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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A775 it is the complementary color #EC588A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A775. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A775 shade: #18A770, #29B983, #3ACB96, #4BDDA9 and #5CEFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A775. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A775 shade: #13A775, #029562, #00834F, #00713C and #005F29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A775 shade: #12A574, #12A54C, #12A524, #28A512 and #50A512

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A775 shade: #12A574, #12A59B, #1288A5, #1260A5 and #1238A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A775 shade matches the following richer shades: #12A574 and #04B478

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A775 shade: #12A574, #21966F, #30886A, #3F7965 and #4E6A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A775 shade: #12A523, #12A54B, #12A572, #12A599 and #128AA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A775 shade: #0A5B40, #0E805A, #12A574, #16CA8E and #24E7A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A775 shade: #13A775, #1228A5 and #A53712

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A775 shade: #13A775, #7212A5 and #A57212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A775 shade: #13A775, #1228A5, #A51246 and #A58F12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A775 shade: #13A775, #2812A5, #A51246 and #8FA512

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 30 / 35

HEX #13A775

RGB 19 167 117

HSL 159.73, 0.8%, 0.36%

LAB 60.83, -47.83, 15.96

 

Complementary color

CMYK 0 / 63 / 42 / 7

HEX #EC588A

RGB 236 88 138

HSL 339.73, 0.8%, 0.64%

LAB 58.65, 61.1, 3.14

 

CMYK 86 / 0 / 33 / 35

HEX #18A770

RGB 24 167 112

HSL 156.92, 0.75%, 0.37%

LAB 60.78, -48.59, 18.65

 

CMYK 78 / 0 / 29 / 27

HEX #29B983

RGB 41 185 131

HSL 157.5, 0.64%, 0.44%

LAB 67.13, -49.67, 17.07

 

CMYK 71 / 0 / 26 / 20

HEX #3ACB96

RGB 58 203 150

HSL 158.07, 0.58%, 0.51%

LAB 73.42, -50.37, 15.64

 

CMYK 66 / 0 / 24 / 13

HEX #4BDDA9

RGB 75 221 169

HSL 158.63, 0.68%, 0.58%

LAB 79.66, -50.81, 14.35

 

CMYK 62 / 0 / 21 / 6

HEX #5CEFBC

RGB 92 239 188

HSL 159.18, 0.82%, 0.65%

LAB 85.83, -51.07, 13.16

 

CMYK 89 / 0 / 30 / 35

HEX #13A775

RGB 19 167 117

HSL 159.73, 0.8%, 0.36%

LAB 60.83, -47.83, 15.96

 

CMYK 99 / 0 / 34 / 42

HEX #029562

RGB 2 149 98

HSL 159.18, 0.97%, 0.3%

LAB 54.44, -46.15, 17.71

 

CMYK 100 / 0 / 40 / 49

HEX #00834F

RGB 0 131 79

HSL 156.18, 1%, 0.26%

LAB 48, -43.61, 19.7

 

CMYK 100 / 0 / 47 / 56

HEX #00713C

RGB 0 113 60

HSL 151.86, 1%, 0.22%

LAB 41.43, -40.79, 21.82

 

CMYK 100 / 0 / 57 / 63

HEX #005F29

RGB 0 95 41

HSL 145.89, 1%, 0.19%

LAB 34.69, -37.71, 23.98

 

CMYK 89 / 0 / 30 / 35

HEX #12A574

RGB 18 165 116

HSL 160, 0.8%, 0.36%

LAB 60.16, -47.35, 15.58

 

CMYK 89 / 0 / 54 / 35

HEX #12A54C

RGB 18 165 76

HSL 143.67, 0.8%, 0.36%

LAB 59.49, -55.13, 35.98

 

CMYK 89 / 0 / 78 / 35

HEX #12A524

RGB 18 165 36

HSL 127.35, 0.8%, 0.36%

LAB 59.13, -59.62, 52.7

 

CMYK 76 / 0 / 89 / 35

HEX #28A512

RGB 40 165 18

HSL 111.02, 0.8%, 0.36%

LAB 59.35, -57.98, 57.81

 

CMYK 52 / 0 / 89 / 35

HEX #50A512

RGB 80 165 18

HSL 94.69, 0.8%, 0.36%

LAB 60.48, -48.65, 59.23

 

CMYK 89 / 0 / 30 / 35

HEX #12A574

RGB 18 165 116

HSL 160, 0.8%, 0.36%

LAB 60.16, -47.35, 15.58

 

CMYK 89 / 0 / 6 / 35

HEX #12A59B

RGB 18 165 155

HSL 175.92, 0.8%, 0.36%

LAB 61.14, -36.99, -4.85

 

CMYK 89 / 18 / 0 / 35

HEX #1288A5

RGB 18 136 165

HSL 191.84, 0.8%, 0.36%

LAB 52.35, -19.41, -23.84

 

CMYK 89 / 42 / 0 / 35

HEX #1260A5

RGB 18 96 165

HSL 208.16, 0.8%, 0.36%

LAB 39.93, 4.21, -43.34

 

CMYK 89 / 66 / 0 / 35

HEX #1238A5

RGB 18 56 165

HSL 224.49, 0.8%, 0.36%

LAB 28.57, 31.07, -61.76

 

CMYK 89 / 0 / 30 / 35

HEX #12A574

RGB 18 165 116

HSL 160, 0.8%, 0.36%

LAB 60.16, -47.35, 15.58

 

CMYK 98 / 0 / 33 / 29

HEX #04B478

RGB 4 180 120

HSL 159.55, 0.96%, 0.36%

LAB 64.98, -52.85, 20.01

 

CMYK 89 / 0 / 30 / 35

HEX #12A574

RGB 18 165 116

HSL 160, 0.8%, 0.36%

LAB 60.16, -47.35, 15.58

 

CMYK 78 / 0 / 26 / 41

HEX #21966F

RGB 33 150 111

HSL 160, 0.64%, 0.36%

LAB 55.36, -41.03, 11.72

 

CMYK 65 / 0 / 22 / 47

HEX #30886A

RGB 48 136 106

HSL 159.55, 0.48%, 0.36%

LAB 51.01, -33.73, 8.5

 

CMYK 48 / 0 / 17 / 53

HEX #3F7965

RGB 63 121 101

HSL 159.31, 0.32%, 0.36%

LAB 46.54, -24.17, 5.12

 

CMYK 26 / 0 / 9 / 58

HEX #4E6A60

RGB 78 106 96

HSL 158.57, 0.15%, 0.36%

LAB 42.42, -12.6, 2.28

 

CMYK 89 / 0 / 79 / 35

HEX #12A523

RGB 18 165 35

HSL 126.94, 0.8%, 0.36%

LAB 59.12, -59.69, 53.02

 

CMYK 89 / 0 / 55 / 35

HEX #12A54B

RGB 18 165 75

HSL 143.27, 0.8%, 0.36%

LAB 59.48, -55.28, 36.47

 

CMYK 89 / 0 / 31 / 35

HEX #12A572

RGB 18 165 114

HSL 159.18, 0.8%, 0.36%

LAB 60.12, -47.81, 16.63

 

CMYK 89 / 0 / 7 / 35

HEX #12A599

RGB 18 165 153

HSL 175.1, 0.8%, 0.36%

LAB 61.08, -37.57, -3.81

 

CMYK 89 / 16 / 0 / 35

HEX #128AA5

RGB 18 138 165

HSL 191.02, 0.8%, 0.36%

LAB 52.97, -20.48, -22.88

 

CMYK 89 / 0 / 30 / 64

HEX #0A5B40

RGB 10 91 64

HSL 160, 0.8%, 0.2%

LAB 33.81, -29.99, 9.24

 

CMYK 89 / 0 / 30 / 50

HEX #0E805A

RGB 14 128 90

HSL 160, 0.8%, 0.28%

LAB 47.33, -38.93, 12.5

 

CMYK 89 / 0 / 30 / 35

HEX #12A574

RGB 18 165 116

HSL 160, 0.8%, 0.36%

LAB 60.16, -47.35, 15.58

 

CMYK 89 / 0 / 30 / 21

HEX #16CA8E

RGB 22 202 142

HSL 160, 0.8%, 0.44%

LAB 72.47, -55.38, 18.51

 

CMYK 84 / 0 / 29 / 9

HEX #24E7A5

RGB 36 231 165

HSL 159.69, 0.8%, 0.52%

LAB 81.97, -60.2, 19.58

 

CMYK 89 / 0 / 30 / 35

HEX #13A775

RGB 19 167 117

HSL 159.73, 0.8%, 0.36%

LAB 60.83, -47.83, 15.96

 

CMYK 89 / 76 / 0 / 35

HEX #1228A5

RGB 18 40 165

HSL 231.02, 0.8%, 0.36%

LAB 24.84, 41.26, -67.93

 

CMYK 0 / 67 / 89 / 35

HEX #A53712

RGB 165 55 18

HSL 15.1, 0.8%, 0.36%

LAB 39.2, 43.74, 44.64

 

CMYK 89 / 0 / 30 / 35

HEX #13A775

RGB 19 167 117

HSL 159.73, 0.8%, 0.36%

LAB 60.83, -47.83, 15.96

 

CMYK 31 / 89 / 0 / 35

HEX #7212A5

RGB 114 18 165

HSL 279.18, 0.8%, 0.36%

LAB 31.18, 60.38, -57.16

 

CMYK 0 / 31 / 89 / 35

HEX #A57212

RGB 165 114 18

HSL 39.18, 0.8%, 0.36%

LAB 51.92, 12.55, 54.71

 

CMYK 89 / 0 / 30 / 35

HEX #13A775

RGB 19 167 117

HSL 159.73, 0.8%, 0.36%

LAB 60.83, -47.83, 15.96

 

CMYK 89 / 76 / 0 / 35

HEX #1228A5

RGB 18 40 165

HSL 231.02, 0.8%, 0.36%

LAB 24.84, 41.26, -67.93

 

CMYK 0 / 89 / 58 / 35

HEX #A51246

RGB 165 18 70

HSL 338.78, 0.8%, 0.36%

LAB 35.74, 57.8, 10.57

 

CMYK 0 / 13 / 89 / 35

HEX #A58F12

RGB 165 143 18

HSL 51.02, 0.8%, 0.36%

LAB 59.61, -3.62, 60.82

 

CMYK 89 / 0 / 30 / 35

HEX #13A775

RGB 19 167 117

HSL 159.73, 0.8%, 0.36%

LAB 60.83, -47.83, 15.96

 

CMYK 76 / 89 / 0 / 35

HEX #2812A5

RGB 40 18 165

HSL 248.98, 0.8%, 0.36%

LAB 22.3, 52.95, -72.1

 

CMYK 0 / 89 / 58 / 35

HEX #A51246

RGB 165 18 70

HSL 338.78, 0.8%, 0.36%

LAB 35.74, 57.8, 10.57

 

CMYK 13 / 0 / 89 / 35

HEX #8FA512

RGB 143 165 18

HSL 68.98, 0.8%, 0.36%

LAB 63.99, -24.9, 63.59

 

Description

Color code: HEX #13A775 | qconv.com Color code: HEX #13A775 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 167 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 167 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 30 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 30% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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