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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13AF3A it is the complementary color #EC50C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13AF3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13AF3A shade: #18AF35, #29C148, #3AD35B, #4BE56E and #5CF781

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13AF3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13AF3A shade: #13AF3A, #029D27, #008B14, #007901 and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13AF3A shade: #13AE3A, #16AE13, #40AE13, #6AAE13 and #94AE13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13AF3A shade: #13AE3A, #13AE64, #13AE8E, #13A5AE and #137BAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13AF3A shade matches the following richer shades: #13AE3A and #04BE32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13AF3A shade: #13AE3A, #239F42, #338F4A, #427F52 and #527059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13AF3A shade: #3FAE13, #16AE13, #13AE3A, #13AE63 and #13AE8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13AF3A shade: #0B6421, #0F892E, #13AE3A, #18D447 and #2DE85B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13AF3A shade: #13AF3A, #1369AE and #AE132B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13AF3A shade: #13AF3A, #3A13AE and #AE3A13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13AF3A shade: #13AF3A, #1369AE, #AE1388 and #AE5913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13AF3A shade: #13AF3A, #133AAE, #AE1388 and #AE8813

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 67 / 31

HEX #13AF3A

RGB 19 175 58

HSL 135, 0.8%, 0.38%

LAB 62.6, -60.63, 47.92

 

Complementary color

CMYK 0 / 66 / 17 / 7

HEX #EC50C5

RGB 236 80 197

HSL 315, 0.8%, 0.62%

LAB 59.53, 71.35, -29.68

 

CMYK 86 / 0 / 70 / 31

HEX #18AF35

RGB 24 175 53

HSL 131.52, 0.76%, 0.39%

LAB 62.6, -60.73, 50

 

CMYK 79 / 0 / 63 / 24

HEX #29C148

RGB 41 193 72

HSL 132.24, 0.65%, 0.46%

LAB 68.81, -62.55, 48.87

 

CMYK 73 / 0 / 57 / 17

HEX #3AD35B

RGB 58 211 91

HSL 132.94, 0.63%, 0.53%

LAB 74.98, -63.76, 47.52

 

CMYK 67 / 0 / 52 / 10

HEX #4BE56E

RGB 75 229 110

HSL 133.64, 0.75%, 0.6%

LAB 81.1, -64.54, 46.11

 

CMYK 63 / 0 / 48 / 3

HEX #5CF781

RGB 92 247 129

HSL 134.32, 0.91%, 0.66%

LAB 87.18, -65.02, 44.71

 

CMYK 89 / 0 / 67 / 31

HEX #13AF3A

RGB 19 175 58

HSL 135, 0.8%, 0.38%

LAB 62.6, -60.63, 47.92

 

CMYK 99 / 0 / 75 / 38

HEX #029D27

RGB 2 157 39

HSL 134.32, 0.97%, 0.31%

LAB 56.36, -57.98, 48.87

 

CMYK 100 / 0 / 86 / 45

HEX #008B14

RGB 0 139 20

HSL 128.63, 1%, 0.27%

LAB 50.12, -54.1, 48.97

 

CMYK 100 / 0 / 99 / 53

HEX #007901

RGB 0 121 1

HSL 120.5, 1%, 0.24%

LAB 43.77, -49.61, 47.69

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 89 / 0 / 67 / 32

HEX #13AE3A

RGB 19 174 58

HSL 135.1, 0.8%, 0.38%

LAB 62.27, -60.32, 47.57

 

CMYK 87 / 0 / 89 / 32

HEX #16AE13

RGB 22 174 19

HSL 118.84, 0.8%, 0.38%

LAB 62.07, -62.86, 59.88

 

CMYK 63 / 0 / 89 / 32

HEX #40AE13

RGB 64 174 19

HSL 102.58, 0.8%, 0.38%

LAB 62.85, -56.15, 60.86

 

CMYK 39 / 0 / 89 / 32

HEX #6AAE13

RGB 106 174 19

HSL 86.32, 0.8%, 0.38%

LAB 64.47, -43.64, 62.88

 

CMYK 15 / 0 / 89 / 32

HEX #94AE13

RGB 148 174 19

HSL 70.06, 0.8%, 0.38%

LAB 66.99, -27.14, 65.99

 

CMYK 89 / 0 / 67 / 32

HEX #13AE3A

RGB 19 174 58

HSL 135.1, 0.8%, 0.38%

LAB 62.27, -60.32, 47.57

 

CMYK 89 / 0 / 43 / 32

HEX #13AE64

RGB 19 174 100

HSL 151.35, 0.8%, 0.38%

LAB 62.79, -54.04, 27.78

 

CMYK 89 / 0 / 18 / 32

HEX #13AE8E

RGB 19 174 142

HSL 167.61, 0.8%, 0.38%

LAB 63.64, -44.47, 6.07

 

CMYK 89 / 5 / 0 / 32

HEX #13A5AE

RGB 19 165 174

HSL 183.48, 0.8%, 0.38%

LAB 61.74, -31.1, -14.63

 

CMYK 89 / 29 / 0 / 32

HEX #137BAE

RGB 19 123 174

HSL 199.74, 0.8%, 0.38%

LAB 48.71, -8.78, -34.71

 

CMYK 89 / 0 / 67 / 32

HEX #13AE3A

RGB 19 174 58

HSL 135.1, 0.8%, 0.38%

LAB 62.27, -60.32, 47.57

 

CMYK 98 / 0 / 74 / 25

HEX #04BE32

RGB 4 190 50

HSL 134.84, 0.96%, 0.38%

LAB 67.34, -66.67, 56.02

 

CMYK 89 / 0 / 67 / 32

HEX #13AE3A

RGB 19 174 58

HSL 135.1, 0.8%, 0.38%

LAB 62.27, -60.32, 47.57

 

CMYK 78 / 0 / 58 / 38

HEX #239F42

RGB 35 159 66

HSL 135, 0.64%, 0.38%

LAB 57.6, -52.73, 38.69

 

CMYK 64 / 0 / 48 / 44

HEX #338F4A

RGB 51 143 74

HSL 135, 0.47%, 0.38%

LAB 52.78, -42.7, 28.81

 

CMYK 48 / 0 / 35 / 50

HEX #427F52

RGB 66 127 82

HSL 135.74, 0.32%, 0.38%

LAB 48.19, -30.4, 18.51

 

CMYK 27 / 0 / 21 / 56

HEX #527059

RGB 82 112 89

HSL 134, 0.15%, 0.38%

LAB 44.38, -16.03, 9.32

 

CMYK 64 / 0 / 89 / 32

HEX #3FAE13

RGB 63 174 19

HSL 102.97, 0.8%, 0.38%

LAB 62.82, -56.38, 60.82

 

CMYK 87 / 0 / 89 / 32

HEX #16AE13

RGB 22 174 19

HSL 118.84, 0.8%, 0.38%

LAB 62.07, -62.86, 59.88

 

CMYK 89 / 0 / 67 / 32

HEX #13AE3A

RGB 19 174 58

HSL 135.1, 0.8%, 0.38%

LAB 62.27, -60.32, 47.57

 

CMYK 89 / 0 / 43 / 32

HEX #13AE63

RGB 19 174 99

HSL 150.97, 0.8%, 0.38%

LAB 62.77, -54.23, 28.29

 

CMYK 89 / 0 / 19 / 32

HEX #13AE8D

RGB 19 174 141

HSL 167.23, 0.8%, 0.38%

LAB 63.62, -44.74, 6.59

 

CMYK 89 / 0 / 67 / 61

HEX #0B6421

RGB 11 100 33

HSL 134.83, 0.8%, 0.22%

LAB 36.55, -39.53, 30.39

 

CMYK 89 / 0 / 66 / 46

HEX #0F892E

RGB 15 137 46

HSL 135.25, 0.8%, 0.3%

LAB 49.73, -50.16, 39

 

CMYK 89 / 0 / 67 / 32

HEX #13AE3A

RGB 19 174 58

HSL 135.1, 0.8%, 0.38%

LAB 62.27, -60.32, 47.57

 

CMYK 89 / 0 / 67 / 17

HEX #18D447

RGB 24 212 71

HSL 135, 0.8%, 0.46%

LAB 74.66, -70.16, 55.71

 

CMYK 81 / 0 / 61 / 9

HEX #2DE85B

RGB 45 232 91

HSL 134.76, 0.8%, 0.54%

LAB 81.31, -72.22, 54.82

 

CMYK 89 / 0 / 67 / 31

HEX #13AF3A

RGB 19 175 58

HSL 135, 0.8%, 0.38%

LAB 62.6, -60.63, 47.92

 

CMYK 89 / 40 / 0 / 32

HEX #1369AE

RGB 19 105 174

HSL 206.71, 0.8%, 0.38%

LAB 43.21, 2.14, -43.42

 

CMYK 0 / 89 / 75 / 32

HEX #AE132B

RGB 174 19 43

HSL 350.71, 0.8%, 0.38%

LAB 37.19, 58.54, 30.04

 

CMYK 89 / 0 / 67 / 31

HEX #13AF3A

RGB 19 175 58

HSL 135, 0.8%, 0.38%

LAB 62.6, -60.63, 47.92

 

CMYK 67 / 89 / 0 / 32

HEX #3A13AE

RGB 58 19 174

HSL 255.1, 0.8%, 0.38%

LAB 25.02, 56.19, -72.98

 

CMYK 0 / 67 / 89 / 32

HEX #AE3A13

RGB 174 58 19

HSL 15.1, 0.8%, 0.38%

LAB 41.33, 45.68, 46.61

 

CMYK 89 / 0 / 67 / 31

HEX #13AF3A

RGB 19 175 58

HSL 135, 0.8%, 0.38%

LAB 62.6, -60.63, 47.92

 

CMYK 89 / 40 / 0 / 32

HEX #1369AE

RGB 19 105 174

HSL 206.71, 0.8%, 0.38%

LAB 43.21, 2.14, -43.42

 

CMYK 0 / 89 / 22 / 32

HEX #AE1388

RGB 174 19 136

HSL 314.71, 0.8%, 0.38%

LAB 39.99, 66.29, -24.78

 

CMYK 0 / 49 / 89 / 32

HEX #AE5913

RGB 174 89 19

HSL 27.1, 0.8%, 0.38%

LAB 47.22, 30.45, 51.22

 

CMYK 89 / 0 / 67 / 31

HEX #13AF3A

RGB 19 175 58

HSL 135, 0.8%, 0.38%

LAB 62.6, -60.63, 47.92

 

CMYK 89 / 67 / 0 / 32

HEX #133AAE

RGB 19 58 174

HSL 224.9, 0.8%, 0.38%

LAB 29.96, 33.29, -64.88

 

CMYK 0 / 89 / 22 / 32

HEX #AE1388

RGB 174 19 136

HSL 314.71, 0.8%, 0.38%

LAB 39.99, 66.29, -24.78

 

CMYK 0 / 22 / 89 / 32

HEX #AE8813

RGB 174 136 19

HSL 45.29, 0.8%, 0.38%

LAB 58.65, 4.36, 60.23

 

Description

Color code: HEX #13AF3A | qconv.com Color code: HEX #13AF3A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 175 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 175 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 67 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 67% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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