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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A218 it is the complementary color #EC5DE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A218 shade: #18A213, #29B426, #3AC639, #4BD84C and #5CEA5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A218 shade: #13A218, #029005, #007E00, #006C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A218 shade: #13A018, #34A013, #5AA013, #80A013 and #A09A13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A218 shade: #13A018, #13A03E, #13A064, #13A08A and #1390A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A218 shade matches the following richer shades: #13A018 and #04AE0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A218 shade: #13A018, #219125, #308333, #3E7440 and #4D664D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A218 shade: #59A013, #34A013, #13A017, #13A03D and #13A063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A218 shade: #0A560D, #0E7B12, #13A018, #17C51D and #20E527

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A218 shade: #13A218, #137FA0 and #A01346

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A218 shade: #13A218, #1713A0 and #A01713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A218 shade: #13A218, #137FA0, #A0139B and #A03413

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A218 shade: #13A218, #1355A0, #A0139B and #A05E13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 85 / 36

HEX #13A218

RGB 19 162 24

HSL 122.1, 0.79%, 0.35%

LAB 58.08, -59.38, 55.22

 

Complementary color

CMYK 0 / 61 / 2 / 7

HEX #EC5DE7

RGB 236 93 231

HSL 302.1, 0.79%, 0.65%

LAB 62.87, 71.41, -43.64

 

CMYK 85 / 0 / 88 / 36

HEX #18A213

RGB 24 162 19

HSL 117.9, 0.79%, 0.35%

LAB 58.11, -59.13, 56.44

 

CMYK 77 / 0 / 79 / 29

HEX #29B426

RGB 41 180 38

HSL 118.73, 0.65%, 0.43%

LAB 64.37, -61.49, 57.22

 

CMYK 71 / 0 / 71 / 22

HEX #3AC639

RGB 58 198 57

HSL 119.57, 0.55%, 0.5%

LAB 70.58, -63.09, 56.98

 

CMYK 65 / 0 / 65 / 15

HEX #4BD84C

RGB 75 216 76

HSL 120.43, 0.64%, 0.57%

LAB 76.76, -64.13, 56.2

 

CMYK 61 / 0 / 59 / 8

HEX #5CEA5F

RGB 92 234 95

HSL 121.27, 0.77%, 0.64%

LAB 82.89, -64.79, 55.14

 

CMYK 88 / 0 / 85 / 36

HEX #13A218

RGB 19 162 24

HSL 122.1, 0.79%, 0.35%

LAB 58.08, -59.38, 55.22

 

CMYK 99 / 0 / 97 / 44

HEX #029005

RGB 2 144 5

HSL 121.27, 0.97%, 0.29%

LAB 51.8, -56.01, 53.49

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 88 / 0 / 85 / 37

HEX #13A018

RGB 19 160 24

HSL 122.13, 0.79%, 0.35%

LAB 57.41, -58.78, 54.61

 

CMYK 68 / 0 / 88 / 37

HEX #34A013

RGB 52 160 19

HSL 105.96, 0.79%, 0.35%

LAB 57.96, -54.08, 56.5

 

CMYK 44 / 0 / 88 / 37

HEX #5AA013

RGB 90 160 19

HSL 89.79, 0.79%, 0.35%

LAB 59.31, -43.42, 58.19

 

CMYK 20 / 0 / 88 / 37

HEX #80A013

RGB 128 160 19

HSL 73.62, 0.79%, 0.35%

LAB 61.46, -28.81, 60.87

 

CMYK 0 / 4 / 88 / 37

HEX #A09A13

RGB 160 154 19

HSL 57.45, 0.79%, 0.35%

LAB 62.2, -11.77, 62.49

 

CMYK 88 / 0 / 85 / 37

HEX #13A018

RGB 19 160 24

HSL 122.13, 0.79%, 0.35%

LAB 57.41, -58.78, 54.61

 

CMYK 88 / 0 / 61 / 37

HEX #13A03E

RGB 19 160 62

HSL 138.3, 0.79%, 0.35%

LAB 57.68, -55.38, 40.63

 

CMYK 88 / 0 / 38 / 37

HEX #13A064

RGB 19 160 100

HSL 154.47, 0.79%, 0.35%

LAB 58.23, -48.9, 21.75

 

CMYK 88 / 0 / 14 / 37

HEX #13A08A

RGB 19 160 138

HSL 170.64, 0.79%, 0.35%

LAB 59.08, -39.57, 1.72

 

CMYK 88 / 10 / 0 / 37

HEX #1390A0

RGB 19 144 160

HSL 186.81, 0.79%, 0.35%

LAB 54.68, -25.25, -17.39

 

CMYK 88 / 0 / 85 / 37

HEX #13A018

RGB 19 160 24

HSL 122.13, 0.79%, 0.35%

LAB 57.41, -58.78, 54.61

 

CMYK 98 / 0 / 94 / 32

HEX #04AE0A

RGB 4 174 10

HSL 122.12, 0.96%, 0.35%

LAB 61.93, -64.26, 61.17

 

CMYK 88 / 0 / 85 / 37

HEX #13A018

RGB 19 160 24

HSL 122.13, 0.79%, 0.35%

LAB 57.41, -58.78, 54.61

 

CMYK 77 / 0 / 74 / 43

HEX #219125

RGB 33 145 37

HSL 122.14, 0.63%, 0.35%

LAB 52.63, -51.51, 45.93

 

CMYK 63 / 0 / 61 / 49

HEX #308333

RGB 48 131 51

HSL 122.17, 0.46%, 0.35%

LAB 48.39, -42.01, 35.29

 

CMYK 47 / 0 / 45 / 55

HEX #3E7440

RGB 62 116 64

HSL 122.22, 0.3%, 0.35%

LAB 44.07, -29.69, 23.26

 

CMYK 25 / 0 / 25 / 60

HEX #4D664D

RGB 77 102 77

HSL 120, 0.14%, 0.35%

LAB 40.6, -14.8, 11.18

 

CMYK 44 / 0 / 88 / 37

HEX #59A013

RGB 89 160 19

HSL 90.21, 0.79%, 0.35%

LAB 59.26, -43.76, 58.13

 

CMYK 68 / 0 / 88 / 37

HEX #34A013

RGB 52 160 19

HSL 105.96, 0.79%, 0.35%

LAB 57.96, -54.08, 56.5

 

CMYK 88 / 0 / 86 / 37

HEX #13A017

RGB 19 160 23

HSL 121.7, 0.79%, 0.35%

LAB 57.41, -58.83, 54.86

 

CMYK 88 / 0 / 62 / 37

HEX #13A03D

RGB 19 160 61

HSL 137.87, 0.79%, 0.35%

LAB 57.67, -55.51, 41.08

 

CMYK 88 / 0 / 38 / 37

HEX #13A063

RGB 19 160 99

HSL 154.04, 0.79%, 0.35%

LAB 58.21, -49.11, 22.27

 

CMYK 88 / 0 / 85 / 66

HEX #0A560D

RGB 10 86 13

HSL 122.37, 0.79%, 0.19%

LAB 31.23, -36.82, 33.51

 

CMYK 89 / 0 / 85 / 52

HEX #0E7B12

RGB 14 123 18

HSL 122.2, 0.8%, 0.27%

LAB 44.66, -48.24, 44.56

 

CMYK 88 / 0 / 85 / 37

HEX #13A018

RGB 19 160 24

HSL 122.13, 0.79%, 0.35%

LAB 57.41, -58.78, 54.61

 

CMYK 88 / 0 / 85 / 23

HEX #17C51D

RGB 23 197 29

HSL 122.07, 0.79%, 0.43%

LAB 69.61, -68.97, 64.41

 

CMYK 86 / 0 / 83 / 10

HEX #20E527

RGB 32 229 39

HSL 122.13, 0.79%, 0.51%

LAB 79.89, -76.8, 71.36

 

CMYK 88 / 0 / 85 / 36

HEX #13A218

RGB 19 162 24

HSL 122.1, 0.79%, 0.35%

LAB 58.08, -59.38, 55.22

 

CMYK 88 / 21 / 0 / 37

HEX #137FA0

RGB 19 127 160

HSL 194.04, 0.79%, 0.35%

LAB 49.32, -16.22, -25.62

 

CMYK 0 / 88 / 56 / 37

HEX #A01346

RGB 160 19 70

HSL 338.3, 0.79%, 0.35%

LAB 34.77, 56.31, 9.05

 

CMYK 88 / 0 / 85 / 36

HEX #13A218

RGB 19 162 24

HSL 122.1, 0.79%, 0.35%

LAB 58.08, -59.38, 55.22

 

CMYK 86 / 88 / 0 / 37

HEX #1713A0

RGB 23 19 160

HSL 241.7, 0.79%, 0.35%

LAB 20.77, 50.39, -71.62

 

CMYK 0 / 86 / 88 / 37

HEX #A01713

RGB 160 23 19

HSL 1.7, 0.79%, 0.35%

LAB 34.26, 53.09, 39.8

 

CMYK 88 / 0 / 85 / 36

HEX #13A218

RGB 19 162 24

HSL 122.1, 0.79%, 0.35%

LAB 58.08, -59.38, 55.22

 

CMYK 88 / 21 / 0 / 37

HEX #137FA0

RGB 19 127 160

HSL 194.04, 0.79%, 0.35%

LAB 49.32, -16.22, -25.62

 

CMYK 0 / 88 / 3 / 37

HEX #A0139B

RGB 160 19 155

HSL 302.13, 0.79%, 0.35%

LAB 38.39, 66.14, -39.08

 

CMYK 0 / 68 / 88 / 37

HEX #A03413

RGB 160 52 19

HSL 14.04, 0.79%, 0.35%

LAB 37.8, 43.27, 42.71

 

CMYK 88 / 0 / 85 / 36

HEX #13A218

RGB 19 162 24

HSL 122.1, 0.79%, 0.35%

LAB 58.08, -59.38, 55.22

 

CMYK 88 / 47 / 0 / 37

HEX #1355A0

RGB 19 85 160

HSL 211.91, 0.79%, 0.35%

LAB 36.32, 9.45, -46.16

 

CMYK 0 / 88 / 3 / 37

HEX #A0139B

RGB 160 19 155

HSL 302.13, 0.79%, 0.35%

LAB 38.39, 66.14, -39.08

 

CMYK 0 / 41 / 88 / 37

HEX #A05E13

RGB 160 94 19

HSL 31.91, 0.79%, 0.35%

LAB 46.35, 21.64, 49.67

 

Description

Color code: HEX #13A218 | qconv.com Color code: HEX #13A218 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 162 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 162 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 85 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 85% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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