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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13AC06 it is the complementary color #EC53F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13AC06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13AC06 shade: #18AC01, #29BE14, #3AD027, #4BE23A and #5CF44D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13AC06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13AC06 shade: #13AC06, #029A00, #008800, #007600 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13AC06 shade: #13AC06, #40AC06, #6DAC06, #9AAC06 and #AC9206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13AC06 shade: #13AC06, #06AC26, #06AC53, #06AC80 and #06ACAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13AC06 shade matches the following richer shades: #13AC06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13AC06 shade: #13AC06, #1F9E15, #2C8F23, #388132 and #447240

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13AC06 shade: #6DAC06, #40AC06, #14AC06, #06AC25 and #06AC51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13AC06 shade: #0A5D03, #0F8405, #13AC06, #18D408 and #21F60F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13AC06 shade: #13AC06, #0699AC and #AC0656

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13AC06 shade: #13AC06, #0614AC and #AC0614

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13AC06 shade: #13AC06, #0699AC, #9E06AC and #AC1A06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13AC06 shade: #13AC06, #0667AC, #9E06AC and #AC4B06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

Complementary color

CMYK 5 / 67 / 0 / 2

HEX #EC53F9

RGB 236 83 249

HSL 295.3, 0.93%, 0.65%

LAB 62.39, 78.23, -54.4

 

CMYK 86 / 0 / 99 / 33

HEX #18AC01

RGB 24 172 1

HSL 111.93, 0.99%, 0.34%

LAB 61.4, -62.59, 61.99

 

CMYK 78 / 0 / 89 / 25

HEX #29BE14

RGB 41 190 20

HSL 112.59, 0.81%, 0.41%

LAB 67.54, -65.41, 64.5

 

CMYK 72 / 0 / 81 / 18

HEX #3AD027

RGB 58 208 39

HSL 113.25, 0.68%, 0.48%

LAB 73.65, -67.48, 65.77

 

CMYK 67 / 0 / 74 / 11

HEX #4BE23A

RGB 75 226 58

HSL 113.93, 0.74%, 0.56%

LAB 79.72, -68.94, 66

 

CMYK 62 / 0 / 68 / 4

HEX #5CF44D

RGB 92 244 77

HSL 114.61, 0.88%, 0.63%

LAB 85.76, -69.95, 65.6

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 99 / 0 / 100 / 40

HEX #029A00

RGB 2 154 0

HSL 119.22, 1%, 0.3%

LAB 55.2, -59.02, 57.1

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 63 / 0 / 97 / 33

HEX #40AC06

RGB 64 172 6

HSL 99.04, 0.93%, 0.35%

LAB 62.18, -55.81, 62.27

 

CMYK 37 / 0 / 97 / 33

HEX #6DAC06

RGB 109 172 6

HSL 82.77, 0.93%, 0.35%

LAB 63.97, -42, 64.47

 

CMYK 10 / 0 / 97 / 33

HEX #9AAC06

RGB 154 172 6

HSL 66.51, 0.93%, 0.35%

LAB 66.82, -23.83, 67.91

 

CMYK 0 / 15 / 97 / 33

HEX #AC9206

RGB 172 146 6

HSL 50.6, 0.93%, 0.35%

LAB 61.08, -2.25, 64.29

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 97 / 0 / 78 / 33

HEX #06AC26

RGB 6 172 38

HSL 131.57, 0.93%, 0.35%

LAB 61.38, -62.27, 54.21

 

CMYK 97 / 0 / 52 / 33

HEX #06AC53

RGB 6 172 83

HSL 147.83, 0.93%, 0.35%

LAB 61.8, -57.04, 35.29

 

CMYK 97 / 0 / 26 / 33

HEX #06AC80

RGB 6 172 128

HSL 164.1, 0.93%, 0.35%

LAB 62.59, -47.84, 12.33

 

CMYK 97 / 0 / 0 / 33

HEX #06ACAC

RGB 6 172 172

HSL 180, 0.93%, 0.35%

LAB 63.77, -35.58, -10.47

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 80 / 0 / 87 / 38

HEX #1F9E15

RGB 31 158 21

HSL 115.62, 0.77%, 0.35%

LAB 56.88, -57, 54.93

 

CMYK 69 / 0 / 76 / 44

HEX #2C8F23

RGB 44 143 35

HSL 115, 0.61%, 0.35%

LAB 52.18, -48.99, 46.31

 

CMYK 57 / 0 / 61 / 49

HEX #388132

RGB 56 129 50

HSL 115.44, 0.44%, 0.35%

LAB 47.97, -39.25, 35.37

 

CMYK 40 / 0 / 44 / 55

HEX #447240

RGB 68 114 64

HSL 115.2, 0.28%, 0.35%

LAB 43.7, -26.72, 22.85

 

CMYK 37 / 0 / 97 / 33

HEX #6DAC06

RGB 109 172 6

HSL 82.77, 0.93%, 0.35%

LAB 63.97, -42, 64.47

 

CMYK 63 / 0 / 97 / 33

HEX #40AC06

RGB 64 172 6

HSL 99.04, 0.93%, 0.35%

LAB 62.18, -55.81, 62.27

 

CMYK 88 / 0 / 97 / 33

HEX #14AC06

RGB 20 172 6

HSL 114.94, 0.93%, 0.35%

LAB 61.37, -62.83, 61.28

 

CMYK 97 / 0 / 78 / 33

HEX #06AC25

RGB 6 172 37

HSL 131.2, 0.93%, 0.35%

LAB 61.37, -62.34, 54.53

 

CMYK 97 / 0 / 53 / 33

HEX #06AC51

RGB 6 172 81

HSL 147.11, 0.93%, 0.35%

LAB 61.77, -57.36, 36.27

 

CMYK 89 / 0 / 97 / 64

HEX #0A5D03

RGB 10 93 3

HSL 115.33, 0.94%, 0.19%

LAB 33.77, -39.82, 38.99

 

CMYK 89 / 0 / 96 / 48

HEX #0F8405

RGB 15 132 5

HSL 115.28, 0.93%, 0.27%

LAB 47.77, -51.49, 50.2

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 89 / 0 / 96 / 17

HEX #18D408

RGB 24 212 8

HSL 115.29, 0.93%, 0.43%

LAB 74.38, -73.7, 71.73

 

CMYK 87 / 0 / 94 / 4

HEX #21F60F

RGB 33 246 15

HSL 115.32, 0.93%, 0.51%

LAB 85.13, -82.14, 79.92

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 97 / 11 / 0 / 33

HEX #0699AC

RGB 6 153 172

HSL 186.87, 0.93%, 0.35%

LAB 57.85, -26.4, -19.43

 

CMYK 0 / 97 / 50 / 33

HEX #AC0656

RGB 172 6 86

HSL 331.08, 0.93%, 0.35%

LAB 37.06, 62.38, 2.28

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 97 / 88 / 0 / 33

HEX #0614AC

RGB 6 20 172

HSL 234.94, 0.93%, 0.35%

LAB 22.01, 53.19, -76.87

 

CMYK 0 / 97 / 88 / 33

HEX #AC0614

RGB 172 6 20

HSL 354.94, 0.93%, 0.35%

LAB 35.89, 59.17, 41.71

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 97 / 11 / 0 / 33

HEX #0699AC

RGB 6 153 172

HSL 186.87, 0.93%, 0.35%

LAB 57.85, -26.4, -19.43

 

CMYK 8 / 97 / 0 / 33

HEX #9E06AC

RGB 158 6 172

HSL 294.94, 0.93%, 0.35%

LAB 38.51, 70.21, -49.13

 

CMYK 0 / 85 / 97 / 33

HEX #AC1A06

RGB 172 26 6

HSL 7.23, 0.93%, 0.35%

LAB 36.97, 55.66, 48.19

 

CMYK 89 / 0 / 97 / 33

HEX #13AC06

RGB 19 172 6

HSL 115.3, 0.93%, 0.35%

LAB 61.36, -62.91, 61.26

 

CMYK 97 / 40 / 0 / 33

HEX #0667AC

RGB 6 103 172

HSL 204.94, 0.93%, 0.35%

LAB 42.33, 1.95, -43.65

 

CMYK 8 / 97 / 0 / 33

HEX #9E06AC

RGB 158 6 172

HSL 294.94, 0.93%, 0.35%

LAB 38.51, 70.21, -49.13

 

CMYK 0 / 56 / 97 / 33

HEX #AC4B06

RGB 172 75 6

HSL 24.94, 0.93%, 0.35%

LAB 43.97, 36.73, 52.37

 

Description

Color code: HEX #13AC06 | qconv.com Color code: HEX #13AC06 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 172 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 172 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 97 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 97% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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