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Color name
HEX #13AA48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13AA48 it is the complementary color #EC55B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13AA48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13AA48 shade: #18AA43, #29BC56, #3ACE69, #4BE07C and #5CF28F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13AA48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13AA48 shade: #13AA48, #029835, #008622, #00740F and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13AA48 shade: #13AA48, #13AA1F, #2FAA13, #58AA13 and #81AA13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13AA48 shade: #13AA48, #13AA71, #13AA99, #1392AA and #1369AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13AA48 shade matches the following richer shades: #13AA48 and #04B943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13AA48 shade: #13AA48, #229B4C, #318B51, #417C56 and #506D5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13AA48 shade: #2FAA13, #13AA1F, #13AA48, #13AA70 and #13AA98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13AA48 shade: #0B6028, #0F8538, #13AA48, #17CF58 and #28E76B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13AA48 shade: #13AA48, #1357AA and #AA131A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13AA48 shade: #13AA48, #4813AA and #AA4813

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13AA48 shade: #13AA48, #1357AA, #AA1375 and #AA6613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13AA48 shade: #13AA48, #132AAA, #AA1375 and #AA9313

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

Complementary color

CMYK 0 / 64 / 22 / 7

HEX #EC55B7

RGB 236 85 183

HSL 321.06, 0.8%, 0.63%

LAB 59.66, 67.54, -21.46

 

CMYK 86 / 0 / 61 / 33

HEX #18AA43

RGB 24 170 67

HSL 137.67, 0.75%, 0.38%

LAB 61.09, -57.56, 42.24

 

CMYK 78 / 0 / 54 / 26

HEX #29BC56

RGB 41 188 86

HSL 138.37, 0.64%, 0.45%

LAB 67.36, -59.08, 40.7

 

CMYK 72 / 0 / 49 / 19

HEX #3ACE69

RGB 58 206 105

HSL 139.05, 0.6%, 0.52%

LAB 73.59, -60.05, 39.15

 

CMYK 67 / 0 / 45 / 12

HEX #4BE07C

RGB 75 224 124

HSL 139.73, 0.71%, 0.59%

LAB 79.76, -60.66, 37.66

 

CMYK 62 / 0 / 41 / 5

HEX #5CF28F

RGB 92 242 143

HSL 140.4, 0.85%, 0.65%

LAB 85.89, -61, 36.23

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 99 / 0 / 65 / 40

HEX #029835

RGB 2 152 53

HSL 140.4, 0.97%, 0.3%

LAB 54.79, -55.02, 41.45

 

CMYK 100 / 0 / 75 / 47

HEX #008622

RGB 0 134 34

HSL 135.22, 1%, 0.26%

LAB 48.47, -51.57, 42.72

 

CMYK 100 / 0 / 87 / 55

HEX #00740F

RGB 0 116 15

HSL 127.76, 1%, 0.23%

LAB 42.04, -47.48, 42.95

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 89 / 0 / 82 / 33

HEX #13AA1F

RGB 19 170 31

HSL 124.77, 0.8%, 0.37%

LAB 60.77, -61.36, 55.81

 

CMYK 72 / 0 / 89 / 33

HEX #2FAA13

RGB 47 170 19

HSL 108.87, 0.8%, 0.37%

LAB 61.13, -58.34, 59.21

 

CMYK 48 / 0 / 89 / 33

HEX #58AA13

RGB 88 170 19

HSL 92.58, 0.8%, 0.37%

LAB 62.4, -48.07, 60.8

 

CMYK 24 / 0 / 89 / 33

HEX #81AA13

RGB 129 170 19

HSL 76.29, 0.8%, 0.37%

LAB 64.53, -33.11, 63.45

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 89 / 0 / 34 / 33

HEX #13AA71

RGB 19 170 113

HSL 157.35, 0.8%, 0.37%

LAB 61.72, -49.9, 19.38

 

CMYK 89 / 0 / 10 / 33

HEX #13AA99

RGB 19 170 153

HSL 173.25, 0.8%, 0.37%

LAB 62.67, -39.75, -1.48

 

CMYK 89 / 14 / 0 / 33

HEX #1392AA

RGB 19 146 170

HSL 189.54, 0.8%, 0.37%

LAB 55.68, -22.9, -21.59

 

CMYK 89 / 38 / 0 / 33

HEX #1369AA

RGB 19 105 170

HSL 205.83, 0.8%, 0.37%

LAB 42.98, 0.56, -41.44

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 98 / 0 / 64 / 27

HEX #04B943

RGB 4 185 67

HSL 140.88, 0.96%, 0.37%

LAB 65.85, -63.49, 47.63

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 78 / 0 / 51 / 39

HEX #229B4C

RGB 34 155 76

HSL 140.83, 0.64%, 0.37%

LAB 56.39, -49.97, 32.21

 

CMYK 65 / 0 / 42 / 45

HEX #318B51

RGB 49 139 81

HSL 141.33, 0.48%, 0.37%

LAB 51.51, -40.27, 23.37

 

CMYK 48 / 0 / 31 / 51

HEX #417C56

RGB 65 124 86

HSL 141.36, 0.31%, 0.37%

LAB 47.25, -28.47, 14.93

 

CMYK 27 / 0 / 17 / 57

HEX #506D5A

RGB 80 109 90

HSL 140.69, 0.15%, 0.37%

LAB 43.33, -14.9, 7.22

 

CMYK 72 / 0 / 89 / 33

HEX #2FAA13

RGB 47 170 19

HSL 108.87, 0.8%, 0.37%

LAB 61.13, -58.34, 59.21

 

CMYK 89 / 0 / 82 / 33

HEX #13AA1F

RGB 19 170 31

HSL 124.77, 0.8%, 0.37%

LAB 60.77, -61.36, 55.81

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 89 / 0 / 34 / 33

HEX #13AA70

RGB 19 170 112

HSL 156.95, 0.8%, 0.37%

LAB 61.7, -50.12, 19.9

 

CMYK 89 / 0 / 11 / 33

HEX #13AA98

RGB 19 170 152

HSL 172.85, 0.8%, 0.37%

LAB 62.64, -40.03, -0.96

 

CMYK 89 / 0 / 58 / 62

HEX #0B6028

RGB 11 96 40

HSL 140.47, 0.79%, 0.21%

LAB 35.18, -37.04, 25.16

 

CMYK 89 / 0 / 58 / 48

HEX #0F8538

RGB 15 133 56

HSL 140.85, 0.8%, 0.29%

LAB 48.46, -47.47, 32.72

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 89 / 0 / 57 / 19

HEX #17CF58

RGB 23 207 88

HSL 141.2, 0.8%, 0.45%

LAB 73.23, -66.71, 46.72

 

CMYK 83 / 0 / 54 / 9

HEX #28E76B

RGB 40 231 107

HSL 141.05, 0.8%, 0.53%

LAB 81.11, -70.35, 47.39

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 89 / 49 / 0 / 33

HEX #1357AA

RGB 19 87 170

HSL 212.98, 0.8%, 0.37%

LAB 37.58, 12.19, -50.08

 

CMYK 0 / 89 / 85 / 33

HEX #AA131A

RGB 170 19 26

HSL 357.22, 0.8%, 0.37%

LAB 36.15, 56.91, 38.63

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 58 / 89 / 0 / 33

HEX #4813AA

RGB 72 19 170

HSL 261.06, 0.8%, 0.37%

LAB 26, 56.28, -68.91

 

CMYK 0 / 58 / 89 / 33

HEX #AA4813

RGB 170 72 19

HSL 21.06, 0.8%, 0.37%

LAB 43.1, 37.66, 47.7

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 89 / 49 / 0 / 33

HEX #1357AA

RGB 19 87 170

HSL 212.98, 0.8%, 0.37%

LAB 37.58, 12.19, -50.08

 

CMYK 0 / 89 / 31 / 33

HEX #AA1375

RGB 170 19 117

HSL 321.06, 0.8%, 0.37%

LAB 38.37, 63.15, -15.54

 

CMYK 0 / 40 / 89 / 33

HEX #AA6613

RGB 170 102 19

HSL 32.98, 0.8%, 0.37%

LAB 49.61, 21.59, 52.86

 

CMYK 89 / 0 / 58 / 33

HEX #13AA48

RGB 19 170 72

HSL 141.06, 0.8%, 0.37%

LAB 61.09, -57.31, 39.88

 

CMYK 89 / 75 / 0 / 33

HEX #132AAA

RGB 19 42 170

HSL 230.86, 0.8%, 0.37%

LAB 25.85, 41.89, -69.26

 

CMYK 0 / 89 / 31 / 33

HEX #AA1375

RGB 170 19 117

HSL 321.06, 0.8%, 0.37%

LAB 38.37, 63.15, -15.54

 

CMYK 0 / 14 / 89 / 33

HEX #AA9313

RGB 170 147 19

HSL 50.86, 0.8%, 0.37%

LAB 61.19, -3.49, 62.07

 

Description

Color code: HEX #13AA48 | qconv.com Color code: HEX #13AA48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 170 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 170 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 58 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 58% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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