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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13ABFB it is the complementary color #EC5404. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13ABFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13ABFB shade: #18ABF6, #29BDFF, #3ACFFF, #4BE1FF and #5CF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13ABFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13ABFB shade: #13ABFB, #0299E8, #0087D5, #0075C2 and #0063AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13ABFB shade: #13ABFB, #136DFB, #132EFB, #3713FB and #7513FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13ABFB shade: #13ABFB, #136DFB, #132EFB and #1313FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13ABFB shade matches the following richer shades: #13ABFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13ABFB shade: #13ABFB, #26A5E8, #3A9FD5, #4D99C1 and #6093AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13ABFB shade: #13FBCD, #13ECFB, #13AEFB, #1370FB and #1332FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13ABFB shade: #037AB9, #0395E2, #13ABFB, #3CBAFC and #64C8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13ABFB shade: #13ABFB, #8F13FB and #FBEC13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13ABFB shade: #13ABFB, #FB13AE and #AEFB13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13ABFB shade: #13ABFB, #8F13FB, #FB6013 and #7FFB13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13ABFB shade: #13ABFB, #D513FB, #FB6013 and #3AFB13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

Complementary color

CMYK 0 / 64 / 98 / 7

HEX #EC5404

RGB 236 84 4

HSL 20.69, 0.97%, 0.47%

LAB 56.27, 56.14, 65.63

 

CMYK 90 / 30 / 0 / 4

HEX #18ABF6

RGB 24 171 246

HSL 200.27, 0.93%, 0.53%

LAB 66.5, -9.32, -47.16

 

CMYK 84 / 26 / 0 / 0

HEX #29BDFF

RGB 41 189 255

HSL 198.5, 1%, 0.58%

LAB 72.29, -14.93, -42.94

 

CMYK 77 / 19 / 0 / 0

HEX #3ACFFF

RGB 58 207 255

HSL 194.62, 1%, 0.61%

LAB 77.72, -22.82, -34.46

 

CMYK 71 / 12 / 0 / 0

HEX #4BE1FF

RGB 75 225 255

HSL 190, 1%, 0.65%

LAB 83.21, -29.81, -26.01

 

CMYK 64 / 5 / 0 / 0

HEX #5CF3FF

RGB 92 243 255

HSL 184.42, 1%, 0.68%

LAB 88.73, -36, -17.61

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 99 / 34 / 0 / 9

HEX #0299E8

RGB 2 153 232

HSL 200.61, 0.98%, 0.46%

LAB 60.45, -5.01, -49.04

 

CMYK 100 / 37 / 0 / 16

HEX #0087D5

RGB 0 135 213

HSL 201.97, 1%, 0.42%

LAB 54.17, -1.74, -48.4

 

CMYK 100 / 40 / 0 / 24

HEX #0075C2

RGB 0 117 194

HSL 203.81, 1%, 0.38%

LAB 47.77, 1.75, -47.76

 

CMYK 100 / 43 / 0 / 31

HEX #0063AF

RGB 0 99 175

HSL 206.06, 1%, 0.34%

LAB 41.25, 5.47, -47.16

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 92 / 57 / 0 / 2

HEX #136DFB

RGB 19 109 251

HSL 216.72, 0.97%, 0.53%

LAB 49.55, 29.73, -77.11

 

CMYK 92 / 82 / 0 / 2

HEX #132EFB

RGB 19 46 251

HSL 233.02, 0.97%, 0.53%

LAB 36.09, 66.04, -99.28

 

CMYK 78 / 92 / 0 / 2

HEX #3713FB

RGB 55 19 251

HSL 249.31, 0.97%, 0.53%

LAB 34.48, 75.88, -101.93

 

CMYK 53 / 92 / 0 / 2

HEX #7513FB

RGB 117 19 251

HSL 265.34, 0.97%, 0.53%

LAB 39.94, 79.18, -92.71

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 92 / 57 / 0 / 2

HEX #136DFB

RGB 19 109 251

HSL 216.72, 0.97%, 0.53%

LAB 49.55, 29.73, -77.11

 

CMYK 92 / 82 / 0 / 2

HEX #132EFB

RGB 19 46 251

HSL 233.02, 0.97%, 0.53%

LAB 36.09, 66.04, -99.28

 

CMYK 92 / 92 / 0 / 2

HEX #1313FB

RGB 19 19 251

HSL 240, 0.97%, 0.53%

LAB 33.07, 75.17, -104.33

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 84 / 29 / 0 / 9

HEX #26A5E8

RGB 38 165 232

HSL 200.72, 0.81%, 0.53%

LAB 64.28, -10.13, -42.97

 

CMYK 73 / 25 / 0 / 16

HEX #3A9FD5

RGB 58 159 213

HSL 200.9, 0.65%, 0.53%

LAB 62.08, -11.35, -35.87

 

CMYK 60 / 21 / 0 / 24

HEX #4D99C1

RGB 77 153 193

HSL 200.69, 0.48%, 0.53%

LAB 60.08, -11.56, -27.75

 

CMYK 45 / 16 / 0 / 32

HEX #6093AE

RGB 96 147 174

HSL 200.77, 0.33%, 0.53%

LAB 58.42, -9.68, -19.47

 

CMYK 92 / 0 / 18 / 2

HEX #13FBCD

RGB 19 251 205

HSL 168.1, 0.97%, 0.53%

LAB 88.7, -59.36, 8.29

 

CMYK 92 / 6 / 0 / 2

HEX #13ECFB

RGB 19 236 251

HSL 183.88, 0.97%, 0.53%

LAB 85.55, -40.45, -20.42

 

CMYK 92 / 31 / 0 / 2

HEX #13AEFB

RGB 19 174 251

HSL 199.91, 0.97%, 0.53%

LAB 67.56, -9.39, -48.21

 

CMYK 92 / 55 / 0 / 2

HEX #1370FB

RGB 19 112 251

HSL 215.95, 0.97%, 0.53%

LAB 50.32, 27.83, -75.84

 

CMYK 92 / 80 / 0 / 2

HEX #1332FB

RGB 19 50 251

HSL 231.98, 0.97%, 0.53%

LAB 36.71, 64.22, -98.25

 

CMYK 98 / 34 / 0 / 27

HEX #037AB9

RGB 3 122 185

HSL 200.77, 0.97%, 0.37%

LAB 48.81, -4.7, -40.93

 

CMYK 99 / 34 / 0 / 11

HEX #0395E2

RGB 3 149 226

HSL 200.72, 0.97%, 0.45%

LAB 58.98, -4.92, -48.04

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 76 / 26 / 0 / 1

HEX #3CBAFC

RGB 60 186 252

HSL 200.63, 0.97%, 0.61%

LAB 71.63, -12.64, -42.33

 

CMYK 60 / 21 / 0 / 1

HEX #64C8FD

RGB 100 200 253

HSL 200.78, 0.97%, 0.69%

LAB 76.75, -14.03, -34.82

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 43 / 92 / 0 / 2

HEX #8F13FB

RGB 143 19 251

HSL 272.07, 0.97%, 0.53%

LAB 43.17, 81.47, -87.27

 

CMYK 0 / 6 / 92 / 2

HEX #FBEC13

RGB 251 236 19

HSL 56.12, 0.97%, 0.53%

LAB 91.93, -13.9, 88.94

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 0 / 92 / 31 / 2

HEX #FB13AE

RGB 251 19 174

HSL 319.91, 0.97%, 0.53%

LAB 56.12, 86.36, -21.44

 

CMYK 31 / 0 / 92 / 2

HEX #AEFB13

RGB 174 251 19

HSL 79.91, 0.97%, 0.53%

LAB 90.8, -51.21, 85.82

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 43 / 92 / 0 / 2

HEX #8F13FB

RGB 143 19 251

HSL 272.07, 0.97%, 0.53%

LAB 43.17, 81.47, -87.27

 

CMYK 0 / 62 / 92 / 2

HEX #FB6013

RGB 251 96 19

HSL 19.91, 0.97%, 0.53%

LAB 60.71, 56.38, 66.48

 

CMYK 49 / 0 / 92 / 2

HEX #7FFB13

RGB 127 251 19

HSL 92.07, 0.97%, 0.53%

LAB 88.71, -66.41, 83.26

 

CMYK 92 / 32 / 0 / 2

HEX #13ABFB

RGB 19 171 251

HSL 200.69, 0.97%, 0.53%

LAB 66.69, -7.73, -49.57

 

CMYK 15 / 92 / 0 / 2

HEX #D513FB

RGB 213 19 251

HSL 290.17, 0.97%, 0.53%

LAB 53.58, 90.05, -69.84

 

CMYK 0 / 62 / 92 / 2

HEX #FB6013

RGB 251 96 19

HSL 19.91, 0.97%, 0.53%

LAB 60.71, 56.38, 66.48

 

CMYK 77 / 0 / 92 / 2

HEX #3AFB13

RGB 58 251 19

HSL 109.91, 0.97%, 0.53%

LAB 86.97, -80.86, 81.11

 

Description

Color code: HEX #13ABFB | qconv.com Color code: HEX #13ABFB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 171 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 171 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 32 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 32% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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