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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A8C4 it is the complementary color #EC573B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A8C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A8C4 shade: #18A8BF, #29BAD2, #3ACCE5, #4BDEF8 and #5CF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A8C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A8C4 shade: #13A8C4, #0296B1, #00849E, #00728B and #006078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A8C4 shade: #13A7C3, #1378C3, #1348C3, #1319C3 and #3D13C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A8C4 shade: #13A7C3, #1378C3, #1348C3, #1319C3 and #1313C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A8C4 shade matches the following richer shades: #13A7C3 and #02B3D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A8C4 shade: #13A7C3, #259BB2, #368FA0, #47848F and #59787E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A8C4 shade: #13C380, #13C3AE, #13A9C3, #137AC3 and #134BC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A8C4 shade: #0C6778, #10879D, #13A7C3, #17C7E8 and #3DD0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A8C4 shade: #13A8C4, #5113C3 and #C39713

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A8C4 shade: #13A8C4, #C313A9 and #A9C313

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A8C4 shade: #13A8C4, #5113C3, #C32E13 and #85C313

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A8C4 shade: #13A8C4, #8513C3, #C32E13 and #51C313

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 14 / 0 / 23

HEX #13A8C4

RGB 19 168 196

HSL 189.49, 0.82%, 0.42%

LAB 63.45, -25.4, -24.35

 

Complementary color

CMYK 0 / 63 / 75 / 7

HEX #EC573B

RGB 236 87 59

HSL 9.49, 0.82%, 0.58%

LAB 57.04, 56.04, 46.15

 

CMYK 87 / 12 / 0 / 25

HEX #18A8BF

RGB 24 168 191

HSL 188.26, 0.78%, 0.42%

LAB 63.31, -26.78, -21.77

 

CMYK 80 / 11 / 0 / 18

HEX #29BAD2

RGB 41 186 210

HSL 188.52, 0.67%, 0.49%

LAB 69.64, -28.31, -22.58

 

CMYK 75 / 11 / 0 / 10

HEX #3ACCE5

RGB 58 204 229

HSL 188.77, 0.77%, 0.56%

LAB 75.91, -29.51, -23.31

 

CMYK 70 / 10 / 0 / 3

HEX #4BDEF8

RGB 75 222 248

HSL 189.02, 0.93%, 0.63%

LAB 82.12, -30.45, -23.98

 

CMYK 64 / 6 / 0 / 0

HEX #5CF0FF

RGB 92 240 255

HSL 185.52, 1%, 0.68%

LAB 87.88, -34.61, -18.89

 

CMYK 90 / 14 / 0 / 23

HEX #13A8C4

RGB 19 168 196

HSL 189.49, 0.82%, 0.42%

LAB 63.45, -25.4, -24.35

 

CMYK 99 / 15 / 0 / 31

HEX #0296B1

RGB 2 150 177

HSL 189.26, 0.98%, 0.35%

LAB 57.08, -23.31, -23.45

 

CMYK 100 / 16 / 0 / 38

HEX #00849E

RGB 0 132 158

HSL 189.87, 1%, 0.31%

LAB 50.65, -20.61, -22.41

 

CMYK 100 / 18 / 0 / 45

HEX #00728B

RGB 0 114 139

HSL 190.79, 1%, 0.27%

LAB 44.09, -17.74, -21.34

 

CMYK 100 / 20 / 0 / 53

HEX #006078

RGB 0 96 120

HSL 192, 1%, 0.24%

LAB 37.34, -14.75, -20.28

 

CMYK 90 / 14 / 0 / 24

HEX #13A7C3

RGB 19 167 195

HSL 189.55, 0.82%, 0.42%

LAB 63.11, -25.23, -24.31

 

CMYK 90 / 38 / 0 / 24

HEX #1378C3

RGB 19 120 195

HSL 205.57, 0.82%, 0.42%

LAB 48.9, 1.07, -46.54

 

CMYK 90 / 63 / 0 / 24

HEX #1348C3

RGB 19 72 195

HSL 221.93, 0.82%, 0.42%

LAB 35.43, 32.17, -68.32

 

CMYK 90 / 87 / 0 / 24

HEX #1319C3

RGB 19 25 195

HSL 237.95, 0.82%, 0.42%

LAB 26.08, 58.28, -83.78

 

CMYK 69 / 90 / 0 / 24

HEX #3D13C3

RGB 61 19 195

HSL 254.32, 0.82%, 0.42%

LAB 27.84, 61.92, -80.78

 

CMYK 90 / 14 / 0 / 24

HEX #13A7C3

RGB 19 167 195

HSL 189.55, 0.82%, 0.42%

LAB 63.11, -25.23, -24.31

 

CMYK 90 / 38 / 0 / 24

HEX #1378C3

RGB 19 120 195

HSL 205.57, 0.82%, 0.42%

LAB 48.9, 1.07, -46.54

 

CMYK 90 / 63 / 0 / 24

HEX #1348C3

RGB 19 72 195

HSL 221.93, 0.82%, 0.42%

LAB 35.43, 32.17, -68.32

 

CMYK 90 / 87 / 0 / 24

HEX #1319C3

RGB 19 25 195

HSL 237.95, 0.82%, 0.42%

LAB 26.08, 58.28, -83.78

 

CMYK 90 / 90 / 0 / 24

HEX #1313C3

RGB 19 19 195

HSL 240, 0.82%, 0.42%

LAB 25.39, 60.35, -84.92

 

CMYK 90 / 14 / 0 / 24

HEX #13A7C3

RGB 19 167 195

HSL 189.55, 0.82%, 0.42%

LAB 63.11, -25.23, -24.31

 

CMYK 99 / 16 / 0 / 17

HEX #02B3D4

RGB 2 179 212

HSL 189.43, 0.98%, 0.42%

LAB 67.28, -26.17, -27.33

 

CMYK 90 / 14 / 0 / 24

HEX #13A7C3

RGB 19 167 195

HSL 189.55, 0.82%, 0.42%

LAB 63.11, -25.23, -24.31

 

CMYK 79 / 13 / 0 / 30

HEX #259BB2

RGB 37 155 178

HSL 189.79, 0.66%, 0.42%

LAB 59.02, -23.41, -21.01

 

CMYK 66 / 11 / 0 / 37

HEX #368FA0

RGB 54 143 160

HSL 189.62, 0.5%, 0.42%

LAB 55.04, -20.73, -16.78

 

CMYK 50 / 8 / 0 / 44

HEX #47848F

RGB 71 132 143

HSL 189.17, 0.34%, 0.42%

LAB 51.64, -16.58, -12.03

 

CMYK 29 / 5 / 0 / 51

HEX #59787E

RGB 89 120 126

HSL 189.73, 0.17%, 0.42%

LAB 48.34, -9.53, -6.89

 

CMYK 90 / 0 / 34 / 24

HEX #13C380

RGB 19 195 128

HSL 157.16, 0.82%, 0.42%

LAB 69.98, -56, 22.54

 

CMYK 90 / 0 / 11 / 24

HEX #13C3AE

RGB 19 195 174

HSL 172.84, 0.82%, 0.42%

LAB 71.03, -44.72, -0.84

 

CMYK 90 / 13 / 0 / 24

HEX #13A9C3

RGB 19 169 195

HSL 188.86, 0.82%, 0.42%

LAB 63.72, -26.24, -23.38

 

CMYK 90 / 37 / 0 / 24

HEX #137AC3

RGB 19 122 195

HSL 204.89, 0.82%, 0.42%

LAB 49.49, -0.15, -45.59

 

CMYK 90 / 62 / 0 / 24

HEX #134BC3

RGB 19 75 195

HSL 220.91, 0.82%, 0.42%

LAB 36.2, 30.2, -67.06

 

CMYK 90 / 14 / 0 / 53

HEX #0C6778

RGB 12 103 120

HSL 189.44, 0.82%, 0.26%

LAB 39.81, -17.9, -16.47

 

CMYK 90 / 14 / 0 / 38

HEX #10879D

RGB 16 135 157

HSL 189.36, 0.82%, 0.34%

LAB 51.69, -21.8, -20.22

 

CMYK 90 / 14 / 0 / 24

HEX #13A7C3

RGB 19 167 195

HSL 189.55, 0.82%, 0.42%

LAB 63.11, -25.23, -24.31

 

CMYK 90 / 14 / 0 / 9

HEX #17C7E8

RGB 23 199 232

HSL 189.47, 0.82%, 0.5%

LAB 74.1, -28.8, -27.74

 

CMYK 74 / 12 / 0 / 7

HEX #3DD0EC

RGB 61 208 236

HSL 189.6, 0.82%, 0.58%

LAB 77.38, -28.98, -24.83

 

CMYK 90 / 14 / 0 / 23

HEX #13A8C4

RGB 19 168 196

HSL 189.49, 0.82%, 0.42%

LAB 63.45, -25.4, -24.35

 

CMYK 58 / 90 / 0 / 24

HEX #5113C3

RGB 81 19 195

HSL 261.14, 0.82%, 0.42%

LAB 29.8, 63.31, -77.47

 

CMYK 0 / 23 / 90 / 24

HEX #C39713

RGB 195 151 19

HSL 45, 0.82%, 0.42%

LAB 64.79, 5.62, 65.99

 

CMYK 90 / 14 / 0 / 23

HEX #13A8C4

RGB 19 168 196

HSL 189.49, 0.82%, 0.42%

LAB 63.45, -25.4, -24.35

 

CMYK 0 / 90 / 13 / 24

HEX #C313A9

RGB 195 19 169

HSL 308.86, 0.82%, 0.42%

LAB 45.54, 74.79, -35.74

 

CMYK 13 / 0 / 90 / 24

HEX #A9C313

RGB 169 195 19

HSL 68.86, 0.82%, 0.42%

LAB 74.52, -28.41, 72.68

 

CMYK 90 / 14 / 0 / 23

HEX #13A8C4

RGB 19 168 196

HSL 189.49, 0.82%, 0.42%

LAB 63.45, -25.4, -24.35

 

CMYK 58 / 90 / 0 / 24

HEX #5113C3

RGB 81 19 195

HSL 261.14, 0.82%, 0.42%

LAB 29.8, 63.31, -77.47

 

CMYK 0 / 76 / 90 / 24

HEX #C32E13

RGB 195 46 19

HSL 9.2, 0.82%, 0.42%

LAB 43.66, 57.12, 50.11

 

CMYK 32 / 0 / 90 / 24

HEX #85C313

RGB 133 195 19

HSL 81.14, 0.82%, 0.42%

LAB 72.27, -42.69, 69.93

 

CMYK 90 / 14 / 0 / 23

HEX #13A8C4

RGB 19 168 196

HSL 189.49, 0.82%, 0.42%

LAB 63.45, -25.4, -24.35

 

CMYK 32 / 90 / 0 / 24

HEX #8513C3

RGB 133 19 195

HSL 278.86, 0.82%, 0.42%

LAB 36.73, 68.9, -65.82

 

CMYK 0 / 76 / 90 / 24

HEX #C32E13

RGB 195 46 19

HSL 9.2, 0.82%, 0.42%

LAB 43.66, 57.12, 50.11

 

CMYK 58 / 0 / 90 / 24

HEX #51C313

RGB 81 195 19

HSL 98.86, 0.82%, 0.42%

LAB 70.05, -59.23, 67.18

 

Description

Color code: HEX #13A8C4 | qconv.com Color code: HEX #13A8C4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 168 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 168 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 14 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 14% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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