136

HSL 337.74, 0.81%, 0.61%

LAB 57, 65.26, 1.93

 

CMYK 87 / 0 / 36 / 30

HEX #18B272

RGB 24 178 114

HSL 155.06, 0.76%, 0.4%

LAB 64.36, -52.33, 22.42

 

CMYK 79 / 0 / 32 / 23

HEX #29C485

RGB 41 196 133

HSL 155.61, 0.65%, 0.46%

LAB 70.63, -53.5, 20.8

 

CMYK 73 / 0 / 29 / 16

HEX #3AD698

RGB 58 214 152

HSL 156.15, 0.66%, 0.53%

LAB 76.84, -54.29, 19.32

 

CMYK 68 / 0 / 26 / 9

HEX #4BE8AB

RGB 75 232 171

HSL 156.69, 0.77%, 0.6%

LAB 82.99, -54.8, 17.97

 

CMYK 63 / 0 / 24 / 2

HEX #5CFABE

RGB 92 250 190

HSL 157.22, 0.94%, 0.67%

LAB 89.09, -55.12, 16.73

 

CMYK 89 / 0 / 33 / 30

HEX #13B277

RGB 19 178 119

HSL 157.74, 0.81%, 0.39%

LAB 64.41, -51.61, 19.78

 

CMYK 99 / 0 / 38 / 37

HEX #02A064

RGB 2 160 100

HSL 157.22, 0.98%, 0.32%

LAB 58.11, -49.85, 21.57

 

CMYK 100 / 0 / 43 / 44

HEX #008E51

RGB 0 142 81

HSL 154.23, 1%, 0.28%

LAB 51.77, -47.28, 23.57

 

CMYK 100 / 0 / 50 / 51

HEX #007C3E

RGB 0 124 62

HSL 150, 1%, 0.24%

LAB 45.31, -44.43, 25.65

 

CMYK 100 / 0 / 59 / 58

HEX #006A2B

RGB 0 106 43

HSL 144.34, 1%, 0.21%

LAB 38.69, -41.31, 27.74

 

CMYK 89 / 0 / 33 / 29

HEX #13B478

RGB 19 180 120

HSL 157.64, 0.81%, 0.39%

LAB 65.07, -52.15, 20.14

 

CMYK 89 / 0 / 57 / 29

HEX #13B44D

RGB 19 180 77

HSL 141.61, 0.81%, 0.39%

LAB 64.42, -59.87, 41.43

 

CMYK 89 / 0 / 82 / 29

HEX #13B421

RGB 19 180 33

HSL 125.22, 0.81%, 0.39%

LAB 64.07, -64.18, 58.32

 

CMYK 73 / 0 / 89 / 29

HEX #30B413

RGB 48 180 19

HSL 109.19, 0.81%, 0.39%

LAB 64.42, -61.33, 62.05

 

CMYK 49 / 0 / 89 / 29

HEX #5BB413

RGB 91 180 19

HSL 93.17, 0.81%, 0.39%

LAB 65.68, -50.99, 63.63

 

CMYK 89 / 0 / 33 / 29

HEX #13B478

RGB 19 180 120

HSL 157.64, 0.81%, 0.39%

LAB 65.07, -52.15, 20.14

 

CMYK 89 / 0 / 9 / 29

HEX #13B4A4

RGB 19 180 164

HSL 174.04, 0.81%, 0.39%

LAB 66.11, -41.02, -2.55

 

CMYK 89 / 15 / 0 / 29

HEX #1399B4

RGB 19 153 180

HSL 190.06, 0.81%, 0.39%

LAB 58.24, -23.12, -23.35

 

CMYK 89 / 39 / 0 / 29

HEX #136DB4

RGB 19 109 180

HSL 206.46, 0.81%, 0.39%

LAB 44.76, 2.01, -44.46

 

CMYK 89 / 63 / 0 / 29

HEX #1342B4

RGB 19 66 180

HSL 222.48, 0.81%, 0.39%

LAB 32.55, 30.32, -64.21

 

CMYK 89 / 0 / 33 / 29

HEX #13B478

RGB 19 180 120

HSL 157.64, 0.81%, 0.39%

LAB 65.07, -52.15, 20.14

 

CMYK 98 / 0 / 37 / 23

HEX #03C47C

RGB 3 196 124

HSL 157.62, 0.97%, 0.39%

LAB 70.14, -57.87, 24.86

 

CMYK 89 / 0 / 33 / 29

HEX #13B478

RGB 19 180 120

HSL 157.64, 0.81%, 0.39%

LAB 65.07, -52.15, 20.14

 

CMYK 79 / 0 / 29 / 36

HEX #23A474

RGB 35 164 116

HSL 157.67, 0.65%, 0.39%

LAB 60.04, -45.38, 15.45

 

CMYK 66 / 0 / 24 / 42

HEX #339470

RGB 51 148 112

HSL 157.73, 0.49%, 0.39%

LAB 55.13, -37.11, 10.88

 

CMYK 49 / 0 / 18 / 48

HEX #43846C

RGB 67 132 108

HSL 157.85, 0.33%, 0.39%

LAB 50.43, -26.92, 6.6

 

CMYK 28 / 0 / 10 / 55

HEX #537468

RGB 83 116 104

HSL 158.18, 0.17%, 0.39%

LAB 46.08, -14.61, 2.82

 

CMYK 89 / 0 / 82 / 29

HEX #13B420

RGB 19 180 32

HSL 124.84, 0.81%, 0.39%

LAB 64.07, -64.24, 58.6

 

CMYK 89 / 0 / 58 / 29

HEX #13B44B

RGB 19 180 75

HSL 140.87, 0.81%, 0.39%

LAB 64.39, -60.14, 42.35

 

CMYK 89 / 0 / 34 / 29

HEX #13B476

RGB 19 180 118

HSL 156.89, 0.81%, 0.39%

LAB 65.03, -52.58, 21.17

 

CMYK 89 / 0 / 11 / 29

HEX #13B4A1

RGB 19 180 161

HSL 172.92, 0.81%, 0.39%

LAB 66.02, -41.87, -1.01

 

CMYK 89 / 13 / 0 / 29

HEX #139CB4

RGB 19 156 180

HSL 188.94, 0.81%, 0.39%

LAB 59.17, -24.66, -21.93

 

CMYK 90 / 0 / 33 / 59

HEX #0B6946

RGB 11 105 70

HSL 157.66, 0.81%, 0.23%

LAB 38.93, -34.46, 12.67

 

CMYK 90 / 0 / 34 / 44

HEX #0F8F5F

RGB 15 143 95

HSL 157.5, 0.81%, 0.31%

LAB 52.48, -43.74, 16.74

 

CMYK 89 / 0 / 33 / 29

HEX #13B478

RGB 19 180 120

HSL 157.64, 0.81%, 0.39%

LAB 65.07, -52.15, 20.14

 

CMYK 89 / 0 / 33 / 15

HEX #17D991

RGB 23 217 145

HSL 157.73, 0.81%, 0.47%

LAB 77.19, -60.21, 23.41

 

CMYK 79 / 0 / 29 / 9

HEX #30E9A5

RGB 48 233 165

HSL 157.95, 0.81%, 0.55%

LAB 82.71, -59.91, 20.63

 

CMYK 89 / 0 / 33 / 30

HEX #13B277

RGB 19 178 119

HSL 157.74, 0.81%, 0.39%

LAB 64.41, -51.61, 19.78

 

CMYK 89 / 73 / 0 / 29

HEX #1330B4

RGB 19 48 180

HSL 229.19, 0.81%, 0.39%

LAB 28.24, 41.86, -71.3

 

CMYK 0 / 70 / 89 / 29

HEX #B43613

RGB 180 54 19

HSL 13.04, 0.81%, 0.39%

LAB 41.83, 49.42, 47.47

 

CMYK 89 / 0 / 33 / 30

HEX #13B277

RGB 19 178 119

HSL 157.74, 0.81%, 0.39%

LAB 64.41, -51.61, 19.78

 

CMYK 34 / 89 / 0 / 29

HEX #7613B4

RGB 118 19 180

HSL 276.89, 0.81%, 0.39%

LAB 33.16, 63.84, -62.89

 

CMYK 0 / 34 / 89 / 29

HEX #B47613

RGB 180 118 19

HSL 36.89, 0.81%, 0.39%

LAB 54.77, 17.1, 57.47

 

CMYK 89 / 0 / 33 / 30

HEX #13B277

RGB 19 178 119

HSL 157.74, 0.81%, 0.39%

LAB 64.41, -51.61, 19.78

 

CMYK 89 / 73 / 0 / 29

HEX #1330B4

RGB 19 48 180

HSL 229.19, 0.81%, 0.39%

LAB 28.24, 41.86, -71.3

 

CMYK 0 / 89 / 55 / 29

HEX #B41351

RGB 180 19 81

HSL 336.89, 0.81%, 0.39%

LAB 39.18, 62.21, 8.73

 

CMYK 0 / 17 / 89 / 29

HEX #B49613

RGB 180 150 19

HSL 48.82, 0.81%, 0.39%

LAB 62.98, -0.58, 63.91

 

CMYK 89 / 0 / 33 / 30

HEX #13B277

RGB 19 178 119

HSL 157.74, 0.81%, 0.39%

LAB 64.41, -51.61, 19.78

 

CMYK 79 / 89 / 0 / 29

HEX #2613B4

RGB 38 19 180

HSL 247.08, 0.81%, 0.39%

LAB 24.24, 56.73, -77.93

 

CMYK 0 / 89 / 55 / 29

HEX #B41351

RGB 180 19 81

HSL 336.89, 0.81%, 0.39%

LAB 39.18, 62.21, 8.73

 

CMYK 11 / 0 / 89 / 29

HEX #A1B413

RGB 161 180 19

HSL 67.08, 0.81%, 0.39%

LAB 69.66, -24.54, 68.54

 

Description

Color code: HEX #13B277 | qconv.com Color code: HEX #13B277 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 178 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 178 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 33 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 33% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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