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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A147 it is the complementary color #EC5EB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A147 shade: #18A142, #29B355, #3AC568, #4BD77B and #5CE98E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A147 shade: #13A147, #028F34, #007D21, #006B0E and #005900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A147 shade: #13A046, #13A020, #2BA013, #51A013 and #77A013

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A147 shade: #13A046, #13A06C, #13A092, #1387A0 and #1361A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A147 shade matches the following richer shades: #13A046 and #04AE43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A147 shade: #13A046, #21914A, #30834E, #3E7452 and #4D6656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A147 shade: #2DA013, #13A01E, #13A044, #13A06A and #13A08F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A147 shade: #0A5626, #0E7B36, #13A046, #17C557 and #20E568

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A147 shade: #13A147, #1352A0 and #A0131A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A147 shade: #13A147, #4413A0 and #A04413

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A147 shade: #13A147, #1352A0, #A0136E and #A06013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A147 shade: #13A147, #1328A0, #A0136E and #A08B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 56 / 37

HEX #13A147

RGB 19 161 71

HSL 141.97, 0.79%, 0.35%

LAB 58.12, -54.46, 36.8

 

Complementary color

CMYK 0 / 60 / 22 / 7

HEX #EC5EB8

RGB 236 94 184

HSL 321.97, 0.79%, 0.65%

LAB 61.04, 63.99, -19.92

 

CMYK 85 / 0 / 59 / 37

HEX #18A142

RGB 24 161 66

HSL 138.39, 0.74%, 0.36%

LAB 58.11, -54.72, 39.24

 

CMYK 77 / 0 / 53 / 30

HEX #29B355

RGB 41 179 85

HSL 139.13, 0.63%, 0.43%

LAB 64.46, -56.13, 37.65

 

CMYK 71 / 0 / 47 / 23

HEX #3AC568

RGB 58 197 104

HSL 139.86, 0.55%, 0.5%

LAB 70.75, -56.99, 36.09

 

CMYK 65 / 0 / 43 / 16

HEX #4BD77B

RGB 75 215 123

HSL 140.57, 0.64%, 0.57%

LAB 77, -57.5, 34.59

 

CMYK 61 / 0 / 39 / 9

HEX #5CE98E

RGB 92 233 142

HSL 141.28, 0.76%, 0.64%

LAB 83.18, -57.77, 33.18

 

CMYK 88 / 0 / 56 / 37

HEX #13A147

RGB 19 161 71

HSL 141.97, 0.79%, 0.35%

LAB 58.12, -54.46, 36.8

 

CMYK 99 / 0 / 64 / 44

HEX #028F34

RGB 2 143 52

HSL 141.28, 0.97%, 0.28%

LAB 51.73, -52.28, 38.45

 

CMYK 100 / 0 / 74 / 51

HEX #007D21

RGB 0 125 33

HSL 135.84, 1%, 0.25%

LAB 45.33, -48.86, 39.87

 

CMYK 100 / 0 / 87 / 58

HEX #006B0E

RGB 0 107 14

HSL 127.85, 1%, 0.21%

LAB 38.81, -44.77, 40.27

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 88 / 0 / 56 / 37

HEX #13A046

RGB 19 160 70

HSL 141.7, 0.79%, 0.35%

LAB 57.77, -54.27, 36.89

 

CMYK 88 / 0 / 80 / 37

HEX #13A020

RGB 19 160 32

HSL 125.53, 0.79%, 0.35%

LAB 57.45, -58.31, 52.36

 

CMYK 73 / 0 / 88 / 37

HEX #2BA013

RGB 43 160 19

HSL 109.79, 0.79%, 0.35%

LAB 57.75, -55.84, 56.24

 

CMYK 49 / 0 / 88 / 37

HEX #51A013

RGB 81 160 19

HSL 93.62, 0.79%, 0.35%

LAB 58.92, -46.37, 57.7

 

CMYK 26 / 0 / 88 / 37

HEX #77A013

RGB 119 160 19

HSL 77.45, 0.79%, 0.35%

LAB 60.88, -32.52, 60.15

 

CMYK 88 / 0 / 56 / 37

HEX #13A046

RGB 19 160 70

HSL 141.7, 0.79%, 0.35%

LAB 57.77, -54.27, 36.89

 

CMYK 88 / 0 / 33 / 37

HEX #13A06C

RGB 19 160 108

HSL 157.87, 0.79%, 0.35%

LAB 58.38, -47.16, 17.55

 

CMYK 88 / 0 / 9 / 37

HEX #13A092

RGB 19 160 146

HSL 174.04, 0.79%, 0.35%

LAB 59.3, -37.3, -2.48

 

CMYK 88 / 16 / 0 / 37

HEX #1387A0

RGB 19 135 160

HSL 190.64, 0.79%, 0.35%

LAB 51.84, -20.56, -21.73

 

CMYK 88 / 39 / 0 / 37

HEX #1361A0

RGB 19 97 160

HSL 206.81, 0.79%, 0.35%

LAB 39.96, 1.64, -40.33

 

CMYK 88 / 0 / 56 / 37

HEX #13A046

RGB 19 160 70

HSL 141.7, 0.79%, 0.35%

LAB 57.77, -54.27, 36.89

 

CMYK 98 / 0 / 61 / 32

HEX #04AE43

RGB 4 174 67

HSL 142.24, 0.96%, 0.35%

LAB 62.26, -60.09, 43.55

 

CMYK 88 / 0 / 56 / 37

HEX #13A046

RGB 19 160 70

HSL 141.7, 0.79%, 0.35%

LAB 57.77, -54.27, 36.89

 

CMYK 77 / 0 / 49 / 43

HEX #21914A

RGB 33 145 74

HSL 141.96, 0.63%, 0.35%

LAB 53.02, -46.77, 29.03

 

CMYK 63 / 0 / 40 / 49

HEX #30834E

RGB 48 131 78

HSL 141.69, 0.46%, 0.35%

LAB 48.77, -37.69, 21.43

 

CMYK 47 / 0 / 29 / 55

HEX #3E7452

RGB 62 116 82

HSL 142.22, 0.3%, 0.35%

LAB 44.41, -26.29, 13.34

 

CMYK 25 / 0 / 16 / 60

HEX #4D6656

RGB 77 102 86

HSL 141.6, 0.14%, 0.35%

LAB 40.82, -12.94, 6.04

 

CMYK 72 / 0 / 88 / 37

HEX #2DA013

RGB 45 160 19

HSL 108.94, 0.79%, 0.35%

LAB 57.8, -55.48, 56.29

 

CMYK 88 / 0 / 81 / 37

HEX #13A01E

RGB 19 160 30

HSL 124.68, 0.79%, 0.35%

LAB 57.44, -58.44, 52.97

 

CMYK 88 / 0 / 58 / 37

HEX #13A044

RGB 19 160 68

HSL 140.85, 0.79%, 0.35%

LAB 57.75, -54.56, 37.84

 

CMYK 88 / 0 / 34 / 37

HEX #13A06A

RGB 19 160 106

HSL 157.02, 0.79%, 0.35%

LAB 58.34, -47.61, 18.61

 

CMYK 88 / 0 / 11 / 37

HEX #13A08F

RGB 19 160 143

HSL 172.77, 0.79%, 0.35%

LAB 59.22, -38.16, -0.91

 

CMYK 88 / 0 / 56 / 66

HEX #0A5626

RGB 10 86 38

HSL 142.11, 0.79%, 0.19%

LAB 31.49, -33.67, 21.75

 

CMYK 89 / 0 / 56 / 52

HEX #0E7B36

RGB 14 123 54

HSL 142.02, 0.8%, 0.27%

LAB 44.98, -44.35, 29.55

 

CMYK 88 / 0 / 56 / 37

HEX #13A046

RGB 19 160 70

HSL 141.7, 0.79%, 0.35%

LAB 57.77, -54.27, 36.89

 

CMYK 88 / 0 / 56 / 23

HEX #17C557

RGB 23 197 87

HSL 142.07, 0.79%, 0.43%

LAB 70.04, -63.67, 43.4

 

CMYK 86 / 0 / 55 / 10

HEX #20E568

RGB 32 229 104

HSL 141.93, 0.79%, 0.51%

LAB 80.37, -70.81, 47.87

 

CMYK 88 / 0 / 56 / 37

HEX #13A147

RGB 19 161 71

HSL 141.97, 0.79%, 0.35%

LAB 58.12, -54.46, 36.8

 

CMYK 88 / 49 / 0 / 37

HEX #1352A0

RGB 19 82 160

HSL 213.19, 0.79%, 0.35%

LAB 35.42, 11.46, -47.6

 

CMYK 0 / 88 / 84 / 37

HEX #A0131A

RGB 160 19 26

HSL 357.02, 0.79%, 0.35%

LAB 34.01, 54.13, 35.87

 

CMYK 88 / 0 / 56 / 37

HEX #13A147

RGB 19 161 71

HSL 141.97, 0.79%, 0.35%

LAB 58.12, -54.46, 36.8

 

CMYK 58 / 88 / 0 / 37

HEX #4413A0

RGB 68 19 160

HSL 260.85, 0.79%, 0.35%

LAB 24.43, 53.32, -65.45

 

CMYK 0 / 58 / 88 / 37

HEX #A04413

RGB 160 68 19

HSL 20.85, 0.79%, 0.35%

LAB 40.66, 35.71, 45.04

 

CMYK 88 / 0 / 56 / 37

HEX #13A147

RGB 19 161 71

HSL 141.97, 0.79%, 0.35%

LAB 58.12, -54.46, 36.8

 

CMYK 88 / 49 / 0 / 37

HEX #1352A0

RGB 19 82 160

HSL 213.19, 0.79%, 0.35%

LAB 35.42, 11.46, -47.6

 

CMYK 0 / 88 / 31 / 37

HEX #A0136E

RGB 160 19 110

HSL 321.28, 0.79%, 0.35%

LAB 36.11, 60.08, -14.76

 

CMYK 0 / 40 / 88 / 37

HEX #A06013

RGB 160 96 19

HSL 32.77, 0.79%, 0.35%

LAB 46.83, 20.51, 50.06

 

CMYK 88 / 0 / 56 / 37

HEX #13A147

RGB 19 161 71

HSL 141.97, 0.79%, 0.35%

LAB 58.12, -54.46, 36.8

 

CMYK 88 / 75 / 0 / 37

HEX #1328A0

RGB 19 40 160

HSL 231.06, 0.79%, 0.35%

LAB 24.3, 39.52, -65.77

 

CMYK 0 / 88 / 31 / 37

HEX #A0136E

RGB 160 19 110

HSL 321.28, 0.79%, 0.35%

LAB 36.11, 60.08, -14.76

 

CMYK 0 / 13 / 88 / 37

HEX #A08B13

RGB 160 139 19

HSL 51.06, 0.79%, 0.35%

LAB 58.02, -3.71, 59.13

 

Description

Color code: HEX #13A147 | qconv.com Color code: HEX #13A147 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 161 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 161 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 56 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 56% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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